The Power of Positive Self-Criticism in Art

"Positivity grows", a mixed media painting by Peony and Parakeet. Read about using positive self-criticism when creating art!

My latest mixed media artwork is called “Positivity Grows”. It is dedicated to all of you who have a strong inner critic. If you want to improve, it is essential to evaluate your own work. But sometimes the self-criticism can have too negative tone. Have you experienced any of these?

1) Big Picture Panic
The artwork gets evaluated as a whole in a too early stage. It is like making a meal and after tasting the raw potatoes, you’d decide that it’s not going to succeed. “I must have done something wrong when peeling those potatoes!”

2) Overclean Obsession
You take the safe way: you don’t mix colors, don’t let anything intersect, draw sloo-owly, keep everything plain, simple and controlled. This reminds me of a tadpole (a baby frog) which I got from my friend when I was a child. The tadpole lived in a jar filled with muddy water. I picked a clean vase, poured plenty of tap water and put the little frog there. It did not live long. I did my best to take care of it but did not understand that for the tadpole, there was nothing to eat, nowhere to hide. So – Mix those colors! Add diversity! Give some nourishment to the growing artist in you!

3) Mistake Hunt
If you focus on the things that “went wrong” instead of those which “went right”, you are playing the wrong game. Art is in small nuances, it requires sensitivity and openness. If your self-evaluation is too negative, you do not notice the beautiful little details that appear in your art. They are often lucky accidents if you take care of the diversity. When enhanced, those details can take over and bring your end result to the new level.

Positive Self-Criticism

You can get cured of any of those diseases with a healthy dose of positive self-criticism. From the moment you make the first brush stroke, focus on the details and look for beautiful and interesting areas. I will show you how I did that while creating the artwork of this post.

Phase 1 – Watercolors

When I began the artwork of this post, I just made a mess with watercolors. I kind of made the muddy jar for tadpoles to prosper!

Watercolor background by Peony and Parakeet. Read about using positive self-criticism when creating art!

After painting this, I could have just quitted and call it ruined. Or I could have tried to made that dark muddy area brighter. But instead, I began to investigate the painting closely.

Details from a watercolor background by Peony and Parakeet. Read about using positive self-criticism when creating art!

My inner critic pointed the little details with so much beauty that I began to feel confident and excited. The whole process of making this artwork began to feel like an adventure. Instead of mistakes I was hunting treasures!

Phase 2 – Watercolors

Next I continued with watercolors and created new layers of elements. I took care of the diversity: there’s a lot of various hues and shapes. And even more important: the layers intersect so that they create new happy accidents.

A mixed media painting in progress by Peony and Parakeet. Read about using positive self-criticism when creating art!

After painting this, I enjoyed this tiny detail: a yellow spot. It was like a little star! I felt I was lucky and genious at the same time.

A detail of a watercolor painting. Read about using positive self-criticism when creating art!

I spent some time searching for more beautiful areas and enjoying them. With watercolors, the edges of brush strokes are often really beautiful.

A mixed media painting in progress by Peony and Parakeet. Read about using positive self-criticism when creating art!

Phase 3 – Colored Pencils

To keep the diversity level high, I changed watercolors to colored pencils. I also changed the music I was listening to. Working from a small area to another, I enlarged the beautiful details found after another.

A mixed media painting in progress by Peony and Parakeet. Read about using positive self-criticism when creating art!

In this phase I realized that the main theme of the artwork would be growth. I searched for the details that would express the theme. I found several and they made me happy!

A mixed media painting in progress by Peony and Parakeet. Read about using positive self-criticism when creating art!

Phase 4 – Pens

New music and new supplies! This time I picked a black PITT Artist Brush Pen and a white gel pen (Uni-Ball Signo). I was encouraging myself to create strong contrasts. They would made the pretty details really pop. Again, I was not worrying over hiding the not-so-pretty details but enhancing the good ones.

A mixed media painting in progress by Peony and Parakeet. Read about using positive self-criticism when creating art!

In this phase I began to look the artwork as a whole. However, instead of correcting the poor composition, I analyzed which of the details looked most appealing and how they were located.

A mixed media painting in progress by Peony and Parakeet. Read about using positive self-criticism when creating art!

Phase 5 – Finishing

When finishing, I like to listen to the rhytmic music which gives me confidence to carefully adjust the balance of the work. I picked a white correction pen and a box of handdecorated papers. By doodling and cutting papers, I changed the composition so that the eye would find all the pretty little details one by one.

A mixed media painting in progress by Peony and Parakeet. Read about using positive self-criticism when creating art!

The Summary

You can be analytical and critical when making art. You can also be strict: mix the colors, change the tempo, keep the image alive! But maintaining the gentleness and sensitivity is crucial too. Let the little details that appeal to you be the foundation for your self-expression!

"Positivity grows", a mixed media painting by Peony and Parakeet. Read about using positive self-criticism when creating art!

Blank Page Syndrome before Big Picture Panic?

Buy the video “Watercolor 101 for Intuitive Painting” where I will show you how you can get a fast start and keep going! Click here for the preview!

Art Deco Journal Covers

Art Deco style handmade journal covers by Peony and Parakeet
My sisters will get empty handmade journals from me for Christmas. They both like writing and literature so I hope they will put the journals in use. My idea is to include some photos, decorative papers, scrap pictures and such – so that the journal is like a handmade version of Smash book more than a basic blank book. I have also chosen the themes for the journals. The older sister will get an art deco themed book and the younger sister will get flowers and fairies. Here’s a snapshot of the latter.

Handmade smash book like journal covered with Elsa Beskow's illustration, by Peony and Parakeet

I had an old Elsa Beskow’s children’s book which I used for the cover image. There are plenty of pretty papers too! My other sister would not have this, it is much too cute for her. She likes something more artistic.

I chose art deco as I have been thinking a lot about that style lately. I love the muted, sliding color transitions combined with black and white. And I have been more and more into using graphic, sharp shapes.

Art Deco Journal Covers

I will show you how I made the covers for the art deco themed journal. First, I picked some Sticky Canvas by Claudine Helmuth Studio. It is a canvas sheet that is like a huge sticker. You can attach it without glue after you have finished it. You do not need sticky canvas for this project. You can use a drawing paper or thin fabric instead.

1) Background Colors

I started with watercolors, then used some Dylusions ink sprays. As the canvas got all wet, it got wrinkled. I emphasized the wrinkles by brushing Distress ink pads against the canvas.

Art Deco style handmade journal covers by Peony and Parakeet, step 1

Now I got the muted, soft color transitions. Next task was to add contrasts and sharpness to it.

2) Background Motifs

I cut art deco styled shapes from old cardboard boxes and arranged them on the canvas.

Art Deco style handmade journal covers by Peony and Parakeet, step 2

Then I sprayed with the black Dylusions ink spray over the shapes.

Art Deco style handmade journal covers by Peony and Parakeet, step 2 after spraying

3) Finishing the Covers

I cut two thick cardboard pieces for covers. Then I covered them with the sticky canvas. I had a couple of handmade decorated papers which I wanted to use too.

Art Deco style handmade journal covers by Peony and Parakeet, step 3, adding decorated papers

I added decorated papers to the covers. Colored pencils were used to highlight the muted tones. The holes were punched with Zutter Bind-It-All. It is amazing how thick it can cut!

Art Deco style handmade journal covers by Peony and Parakeet

The front and back covers are shown on the left, and the inside covers on the right.

Handmade journal covers by Peony and Parakeet

Now I just have to add pages, draw some art deco style ornaments to them and find a photo of my sister where she looks a bit like a beauty of that era!

Art Deco appeared first time in 1920-40s, just after Art Nouveau.  
Leave a comment, what do you like in Art Deco or have you noticed it at all? Have you ever made anything Art Deco?

Scrap Wood Collage

Scrap Wood Collage by Paivi from Peony and Parakeet with her husband

After working day and night with Folk Bag Workbook, it was time to relax. But honestly, I am not very good at doing nothing, so I decided to put my mind in rest by finishing the scrap wood collage. It is a project I have been making with my husband. I talked about the project first time in one of the video blog posts.

Background of the Project

While renovating the studio, we ran out of the ceiling panels. (You can see the hole in the ceiling on the video.) My husband had a box of wooden pieces collected from the past woodworking projects. We decided to use them to create an artwork together.

We had been talking about a project like this for a long time. My husband is an avid woodworker and I love to draw and paint. We are both extremely interested in art and design, so we thought this would be the perfect project for combining our strengths.

Planning

When the project started I drew some sketches and we discussed about them. I focused on the concept of how the wooden pieces should be arranged. I knew I wanted to include paint too, but was not too concerned about it yet. We agreed to create a sort of log cabin quilt type design and organize the wooden pieces by color. My husband drew the size of the artwork on the big piece of paper so that we could understand the proportions more accurately.

Scrap Wood Collage by Paivi from Peony and Parakeet with her husband

Making the Blocks

When we began to make the blocks, it dawned on us that I was too impatient to glue and adjust the pieces. And my husband had not much ideas about how the pieces should be composed visually. So I designed each of the block by organizing the wooden pieces on the table and my husband glued and finished the blocks. As every block is unique and most of the small wooden pieces are different sizes, my husband had a lot of work!

When all the blocks were glued, I wanted to add paint on them. I did not want to cover the wooden surfaces but add some color to the edges. As the theme of the studio is 1960s, I mixed colors from that era and painted each of the edges in different color.

Attaching the Blocks

After the blocks were painted, the artwork was ready to be put in place. My husband had made a wooden panel where he glued each of the blocks.

Scrap Wood Collage by Paivi from Peony and Parakeet with her husband

A Special Feature

If you watched the video carefully, you might have noticed that there is a power plug on the ceiling. The artwork is designed so that there is a flap in one of the blocks that can be slided away!

Scrap Wood Collage by Paivi from Peony and Parakeet with her husband

Lessons Learned?

All in all, this was a great project! This is what I learned here:

1) Let the creativity correct the mistakes.
We could have just ordered few more ceiling panels but we did the exact opposite!
2) Make it meaningful.
Many of the scraps carry memories themselves. And we created more memories by working together.
3) Search for new territories.
My approach for wood was totally different from traditional woodworker’s. The artwork was designed like a modern quilt even if it has been made from wood. For me, various wood species represented various colors. The wood grains were combined so that they formed rhytmic lines and ornaments. I also wanted to create a texture, but not by carving like a woodworker had done, but by playing with the height differences of each piece.

Scrap Wood Collage by Paivi from Peony and Parakeet with her husband

The fourth lesson is:
4) It’s good when it looks like it’s alive.
The end result might look terrible if you look at it like a traditional woodworker. While we made the project, my husband had some problems to get over the fact that every wooden piece does not fit exactly and there will be so much variety on the artwork. But in the end it all looks alive. I love the uneven, colorful edge. Combined with the texture, it all looks very organic even if there are clear, graphic blocks.

While creating this, I began to think of wood as a new art supply. Then I realized that most of the things in the world can be seen as an art supply! Mind-blowing, isn’t it!

P.S. Soon after we finished our artwork, my husband saw a woodworking video about making a wall-decoration from scrap wood. Does it differ from ours? Leave a comment and tell what do you think!

How to Make Folk Bags

Folk Bag Workbook - Instructions on how to design and make creative drawstring pouches

Since 2008, I have had a dream: teaching how to design and make folk bags. When I invented the idea of the folk bag, I drew a sketch. That sketch was the first piece in the pile of documentation gathered for the workbook.

The workbook has 40 pages and about 100 images. You will be guided from the planning to the making of unique folk bags which you can keep, give away or sell.

Paivi from Peony and Parakeet

I feel so happy and relieved at the moment!

The book includes instructions for three folk bags: one small with stripes, another large with solid-colored fabrics and third medium with printed fabrics. But the best thing in the workbook is that it guides you how to create unique bags in various sizes. Starting from choosing the theme and fabric and ending with setting the final decorations in place!

Folk Bag Workbook - Instructions on how to design and make creative drawstring pouches

Buy the book for 15 euros (about 18.50 USD) here or from my Ravelry store

Am I the Same as My Coming Book?

Paivi from Peony and Parakeet holding folk bags in the front of her fabric stash.

November has been a folk bag month. In the beginning of the month I thought I would be writing a craft pattern. The more I worked with it, the more obvious it became that it will be a book. If I knew that before I started, I would have spent the whole month just procrastinating. But now it’s too late! The book has been written. Just some Finnish translations and single word check-ups has to be done before putting it all together visually. There will be 9 chapters and over 100 photos!

Stella, the beagle, Paivi's dog

Most of the days, including the weekends, have been spent on a computer. Luckily I have two dogs to take care of, so I need to take breaks!

At the same time, I am excited and worried. I am anxiously waiting to be able to see the bags that you will make using the book! At the same time I am worried if I have included all what I have to give and put it in a way that you are able to comprehend.

Paivi walking on the snowy road

I have also been thinking about my connection to my business. How I could understand the difference between the work I do and me as a person? All the creative people have to deal with this someway, I think.

During a month like this, it is very difficult to remember that I am much more than a folk bag or an intuitive painter. Have you felt that you take the result of your creativity very personally? I think it’s normal behaviour as we have put so much of ourselves into our work. But at the same time, it is good to remember that we are much more, and can become much more. Luckily, for Stella, my little beagle, I am something totally different than a painting or a book!

Quick Gelli Christmas Cards

Printing Christmas Cards with a Gelli Plate, by Peony and Parakeet

This year I had two requirements for the Christmas cards: quick and handmade! The theme had also been selected: candles, suitable for all religions and all ages. All I had to do was to figure out how to make a lot of cards and fast. This first photo is a snapshot from my studio while I was making the cards.

Planning

Before I got my table full of cards and more under making, I had to discover the process of creating the cards. My artistic side wanted something that looked handmade but was still somewhat warm and painterly. The task was transferred to my engineering side who turned on the computer and made a sketch of a single card in Photoshop. The card would consist of two layers of paint. Needless to say, using the Gelli plate would be handy!

Planning a christmas card on Photoshop, by Peony and Parakeet

But this plan was not enough. I wanted to create not only one card, but several at the same go. While walking the dogs, I solved the problem. Here are the step-by-step instructions of how to make simple candle holliday cards. You can make them more complicated by adding doodles and such but the basic design is very simple. By following these steps, you can serially produce handmade cards!

Supplies

Printing Christmas Cards with a Gelli Plate, by Peony and Parakeet

You will need: Paper, glue, cardboard, acrylic paint in few colors, brush, brayer, scissors, black pen and 8” x 10” size Gelli plate.
Optional: Paper trimmer for cutting the straight edges. Some kind of a stick, a pallette knife or a knitting needle for example, for drawing surface patterns.Double-sided tape if you prefer that to glue for attaching the printed image to the cardboard.

1) 1st Layer: Candles

Paint the center of the plate. The width of the painted area is 5 to 6 inches of the height of 10 inches. You can cut a paper of that width and use it as a guide by putting it beside or under the plate.

Printing Christmas Cards with a Gelli Plate, by Peony and Parakeet

You can draw patterns with a stick if you like. I like to use more than one color to make the candles look lively. You can use brayer for the paint but I prefer to use brush and work horizontally. That way the candles will have horizontal color slides.

Printing Christmas Cards with a Gelli Plate, by Peony and Parakeet

Cut your papers to the size of the Gelli plate before printing them. You will get 2 to 3 prints from the one layer of paint. Let dry.

2) 2nd layer: Backgrounds

While waiting the paint to dry, cut the masks for the candles. You will make four candles from the one print. For the four candles, you will need four rectangles, 2-3 inches wide and 5 to 6 inches long. Furthermore, you will need four flames. Fold a paper twice in half and cut one flame at the same go or enjoy your time with the scissors and cut the shapes individually.

Printing Christmas Cards with a Gelli Plate, by Peony and Parakeet

Paint the background with two colors. The center with a darker color (blue, black or green, for example) and the sides with orange yellow. I like to use color mixtures here too. Place the masks so that the distance between them is the twice longer than the distant from the edges. If you want, you can emphasize the flames by drawing lines around them. Make the prints. Let dry.

3) Cut the prints, save the flames

Save the masking papers for the flames. Cut the prints in four parts with scissors or with a paper trimmer.

Printing Christmas Cards with a Gelli Plate, by Peony and Parakeet

In the third photo beside the trimmer you can see one alteration of this pattern: use Gelli plate in the other way and create an image with a several candles! By cutting various sizes of masks you get variation for your candles.

4) Finishing

Cut a small part of the background away from the both sides of the print. Cut curvy lines to the bottom edge of the candle. These will make the candle look like it’s set on the snow.

Printing Christmas Cards with a Gelli Plate, by Peony and Parakeet

Attach the print to the cardboard. Glue the mask on place or color the center of the flame with a colored pencil or a marker. Draw a wick with a black pen.

Printing Christmas Cards with a Gelli Plate, by Peony and Parakeet

5) Variations!

You can make all kinds of variations from the basic instructions. You can add the number of candles, cut them out and glue many candle on the same card, doodle on the candles etc.

Printing Christmas Cards with a Gelli Plate (make four from the same print!), by Peony and Parakeet

I still have few cards to finish and one more task to do: Write “Merry Christmas” or “Hyvää joulua” (same in Finnish) on each one!

More holiday crafts from the previous years:
Wrapping Paper from Newspaper and Elegant Christmas cards

Intuitive Painting Workshop

Paintings on the wall at the studio, by Peony and Parakeet. See the video of the studio decorated for the intuitive painting workshop!

Welcome to my studio! In the video you will see the studio space decorated for the watercolor painting workshop and the paintings from the students: Annika, Jaana and Vasi.

The video also includes a quick preview of another video “Watercolor 101 for Intuitive Painting” which you can purchase as a digital download.

Read more about the intuitive watercolor painting and buy the video

Artistic Embroidery with Pens and Paper

I am so excited!

Click to buy 21 Secrects Art Journaling workshop!

I will be teaching an online class as a part of 21 SECRETS Spring 2015! The class is called Artistic Embroidery with Pens and Paper.

An art journal page inspired by crazy quilting by Peony and Parakeet. A workshop about needlework inspired art journaling is available as a part of 21 Secrets Spring 2015 online course.

Class Description

Let the long history of textiles show up in your art journal! For hundreds of years people have created textile art to express themselves. In the workshop we will discover ways to imitate embroidery and quilting using paint, pen and paper! No actual sewing needed!

We will find inspiration from various stitches and techniques like crazy quilting, silk ribbon embroidery and modern patchwork. These art journal pages don’t only make you feel warm and welcomed, but also let you express the luxury only handmade can offer. After the workshop you will look at the family heirlooms in a new way!

Artistic Embroidery with Pens and Paper, an art journaling workshop by Peony and Parakeet, as a part of 21 Secrets spring 2015

21 SECRETS – 21 teachers!

By purchasing the class you will not only get that but also 20 other online classes from 20 other great artists!

21 SECRETS Spring 2015 on sale now!

Starts in April – Now available for preorder!

21 SECRETS Spring 2014 starts at 1st April and it is now available for preorder. Once the workshop starts in April, you will get a downloadable PDF including all 21 classes. It is packed with videos, full color photos, printouts and instructional content. You will get unlimited access to all 21 classes and a membership to the private Facebook community where you can discuss with me and the other teachers and participants. If you want to learn or boost your art journaling, this is the workshop to choose!

An embroidery inspired art journaling page. Join 21 SECRETS Spring 2015 to get a workshop from Peony and Parakeet!

Why preorder now?

I am a big believer of looking further ahead than to the next month. When you will see the spring light and start to wait for the summer, April is the perfect time to get something new for your journals and your skills.

And here’s another good reason to pre-order! The regular price for the 21 classes is 98 USD, if you preorder now it is only 69 USD! But be quick, the lowest price is available for the first 150 participants only!

21 SECRETS Spring 2015 PreOrder now!

I hope to see you at Artistic Embroidery with Pens and Paper! Click here to read more and preorder!

Writing a Craft Pattern

At first, I should probably give you a warning: I am in the middle of the chaos, this not so organized as my posts usually are! With this post, I invite you to the process of writing a craft pattern. I have had this idea for 6 years and it has become hugely important to me.

Sewing Folk Bags, by Peony and Parakeet

I designed a drawstring pouch which combines yarn and fabric in 2008. I have made tens of those bags, which I call folk bags, during the years and dreamed about writing instructions of how to create them. Within years I have learned a lot of making these bags. What first started a simple idea and simple sketch of a pattern, has become much more. It became clear when I began working with the pattern that I won’t be writing a regular craft pattern. I am writing instructions and formulas about how to design and customize folk bags so that you can make your own unique bags.

Fabric Stash

Writing a pattern is not just writing. I have to test each sentence for many times. So I need to actually make more bags while I am writing.  Going to the fabric stash in the morning feels as inspiring as grabbing the pens and paints. What I find challenging is to go back and forth from knitting and sewing to writing. I do not know if it was a good idea to make the pattern both in English and in Finnish – and write the both language versions at the same time! Sometimes I get so mxed up that I have to translate the most simple words from English to my mother tongue Finnish! The good thing with working with two languages at the same time is that the instructions get checked much more carefully.

Folk bag Emily by Peony and Parakeet

I knew I had taken a lot of photos of my bags during the years. It seemed to be a good thing. All the ideas that I have had and that had been implemented are recorded. Furthermore, I have a special folder in the photo organizing software where they all are. And yes, that’s great. But there are over 500 photos plus the new ones I have took during the writing. I need to pick the best images for each chapter and then process them. There’s still 250 photos to go through and few more to shoot.

A Folk Bag by Peony and Parakeet

After all this, I still have to confess that my heart sings when I am writing the pattern. I hope that with this work I am able to spread more joy than if only I made the bags. I wish that there will be more people experience the joy of both making the bags and receiving them.

A Folk Bag by Peony and Parakeet

I hope to get the pattern published in this month. I already have finished many chapters and soon I will begin to insert the texts and images to the desktop publishing program. The working title of the pattern is Folk Bag Workbook. It will be available for purchase in my web site and at Ravelry.

Folk Bags by Peony and Parakeet

Next week I have more news, also textile related in a way!

How to Imitate Glass with Paint

We Will Protect You, a mixed media watercolor painting by Peony and Parakeet. Read how to imitate glass with paint!
For this painting I learned how to imitate glass. It is called “We Will Protect You” and it’s about parents trying to protect their children. The parents have good intentions and they do their best but in the end, they have to let the child step into the world. I have painted two glass vases to represent the parents. The child sees the world through the parents and even if they want to protect the child, they are fragile too.

The idea for the painting began last Saturday when I went to the local library to get some ideas for the future blog posts. I saw the book called The Art of Glass. It was about Kaj Franck, a Finnish designer who was extremely skillful in designing glassware.

Goblet by Kaj FranckMost Finns have Kaj Franck’s glassware as he designed not only unique art pieces but everyday glass as well. My most precious glass item from him is this red “Goblet” which was originally owned by my aunt. She passed away 10 years ago and the color of this Goblet reminds me of her vivid character.

After browsing few pages of the book, I knew I had to make something glass-related. This is not the first time the glass has inspired me: see the collage inspired by Nanny Still, and the knitted folk bag inspired by Oiva Toikka, both Finnish glass designers as well.

This time I wanted not only to find out how to imitate glass but to explain it to you too. Before beginning the bigger painting, I painted few circles on a small paper and tried to make them look like glass.

Imitating glass by Peony and Parakeet

I used acrylic paints to paint the circles and then watercolors to add another circles around them. The shapes were softened with colored pencils. Then I added white with acrylic paint and a gel pen, and black with a PITT Artist Pen.

Imitating glass by Peony and Parakeet

I made each circle a bit different. I was not fully satisfied with them though. The center circles were too solid in color. I decided to start the bigger painting with watercolors as they are easier for making transparent layers.

Here are my 8 tips on how to imitate glass!

Imitating glass by Peony and Parakeet

1) Paint several transparent layers which intersect each other. Use a lot of water to create thin layers.

Imitating glass by Peony and Parakeet

2) Use a lots of hues and shades of the same color. Mix colors to get new tones which have slight differences from each other. Use small spots of other colors too as glass reflects its surroundings.

Imitating glass by Peony and Parakeet

3) Paint geometric shapes like circles, squares, half circles and triangles.

Imitating glass by Peony and Parakeet

4) Add white with acrylic paint. When painting the white shapes, soften one side of them by adding water.

Imitating glass by Peony and Parakeet

5) Use a black colored pencil to add dark near the sharp edges of white areas. Make the dark areas soft too.

Imitating glass by Peony and Parakeet

6) With correction pen, add brilliant white to highlight parts of the white areas.

Imitating glass by Peony and Parakeet

7) Add jet black with a black marker (I used a brush tip PITT Artist Pen) to make dark areas pop as well.

Imitating glass by Peony and Parakeet

8) Finish with thin lines using a gel pen and a black marker. It will make your glass look a bit thinner and more elegant.

We Will Protect You, a mixed media watercolor painting by Peony and Parakeet. Read how to imitate glass with paint!

What kind of glass do you like the most? Does the imitaton of materials interest you too?