The Essence of Your Art

Collage Art by Peony and Parakeet

I found this old collage piece when I organized my archives. It is a design that I have used as a part of the fabric called Flow. As art journaling cute little girls with lovely little animals is so popular nowadays, this made me think: what’s the essence of art is for me. And also, I would love to hear what it is for you!

For me, it’s not the play, even if I love playing. It’s not the colors even if I am totally for them. It’s not even the circles, my favorite shapes. I might aim for the certain styles, I love art nouveau and expressionism, for sure. But the essence of everything is that I want to create “everyday icons”, the images that make me stop, drop everything mundane and get in touch with my the inner thoughts.

Technically compositions, colors, shapes, styles etc. create that. But when I am happy with the end result, I do not think about those anymore. I think about what I feel and think right now and where it can take me.

The best thing is that everybody can create their own icons, sacred images, mandalas, what ever you want to call them. They do not need to be connected in any religion, they can just be connected with experiences, moments or beauty which uplift your spirit.

This is what I thought when I saw this old artwork. And now I wonder, what can I do better. How can I make this blog be the place for anyone to stop, then start creating – the essence of their art!

From Movie Posters to Art Journal Pages

The Discerning Diva - an art journal page by Peony and Parakeet. See how to get ideas from movie posters!

“The Discerning Diva – She could be hired as the art director of this journal”
This page is my version of the poster for the movie “The Big Lebowski”. I have borrowed the concept of weird glasses and the composition from the poster, but it is still a separate artwork, not an exact copy.

The Discovery of Movie Posters

After learning that I like to use of alphabet stamps in the art journal pages, I had been thinking about the next step in journaling. Last week I watched the poster artist James Victore‘s course  Bold & Fearless Poster Design on Creative Live. His style has very little to do with mine, but I became fascinated by the visual concept of posters.

Last weekend I found a book about 1990’s movie posters at the local library. I became fascinated by the compositions used in the posters. Then it hit me: maybe I could replace the main elements with my own and apply the visual concept of the poster to my own stories!

How to pick ideas from movie posters?

I will show you how to make your own “Discerning Diva” (very easy) but before that, I want to show you another poster-inspired page.

An art journal page spread by Peony and Parakeet. See how to get ideas from movie posters!

The page on the left is inspired by the poster for the movie “The Matrix”. I picked few main elements and the general atmosphere from the poster. The page on the right is made a long time ago, but I like how the two pages tell the story about being inside someone’s brain.

4 tips for picking ideas from the movie posters:
1) Composition: Examine the placement of the title, the grouping of the main elements and the most noticeable color contrasts.
2) Subject: Think about how your life could be applied to the movie.
3) Process: Examine the poster carefully but when you start creating, focus on your page and make it your own.
4) Imagine: Remember that you can replace the elements of the poster with what ever you like. For example a person can be replaced with a vase of flowers.

Create your own discerning diva!

1) Paint the background of the page.
I used acrylic paints to make the background strong and heavy-looking. Leave an unpainted area for the face. Add water to the paint and gently brush around the face. This creates the impression of a thin scarf and adds dimension.

The Discerning Diva - instructions for an art journal page by Peony and Parakeet

2) Color the face.
I used colored pencils to maintain the big contrast between the background and the face. Add some color for the skin. Draw a mouth and a nose.

The Discerning Diva - instructions for an art journal page by Peony and Parakeet

3) Add glasses.
Go to your box of hand drawn papers. Cut two lenses. Attach with a glue or gel medium. Add frames with pens. Make the glasses as decorative as you like!

The Discerning Diva - instructions for an art journal page by Peony and Parakeet

4) Add text.
Pick a color that has a high contrast with the background and journal on the bottom of the page. I have used a correction pen for the title and a white gel pen (Uni-Ball Signo) for the text below the title.

The Discerning Diva - an art journal page by Peony and Parakeet. See instructions on how to make your own diva!

5) Add finishing strokes.
With colored pencils, add some strokes below the face to represent a scarf.
Add few strokes to outline the scarf near the forehead.

Want more ideas for compositions?

Surround Yourself with Inspiration - an art journal page by Peony and Parakeet. Preorder 21 Secrets Spring 2015  art journaling workshop!

Believe or not, this page is inspired of Austin Powers movie poster and hand embroidery! Join me for 21 Secrets Spring 2015 art journaling workshop to find new ways to create and group elements on your art journal pages!

We’ll not only take inspiration from artistic embroidery techniques, but also create pages that will give you general ideas that you can use many more times. Read more and preorder now!

Embrace Chaos while Creating Art

Art journal page by Peony and Parakeet. Read about how to add chaos to improve your art!

The first video blog post of the new year! This time the video a bit longer than usual as the subject is so close to my heart! The subject is the chaos and how you can use it while creating art. Hopefully you will enjoy the video!

Fast Start for Creative Painting

If you also like to paint, purchase my video: Watercolor 101 for Intuitive Painting. With the video you will learn the method where you don’t have to question your ideas before you start. You can just start and find the ideas along the process! Read more here!

How to Create More Often

Art journal pages inspired by modern quilting and embroidery, by Peony and Parakeet

For many years, I have been dreaming about constantly making quilts. I have even recorded that into my art journal. Even if I have quilted almost all my life, especially in the recent years, I have had difficulties to arrange time for it. It has always seemed to require so big block of time that I am able to arrange that only few times in a year.

I am especially fond of modern quilting. One of my favorite quilting blogs is Crazy Mom Quilts by Amanda Jean Nyberg. She is especially focused on quilting from fabric scraps. I also love her book Sunday Morning Quilts. There are so many days that I have browsed the book, admired my fabric stash and felt sorry for myself not to have enough time for the actual making.

Unfinished quilt project with printed rose photos, by Peony and Parakeet

I don’t like showing unfinished projects, but as a proof, here’s one of the many patchwork projects which has been untouched for months. And, my dream is to make more of these quilted boxes for the fabrics (the pattern is from the book Sunday Morning Quilts)

A quilted box, the pattern is published in the book Sunday Morning Quilts

The problem: How to create more often?

I have asked so many times:
- How to quilt more often?
and answered to myself:
- Arrange more time.
- Buy more fabrics, books, classes or subscribe to a magazine.
- Follow more blogs, have a Pinterest board for inspirational quilts.
- Organize your scraps first.
- Take more/less time for planning … etc.

None of that worked. But now have found the solution! I have developed a method derived from digital scrapbooking, another hobby of mine.

A Case Study: Scrapbooking as a regular practice

I had a similar kind of problem with digital scrapbooking, just not so bad. I wanted to do more of that but often realized that I had not done anything for a long time. Last October I decided to start scrapbooking one page a week with Project Life style: insert photos to a grid and make it simple. I only included one photo of each day or two, so it was not a big task to fill the page during the week. I decided that one page per week would be my minimum dosage. If I wanted to do more digital scrapbooking and be more creative, I could create more pages if I had any energy left.

What happened? I have not only created those weekly pages but 12 other layouts as well. That’s 33 pages total in 3 months which much more than my usual pace! Surprised by the result, I began to think about the magic behind that. And – could it be use for quilting as well?

Here’s is what I discovered.

1) Lack of time is not an issue, moving from one task to another is.
It did not require much time to take a sewing machine and start sewing. The reason I needed bigger and bigger time blocks to begin, was because I was thinking about too big tasks that seemed overwhelming. In other words, I required too much of myself. After working late in the evening, I should have started sewing a big quilt in a snap! The more I thought about starting, the less time I had to actually to do that and the less inspiring it sounded. When moving from one very different task, like writing, to another, like quilting, is not easy for the brain.

2) Lack of energy is not an issue, if the task is small and interesting enough.
It’s amazing how tired we can feel ourselves, but still spend time browsing computer or watching tv instead of going to sleep! There must be some energy left in us! I got that energy in use by telling myself that I was allowed to make only one little task. That way I did not imagine doing a lot and feeling a lack of energy for that. It also helped if I had some freedom to perform it. Then it sounded not only manageable but also interesting.

3) When the task is done, move to working with bigger projects.
The biggest thing that I learned is that I should always keep the promises for myself. If I presented a little task to get myself going, I should never ever make the task considerably bigger. Why? Because the next day I remember that one small task is actually a huge one and I don’t want to start it anymore. After I have made the small task and if I feel like doing some more, I can move to the bigger projects – to those unfinished ones that I actually want to finish!

Here’s how I adapted all that for quilting:

Sew One Block per Day

I decided to start a new quilt. But instead of planning and measuring, I just set few simple rules for each block. If I feel exhausted I can only pick one fabric, cut one 4-inch square and call it the block of the day. At the most I can make one 12 ” square with as much piecing as I feel like. But that’s it – no other blocks are allowed on the same day.

I started the quilt on the 1st January and here’s what I have made so far. This won’t most probably be my greatest quilt but more importantly, I have started to make a quilted box, a red one for the red fabrics. And – it is so much fun to sew it!

Sew 1 Block per Day, a quilting project by Peony and Parakeet

As the result of the new project, my studio has turned into the sewing room!

Peony and Parakeet's studio

The little project bags are also handsewn (two of them are made just recently!). The old cardboard box is for buttons and been inherited from my husband’s grandmother.

150105b

Now you might ask:

How to apply this to art journaling?

150105d

Why not make a page in phases from element after another! Here’s what I have made in two days: two little ornaments. I continue adding one doodled element or text each day. When the page is full, I will start coloring the elements, each at the time.

Preorder my class: Artistic Embroidery with Pens and Paper

https://www.e-junkie.com/ecom/gb.php?ii=1395184&c=ib&aff=284560&cl=134923

D.H Lawrence has said: “Love is the flower of life, and blossoms unexpectedly and without law.” You can replace the word “love” with the word “creativity”! But whether love or creativity, I believe that we need to do a little push to make the blossoming really happen. Like one doodle per day!

If you love crafting, quilting and needlework and want to show it in your art journal too, preorder my class from 21 Secrets Spring 2015 art journaling workshop! Let’s add little treasures to our pages! (Here’s also a recent blog post about the class).

Add Treasures to Your Art Journal

Preorder 21 Secrets Spring art journaling workshop and take Peony and Parakeet's class Artistic Embroidery with Pens and Paper

At the moment I am working with my class at 21 Secrets Spring 2015 online art journaling workshop. I could not help myself showing you this little hand-drawn ornament, inspired by silk ribbon embroidery.

If you have followed my blog, you know that I am not a big fan of starting with the big picture and sketching. In the class we will be working inside out: from small elements to bigger groups. That way the excitement of the end result remains throughout the process. If it’s easy for you to make backgrounds, but difficult to add the actual elements on the page, this class is perfect for you!

Needless to say, I am really excited about this class! There’s a reduced price for the 450 first participants, over 300 have already joined, preorder now!

Get the Most Out of Art Critique

Accept Your Passion - an art journal page by Peony and Parakeet, read more about how to deal with art critique

My latest art journal page is inspired by a discussion in an art journal group. It was about how to deal with the criticism towards your art. One woman told a story which touched me deeply. Someone had accidentally seen photos of her art and asked if they were made by her little grandchildren. After that she did not feel comfortable making art again. The story made me think about how important other people’s reactions to our arts and crafts is. How much we yearn for comments and how the critique can scare us. I also share those feelings. These are my conclusions of the subject. (And yes, I have new pencils!)

1) Pick Your Specialists

Prismacolor Pencils

“Can you simplify, Paivi?”, said my teachers in so many words while I was studying industrial design. Because, in design, it all starts from the basic concepts, basic shapes and little alterations to them. I have always loved decorating. So I rushed through the first design decisions to get into adding swirls and tiny dots to the each of the designs. When I completed a sketch for a bar code reader, a teacher said: “What can I say, it is like a Russian icon painting with a flair of folk”. And he did not even know I had painted icons as a child!

“Your sketches all look the same”, he continued.
I did not get it. For me they were all so different.
– “The same shape is repeated all over again.”

When I went back home, I thought that studying industrial design was going to change me to the direction I did not like. Within a year I would be living on a white box with no carpets on the floor and wearing black glasses. But the end result was nothing like. My interest in art history and decorative art only increased within the time as practicing different styles helped me realize there’s no need to create too narrow image of my own art.

In the end of the studies, one of the teachers said to me, carelessly: We just got an application from a person who reminded you: so many details, so little simplifying! We can’t accept him in. To design is to simplify. Despite of your beginning, you do have learned that.” It meant a world to me – according to her, I was a simplifier, a designer.

In today’s world there’s a specialist for everything. I yearned for the specialist to testify, objectively. And once she did, I was happy. But later I have began to think that actually, in art, everyone has to define their own specialists. The range of art and design is huge and surely, everybody doesn’t like every piece of art.

So, don’t even expect that everybody likes your art – is a specialist of your style. Pick those that you want to please and forget the rest!

2) Improve Your Communication

Making of an art journal page, by Peony and Parakeet

An artist Ann Rea has said:  “Art is communication”. I think that focusing on what we want to say with our art is often more beneficial than focusing on the techniques. When someone comments our art, whether the feedback is positive or negative, we can always ask: “What do you see here? How does it make you feel? What do you like the most?” (Or “like the least”, if you are brave enough, and if you have chosen the person to be your specialist.)

Sometimes it is not so much about delivering a certain message, but touching people. When we are touched by our own art, it may seem suprising that others do not get touched by it. Then we need to improve our visual communication, or fill in the story verbally. (The power of art journaling!)

Instead of thinking “I want to become a better artist” you may want to think “I want to become a better visual communicator.” After that, you will often find art critique easier to swallow!

3) Set the Risk Level

Making of an art journal page, by Peony and Parakeet

If you only want to hear positive comments, set the risk level low. One way to do that is to stick with the realistic art and copy those who have a lot of general acceptance.

But if you want to find your own style and in the end, truly touch people, take more risks! Experiment, observe, let go of the definitions you use for yourself, think about before you start to create and while creating, stop thinking! You can set the risk level for each individual piece, and go higher from one artwork after another.

Once in a while, give yourself a permission to make high-risk art! Sometimes it may also be good to take high risks when asking for comments! But never let anyone to keep you away from creating when you are on the way of unique self-expression.

In need of experimenting? – Join me to an art journaling workshop!

Pre-order 21 Secrets Spring where Paivi from Peony and Parakeet will teach Artistic Embridery with Pens and Paper!

This is one of the many art journal pages inspired by embroidery techniques. Meet me at 21 Secrets Art Journaling Workshop where I will show you my favorite embroidered textiles and teach you how to imitate the embroideries with pens and paper! The perfect project if you want to stretch your style on a safe environment! The workshop begins in April, but you can preorder now!

The Power of Positive Self-Criticism in Art

"Positivity grows", a mixed media painting by Peony and Parakeet. Read about using positive self-criticism when creating art!

My latest mixed media artwork is called “Positivity Grows”. It is dedicated to all of you who have a strong inner critic. If you want to improve, it is essential to evaluate your own work. But sometimes the self-criticism can have too negative tone. Have you experienced any of these?

1) Big Picture Panic
The artwork gets evaluated as a whole in a too early stage. It is like making a meal and after tasting the raw potatoes, you’d decide that it’s not going to succeed. “I must have done something wrong when peeling those potatoes!”

2) Overclean Obsession
You take the safe way: you don’t mix colors, don’t let anything intersect, draw sloo-owly, keep everything plain, simple and controlled. This reminds me of a tadpole (a baby frog) which I got from my friend when I was a child. The tadpole lived in a jar filled with muddy water. I picked a clean vase, poured plenty of tap water and put the little frog there. It did not live long. I did my best to take care of it but did not understand that for the tadpole, there was nothing to eat, nowhere to hide. So – Mix those colors! Add diversity! Give some nourishment to the growing artist in you!

3) Mistake Hunt
If you focus on the things that “went wrong” instead of those which “went right”, you are playing the wrong game. Art is in small nuances, it requires sensitivity and openness. If your self-evaluation is too negative, you do not notice the beautiful little details that appear in your art. They are often lucky accidents if you take care of the diversity. When enhanced, those details can take over and bring your end result to the new level.

Positive Self-Criticism

You can get cured of any of those diseases with a healthy dose of positive self-criticism. From the moment you make the first brush stroke, focus on the details and look for beautiful and interesting areas. I will show you how I did that while creating the artwork of this post.

Phase 1 – Watercolors

When I began the artwork of this post, I just made a mess with watercolors. I kind of made the muddy jar for tadpoles to prosper!

Watercolor background by Peony and Parakeet. Read about using positive self-criticism when creating art!

After painting this, I could have just quitted and call it ruined. Or I could have tried to made that dark muddy area brighter. But instead, I began to investigate the painting closely.

Details from a watercolor background by Peony and Parakeet. Read about using positive self-criticism when creating art!

My inner critic pointed the little details with so much beauty that I began to feel confident and excited. The whole process of making this artwork began to feel like an adventure. Instead of mistakes I was hunting treasures!

Phase 2 – Watercolors

Next I continued with watercolors and created new layers of elements. I took care of the diversity: there’s a lot of various hues and shapes. And even more important: the layers intersect so that they create new happy accidents.

A mixed media painting in progress by Peony and Parakeet. Read about using positive self-criticism when creating art!

After painting this, I enjoyed this tiny detail: a yellow spot. It was like a little star! I felt I was lucky and genious at the same time.

A detail of a watercolor painting. Read about using positive self-criticism when creating art!

I spent some time searching for more beautiful areas and enjoying them. With watercolors, the edges of brush strokes are often really beautiful.

A mixed media painting in progress by Peony and Parakeet. Read about using positive self-criticism when creating art!

Phase 3 – Colored Pencils

To keep the diversity level high, I changed watercolors to colored pencils. I also changed the music I was listening to. Working from a small area to another, I enlarged the beautiful details found after another.

A mixed media painting in progress by Peony and Parakeet. Read about using positive self-criticism when creating art!

In this phase I realized that the main theme of the artwork would be growth. I searched for the details that would express the theme. I found several and they made me happy!

A mixed media painting in progress by Peony and Parakeet. Read about using positive self-criticism when creating art!

Phase 4 – Pens

New music and new supplies! This time I picked a black PITT Artist Brush Pen and a white gel pen (Uni-Ball Signo). I was encouraging myself to create strong contrasts. They would made the pretty details really pop. Again, I was not worrying over hiding the not-so-pretty details but enhancing the good ones.

A mixed media painting in progress by Peony and Parakeet. Read about using positive self-criticism when creating art!

In this phase I began to look the artwork as a whole. However, instead of correcting the poor composition, I analyzed which of the details looked most appealing and how they were located.

A mixed media painting in progress by Peony and Parakeet. Read about using positive self-criticism when creating art!

Phase 5 – Finishing

When finishing, I like to listen to the rhytmic music which gives me confidence to carefully adjust the balance of the work. I picked a white correction pen and a box of handdecorated papers. By doodling and cutting papers, I changed the composition so that the eye would find all the pretty little details one by one.

A mixed media painting in progress by Peony and Parakeet. Read about using positive self-criticism when creating art!

The Summary

You can be analytical and critical when making art. You can also be strict: mix the colors, change the tempo, keep the image alive! But maintaining the gentleness and sensitivity is crucial too. Let the little details that appeal to you be the foundation for your self-expression!

"Positivity grows", a mixed media painting by Peony and Parakeet. Read about using positive self-criticism when creating art!

Blank Page Syndrome before Big Picture Panic?

Buy the video “Watercolor 101 for Intuitive Painting” where I will show you how you can get a fast start and keep going! Click here for the preview!

Art Deco Journal Covers

Art Deco style handmade journal covers by Peony and Parakeet
My sisters will get empty handmade journals from me for Christmas. They both like writing and literature so I hope they will put the journals in use. My idea is to include some photos, decorative papers, scrap pictures and such – so that the journal is like a handmade version of Smash book more than a basic blank book. I have also chosen the themes for the journals. The older sister will get an art deco themed book and the younger sister will get flowers and fairies. Here’s a snapshot of the latter.

Handmade smash book like journal covered with Elsa Beskow's illustration, by Peony and Parakeet

I had an old Elsa Beskow’s children’s book which I used for the cover image. There are plenty of pretty papers too! My other sister would not have this, it is much too cute for her. She likes something more artistic.

I chose art deco as I have been thinking a lot about that style lately. I love the muted, sliding color transitions combined with black and white. And I have been more and more into using graphic, sharp shapes.

Art Deco Journal Covers

I will show you how I made the covers for the art deco themed journal. First, I picked some Sticky Canvas by Claudine Helmuth Studio. It is a canvas sheet that is like a huge sticker. You can attach it without glue after you have finished it. You do not need sticky canvas for this project. You can use a drawing paper or thin fabric instead.

1) Background Colors

I started with watercolors, then used some Dylusions ink sprays. As the canvas got all wet, it got wrinkled. I emphasized the wrinkles by brushing Distress ink pads against the canvas.

Art Deco style handmade journal covers by Peony and Parakeet, step 1

Now I got the muted, soft color transitions. Next task was to add contrasts and sharpness to it.

2) Background Motifs

I cut art deco styled shapes from old cardboard boxes and arranged them on the canvas.

Art Deco style handmade journal covers by Peony and Parakeet, step 2

Then I sprayed with the black Dylusions ink spray over the shapes.

Art Deco style handmade journal covers by Peony and Parakeet, step 2 after spraying

3) Finishing the Covers

I cut two thick cardboard pieces for covers. Then I covered them with the sticky canvas. I had a couple of handmade decorated papers which I wanted to use too.

Art Deco style handmade journal covers by Peony and Parakeet, step 3, adding decorated papers

I added decorated papers to the covers. Colored pencils were used to highlight the muted tones. The holes were punched with Zutter Bind-It-All. It is amazing how thick it can cut!

Art Deco style handmade journal covers by Peony and Parakeet

The front and back covers are shown on the left, and the inside covers on the right.

Handmade journal covers by Peony and Parakeet

Now I just have to add pages, draw some art deco style ornaments to them and find a photo of my sister where she looks a bit like a beauty of that era!

Art Deco appeared first time in 1920-40s, just after Art Nouveau.  
Leave a comment, what do you like in Art Deco or have you noticed it at all? Have you ever made anything Art Deco?

Scrap Wood Collage

Scrap Wood Collage by Paivi from Peony and Parakeet with her husband

After working day and night with Folk Bag Workbook, it was time to relax. But honestly, I am not very good at doing nothing, so I decided to put my mind in rest by finishing the scrap wood collage. It is a project I have been making with my husband. I talked about the project first time in one of the video blog posts.

Background of the Project

While renovating the studio, we ran out of the ceiling panels. (You can see the hole in the ceiling on the video.) My husband had a box of wooden pieces collected from the past woodworking projects. We decided to use them to create an artwork together.

We had been talking about a project like this for a long time. My husband is an avid woodworker and I love to draw and paint. We are both extremely interested in art and design, so we thought this would be the perfect project for combining our strengths.

Planning

When the project started I drew some sketches and we discussed about them. I focused on the concept of how the wooden pieces should be arranged. I knew I wanted to include paint too, but was not too concerned about it yet. We agreed to create a sort of log cabin quilt type design and organize the wooden pieces by color. My husband drew the size of the artwork on the big piece of paper so that we could understand the proportions more accurately.

Scrap Wood Collage by Paivi from Peony and Parakeet with her husband

Making the Blocks

When we began to make the blocks, it dawned on us that I was too impatient to glue and adjust the pieces. And my husband had not much ideas about how the pieces should be composed visually. So I designed each of the block by organizing the wooden pieces on the table and my husband glued and finished the blocks. As every block is unique and most of the small wooden pieces are different sizes, my husband had a lot of work!

When all the blocks were glued, I wanted to add paint on them. I did not want to cover the wooden surfaces but add some color to the edges. As the theme of the studio is 1960s, I mixed colors from that era and painted each of the edges in different color.

Attaching the Blocks

After the blocks were painted, the artwork was ready to be put in place. My husband had made a wooden panel where he glued each of the blocks.

Scrap Wood Collage by Paivi from Peony and Parakeet with her husband

A Special Feature

If you watched the video carefully, you might have noticed that there is a power plug on the ceiling. The artwork is designed so that there is a flap in one of the blocks that can be slided away!

Scrap Wood Collage by Paivi from Peony and Parakeet with her husband

Lessons Learned?

All in all, this was a great project! This is what I learned here:

1) Let the creativity correct the mistakes.
We could have just ordered few more ceiling panels but we did the exact opposite!
2) Make it meaningful.
Many of the scraps carry memories themselves. And we created more memories by working together.
3) Search for new territories.
My approach for wood was totally different from traditional woodworker’s. The artwork was designed like a modern quilt even if it has been made from wood. For me, various wood species represented various colors. The wood grains were combined so that they formed rhytmic lines and ornaments. I also wanted to create a texture, but not by carving like a woodworker had done, but by playing with the height differences of each piece.

Scrap Wood Collage by Paivi from Peony and Parakeet with her husband

The fourth lesson is:
4) It’s good when it looks like it’s alive.
The end result might look terrible if you look at it like a traditional woodworker. While we made the project, my husband had some problems to get over the fact that every wooden piece does not fit exactly and there will be so much variety on the artwork. But in the end it all looks alive. I love the uneven, colorful edge. Combined with the texture, it all looks very organic even if there are clear, graphic blocks.

While creating this, I began to think of wood as a new art supply. Then I realized that most of the things in the world can be seen as an art supply! Mind-blowing, isn’t it!

P.S. Soon after we finished our artwork, my husband saw a woodworking video about making a wall-decoration from scrap wood. Does it differ from ours? Leave a comment and tell what do you think!