Passion for Color? – Try This Method!

Passion for Color, by Paivi Eerola from Peony and Parakeet. See her step-by-step method for creating mixed media art by focusing on one color!

Create a color-focused art journal page! You can choose as many supplies as you want but just one color!

Step 1 – Pick Your Color!

What color speaks to you today? Red, blue, yellow, green, brown, black … Pick any that you feel drawn to! Collect the art supplies that you have in that color!

In most mornings, after taking the dogs out, I go to my studio and start creating sketches, or art journal pages, or continue paintings in progress. I often make a hot beverage called Sunny Grapefruit. I have bought it from a tea shop, but it doesn’t contain any tea, just fruits, and lemongrass. I sit down in an Ikea chair found at a flea market. I have painted it and put a sheep fleece on it, so it’s warm and cozy. All this warmth made me think about red.

Art supplies for a color-inspired mixed media piece. See the step-by-step method for creating an art journal page that focuses on color!

I chose the supplies so that they were all various tones of red ranging from orange to pink.

Step 2 – Source of Energy

Your color is the source of energy. Pick any coloring supply and make a simple circle somewhere on the page! However, don’t begin in the middle! Your work will look more expressive if you don’t make it symmetric.

Starting the morning by creating art. See the method for using one color for one mixed media piece!

I colored a soft circle with a couple of Faber-Castell Gelato Sticks.

Step 3 – Radiating Power

Add more color to the circle with different supplies! Imagine that your passion radiates strength. Use your imagination to color shapes and lines that are connected to the circle. Again, keep the design asymmetric.

Growing energy. See how to finish this mixed media piece!

I used colored pencils and thought about the sun and the fire. You can use your imagination based on the ideas that the color evokes. For example, if your color is blue, you can think about waves and the energy and the movement that they contain. Don’t overthink; it’s just a start! Usually, we get conventional ideas in the beginning but then become more inventive as the work progresses.

Step 4 – Explosion and Spin-Off

Change the supplies again, and imagine an explosion of energy. Let your circle grow but also become less solid. Create a spin-off that has a life of its own.

Using Derwent Artbars for mixed media art.

I used Derwent Artbars and water. I could have used watercolors instead, but nowadays, I often find it quicker to grab some Artbars and use a water brush when I am creating a mixed media piece.

Explosion of color. See step-by-step instructions on how to finish this art journal page!

Step 5 – Look Around!

So far you have focused on one area of the page. Now imagine, that the explosion reveals some of the surroundings. Add some pale elements but don’t cover the whole page.

Using Faber-Castell Gelatos for mixed media art. See how you can combine them with other art supplies!

I just made some soft splotches with Faber-Castell Gelatos. Notice how my explosion travels diagonally across the page and reveals areas that are also diagonal but in the reverse direction. Diagonals make the image look dynamic.

Step 6 – Birth

Color clearly-defined shapes that connect the energy source and the spin-off. Imagine that something concrete is born out of the explosion and moves forward. 

Abstract art journal page with mixed media supplies. See step-by-step instructions on how to finish this page!

I colored geometric shapes with Fabel Castell PITT Artist Pens. To highlight the movement, I make the shapes cross over each other. I also add bigger shapes that are shown only partly so that it looks like they are flying away.

Step 7 – Mountains

Color a big area of the page so that it’s like mountains have grown to your page. Again, keep one part of the page blank. Add some color to the other side of the blank area too so that the blank area is like a gulley between the mountains. 

Painting a color-oriented art journal page. See the step-by-step directions on how to make and finish this mixed media art journal page!

If you have acrylic paints, now it’s a good time to use those. Painting is quicker than coloring with pens, and you can also create layers easily.

Using acrylic paints for mixed media art. See step-by-step instructions for creating a color-inspired art journal page!

I use gel medium to make the acrylic paint more fluid and translucent. I also use two brushes so that there’s more variation in the brush strokes.

Step 8 – Jump!

Imagine being up in the mountains, looking down to the gulley. When you jump, you begin to see that the blank area also contains wonders. The fall is not so high than what you first expected. Softly color some vague shapes in the blank area.

A detail of a mixed media art journal page. See step by step instructions on how to focus on one color and create mixed media art!

I used Derwent Artbars and water.

Step 9 – Test and Adjust!

When creating abstract art, I find it practical to test it based on how well it fits with other patterns, textures, and shapes. I placed my sketchbook near the fireplace where we have a place to watch the fire. To me, it looks like my page doesn’t have enough contrast.

Matching the sketch with the interiors. See how this mixed media piece got changed after the analysis!

So I add some alizarin red which is very dark and some lighter orange to finish the mountain area.

Creating mixed media art. See a method that focuses on one color!

Now the contrast looks better.

Matching art with the interiors. See how this mixed media sketch was made!

Learning to Create – Using a Model, “How To,” or a Method?

There are many ways to learn:
a) Watching someone create and then following it accurately. This way you will create something that you wouldn’t have thought of figuring out yourself. The downside is that your expression and imagination has very little space to come through. You are learning technical skills mostly. Sometimes it can happen that you don’t know why you do what you do.
b) Learning how to use certain supplies in a certain manner. This makes you learn the characteristics of a certain art supply and the techniques that you can use. You can then use the techniques to produce your unique art. The downside is that if you don’t connect with your imagination, you lose the joy of creating. You know why you do what you do but don’t know where else you could use it.
c) Following a method that connects you with your imagination. This gives you preliminary ideas that you can then expand to fit your thoughts and to grow your style. The downside is that if you have no idea how to use the supplies, it will take up your energy.

My Methods

Paivi Eerola from Peony and Parakeet with her art journals

As a teacher and a mentor, I focus on the methods that grow the expression and imagination. Even if I value knowledge and techniques, my strength is in innovating new methods that help you to connect with your creativity. I have heard many say that when they analyze someone’s art, it’s easiest to focus on the technical part. I agree. There are more rights and wrongs to catch. But after creating in a very disciplined manner for the last year, I have come to this conclusion both as an artist and as a mentor: I want to grow my skills to all directions, but if I had to pick one, it would be imagination.

Boost Your Visual Imagination!

Without imagination, we just go around the same circle. We don’t feel free, and we end up believing that there’s one more technical trick around the corner that will change the game. But it’s the imagination that will do that. That’s why I don’t select students based on their supplies, or the technique or style they use. Together, we share our love for making the invisible visible and learning to use the techniques to serve that.

Boost your imagination by joining my community Bloom and Fly! We’ll start with a method for your creative goals, then pick easy ideas from Rococo, explore abstracts together, etc. I will help you to express yourself so that it’s adventurous and imaginative!  >> Sign up here!

Mixed Media Sketchbook as a Tool for Self-Discovery

This week, I am talking about using a mixed media sketchbook or an art journal in a new way.

Mixed Media Sketchbook – Watch the video!

Bloom and Fly! – Set Your Goals and Start Creating!

My community Bloom and Fly is for all who want to start and keep on creating. You can get help and encouragement for any art project, and we also have monthly themes.

Bloom and Fly, an inspiring art community by Paivi Eerola from Peony and Parakeet.

January’s theme is “Mixed Media Sketchbook as a Tool for Setting Your Goals.” You will get ideas on how to use a sketchbook or an art journal for creative goals. Rather than feeling restricted, you will feel energized by the possibilities behind the goals. An art journal can be a playbook that keeps you moving forward!

Make sure that 2018 is your year of art – Join Bloom and Fly!

Painting Fantasy Portraits

"New Year", a small acrylic painting by Paivi Eerola from Peony and Parakeet. Watch her creating this on a video!

This year, I have been thinking a lot about the balance between technical skills and the imagination. It seems that when I focus on either one, the other one suffers. Now when the year is nearly in the end, I have wanted to play with the imagination and cared less about the execution. I have always enjoyed creating intuitively: starting without intention and then figuring out what I want to express once the work has progressed.

Fantasy Figures Keep On Appearing!

Recently, I have seen fantasy figures whatever I am creating. I don’t know if it’s because I have been following fantasy artists lately or just that I haven’t been playing with portraits for a while. Here’s one of the colorful clusters from my sketchbook that I turned into a fantasy figure.

Fantasy portrait in progress. See the intuitive approach for painting fantasy figures!

I had a lot of fun with her imagining that she is a digital nomad, re-connecting with nature, running away from her phone!

"Digital Nomad", a mixed media painting by Paivi Eerola from Peony and Parakeet. See her intuitive approach of creating fantasy figures!

Fantasy Portrait in Oil

I also have two oil paintings in progress, and the first one is a kind of portrait too. After the geometric background, I wanted to put a giant pansy in the center, and then couldn’t resist adding a face. I have painted it using a reference for the most important facial features. Then I completed the person with a more loose approach.

Oil painting in progress. By Paivi Eerola from Peony and Parakeet. See her tips for painting fantasy portraits!

This is just a beginning of the painting. It will have more details and color.

Painting Fantasy Portraits – An Intuitive Approach

The best fantasy is never borrowed but takes place in your imagination. I think the way to get connected to it, is to start freely without any reference photos. The painting that is shown at the beginning of this post looked like this before I discovered that there’s a face!

Painting fantasy portraits. See Paivi Eerola's intuitive approach!

Painting this one was an exciting process, and fortunately, I recorded some parts of it. I used a couple of tricks that I learned from my skillful artist friend Eeva Nikunen: using a dead color when exploring values and adding an even color wash over the whole painting to make it more unified.

Painting Fantasy Portraits – Watch the Video!

Happy Holidays! – See You in “Bloom and Fly”!

I am not sure whether I blog next week or not. So with this painting about the new year, I want to wish you Merry Christmas and Happy Holidays! Thank you for being there!

And of course, I hope to see you in Bloom and Fly at the beginning of January! We’ll start by planning your creative goals, then pick easy ideas from Rococo, explore abstracts together, etc. I will help you to express yourself so that it’s adventurous and imaginative!  >> Sign up here!

How to Make Your Art More Captivating

Captivating Connection by Paivi Eerola from Peony and Parakeet. See her five tips for making your art more captivating!

Captivating is a big word, but I like to explore it from many angles. In this blog post, I give you six tips with examples. The first two are more related to the process of creating art than to the result. I believe that if the process itself doesn’t captivate, it’s less likely that the final piece will! The last four tips are about finishing your art so that it will be compelling.

1) Captivating Supplies – Choose What Gets You Going!

Using too many art supplies can cause overwhelm and unnecessary distraction. I choose the supplies based on how many hours I want to work on the project.

  • Under an hour: Black drawing pen and colored pencils. They are quick to grab and work on any paper.
  • Few hours: Water-soluble media like watercolors or inks. They cover big areas quickly, but they also allow detailed work, especially when combined with colored pencils.
  • Tens of hours: Acrylic or oil paints. The result lasts time and can include tens of layers.

The projects shown in this blog post have taken 2-4 hours. These are all created with water-soluble media but this time, not with watercolors or inks. Namely, while organizing my supplies, I found Faber-Castell Gelatos and Derwent Artbars from my stash. I bought them many years ago when I was obsessed with having all the mixed media artist’s stuff. I purchased this and that, tried everything for few times, and then got disappointed because they didn’t improve my art. My solution back then was to reduce the number of art supplies and learn more about the basics of visual communication. It worked much better than hoping for the miracle with the new supplies!

But now when I opened the boxes, I was looking at Fabel-Castell Gelatos and Derwent Artbars with the new perspective. They could be quick and handy for sketchbooks and art journals. Because both of them are water-soluble, they could watercolors and inks once in a while.

Starting an art journal page by Paivi Eerola from Peony and Parakeet. See more tips on how to create intuitively!

I have now used Derwent Artbars and Faber-Castell Gelatos for my big sketchbook. I use Artbars for detailed brushwork and Gelatos for big and blurry areas.It has been quick and fun. The downside is that the result is quite waxy and I don’t think it will endure time very well. Furthermore, I can’t cover the opposite page because the staining would ruin it. However, the old and neglected supplies have managed to inspire me, and I think it shows in my recent work as well. The image above shows how I started the piece that you can find at the beginning of this blog post.

2) Captivating Looseness – Start without Intention!

The second captivating thing is related to the process of creating as well. I like to start most of my pieces, whether they are small sketches, bigger art journal pages, or big paintings intuitively without accurate planning. Sometimes I have an image, a word or a style in mind. It inspires me to start, but as soon as I have sat down and made the first strokes, I try to let go of it and just enjoy creating freely from the imagination. In this short video, you see me working with Derwent Artbars and Faber-Castell Gelatos.

More videos: I have explained my adventurous creative process shortly in a mini-course called Loosed Up! It’s free for the subscribers of my weekly emails. If you haven’t a subscriber yet, subscribe here!

3) Captivating Story – Make Fantasy Portraits!

Artists often talk about communicating a story through art. Usually, referring to the story doesn’t mean so much what’s in the image, but how the image can deliver a handle to the viewer’s personal stories. One of the easiest ways to embark stories is to make a portrait that is relatable.

Even if you have started freely and intuitively, you can turn almost any blotch to a face, especially a side profile, by adding a color area that defines it. In my piece, I realized that with black, I could bring up two persons. I was intrigued by showing the connection between the two fantasy figures. To me, they express the two sides of me, when I am creating. One side is more feminine, full of emotion and ideas, and the other more masculine, trying to figure out how to put the ideas into subsequent steps. At best, these two sides work together and enter the same flow.

Making of Captivating Connection by Paivi Eerola of Peony and Parakeet. See her tips on creating captivating art!

In the enlargement, you can see that the dark areas also include subtle details so that they are not monotone and so that they communicate the connection. The colors also play a role here. Blue expresses the connection that the two share together.

A detail of Captivating Connection by Paivi Eerola from Peony and Parakeet. See her tips on how to make your art more captivating!

The story that you see in this piece doesn’t have to be the same than what I have told. For you, the image can bring a romantic moment to mind. Or it can take you to a fantasy movie. In the same way, the art that you make can have several meanings and when creating, focusing on the general message makes it more captivating. In this case, the message is the shared connection, and I have tried to adjust the details so that they all support this message.

4) Captivating Richness – Build a System!

Usually, the longer we work with one piece, the more valuable it will become. Not only that we get more attached to it ourselves, or that it has a higher monetary value, but also that time brings the richness of the details. This is especially the case if you don’t try to get the piece finished in one sitting but let it captivate your mind between the sessions.

Starting an art journal page by Paivi Eerola from Peony and Parakeet. See how this page grew to a bigger picture!

Many artists are afraid of “overworking,” but to my experience, “underworking” is more common. Also, only creating tiny pieces can be one form of underworking. See how a small art journal page, a modest scene, grew to a captivating system or a map when I continued the page!

Art journal page by Paivi Eerola from Peony and Parakeet. See her tips on making your art more captivating!

When working with a detailed big picture, remember to leave some breathing space between crowded areas. Connected lines between the clusters make sure that your system is like a running machine with all the necessary pieces.

Creating a detailed art journal page. By Paivi Eerola from Peony and Parakeet. See her tips on making captivating art!

5) Captivating Clarity – Highlight a Direction!

Sometimes clarity can be more captivating than an overwhelming amount of details. My example is an orange that I drew one morning after a fruity breakfast.

I apologize for the low quality of the first image below. There you can see a shadow of me shooting the photo with my mobile phone. But actually, it brings up a good point about the clarity: when you are in doubt what to add, take a photo. It helps you to see your work with different eyes. You can zoom out to test if your image looks both clear and interesting when it’s small. You can also analyze, how your eye wanders around the work and where do you want to lead it. If your art looks like one big mess, adding a direction also brings more clarity.

An illustration in progress by Paivi Eerola from Peony and Parakeet. See how she made this more captivating!

With the orange, I wanted to express the forward-thinking attitude that I usually have in the early mornings. I wanted to add more importance to the single juicy drop that leaves the orange with the bouncing energy. The idea behind the illustration was not just express a fruit that explodes but how a source of energy can keep you moving forward. It’s similar to the idea of my community Bloom and Fly – to keep you inspired to create and remove creative blocks that prevent you from that!

Illustration by Paivi Eerola from Peony and Parakeet. Morning energy!

6) Captivating Contrast – Use Two Different Styles!

The last tip is about contrast. However, this time I don’t bring up the contrast in color, value, or size, but in style! Now you might say: “Paivi, I have been searching for a personal visual voice for so long. Are you talking about mixing different styles to one piece?” I certainly am! Don’t be a one-trick pony but go to see all kinds of art and practice all sorts of styles! Your technical skills will grow, and you will get ground-breaking ideas. Showing the versatility can also make your art more captivating. See how I combined abstract with realism how it makes the images more captivating and thought-provoking.

Combining abstract with realism by Paivi Eerola from Peony and Parakeet. This is the abstract element, see how she adds a realistic element to the same picture!

With a realistic pansy, I was able to communicate the contradiction that we all get when we envy someone: “When a jewel wants to feel free and be a pansy … And when the pansy secretly wishes to live forever and be the jewel.”

Envy by Paivi Eerola from Peony and Parakeet. See her tips on making your art more captivating!
By adding the realistic eye, I was able to express the difference between two different worlds – the inner and the outer world. Paul Klee has said it so brilliantly: One eye sees, the other feels.”

My Mind's Eye by Paivi Eerola from Peony and Parakeet. See her tips on how to make your art more captivating!

Set Your Goals and Start Creating!

My community Bloom and Fly is for all who want to start and keep on creating. You can get help and encouragement for any art project, and we also have monthly themes.

Bloom and Fly, an inspiring art community by Paivi Eerola from Peony and Parakeet.

January’s theme is “Mixed Media Sketchbook as a Tool for Setting Your Goals.” You will get ideas on how to use a sketchbook or an art journal for creative goals. Rather than feeling restricted, you will feel energized by the possibilities behind the goals. An art journal can be a playbook that keeps you moving forward!

With January’s theme, you will also get easy jumpstarts for stepping into the world of art journaling without feeling the pressure to buy more supplies. The money spent on staying inspired and connected with like-minded artists can be more useful than adding extra supplies to your stash.

Make sure that 2018 is your year of art – Join Bloom and Fly!

Loosen Up! – Free Mini-Course for the Email Subscribers!

Loosen Up! - A mini-course about drawing and painting freely by Peony and Parakeet. Subscribe to her weekly emails and get this 2-part course for free!

Exciting news! I have created a new mini-course called Loosen Up! It is all about getting rid of the stiffness and starting to draw and paint more freely.

The mini-course has two parts. First, you will learn how to start creating freely without any pre-planned ideas. You will learn a set of tips and tricks on how to remove stiffness from your art. In Part 2, you will learn how to start with an intention, and still, bring more You in your work.

Loosen-Up is free for the subscribers of my weekly emails! If you haven’t subscribed yet, do it now and receive Part 1 immediately after subscribing!

See the video below if you hesitate!

Let me be your mentor in creating: Subscribe to my weekly emails!

Lazy Art Journaler? – Try This Method!

Are you a lazy art journaler? See this method! By Paivi Eerola from Peony and Parakeet.

Do you keep an art journal or a sketchbook? Are you struggling to find your motivation for filling it regularly? Try this method, geared for a lazy art journaler and for those who have big creative blocks!

“How to” for a Lazy Art Journaler

1) Create one small area at a time like you were slowly building a map.

2) Write down your thoughts. They can be roads from one area to another.

3) Accept that you are stiff and conventional when you begin. The beginning is the home base, and it should make you feel safe and grounded.

4) When you leave the home base and move to the next small area, just focus on creating different than what you have so far. 

5) Don’t overthink. One area can be only one spot of color that you feel drawn to. Then add a small dot or line of another color to embark your imagination.

6) You can travel far in one sitting, or stay near the home base. One journey to your imagination can last weeks if that’s what it takes to fill the page.

7) If you want the page to be coherent, repeat some of the elements once in a while.

8) Artists are explorers. Never underestimate the meaning of this practice. Be open to what you can discover. When you are far away from your home base, take risks! In the end, it’s just paper and pigment, and any filled journal beats an empty one!

Are you a lazy art journaler? See this method! By Paivi Eerola from Peony and Parakeet.

Get More Inspiration for Creating! – Join Bloom and Fly!

Bloom and Fly is a new community for everyone who wants to stay inspired and move forward in art.

We’ll start the new year with the theme “Mixed Media Sketchbooks for Setting Your Goals”. You will discover fun ways to get a grab on what you want to create in 2018!

In February, we’ll dive into the world of Rococo and Marie Antoinette and you’ll get ideas for any style of art. In March, you will get jumpstarts for adding abstract elements to your art. Whether you like realistic or fully abstract art, starting with abstract elements can boost your creative process.

>> Read more and sign up!

Time to Change – From Teaching to Mentoring

Bloom and Fly, a mixed media painting with inks and acrylics, by Paivi Eerola from Peony and Parakeet

After finishing a series of canvas paintings, I have felt that it’s time to change. It has been smoldering in me for the whole year, but as we know, the change rarely happens in one go. There’s one big thing that I want to change in my teaching. I want to give more personalized suggestions and encouragement, and enable more sharing and connecting. I want to be a mentor rather than a teacher in the traditional meaning. When you start creating art, you need a teacher to follow. But when after a while, you will want to create something from your personal perspective. Then you will benefit more from observations about your art. When you have someone to help you see the possibilities in your expression, you will find it easier to grow your creativity. During this year, I have developed my online workshops in that direction, and the results tell me that I should continue on that path.

Questioning Your Talent vs. Willingness to Learn

Paivi Eerola and her paintings. She has spent a year creating a series of paintings and mentoring artists.

While pondering which paintings to frame, I was also thinking artist colleagues that have helped me to analyze my work in a new light. That’s one reason why I also want to enable connections between people who love to create art and even more importantly, want to change their art.

Here’s what I wrote on my Facebook page today:

“Am I talented enough?” – Pondering about it doesn’t take you forward. Replace it with the question: “Am I willing to learn?” Because art like any field has a set of principles and skills that you just need to know and practice.

Then there’s imagination and originality. Is that the talent that we talk about? I don’t think so. They are also skills that can be learned. They are about self-exploration, tolerating quiet time, being open to what inspires and irritates you.

When you see something that raises negative emotions, start questioning: “Why do I see this as a threat?” By answering, you will understand more about yourself, about people in general, and get the curiosity that makes you step out of the conventional. Your empathy and imagination will grow, and you become more willing to learn.

My art journal page from 2010, and my painting from 2017.

Paivi Eerola's art journal page from 2010, and her painting from 2017. Growing as an artist and becoming a mentor.

The Change Is in The Nuances

This week, I reorganized my art supplies and found an old art journal. Funny enough, there was this page: “Time to Change.” And when I compare it to the piece that I just painted, it looks quite similar if you omit the clumsiness.

Paivi Eerola's art journal page from 2013 and a glimpse of her newest painting.

Then I realized that the painting that I had created a year ago also looks quite similar. I sat by it holding the new piece, and it felt like the two come together.

Paivi Eerola and her paintings.

In art, the change is in the nuances. Many of your characteristics won’t change during the time. But how you express, invent and gain more self-knowledge will. Sometimes people say that they wish they would have started creating art sooner. I totally relate to that. I had a long break in creating when I was a young adult. But then, art is not just executing; it’s also about living. People who have more life’s experience than me, always make me humble. They have more to express, deeper insights to deliver. When I can help, inspire, and encourage with that, it makes my life meaningful as well.

Art Journaling and Mentoring

Paivi Eerola's art and her new sketchbook by The Pink Pig.

One thing that I don’t want to change is that I will keep on talking about art journaling. I believe in playing with ideas and not just creating big pieces. To me, a full sketchbook or art journal can be more of a treasure than a single canvas painting. Now when I have been painting bigger canvases, I also missed having a big sketchbook. So I purchased one that is twice the size than Dylusions Creative Journal that I usually use. It’s manufactured by a company called The Pink Pig from the UK.

Paivi Eerola and her art journals.

Bloom and Fly – Stay Tuned!

While browsing the art journals, I was planning for the upcoming spring season. Next year, I will run a new community called Bloom and Fly, and it’s for all who want to learn together with me. It will have a separate fee, but it will also include mentoring days, monthly live sessions and led discussions. You can share and work on any project there. So if you want support for creating from any of my self-study classes or any other art project that you desire to finish, join Bloom and Fly! The registration for the spring will open on Black Friday, Nov 24th. I will have a special discount for early birds so make sure that you won’t miss it!

Moleskine watercolor journal. By Paivi Eerola from Peony and Parakeet.

Hopefully, you are as excited as I am! If you haven’t subscribed to my weekly emails yet, now is the time!

Painting a Series – How I Managed It!

"Living Treasure", an acrylic painting by Paivi Eerola from Peony and Parakeet. Read about her thoughts of painting a series.

I have just finished a series of five flower paintings on canvas. Yesterday, when I was walking back and forth from my studio to the rest of the house, preparing for the photography and the varnishing, I felt both relieved and terrified. I was relieved because nine months of hard work was at the end. I felt terrified because I had run out of excuses for delaying the start of a new series.

Technique Came First, Themes Second

But let’s get back to early spring when I was painting the first of the five paintings. My goal was to master old masters’ painting technique in acrylics so that I could teach it. I had no idea of how many pieces it would require. Before teaching, I needed to understand “why” not just “how.” I also had to develop a logic that makes learning possible, variations that show the possibilities of the technique, and the systematic way of working to make everything as understandable and to the point as possible.

"Strawberry Madonna", an acrylic painting by Paivi Eerola from Peony and Parakeet.

When I was painting Strawberry Madonna, it soon became clear to me that I was nowhere near to be teaching the technique. I needed to fix my strokes constantly. Even if the fixing doesn’t show in the finished painting, it became clear that I needed more practice. I couldn’t fuss around that way while teaching.

So I bought new canvases and kept on painting. I made experiments, art journal pages, and had several paintings in progress at the same time. I focused on painting what I wanted to include in the class as well: flowers and playing with historical styles. Crafts like crochet, decorative painting, jewelry, fabric, etc were also sources of inspiration. Most of the pieces took tens of hours from me to finish. The quickest is “Four Seasons” that I recorded for the class. With the final touches added after the recording, it took less than ten hours to paint. “Queen of Fantasy” took much longer. You can see me starting it in the free video, but I adjusted the painting many times after that.

"Queen of Fantasy", an acrylic painting by Paivi Eerola from Peony and Parakeet.

Painting a Series – The Most Important Insight

The funny thing about all this is that I wasn’t intentionally painting a series. Working towards the goal of mastering and understanding the old masters’ technique, gave direction to my work. If I had thought about the series more intentionally, I would have probably freaked out! Now when I look back, the most important thing to me was that I expressed the power of flowers in all my paintings but thought about it differently in all the five paintings.

  • For “Living Treasure” I got ideas from gardening.
  • “Strawberry Madonna” connects flowers with fruits and their taste.
  • “Queen of Fantasy” is about flowers representing romance.
  • “Blooming Centuries” tells how flowers have always inspired painters, designers, and crafters.
  • “Four Seasons” shows sisu, a Finnish word for resilience when you work against all the odds and still find the spirit to bloom and prosper.

"Four Seasons", an acrylic painting by Paivi Eerola from Peony and Parakeet.

So I had a set of generic themes that were repeated in all the paintings, but different interpretations of them. That made them work as a series but so that they don’t look identical at all. Being very intentional about the series and prohibiting new ideas emerge while working can lead to a very boring result and in my case, it would probably make me quit because the lack of excitement and adventure that keeps me going.

I think this insight could also be useful for those who seek for their style. Rather than painting the same thing and get bored by it, find bigger themes and use your creativity to approach them from different angles.

New Era – New Series

During the past couple of months, I have felt fear when thinking where I want to go with my art. I have contemplated that can I share my plans or just keep them hidden because it’s likely that I will fail. For quite some time, I have felt the need to paint abstract art that plays with textures and geometry. I think many of the paintings of this series already have some of that.

I have a funny name for the style of the new series. It is “kinetic-romantic abstract realism.” “Kinetic” means that I want to include movement that is related to machines. “Romantic” means that I want to express through beauty and relationships. “Abstract Realism” refers to the idea of mimicking realistic surface materials for abstract shapes. Very odd, I know, and it terrifies me.

"Blooming Centuries", an acrylic painting by Paivi Eerola from Peony and Parakeet.

Creativity is a Living Treasure – Watch the Video!

Before the new beginning, it’s time to celebrate the finished series. I have made a short video of the five pieces and the thoughts that came to my mind when painting them. Hopefully, you’ll enjoy the video!

My Painting on Your Wall?

These paintings are also for sale!- Buy them directly from me here!