“Paivi likes flowers,” I have heard many say, and yes, I do! A couple of years ago I built a comprehensive floral art class calledFloral Fantasies in 3 Styles. I am running this class again between April 29 – May 24th. I am also building a new module for it that is about painting still lives in watercolor – loosely without reference photos and that’s a lot of fun!
If you sign up before March 31st midnight PDT, you will get the class for the early-bird price. Watch the video below and sign up!
I love to paint flowers without reference photos. “What flower is that?” My husband asked when I showed a couple of my recent floral paintings to him. I had no idea! My florals are born freely and they look a bit strange, but I like that. I like the idea of growing my flowers from the seeds – pigments – and watering them so that they will begin to bloom.
Watercolor Florals in Mixed Media
I have made these kinds of still lives for a long time, but I used to use acrylic paints, pencils, and pens too. Here’s one from 2016 (watch the process video).
Now that my skills have grown, I don’t feel the need to use acrylic paint to cover up some parts or a pen to sharpen others. I can just throw paint and water and then work from that. This kind of art is often more “the art of seeing” than “the art of creating”. Imagination is the only limit!
Painting a Layer by Layer
I paint many layers, from light to dark. I don’t worry about over-doing! Using a lot of water and letting every layer dry properly is the key.
I also like to imagine how flowers drop off the vase and start growing from the ground. In this dream, the vitality that the flowers have is tremendous.
Water and Paper Paint Too!
Sometimes I work with many projects at the same time. Often, I just leave the painting to dry and go to do other stuff. At the beginning, I usually feel unsure about the mess on paper, but become happily surprised when I enter the studio and see it dried. Water and paper play with the pigment as much as I do. I love this uncontrollable nature of watercolors that makes the process of painting more like sharing a discussion than giving a speech.
Look at that mess on paper and then the finished version!
My favorite details of this painting are the big white spot and the small flowers that bend down.
Coming Up – Floral Still Life Step by Step
Currently, I am making an extra lesson about this process of making a floral still life without reference photos. It will be available with the upcoming class Floral Fantasies in 3 Styles. The registration will open next week! I plan to make the new lesson a separate one so that if you have purchased the class before, you can buy the new lesson as an add-on when the class begins on April 29, 2019. Stay tuned!
Here’s a watercolor painting that I made while being a student of Finnish watercolor artist Mika Törönen. I took the class to understand more about watercolors. Watercolor is a weird medium, and its weirdness fascinates me! Watercolors seem simple and easy at first. But the more you paint, and the more atmospheric you want your paintings, especially watercolor interiors, to be, the more challenging they become.
I have recently realized that more than outdoor sceneries, I love painting interiors. Here are some of my tips for painting watercolor interiors!
1) Start with Geometry and Positive Attitude
Last spring, I committed to learning more watercolor techniques. I built a class called Watercolor Journey.
In the past, when I was teaching IT professionals my colleagues often said: “You learn best when you are teaching.” First, it felt like cheating because I thought that teachers have to know everything already before starting a class. But when you have to break things into small manageable and teachable parts, deeper insights come up. This way I have found simple methods and easy guidelines for making rich and creative paintings.
This painting is made for the exercise of Watercolor Journey. It’s about painting geometric shapes and thus simplifying the interior. You can make the photo more blurry by squeezing your eyes, and focus on the flat shapes that you see from it, for example.
But methods, tips, and guidelines are not the only useful things that I have learned by building classes. By making sure that I teach with a smiling voice and appearance, I have learned to think positively about what I do and how to encourage myself. One of the most depressing things in classes is to hear negative self-talk, whether it comes from the teacher or the student. That’s why I think it’s important always to express positive emotions, the love for art, and all the enthusiasm that can be found from creating.
2) Choose a Reference You Love
Mika Törönen creates his beautiful paintings from the references. We also had to pick some for the class. I wanted to continue the inspiration that I got by visiting Italy a couple of years ago. I chose a snapshot taken from one of my favorite places – Palazzo Pitti, Florence. Many students used the same photos as references as the teacher did, but to me, it’s difficult to use references that I don’t have any connection.
I didn’t aim for an exact copy but still, the photo was quite complicated and it took all the three sessions to complete to painting. I learned some tricks from Mika Törönen, like how to prevent the paper from curling while working (watch the video where I use the method for painting a watercolor bookmark), and the courage to use small shapes and lines of very thick paint when finishing.
The class was based on us students watching him paint. He wasn’t very good at translating his methods to words but as far as I saw it, a lot was to do with finding abstract elements from the photos and building a composition from that. He didn’t guide much, and the painting time was quite limited. The benefit for me was that I got new energy for working with watercolors. I painted a lot between the three weekly sessions.
3) Embrace Surreal to Express Emotions
One of the paintings that I have made recently, is this surreal interior. I used several references for this one and also worked quite loosely from them. Choosing one reference is not always the best starting point because it can control the work too much.
Here, my most important influencer was the feeling that I got after the first class session. The session was very quiet, and I felt the loneliness that felt both good and bad. Loneliness gives the chance to spend quality time with imagination. But of course, it is also a sad feeling.
When I have clarity about a specific emotion, I have both the positive and the negative aspect in mind. That tension inspires me to express it. In this painting, I used a fish to symbolize creativity that I connect with the time spent alone.
Often, the loneliness is in your head. You can feel alone even if you are surrounded by people. So I left a blank triangular ray of light that hits her head.
Working with creativity and without other people’s perspectives, can make things turn upside down. I used my photo of Palazzo Vecchio’s Hall of Five Hundred as a loose reference. If I turn the piece, you might recognize some of it.
4) Design the Lighting and Focus on the Light
Here’s my latest watercolor painting called “Eternity”. I think that it’s most loose of all the paintings of this blog post because here, I focused on the light.
My reference photo was taken in an old church Chiesa del Gesu in Rome. It was only a starting point. After the first pale compositional layers, I abandoned it.
The elements and the lighting didn’t quite match my vision of eternity, so I made a lot of changes. I also wanted to break the symmetry that is in the reference photo. I imagined setting a scene for a movie and let the water express the light more than what it would reveal. There are only a few sharp lines and clearly defined shapes. This way the result is a loose painting and looks less like a detailed drawing.
I used a lot of water when making this one! Sprayed, too!
Watercolor Interiors – and Flowers!
I used Arches Rough 300 gsm watercolor paper for these three watercolor interiors. I hope that this blog post inspired you to pick your watercolor set and paint some watercolor interiors!
This spring I will rerun my class Floral Fantasies in Three Styles, where we paint watercolor florals, a very suitable theme to go with the interiors! There will also be an extra watercolor exercise, which will be available separately if you already have the class. Stay tuned!
This fantasy art piece is a hand-made collage called “Zebra Madonna”. It’s made mostly with Copic markers, some elements have been colored with colored pencils. It’s hand-drawn from start to finish, mostly for my class Animal Inkdom where I show easy ways to draw and color wonderful wildlife animals like flying butterflies and running zebras.
Time Flies When You Are Having Fun
It often happens to me that I am going to draw just something small, but then end up making a bigger project. Jane Austen has a novel called “Sense and Sensibility”, but my inner conversation is not very romantic.
Sensibility says: “I have an idea.” Sense says: “Don’t!” Sensibility says: “I want to do it. Now.” Sense says: “It’s 2 AM, no way! Go to sleep and wait for tomorrow.”
What was I drawing in the middle of the night? A small drawing of a girl with a zebra. The girl is a bit like zebra herself, and the zebra looks almost like a unicorn without a horn.
I started with a black and white drawing, but because coloring is fun too, I couldn’t resist. Time flew, and I was having fun.
For Animal Inkdom, I drew a lot of collage pieces as samples, and then many in the videos. So I have two boxes, big and small, that have all kinds of fantasy creatures. It felt like the zebra of the small drawing started calling his fellows, and these three came out!
Even if my zebra madonna was framed and all, I wanted to make a new image where the other zebras could join her. I cut a big piece of Bristol paper, approximately 14 x 20 inches. This is when I went to sleep! It was apparent that I would need quite a lot of energy to fill it with markers and doodles.
Next morning, I woke up determined to continue the project. I wanted to “paint” with markers – use several layers so that they would blend. I also wanted to draw with a very thin pen, Copic multiliner 0.03, so that most of the background would have subtle patterns. At this point, I wasn’t so sure if these were good ideas. Drawing took a long time, and markers weren’t so quick either.
I was also hesitating to use the zebras. Of all the animals that I had drawn for Animal Inkdom, they were my favorites. I reminded myself that because I had developed an easy way to make them, I could draw more at any time!
Before starting to ill the background, I had marked the places for the elements with a dashed line. Still, there was quite a lot to color. Here you can see how uneven the coloring is when there’s just one thin layer. I needed more layers!
It’s typical that at some point my Sense is starting to say: “This wasn’t a very good idea.” I am at the rock bottom trying to figure out how the project could be finished quickly because it doesn’t seem so fun anymore.
New Inspiration for Fantasy Art
My way to cope with what I call “the ugly phase” is to focus on a small area and start listening to an audiobook or a podcast. I also get inspired by colors, mostly by … black! It makes other colors shine, and my collection of black pens is growing steadily. I find it difficult to express any fantasy without black!
Fantasy art can be just fantasy and play, but I usually have a deeper thought in my mind. Despite the happy colors and fantasy feel, the message that I have in mind often has dark tones. Here zebras symbolize things in our past that have been difficult first, but after accepting them, they have become our strength.
Fantasy Art – Zebra Madonna in Detail
Here’s the finished piece again.
And because it has a lot of details, here are some pictures of them.
The butterflies are also from my class Animal Inkdom. I think they fit perfectly to the color scheme. I also added the third butterfly on the background. It’s just a careless drawing but it adds depth because it looks to be further away than the two colorful collage elements.