Peony and Parakeet

Moleskine Sketchbook – Another Full Art Journal!

Rococo inspired page on a Moleskine Sketchbook, by Peony and Parakeet.

I just finished my red Moleskine Sketchbook. It always feels like an accomplishment when an art journal gets full.  So I’m happy to show a couple of photos and a flip-through video of all the pages!

Moleskine Sketchbook as an Art Journal

Moleskine Sketchbooks are one of my favorite books for art journaling. The paper is sturdy, and it can be used with a variety of supplies. I use mostly watercolors, acrylic paints, colored pencils and PITT artist pens. But I also use inks, gel pens, hand-decorated papers for collages, etc. The small size is handy for quick pages and easy to put in a bag. However, sometimes the size is a little bit too small, especially for acrylic paintings. So I also use other journals, especially large Dylusions Creative Journals. The paper is very smooth, so it’s not ideal for watercolors. But I don’t mind that too much, I use a little less water to make watercolors work with the paper. Some prefer coarser paper for colored pencils but I love how effortless it is to color the pages in Moleskine Sketchbook.

1960s inspired page on a Moleskine Sketchbook, by Peony and Parakeet.

The Purpose of an Art Journal

For me, art journals are little more than just sketchbooks. I like to call them “idea books” as I often process my ideas further when I am working on the page. I don’t always make one page on the same go, but work with it several times, adding more ideas as the page progresses. However, I have quite low expectations on how my pages will look. They are not pieces of art but more like collections of ideas to me.

As you can see from the flip-through video, my ideas are often connected to art history and different styles. The first photo of this blog post shows a spread inspired by Rococo. The second photo shows a spread that I made after browsing designs from the 1960s. Even if I sometimes write short stories or make notes about my current thoughts, I mostly write about beautiful things that I have seen and visualize the ideas I have gotten from it.

My art journals are not chronological diaries but random visual notes that I process to full images. I can make a quick sketch of a rose one day and then continue the page with painting on the other day. When I am working with a new art class, I use art journals to record my visual ideas and practice the techniques. I also see creating art journal pages a route to bigger paintings. When I paint on canvas, I use the ideas that I have come up with when making the pages. Every artist should also be an art journaler!

Flip-Through Video

Create Step by Step!

I have gathered all the most popular free step-by-step instructions and all my flip-through videos on a separate page. Go to Create Step by Step!

Video: How to Move from Figurative to Abstract Art?

A small watercolor abstract and it's details, by Peony and Parakeet. See the video about creating abstract art!

I made a video blog post again. This time I answered to a reader’s question about how to open up to create unique and abstract art. This video is especially for you who wants to move from figurative to abstract art.

In the end of the video, I paint an abstract-themed postcard with watercolors. Hopefully, you’ll enjoy it!

How to Move from Figurative to Abstract Art?

Creative Struggles in the Middle of Possibilities

An art journal spread made for the mini-course Patterned Topiary. By Peony and Parakeet.

Here’s an art journaling spread that I made for Imagine Monthly Fall. It’s a part of November’s mini-course called Patterned Topiary. For the mini-course, I chose three main themes for the inspiration:
1) Gustav Klimt, the famous artist, and especially his Golden Phase pieces
2) playing with patterns and repeats
3) topiary art, the art of cutting trees and shrubs into shapes. As Gustav Klimt has brilliant portraits, I also included a woman there.

Predictions and Creative Struggles

Some time after creating the mini-course, I started the renaissance painting technique class under Emmi Mustonen. Now when I look at my work (which is still in progress), I see the same woman appearing there. It’s like art could predict the future!

Paivi Eerola learning old painting techniques at Finnish National Museum.

The two projects are very different and still – it’s easy to see that the person who created the first image, the art journaling spread, is the same who’s painting the copy of the portrait. I think this is a brilliant example of why we shouldn’t put ourselves in one corner, but be always willing to learn new perspectives. I could have said that I love freedom and won’t go to the class that is “just copying.” Or the vice versa: that I value old masters so much that I won’t combine them with mixed media techniques or with less-valued art forms like cutting trees. I might have avoided some creative struggles, but I would also have missed the possibilities.

My second project for November’s mini-course is also like a prediction.

An art journaling spread inspired by Gustav Klimt. Made for the art journaling mini-course Patterned Topiary. By Peony and Parakeet.

Namely, last Saturday, I went to see Yayoi Kusama‘s exhibition at Helsinki Art Museum. Another celebration of dots and patterns!

Paivi Eerola at Yayoi Kusama's exhibition in Helsinki Art Museum, a pause from creative struggles

Diversity of Themes and Techniques

I have now released 4 of 5 mini-courses for my art journaling master-class Imagine Monthly Fall 2016. There’s a lot of diversity in the projects: painting, drawing, making collages and combining the techniques to create mixed media art. You can still sign up and get all the published mini-courses immediately. There’s also a great community that you don’t want to miss! Seeing many versions of monthly themes is part of the enjoyment! I also lead a discussion related to the theme every month.

Imagine Monthly Fall, monthly art journaling mini-courses by Peony and Parakeet

Struggles in the Middle of Possibilities

When creating and teaching the mini-courses, I have experienced that art is full of possibilities but still, we fight with the fixations all the time. To me, the word “artist” has so much emotional overload that it feels difficult calling myself one.

But I got a wake-up call recently when someone said to me: “You’re already an artist and you should just embrace that. Doing otherwise is denying who you are.”

Selling My Art in Public!

After pondering that, I decided that I have to stop selling secretly based on occasional requests. I should make my art more accessible. So I set up a shop at Saatchi Art, which is a commercial site for artists. The great thing about Saatchi Art is that you can now also order fine art prints from my pieces, not only buy originals. Some of the paintings are sold already, but you can buy them as prints.

Paivi Eerola's paintings at Saatchi Art

Tell me, which struggles do you have with your creating right now? Are they due to a certain technique, certain conditions or a certain mindset?

Celebrating Artist Friendships

Together, a watercolor and gouache painting by Paivi Eerola from Peony and Parakeet. See the video of making this using liquid watercolors, aqua markers and gouache paint tubes.

There’s a theme that has been waiting in my blogging queue for a long time. It’s the meaning of friendships in the art world. I was about to write the blog post but then I thought it wouldn’t be as genuine as a video.

In this video blog post, I create a painting using art supplies generously donated by my student. The supplies are Spectrum Aqua Markers, Dr. Ph. Martin’s Hydrus liquid watercolors and Turner acryl gouaches.

Here are the links to the websites mentioned in the video: a ceramic artist Johanna Rytkola, a visual artist Emmi Mustonen, the stick figure drawing class as a part of Imagine Monthly Fall 2016, a local workshop in Finland “Innostu taiteestasi”

Hopefully, you’ll enjoy the video!

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