Creating Horse Art – Reawakened Love!

"Brave", a watercolor painting by Paivi Eerola from Peony and Parakeet.

Here’s my newest watercolor painting called “Brave” (for sale in my art store!) I got an idea of using a horse to symbolize bravery that comes with finding your passion(s). Isn’t it a romantic thought to see the passion as a horse inside us, rising from the depth and blowing strength!

Past Passion for Horses

Recently, I have found a lot to be passionate about. Many of those things have been inspiring to me as a child. but I have let them go for tens of years. One of these things is horses. I used to play a lot with toy horses, and I was also addicted to taking care of my hobby-horse, an ugly plastic blue thing! Sadly, I rarely saw real horses and I haven’t ever had a horse as a companion.

Hobby horse love

Once my parents took me to a field where a small horse farm offered horse-riding for children. They lifted me on a big Finnish Horse that had no saddle. Someone walked the horse, and I tried to keep myself sitting straight even if the back of the horse was really slippery. I made it to the center of the field and then fell off. The field offered a soft ground, and the horse didn’t step on me. They offered me a horse with a saddle, and it was much more comfortable! That’s most of the practical experience I have about horses. But of course, my theoretical knowledge was much more vast. As a child, I had borrowed all the possible horse books from the library and stayed busy building stables or crocheting rugs for the toy horses.

Finding the Creative Play with Horses Again

It must be early teenage years when I got alienated from the subject. Since then, I had never had a desire to own a horse, to ride a horse, or to do anything with horses. Until I participated in Inktober, the monthly drawing challenge. While making this drawing, my love for horses was reawakened.

"Double", horse art by Paivi Eerola from Peony and Parakeet

As adults, we easily ignore things that resonate with us but that don’t belong to our outer world. Even if we can draw and paint anything, we easily define ourselves with outer standards. If not having experience about real horses didn’t bother me as a child, it shouldn’t worry now either. I may not be a horsewoman in the outer world, but I can have a stable as big as I want in the inner world.

Creating Horse Art with Watercolors

I started the painting from the flowers and as usual, didn’t use any pencil sketch. It’s a bit risky way to create, but I love problem-solving and knowing exactly what to put and where is not always a practical solution for me. Here are some quick early stage pics! I used a reference loosely for the head of the horse.

I was painting happily but in the middle of the process, I was in trouble, not knowing how to finish the piece.  When working with watercolors, it’s especially tempting to just stop so that the painting doesn’t end up too dark.

Creating horse art - a watercolor painting in progress. By Paivi Eerola from Peony and Parakeet.

But here, I loved the idea and didn’t want to leave it looking unfinished and busy.

Planning in the Middle of the Project

I took a snapshot of the unfinished painting and made a plan in Photoshop. This is how I help my students all the time, and it’s a very handy skill to have!

Planning how to proceed with suggestions made in Photoshop. By Paivi Eerola from Peony and Parakeet.

The first image above is the starting point, and the next images are made in Photoshop. They demonstrate what changes should be made next. This time, I also followed the plan. But sometimes it happens, that I end up with a totally different solution but which would have never crossed my mind without the Photoshop play.

Late Night in the Studio

I like to paint so that I watch tv shows or video podcasts on my iPad at the same time. It can happen that I paint a romantic and profound piece and then watch a tv reality show that I can barely stand! Sometimes it feels like the worst the show, the better the painting becomes!

Creating horse art while watching Idols. By Paivi Eerola from Peony and Parakeet.

I hope you enjoyed this blog post! What did you love as a child but that doesn’t show in your current creative life?

Paivi Eerola from Peony and Parakeet and her surreal horse art piece called "Brave"

Subscribe to my weekly emails – Get a free mini-course!

How Inktober Strengthened My Visual Voice

Paivi Eerola from Peony and Parakeet. Read and watch a video about her Inktober drawings!

This is the second blog post about participating Inktober drawing challenge. See the first post here!

Inktober Experience in a Nutshell

Here’s what this challenge did to me:
1) Following the prompts and working with black ink only revealed some creative blocks. Becoming aware of these helped me to remove them!
2) I found what I love to draw and it has strengthened my visual voice.
3) I have always liked to draw with non-erasable ink but now I am addicted! I am more creative when I can’t erase the lines.
4) I have a lot of stories to tell that have never found their way to my art before.
5) I like being challenged by weird words that are difficult or even appalling to visualize.

What you can learn from all this:
a) Draw with pen or pencil only now and then so that your voice won’t get hidden behind the products.
b) Write what people have said to you about your creative skills. These may have been good advice back then but irrelevant now.
c) Start a list about things you love – these are also the things you should draw, no matter how superficial or deep they are. Make sure you include some things you loved when you were a child.
d) Give yourself a problem and solve it by drawing. Don’t settle for the obvious solutions!

Strengthening the Visual Voice – Watch the Video!

In the video, you can see all 31 drawings as a flip-through video, some thoughts, and how I used my sketchbook during the challenge.

I also attach the drawings in this blog post with the notes that I wrote for each one during Inktober.

Inktober #13 – Guardian

Inktober 2018, day 13, Guardian. Art by Paivi Eerola from Peony and Parakeet.

The external world may be designed for extroverts, but every introvert is a designer and guardian of her own world.

Inktober #14 – Clock

Inktober 2018, day 14, Clock. Art by Paivi Eerola from Peony and Parakeet.

As a child, my favorite play was to be the queen of England. I lived in a small town near the Russian border, and the only real luxury was nature. To me, trees were the pillars of the enormous halls, and I graciously wandered from room to room, repainting every plant and bird in my mind. No matter what’s the time or the place, this is still true: We can’t be the queens of England, but we can all be the queens of Imagination.

Inktober #15 – Weak

Inktober 2018, day 15, Weak. Art by Paivi Eerola from Peony and Parakeet.

Even if all the ties and responsibilities may feel heavy, they are what keep us going through the hard times. Let’s stay connected so that we can support one another!

Inktober #16 – Angular

Inktober 2018, day 16, Angular. Art by Paivi Eerola from Peony and Parakeet.

Have you seen the newest version of The Great Gatsby? It’s directed by Australian Baz Luhrmann, and it’s gorgeous. My favorite scene is the big party scene where everybody dances disco: “A Little Party Never Killed Nobody” wearing art deco party dresses in a divine-looking villa with pools, staircases and all. So today and tomorrow my Inktober pieces are dedicated to a big party, and you are all invited!

Inktober #17 – Swollen

Inktober 2018, day 17, Swollen. Art by Paivi Eerola from Peony and Parakeet.

Let’s continue the party from yesterday! Imagine that art has two feet. One foot represents the techniques, and the other one is the imagination. Moving forward in one foot only is impossible in the long run. You need both feet. And – even if sometimes your other foot is swollen, don’t let that bother you too much! Here’s to celebrate our creativity!

Inktober #18 – Bottle

Inktober 2018, day 18, Bottle. Art by Paivi Eerola from Peony and Parakeet.

If only we could bottle nature inspiration! I would have a stash of Finnish summer days! Now when trees are losing their leaves, I could spray some summer breeze and the smell of peonies!

Inktober #19 – Scorched

Inktober 2018, day 19, Scorched. Art by Paivi Eerola from Peony and Parakeet.

Sometimes the process is more beautiful than what comes out of it. All of us who like arts and crafts have experienced that, do you agree?!

Inktober #20 – Breakable

Inktober 2018, day 20, Breakable. Art by Paivi Eerola from Peony and Parakeet.

The misconceptions about what we can’t do are breakable. When becoming aware of any of mine, it feels like I have been a bird inside a soap bubble forgetting to use the beak. Why float inside the bubble when you can fly? Let’s believe in ourselves!!

Inktober #21 – Drain

Inktober 2018, day 21, Drain. Art by Paivi Eerola from Peony and Parakeet.

After drawing some ethereal and romantic pieces, I went to a couple of contemporary art exhibitions and this happened! When I was studying industrial design, it was made clear to me that this is NOT the acceptable style to draw. But today, let’s not care about those “don’t”s and “no”s and denials, and let the humor be a part of the art!

Inktober #22 – Expensive

Inktober 2018, day 22, Expensive. Inspired by four seasons. Art by Paivi Eerola from Peony and Parakeet.

What could be the most expensive bouquet ever? All the four seasons in one bunch!

Inktober #23 – Muddy

Inktober 2018, day 23, Muddy. Art by Paivi Eerola from Peony and Parakeet.

I believe in mud and dirt. If life becomes too sterile, it is not enjoyable anymore. That’s why I have animals and house plants, the garden, and I think that those who have children share this thought too. The same principle applies to art as well. If every stroke you paint, every line you draw is controlled and pre-planned, it lacks the soil where the ideas grow. So here’s to celebrate the mud in our lives!

Inktober #24 – Chop

Inktober 2018, day 24, Chop. Inspired by oranges. Art by Paivi Eerola from Peony and Parakeet.

Now when I am well over the halfway, I have started to make a list of things that I love to draw. My list includes stuff like folk art, antique jewelry, glass, fabric, etc. Most of them are quite decorative and luxurious stuff. I have also sliced and chopped these words to less general subjects like Russian handpainted trays, victorian necklaces, crystal, kelim, etc. It has felt like day by day, I am getting more hang of what I really love to illustrate. One item on the list is citrus fruits, oranges, lemons, etc. so I made some for today’s challenge, decorated with jewels and folk art, of course! — Tell me, what’s on your list!

Inktober #25 – Prickly

Inktober 2018, day 25, Prickly. Art by Paivi Eerola from Peony and Parakeet.

Virginia Woolf has said: “You cannot find peace by avoiding life.” So when the pot feels prickly and the hat too heavy, there can still be some kind of peace and satisfaction in all that.

Inktober #26 – Stretch

Inktober 2018, day 26, Stretch. Inspired by writers and authors. Art by Paivi Eerola from Peony and Parakeet.

This one is dedicated for all who love to write. Many prepare for NaNoWriMo to write a novel during November. I am more of a visual creator, but there’s definitely risktaking involved in both writing and drawing. You never know where it takes you, but that’s also a big part of the reward!

Inktober #27 – Thunder

Inktober 2018, day 27, Thunder. Art by Paivi Eerola from Peony and Parakeet.

Only 4 to go! Really enjoyed drawing this one.

Inktober #28 – Gift

Inktober 2018, day 28, Gift. Art by Paivi Eerola from Peony and Parakeet.

Out of the box, towards the change! Ink pens and watercolor on Bristol paper.

Inktober #29 – Double

Inktober 2018, day 29, Double. Inspired by friendship and horses. Art by Paivi Eerola from Peony and Parakeet.

When you get to spend time with someone who likes similar things … Thank you, my friend, fantasy artist Eeva Nikunen! Here’s for the friendships between artistic souls!

Inktober #30 – Jolt

Inktober 2018, day 30, Jolt. Art by Paivi Eerola from Peony and Parakeet.

When I started this monthly challenge, I was quite timid. First, I used everyday life as an inspiration, but the more I drew, the more I yearned to go on a journey to the hidden world. I have always loved Russian zhostovo paintings, luxury handbags, decorative fabrics, antique jewelry, Dolce & Gabbana … so slowly all the luxury found their way to these drawings.

First, it felt like they would be fragile and disappear soon, but now I can take a hammer and hit them, and they just keep flowing onto paper. I have cried because I have lost a part of my old style and mindset, but after 30 drawings, there’s no hammer big enough to make all of this luxury disappear. Thank you for still following me, I know this has been quite a change for many of you, I hope you continue the journey with me anyway.

Inktober #31 – Slice

Inktober 2018, day 31, Slice. Art by Paivi Eerola from Peony and Parakeet.
After the challenge, I am a like a nomad, carrying all the stuff that has come along with the journey, wondering what will happen next. Time will tell! Here, have a slice of cake with me to celebrate both this accomplishment and Happy Halloween!

Subscribe to my weekly emails – Get a free mini-course!

Varnishing, Framing, and Celebrating Your Best Paintings

"Temptation", an oil painting by Paivi Eerola from Peony and Parakeet

I have finished an oil painting called “Temptation.” I started it at the beginning of this year and after tens of painting sessions and weeks of drying time, I finally got it finished, varnished, and framed. So it’s time for celebration! So, the theme for this blog post is our best work, and especially our best paintings.

I have been planning this post for well over a year to get all the images I want to show you, and the experiences that I want to share with you, so I am happy that with the latest painting, the time has come for this article too!

Best Work – How to Know?

In art, there are very few absolute rights and wrongs, so this question can have many answers. But here’s how I know when I have produced my best work:
1) Time: I have worked on the painting for tens of hours and tens of sessions. Even if some artists work quickly, in general, most people underestimate the time that professional artists spend with their pieces. Overworking is rarer than underworking!
2) Message: I know why the painting exists. 
I can start a painting without a specific idea in mind, but when the painting progresses, I need to find a connection and a story to be able to make all the decisions needed.
3) Details: I have paid attention to every area of the painting.
Some areas can be freer or less detailed than others but they have to be aligned with the overall message of the painting, supporting the most important areas.

Painting an oil painting. By Paivi Eerola from Peony and Parakeet.

Best Work – Test!

I have a couple of tests that I always use for my best work. Try these!

A) Do you want to hang your painting on your wall?
Here, I mean your painting, on your wall in your home. When I use this test, I don’t imagine anyone else’s home or anyone else’s wall. If I don’t want the painting on the wall, it’s likely that no one else will either.

B) Do you see your painting as a treasure?

Place the painting on the table, walk away from the room, and then come back and glance at it. If your instant reaction is that there’s a valuable item on the table, the painting is close to the finish. Here, the difficult thing is that you need to recognize your reaction quickly and glance at the painting from a distance. The further away you can be and get the impression of a treasure, the better. When I use this test, I try to alienate myself from the painting before entering the room.

Holding "Temptation", an oil painting on canvas by Paivi Eerola, a Finnish artist.

When you have produced a painting that meets your criteria, why not varnish, frame and celebrate it?! These are all important steps to me. Let’s start with varnishing!

Before Varnishing – Take Photos!

Varnishing makes the painting harder to photograph because it will have glares more easily. If you have produced your best work, you will also want to get good photos of them!  I use a tripod when taking photos, and if the weather is good, I take the photos in natural light.

Photographing a painting. By Paivi Eerola from Peony and Parakeet.

Varnishing an Oil Painting – The Traditional Way

Oil paintings are tricky to varnish because they dry slowly. The drying time depends on how thick the layers are and how much drying time there has been between them. In any case, it’s months, and it can be more than a year! With “Gypsy Madonna,” I waited for nine looooong months.  Every layer had dried a week or more, and they were very thin, so based on the advice that I got, that would be enough.

Varnishing an oil painting with Rublev Dammar Finishing Varnish. By Paivi Eerola from Peony and Parakeet, Finland.

I bought Rublev Conservar Dammar Gloss Varnish with UV protection and applied it with a broad and soft goat bristle brush.

Varnishing an oil painting with Rublev Dammar Finishing Varnish. By Paivi Eerola from Peony and Parakeet, Finland.

Always when varnishing, it’s good to:
1) double-check and follow the instructions of the specific product that you use. Don’t rely on the instructions that come with the bottle but go to the manufacturer’s website to see if there’s more advice.
2) apply a small amount of varnish and keep the layer thin.
3) let the previous varnishing layer dry properly before adding a new layer. Usually, a couple of layers are needed.
4) if possible, reserve a brush for varnishing only

Varnishing an Oil Painting – A Quick Solution

Luckily, there’s an alternative for traditional oil varnishes. It’s called Gamvar Picture Varnish. I got to know about it from my artist friend Eeva Nikunen. She has also made a process video about using Gamvar.

Varnishing an oil painting with Gamvar Picture Varnish. By Paivi Eerola from Peony and Parakeet, Finland.

This medium only requires the surface to feel dry. So it can be applied after a few weeks after finishing the oil painting. I used Gamvar for the first time now, and because it’s thicker, it’s much easier to handle than the traditional varnish. Spreading Gamvar is more like rubbing with small strokes than painting with long strokes. A little sturdier brush works better here. I used a watercolor brush.

Varnishing an oil painting with Gamvar Picture Varnish. By Paivi Eerola from Peony and Parakeet, Finland.

The pleasure of varnishing is the same regardless of the medium. The colors become more vibrant, and the painting begins to shine. I prefer using glossy to matte varnishes because I love the extra glow!

Varnishing an Acrylic Painting

Varnishing is not just for oil paintings! You can varnish acrylic paintings as well, just remember that they have their own products. I mostly use Golden acrylic paints, so when varnishing acrylic paintings, I have also used products of the same brand.

Varnishing an acrylic painting. Step 1: Adding a layer of gel medium. By Paivi Eerola from Peony and Parakeet.

First, I add a layer or two of gel medium (Golden Soft Gel Gloss) before I begin the varnishing. Gel medium separates the paint layers from the varnishing layer. I mix some water with the gel medium to make it more fluid so that the brush strokes don’t show so well. I use a broad and flat brush and let every layer dry before adding a new one. It’s good to wait at least a day because polymer products can feel dry even if they haven’t dried properly yet.

Varnishing an acrylic painting. Step 2: Adding a layer of glossy polymer varnish. By Paivi Eerola from Peony and Parakeet.

Then I add 1-3 layers of Golden’s glossy polymer varnish. It has to be mixed with water, and every layer has to dry 3-6 hours before adding a new one. I try not to put too much pressure on the brush so that the brush strokes won’t show.

Freshly varnished paintings by Paivi Eerola, Finland.

I think that after varnishing, the increase of the vibrancy is as visible as with oil paintings. Definitely worth the effort!

Celebrating the Finished Painting – Framing

If my opinion, the best way to celebrate the finished painting is to get it framed. If varnishing is the makeup, framing is the dress. The impact of the frame is incredible when it fits well and continues the personality of the painting. Sorry about the glare in the sample images!

Gypsy Madonna, an oil painting combining Leonardo da Vinci's and Boccaccio Boccaccino's work. Framed and varnished. By Paivi Eerola from Finland.

I use a local professional framer because I love the quality. I chose an old-fashioned and heavy frame for the Renaissance-style painting, and it made it look like an old masterpiece. Without frames, the image was much more modest.

For this acrylic painting, I chose a dark frame that makes the colors shine.

Living Treasure, an acrylic painting by Paivi Eerola from Peony and Parakeet. Framed, varnished, and sold.

If the frame were lighter, the dark colors of the background would have got more attention, and the result wouldn’t be as harmonic.

Today, I got “Temptation” from the framer. Because this painting is like a collection of treasures, I wanted the frame to be luxurious too.

"Temptation", an oil painting by Paivi Eerola, a Finnish artist. Varnished and framed.

Celebrating the Finished Painting – Music!

I also like to celebrate my best pieces by listening to some music when admiring them. I try to find a song that is aligned with the painting and it’s often a song that I have already listened when working on the piece. For “Temptation”, the song is Musetta’s aria from Puccini’s opera “La Boheme”. After exposing the painting to the critical eye for so long, it’s time to forget the struggles and enjoy the accomplishment. I find this combination of musical and visual pleasure one of the best joys in life.

A detail of "Temptation", an old painting by Peony and Parakeet.

I hope you too will celebrate your best work!

P.S. “Temptation” is now available in my art store, see more detailed photos there!

How Inktober Helped Me To Cure a Creative Block

Paivi Eerola from Peony and Parakeet and her ink drawing on a Nuuna sketchbook.

This month, I am participating in a daily drawing challenge called Inktober. My goal was to make 10 ink drawings based on the first ten official prompts. I have passed the goal, and now I am trying to make as many as I can. As an experience, this challenge has had a ground-breaking effect on me. With Inktober prompts, I have discovered a creative block and cured it!

Supplies

For the first five drawings, I used black pens and inks from the stash. My illustrations have been quite detailed, so they take a lot of ink. I have made some purchases and will need more pens if I keep going. Here’s what I have currently in use!

Nuuna Square Bang Sketchbook and drawing supplies

I make the drawings on Nuuna Square Bang Sketchbook. It is 9,5 x 9,5 inches, which is a good size for daily work. The basic pens are Copic Multiliners. The tip sizes that I now have are 0.1, 0.3, and 1.0. I am planning to purchase 0.05 too because I like to draw small elements! I also have a Pentel brush pen for larger areas. I love this pen. It is refillable and comes with extra ink tanks. The brush is wonderfully soft and precise and the ink flows effortlessly.

My Expectations – Stretching to a More Masculine Zone

I started the challenge with an open mind. Building Watercolor Journey was a huge workload. I wanted to make a comprehensive class, and it took a lot of my time during the summer. Now when I got the self-study version available, I wanted to reward myself by taking part in the challenge. My idea was to draw what I love, the only limitations being that I had to use black ink and follow the prompts.

Because Inktober is mostly for fantasy artists, the themes are very different than what I would choose. Many of the prompts are about the darker side of life, but I thought that little stretching would do me good. The biggest fear that I had was that the people who follow me on social media would totally ban me. I knew that because of the prompts and the black ink, my work would look more masculine than before. But I didn’t expect anything ground-breaking to happen regarding my style or visual voice. But something did happen, quite unexpectedly.

Discovering a Creative Block

When I picked a pen and started drawing the first image, I heard myself saying: “Paivi, be careful.” The tone was gentle but the voice was definitely of my inner critic. And as soon as I wondered what I should be careful about, an old drawing came to my mind. It was a black ink drawing as well, an exercise for the first class that I took in industrial design. We had to make a series of images showing the product, and mine was a hilarious collection of detailed drawings showing all the enthusiasm I had for industrial design back then. I don’t remember the exact words that my teacher used but I got the message that it was all wrong, a bit pathetic even. I should be more systematic and not so decorative.

It was a critique that was beneficial for an industrial designer but totally irrelevant and wrong for a person who is more of an artist and illustrator. But back then, I was not able to see that the direction that I was heading was different so I took it deep into my heart. I also remember some other situations during my studies when I was accused of being too decorative. That was good for me back then, opening my eyes for expressing the form instead of the surface only. But now when working in the field of art, the situation is different.

So when I heard the whisper to be careful, it meant that I should not be too decorative when drawing industrially manufactured items like syringes that I intended to include in the first drawing. Becoming aware of this block has turned a new page in my artistic path.

Inktober #1 – Poisonous

Maybe sometimes we think that something is poisonous when it’s not?

Poisonous - Illustration by Paivi Eerola from Peony and Parakeet. Entry for Inktober 2018.

While drawing the first entry for the challenge, I allowed myself to be as decorative and detailed as possible. I accepted the union of industrial objects and more abstract elements and went with the flow. Here’s to those past student years!

Inktober #2 – Tranquil

To me, tranquility and yarn go hand in hand. In the evenings I like to knit, cross-stitch, or quilt to calm myself down. So it’s like the threads and yarn tie little moments happened during the day together. The day that felt chaotic in the afternoon becomes tranquil and meaningful before I go to sleep.

Tranquil - Illustration by Paivi Eerola from Peony and Parakeet. Entry for Inktober 2018.

The second insight came with the second prompt. I haven’t even considered myself a surreal artist, but the drawing came out so naturally that it started to make sense.

Inktober #3 – Roasted

After starting to work from home, I have been forced to get deeper into the world of cooking. I have made some disastrous meals because I don’t like to follow recipes and don’t have much experience either. But now, after four years, I have found a way that works quite often. I buy good ingredients. I study several recipes and then figure out what my version could be. I use a timer a lot, just because I am often in my thoughts and don’t realize how minutes fly. I like roasted vegetables, especially roasted carrots, so this is for them!

Roasted - Illustration by Paivi Eerola from Peony and Parakeet. Entry for Inktober 2018.

With the third prompt, I wanted to try if I could make something out of less romantic subjects that I would normally choose. Here, I found drawing the oven most inspiring which was an interesting observation. Is the industrial designer raising her head?

Inktober #4 – Spell

I connect the spell with the atmosphere of the inner world. It could be like a cloud hanging over the scenery, sending sounds and lighting candles. I haven’t been a big fan of fantasy novels or such, but when I am creating, the fantasy can easily take over!

Spell - Illustration by Paivi Eerola from Peony and Parakeet. Entry for Inktober 2018.

The prompt was a weird one for me, but the result is the old average. It didn’t feel so comfortable anymore. Something was lacking there.

Inktober #5 – Chicken

Something big is happening and the change feels scary.
– “I can’t do it! I have to protect what I already have.”
And then the whole universe shouts “Chicken!”
You can’t stop the change. You need to follow the eggs.

Chicken - Illustration by Paivi Eerola from Peony and Parakeet. Entry for Inktober 2018.

The fifth drawing started as a funny one, but at the end, it felt like it was speaking about me. Consciously, I didn’t have any idea what had changed but it felt that I can’t keep on creating like before.

Inktober #6 – Drooling

When your mind is drooling for beauty so that you feel you are eating all the forbidden fruits.

Drooling - Illustration by Paivi Eerola from Peony and Parakeet. Entry for Inktober 2018.

In this drawing, it became visible and clear to me that my creative block had forbidden me to draw decorative items that I adore. I love high fashion, jewelry, elegant fabrics, tassels, pearls, fur, you name it. I don’t grave them so that I would like to wear or own them but my world of fantasy never has a lack of this luxury. I have always thought this is a superficial characteristic in me, but this attitude feels too restricting now when I am more conscious of it.

Inktober #7 – Exhausted

Here’s how I define the exhaustion of the 21st century: You have done too much, and it feels like you have done nothing yet. You have too much stuff to sort out, and it feels like you haven’t got all you need. You are at the bottom of the big pile, and the clock is ticking: “Don’t forget! You are late!”

Exhausted - Illustration by Paivi Eerola from Peony and Parakeet. Entry for Inktober 2018.

When drawing like this, I feel the satisfaction that I have never had before. It’s not that this way of expression would be technically more brilliant than my best work so far or superior to what everybody else does. It’s just that it’s like looking myself in the mirror, seeing all the goods and bads, and accepting what’s there. Isn’t it so that no matter how much you admire other artists if you imagine their work to be yours, it feels empty or defective in some ways? At least to me, there are hundreds of artists that I admire passionately and would happily hang their paintings on my walls, but if I were the one creating them, my fingers would itch to change something.

Inktober #8 – Star

Even if I work from home and live an extremely boring life (if you look at it from outside that is), I am a nomad, we all are. We get it when Harley-Davidson advertises motorcycles with the slogan: “Everything you need, nothing you don’t.” It’s about The Freedom – a full-designed package of service including a couple of woven carpets, one string of prayer flags, five long minutes of photographing bokeh and flares on the mountains, a ride downhill feeling a warm wind and hearing the sound of the beautifully polished engine. Some change the motorcycle to a horse or even to a Corvette, but it’s all the same, here’s to The Freedom!

Star - Illustration by Paivi Eerola from Peony and Parakeet. Entry for Inktober 2018.

During the challenge, I have not only found new ways to draw, but I have also discovered that I am bursting with stories! Most of the stories are connected with items that have a symbolic meaning to me.

Inktober #9 – Precious

We get excited about a new thing. The next thought is that we need the products. All the products. Happened to me so many times! But hey, let’s not get lost in the products. Discovering yourself is more precious than any product.

Precious - Illustration by Paivi Eerola from Peony and Parakeet. Entry for Inktober 2018.

What if the challenge wouldn’t have the restriction of supplies, and what if it wouldn’t be specifically for inks, related to my creative block? It’s possible that nothing would have changed. Seeing the stream of simple drawings and how they change one after another, has brought such clarity that I wonder how many times the creative blocks hide under products. When I have bought a new set of this or that, have I subconsciously avoided the block?

Inktober #10 – Flowing

In the Renaissance, the strong currency called Florin enabled the birth of financial professionals like bankers. Today, their working environment looks very different, and the change may feel vast, but that’s only if we keep our perspective narrow.
The facts:
Renaissance was about 500 years ago.
The age of the earth: 4,5 billion years.
The age of our universe: 13.8 billion years.
Here’s to honor all who work in finance but also to remind how money is just a tiny island in the flowing ocean of time.

Flowing - Illustration by Paivi Eerola from Peony and Parakeet. Entry for Inktober 2018.

As a former engineer, I believe in the power of knowledge. But it’s new that I want to express that in my art too!

Inktober #11 – Cruel

Life can be cruel. It throws more and more for those who already have plenty while those who have nothing can’t get anything.

Cruel - Illustration by Paivi Eerola from Peony and Parakeet. Entry for Inktober 2018.

This prompt was not an easy one. I felt sadness and shame. But once I got the idea,  I had to draw it out.

Inktober #12 – Whale

Love makes us brave. No matter how timid we are, we can do anything for those who we love.

Whale - Illustration by Paivi Eerola from Peony and Parakeet. Entry for Inktober 2018.

During Inktober, I have found a way to connect the things that I love from storytelling to decorative designs and illustrational art. So far, it has brought a new sense of happiness in my artistic path. It’s also a scary feeling – what will happen next, what will I do with all these? Time will tell!

You can follow my entries daily (as long as I can keep up) on Facebook or on Instagram.