Paint Gentleness – Watch the video!

Gentle Flower, acrylic painting by Paivi Eerola from Peony and Parakeet. Watch the video of how she made this!

It’s the time for a video blog post! This week, I talk about gentleness and how you can experience that through a painting technique. I show some basic elements from the old masters painting techniques. In the past, artists painted with oil paints. For acrylic paints, the secret is to use glazing medium for thinning the paint. Have fun!

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13 Prompts for Expressive Art – Illustrated by the Students of Peony and Parakeet

13 prompts for expressive art by Peony and Parakeet
When you wonder what to create next, here’s a list of prompts for expressive art! Use these for art journal pages, drawings, paintings, mixed media, even for creative writing. The inspirational quotes from famous artists complement each of the short prompts. The students of Peony and Parakeet created the beautiful pieces that illustrate the prompts. They are based on the mini-courses “Botanical Discovery” and “Romantic Geometry.” These mini-courses are included in Imagine Monthly Art Journaling Class Bundle 2.

1) Living Colors

Claude Monet: “I perhaps owe having become a painter to flowers.”

A hand-painted collage by Joan Lilley, UK. Based on the mini-course "Botanical Discovery" by Peony and Parakeet.

Joan Lilley, UK

2) Dreamy Sharpness

Rene Magritte: “If the dream is a translation of waking life, waking life is also a translation of the dream.”

A mixed media painting by Joan Lilley, UK. Based on the mini-course "Romantic Geometry" by Peony and Parakeet.

Joan Lilley, UK

3) Speaking with Shapes

Vincent van Gogh: “The emotions are sometimes so strong that I work without knowing it. The strokes come like speech.”

An art journal page spread by Eloise Luyk, USA. Based of the mini-course "Botanical Discovery" by Peony and Parakeet.

Eloise Luyk, USA

4)  Composition of Absurdness

M.C. Escher: “Only those who attempt the absurd will achieve the impossible. I think it’s in my basement… let me go upstairs and check.”

An art journal page spread by Eloise Luyk, USA. Based on the mini-course "Romantic Geometry" by Peony and Parakeet.

Eloise Luyk, USA

5) No Stereotypes!

Henri Matisse: “There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the roses that were ever painted.”

An art journal page spread by Darci Hayden, USA. Based on the mini-course "Botanical Discovery" by Peony and Parakeet.

Darci Hayden, USA

6) Bring in The Sun!

Pablo Picasso: “Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.”

An art journal page spread by Darci Hayden, USA. Based on the class Romantic Geometry by Peony and Parakeet.

Darci Hayden, USA

7) Taking Flight

Michelangelo: “I saw the angel in the marble and carved until I set him free.”

Hand-painted collage by Debs England, UK. Based on the mini-course "Botanical Discovery" by Peony and Parakeet.

Debs England, UK

8) Blue Escape

Wassily Kandinsky: “The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural… The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.”

An art journal page spread by Terry Whyte, Canada. Based on the mini-course "Romantic Geometry" by Peony and Parakeet.

Terry Whyte, Canada

9) Nature’s Mystery

Francis Bacon: “The job of the artist is always to deepen the mystery.”

A painted collage by Rochelle Zawisza, USA. Based on the mini-course "Botanical Discovery" by Peony and Parakeet.

Rochelle Zawisza, USA

10) Colors of the Night

Vincent van Gogh: “I often think that the night is more alive and more richly colored than the day.”

An art journal page spread by Sue O'Mullan, USA. Based on the mini-course "Romantic Geometry" by Peony and Parakeet.

Sue O’Mullan, USA

11) Strong but Gentle

Paul Klee: “One eye sees, the other feels.”

An art journal page spread by Christie Juhasz, USA. Based on the mini-course "Botanical Discovery" by Peony and Parakeet.

Christie Juhasz, USA

12) Explosion

M.C. Escher: “We adore chaos because we love to produce order.”

A mixed media drawing by Diana Jackson, USA. Base on the mini-course "Romantic Geometry" by Peony and Parakeet.

Diana Jackson, USA

13) Panorama of Your Inner World

Wassily Kandinsky: “To create a work of art is to create the world.”

An art journal pages spread by Stephanie Carney, USA. Based on the mini-course "Romantic Geometry" by Peony and Parakeet.

Stephanie Carney, USA

Buy Botanical Discovery!

Georgia O’Keeffe: “I decided that if I could paint that flower in a huge scale, you could not ignore its beauty.”

Botanical Discovery is a mini-course inspired by the famous American artist Georgia O’Keeffe and botanical art. Create beautiful collages from hand painted papers – Buy here!

Buy Romantic Geometry!

Wassily Kandinsky: “Everything starts from a dot.”

Romantic Geometry is a mini-course inspired by the famous abstract artist Wassily Kandinsky, Renaissance masters and computer games. It’s a journey through centuries and especially suitable for you who want to make your art more dynamic! – Buy here!

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Mixed Media Painting Idea – Revisiting Your Old Style

Lost and Found, a mixed media painting by Paivi Eerola from Peony and Parakeet.

Between 2010-2014 I was enthusiastic about decorative art. I called myself as a “decorative artist” and saw myself more as a designer than as an artist who focuses on expression. My upcoming class Collageland (thank you, everyone, for the feedback you gave in the last blog post!), is a retrospective to that period in my life. While editing the videos, I have been pondering about what inspired me back then and how it’s different from what motivates me now.

Some themes and styles often feel too familiar to me. They don’t seem to challenge me anymore, so I have moved on. But now it hit me how harsh it sounds and how unnecessarily harsh it sometimes also is. So when creating the pieces shown in this blog post, I gave myself permission to take it easy and get decorative. I also became curious about comparing my past decorative work with the pieces that I would produce today.

My comfort zone is getting inspired by design and translating that inspiration into art. So I made a mixed media painting that is inspired by the world of fashion, jewelry, lace, Renaissance murals, and botanical art. I call it “Lost and Found”. To embrace a designer’s approach to art, I also made two different color versions by processing the photo of the original artwork digitally in Photoshop.

Here’s Marine:

Lost and Found, a mixed media painting by Paivi Eerola from Peony and Parakeet. The colors have been changed digitally in this image. See her mixed media painting idea behind this one!

And here’s Botanical:

Lost and Found, a mixed media painting by Paivi Eerola from Peony and Parakeet. The colors have been changed digitally in this image. See her mixed media painting idea behind this one!

I don’t have many phase photos because I wanted to relax with that too but this is what I drew on my planner the previous day:

Sketching a mixed media painting idea. By Paivi Eerola from Peony and Parakeet.

These quick sketches are the core of my creative process.

Another Painting with the Same Idea

I also made another design-inspired painting. The idea came from the ceramic art of the 1960s.

The photo below shows how the piece looked like before adding the decorative layers. Glowing watercolors remind me of the glazing used in ceramics. When this happens, I feel like I am a ceramic artist, playing with colors.

Dr Ph. Martin's Hydrus watercolors

A student of mine kindly donated Dr. Ph. Martin’s Hydrus watercolors some time ago. First, I liked them, now I adore them. They are intensive and easy to use, and I especially love the coverage of white. I used Hydrus watercolors for “Lost and Found” too.

Retro Living, a mixed media painting by Paivi Eerola from Peony and Parakeet.

Here’s the finished painting called “Retro Living”.  It is also a mixed media piece. I used colored pencils, PITT Artist Pens, and a correction pen for the last layers. I love these muted colors, so typical for the Finnish ceramics from the 60s. But then, I thought they might be too gloomy for many, so I made another version digitally that reminds me of furniture from that era:

Retro Living, a mixed media painting by Paivi Eerola from Peony and Parakeet. She altered colors digitally for this version.

Comparison

See my new gallery showing decorative art and designs from 2011 to this day. When I look at the newly-created pieces as a part of that collection, it looks to me like I have traveled a long journey in art. And I have – I just never thought that it would show in this decorative style as well. It makes me want to explore more of this and also, see exciting challenges in this direction too.

My challenge to you: Pick an old piece and make a new one using the similar techniques and style! 

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Secret Language – Combining Two Ideas and Two Styles into One Image

The Secret Language of Peonies, an art journal page by Paivi Eerola from Peony and Parakeet. See how she made this!

This is my latest art journal page called “The Secret Language of Peonies.” I had two inspiration sources for this page.

Mid-Century Modern Brooch

The first part of my inspiration was a brooch that I found at an antique fair. I think it could be a Danish design from the 1950s or 1960s. It only cost 5 EUR, and I liked the idea of having a brooch that is like a piece of abstract art.

Mid-century modern brooch, wood inlay, teak, shell, stone

Drawing Shapes – Pencil and Felt-Tipped Pens

When I began the journal page, I only had an idea of creating something more graphic than usual.

The first steps for an art journal page by Paivi Eerola from Peony and Parakeet. See how she finishes this one and combines two styles to the same page.

I made a rough sketch with a pencil and then colored a part of it with Faber-Castell PITT Artist Pens. Once the coloring progressed, I felt that I need another idea for the page. I also needed to get more clarity of what I want to say with the image. So I didn’t finish the page but left it to wait for another time and inspiration.

For the Love of Peonies –  If They Could Speak …

I have nine peony bushes in the garden, and eight of them are blooming this summer. It’s like a big celebration to me, and I have been taking photos a lot. I also belong to the Finnish Peony Society, and they have a lively discussion group. While browsing my photos and seeing other people’s snapshots of peonies, I began to wonder why we always take these close-up photos, like the ones below.

Blooming peonies. Hei Hao Bo Tao and Bartzella.

I took some steps further away from the flowers and tried to capture the atmosphere in my garden, instead of photographing just one flower.

Blooming peonies. Eden's Perfume in the front.

And then it hit me: I should also include the falling petals, the whole thing.

Blooming peonies. Coral Sunset and Bartzella.

I imagined how peonies are setting a big show, fireworks included, and how we people don’t always get it. Everything in this performance is beautiful in some way. We should let go of the idea of a single flower and embrace the whole experience instead.

It also made me think how it can be liberating for the peony bushes to let go of the flowers. Falling petals and the wind blowing through the bushes must make soft sounds that only spiders and ants can hear. This whispering sound, in turn, made me think about the imaginative language of peonies – what kind of language would that be? And while I photographed the bushes, it became apparent to me: if that language exists, if peonies can really talk, it would be something rich, with a lot of nuances, many kinds of words, complicated structures. Something that we people are perhaps too inadequate to understand.

Two Ideas and Two Styles – Combining Ideas to Deliver the Message

I felt the urge to express my thoughts about peonies visually. Then I remembered the art journal page that I hadn’t finished yet. The complicated and secret language of peonies fit perfectly with the abstract shapes. All I needed to do, was to add some reference to peonies to complete the visual message. Because the language was something that had a dimension of its own, I wanted to use different media for the flowers.

Making of an art journal page by Paivi Eerola from Peony and Parakeet. See how to combine two styles into one page!

So I painted the flowers with acrylic paint, just intuitively, without any fixated idea of how peonies should look.

Making of an art journal page by Paivi Eerola from Peony and Parakeet. See how to combine two styles into one page!

When peonies talk to each other, they see themselves in a different way than how we people see them. The flowers are just the frills. The heart of peonies is more intelligent than we think. It’s more like the brooch that I bought! Showing this controversy with two styles makes the page more interesting than sticking with one approach. What do you think?

An art journal page and two sources of inspiration. By Paivi Eerola from Peony and Parakeet. See how she made this page step by step!

When there’s an imaginative story behind the image, I like to write down some thoughts on the opposite page of the journal. It makes the journal as an idea book for bigger paintings where I want to include more than one or two ideas.

Art journal page spread with inspiration from peonies. By Paivi Eerola from Peony and Parakeet.

I also have something else to share …

Coming up: “Collageland”

Many of you who have been following me for some time, know that some years ago I made a lesson for 21 Secrets Spring 2015 art journaling class called “Artistic Embroidery with Pens and Paper.” This class is no longer available, and I have got back the rights to publish the lesson as an individual piece separate from the rest of the class. However, a lot has happened in the video quality since those times. When I watched my lesson, I wanted to re-record it. And not only re-record it but add more ideas and inspiration into it.

I got the idea of inviting you to my studio to get inspired by the many embroidered pieces, fabrics and quilts I have to show you. I also wanted to deliver the experience of spending a day in my studio and creating paper collages from that textile inspiration. So it would be like seeing my country Finland as “Collageland” and then rebuild it in your imagination.

The recording of Collageland, a paper collage class inspired by textiles. By Paivi Eerola from Peony and Parakeet.

Last week, I recorded videos for one whole day from morning to evening. My husband also helped me so that we got the best footage for each step.  I am currently in the process of editing the videos. Collageland is geared for beginners who like to doodle and see more possibilities in self-expression through it. My original thought was to publish a self-study, but I also want to ask you: are you interested and if so, how would you like this class to be delivered?

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Consistency and How to Get Inspired by It

Art created with Faber-Castell Gelatos. By Paivi Eerola from Peony and Parakeet.

When artists say that they need to focus and find their style, a big part of the problem is the lack of consistency. To me, “consistent” used to be a negative word meaning “boring,” “predictable,” and even “unimaginative.” But during the recent years, I have realized that there can be a lot of freedom in the consistency.

Here’s an example. Last Sunday, I wanted to do some art journal pages inspired by my recent trip to Italy. I was already heading towards my paints and brushes when something else came to my mind. It hit me that I have art supplies I haven’t used for a long time. One of them was Faber-Castell Gelatos. They weren’t very cheap, but I had only used a little of them. They were too clumsy and creating with them felt like painting with lipsticks. These were definitely a wrong choice when thinking about old master paintings and the era of Renaissance.

But now the challenge of using Gelatos started to intrigue me. The idea of bringing those crafty sticks to the past felt like turning on a time machine. For some artists, it would be a sign of inconsistency not to stick with particular art supplies only. But when my goals are to bring people with different skill levels together, reveal the treasures of art history, and regularly offer new ideas for creating art, it’s very consistent. So I didn’t unnaturally have to limit myself but was able to enthusiastically create the art journal pages and write this blog post.

Inspiration: Palazzo Doria Pamphilj, Rome

Palazzo Doria Pamphilj, Rome, Italy

My favorite place in Rome was a private art museum Palazzo Doria Pamphilj. It was located in the busy center, but after entering there, I  was in a peaceful and beautiful world. There were a lot of inspiring paintings, but Jan Brueghel was a new artist to me, and his landscapes were unbelievably detailed. These paintings could have been huge, and they would still look detailed. But they weren’t very big; the length was under 1 meter in the painting below.

Jan Brueghel and Hendrick van Balen, Allegory of Water

Another interesting thing was that Jan Brueghel collaborated with another artist Hendrick van Balen, who was specialized in painting figures. No wonder, the quality of these paintings is amazing! The painting above belongs to the series of four allegorical paintings, expressing the elements of water, fire, earth, and air. What a great theme for today’s artists too! And speaking of consistency: painting a series can also enforce that.

Abstract Landscape with Faber-Castell-Gelatos

I usually create art journal pages when my ideas are not mature enough for bigger paintings. Documenting these ideas in an art journal keeps the creative process flowing and maintains one aspect of consistency: the regularity of creating.

Abstract Landscape created with Faber-Castell Gelato Sticks. By Paivi Eerola from Peony and Parakeet. See her 3 tips for using gelatos!

Experimenting with Gelatos was fun, and I especially enjoyed inventing ways to add details with those clumsy sticks. By building layers, I was also able to achieve a color scheme that brings old paintings in mind. The consistent inspiration from the many styles seen in the history of art sets me free. It goes so deep into what I ponder the most: how things change all the time and how timelessness can still be present.

3 Technique Tips for Art Journaling with Faber-Castell Gelatos

One way to be consistent is to develop techniques that are reusable. Often when I invent a technique for a specific media, it can also be applied to a variety of supplies. I will now show you some ideas for working with Faber-Castell Gelatos. You can adjust these for many other art supplies as well. I begin a second art journal page to demonstrate the techniques.

1) Blending and Softening

The more I have studied Renaissance art, the more I have been into creating soft color transitions and muted colors. When beginning a new painting, I like to blend and soften a lot. With Gelatos, the best way to mix the colors is to use a sponge. In the photo below, you see that I have mixed white and pale pink for the face but haven’t blended reds and oranges together yet.

Tips for using Faber-Castell gelatos by Paivi Eerola from Peony and Parakeet

2) Adding Details

Thick sticks don’t work very well for details. You can use the edge of the stick and get fairly thin lines, but to me, they weren’t thin enough!

Tips for using Faber-Castell gelatos by Paivi Eerola from Peony and Parakeet

However, I discovered that by using water, it’s possible to draw thinner lines with a brush. By adding water and rubbing gently, you can also remove some color and make tiny decorative spots that way.

Tips for using Faber-Castell gelatos by Paivi Eerola from Peony and Parakeet

When painting with watercolors or acrylics, I like to work similarly: add a splotch of paint in one area and then quickly use it for details in other areas. It’s a fast and handy way to color details that need only a tiny portion of color each.

When finishing the face, I used colored pencils to draw the tiniest details. When keeping the Gelatos layers thin and smooth, it’s easy to add other media on the top.

Drawing with colored pencils on a surface covered with Faber-Castell Gelato sticks. Read more tips for working with Gelatos! By Paivi Eerola from Peony and Parakeet.

3) Keep on Adding Layers!

When I started making the art journal page, I only had an idea of a lady or a Madonna because that would complement the landscape. I rarely use reference photos when creating art journal pages. To me, it’s more about getting in touch with vague ideas and then process them to express something that’s deeper and more defined. When I was in the middle of making the page, I was pretty clueless about what to express. But I kept on adding layers and slowly improving the image. One way to practice consistency is to keep on working with the same piece even if it looks like crap. See how much my page changed – examine the phase photos below!

Finishing an art journal page by Paivi Eerola from Peony and Parakeet. Read more about her tips!

In phase two, I remembered the atmosphere and the candles of Santa Maria Novella, a huge church in Florence. After finishing the page, I went to my photo archive and found an image that looks very similar to my page. It’s so surprising how many of its elements exist on the page even if I didn’t look at the photo at all!

Santa Maria Novella, Florence, Italy

Regularly taking photos and browsing them is one way to add more consistency for the creative process.

Consistency is In the Way You Adjust the Nuances

After I had created the page, I felt that the opposite page should continue the same atmosphere. So I quickly made an abstract landscape there. Now when I open the spread of the journal, it feels more intense.

Art journal page spread made with Faber Castel Gelatos. By Paivi Eerola from Peony and Parakeet. See her tips on working with Gelato sticks!

However, there are many things in these two pages that I don’t like. First and foremost, I don’t like the color scheme. It has too many bright colors and too few muted colors, and thus, it looks more modern that I would like it to look. I would like a color scheme that would be more like this:

An art journal page by Paivi Eerola from Peony and Parakeet. She digitally changed the color scheme to fit better with the idea she had in mind. See her tips for maintaining the consistency when creating art!

Also, if my art journal spread would be a big painting instead, I would make the face much more detailed. It’s simplicity, and the 2-dimensional look bothers me! By self-evaluating your work, you can also increase the awareness of the nuances you like. Adjusting the nuances, in turn, results in more consistency. Because many times consistency is more in the way you work with the nuances than how you select the themes and choose the supplies.

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When Another Art Class or Business Class is Not What You Need

Art by Paivi Eerola from Peony and Parakeet

I was 17 years when I drew that red-haired girl sitting on a stone. Back then, I didn’t think about art as a business. I didn’t try to find my style. I wasn’t even fully aware of my lacking skills. Still, the image feels genuine to me. It illustrates the place where I still want to go in my imagination. I want to get rid of the everyday life, I want to climb higher, see the big picture, and feel the wind of change blowing against my face.

It took me tens of years to put my feeling into words – to become conscious of what I want to create and how I want to lead myself as an artist. I found my way by building methods that connect my imagination with what I do in practice. They include answering questions, finding images that speak to you, and creating art to process it all.

My coaching program The Exploring Artist is based on those methods. It is just what you need if you have been creating art for some time already. It’s different from the classes you have used to see and take.

When an Ordinary Art or Business Class Doesn’t Help You

Namely, the world is full of business classes that claim to know how you can sell your art. They teach you how to make a marketing strategy, review your business model, build your website, etc. But if you haven’t grown as an artist, know what kind of advocate you are, the investment is rarely worth all the money.

Similarly, the world is full of art classes. They teach you techniques that may grow your technical skills, but they don’t help, when you want to dive deeper, use the full potential of your imagination, and create from your personal standpoint.

The Exploring Artist – Sign up Now!

The Exploring Artist, the coaching program by Peony and Parakeet - not any ordinary art or business class

After The Exploring Artist, you might get excited about finding your people and take a business class. When you already know what kind of art you want to make and what kind of advocate for art you want to be, it will be enjoyable.

After The Exploring Artist, you might want to take an art class. When you know your blind spots, choosing the class and making the most of it, will be much easier.

So when you consider the price of The Exploring Artist, think how much you would spend on those other classes. Consider how much time have you already spent without truly growing your artistic identity.

This is a rare opportunity to work with your art, and give it the attention it has needed for years already.

>> The Exploring Artist begins July 1st – Hurry and sign up now!

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Bad Ideas Make You a Better Artist!

Handdrawn Paper Doilies by Peony and Parakeet

About four years ago, I got a crazy idea to draw doilies on a watercolor paper and cut them out like they would be crocheted pieces.

Handpainted Paper Doilies – Not So Good Idea

Handpainted Paper Doilies, a phase photo, by Peony and Parakeet

The process of painting the background circles and then decorate them with doodles was so much fun that I got carried away and made plenty.

Handdrawn Paper Doilies by Peony and Parakeet

After I had finished a pile, I enthusiastically showed them to my husband: “Look what I have made!”
– “What are these?”, he said. “What are you going to make from these?”
– “Maybe I share the idea in my blog or make a big wall hanging by joining the circles together. Wouldn’t that be cool!?”

I saw it on his face. He didn’t get it. And furthermore, he didn’t want paper doilies on our walls either.

Mandala Madness

But to me, the doilies made perfect sense even if they weren’t crocheted. By painting them, I wanted to build a bridge from crafts to art. The paper doily was a raw idea, and as I, fortunately, learned later, raw ideas can look really bad at first.

Big Ideas Come from Bad Ideas

The idea of a doily translated into art didn’t leave me alone. Last year, three years after inventing it, I launched a workshop called Planet Color, where I teach people to paint abstract compositions.

Planet Color and Paivi Eerola from Peony and Parakeet

For the class, I needed a lot more ideas. I also needed to build a system and a structure that any beginner can follow. I needed to set it loosely so that everyone can use their imagination, but make it clear so that there would be no room for frustration. The idea of a paper doily was a seed, but it took some time to grow the flower.

Sowing flower seeds

Often when we admire other people’s art, we see the flowers instead of seeds. Most artists don’t show the seeds because many times, like in my case, they are pretty pathetic. Still, it’s the seeds, the raw ideas, that make the published work possible.

Finland 200 – Not So Good Idea

Before I started making a new big painting, I saw some elegant yet simple still lifes in my mind. I had just seen a superb piece of art, a Finnish sculptor Laila Pullinen’s bronze sculpture Spring in Man. So I wanted to start a new painting with the intention to create something grand and dramatic to celebrate Finland’s 100th anniversary. “This would be called Finland 200”, I declared.

First layers of an imaginative painting by Peony and Parakeet. Read how you can turn your bad ideas into good ones!

After painting for a couple of hours or so, I began to wonder what I wanted to say. Starting the painting with this much drama felt like a bad idea and I wasn’t convinced about the centerpiece either. Would that be some kind of mushroom or what? Then my bad ideas just got worse – I decided to continue by writing an imaginary story about Finland after 100 years.

Writing a story in an journal, by Peony and Parakeet

While quickly pouring the words out on my journal, I didn’t realize that I was actually writing a dystopia. The idea of a catastrophe in nature seemed exciting at first, but while painting, I realized that my visuals became very gloomy and weird-looking. I tried to make something positive out of it. I wrote a happy end to my story and painted a pink bubble with rare flowers inside it. That would be a new treasure of Finland, something everyone would want to come and see.

An imaginative painting in progress by Peony and Parakeet. Read how you can turn your bad ideas into good ones!

Even if the painting wasn’t finished yet, I already hated it. My original idea was bad enough, and now I had some more. I felt the despair rising.

New Vision – Imagination Takes the Lead

Luckily, I have a secret weapon for these situations. I connect with my passion and use the imagination to go to my happy place. It sets the mood, reminds why I create art and loads the right atmosphere into my mind while I am creating. The side of me that wants to control steps back and the side of me that is good at persuading re-evaluates the work.

– “What about changing the orientation of the painting,” she said.
– “And loose all the hard work?”, my pessimistic side responded.
– “No, nothing would be lost, we would just add a little bit of color over it.”
– “Color? What color?”
– “Brown,” she said cheerfully.
– “Why on earth would I pick brown of all the colors?”

And then she reminded me gently about my passion, about what inspires me and how I can feel free.

Phase photos of an imaginative painting by Peony and Parakeet. Read how you can turn your bad ideas into good ones!

And she was right. I loved the painting after adding layers with umber. It became clear to me what the painting would be. Not Finland 200, but expressing something that has been here for hundreds of years and most probably stays the same for the next hundred: nature’s wonders when exploring the garden. I continued the painting by adding flowers that I have had in the garden. I adjusted the elements in the first layers so that they became the building blocks of the new vision.

Garden-inspired painting in progress by Paivi Eerola from Peony and Parakeet.

My painting is not finished yet, but it’s already a good example of how the raw ideas can be translated to more inspiring ideas with the help of imagination.

Bad Art, Bad Ideas – Also Behind This Blog Post!

Before I wrote this blog post, I decorated my work planner to get ideas for it. I cut pretty ladies from a wedding magazine and put funny hats on them. While creating this, I thought how this kind of activity would be seen something that a “real artist” would not do, yet it’s essential to me to have a bit of play regularly. So that’s how I got the idea of revealing some bad ideas and how essential this kind of exploration is for producing work that you want to publish.

A planner spread using images from a wedding magazine. By Peony and Parakeet.

When Your Best Art Exists Only in Your Mind

Before I started making the paper doilies, I had wonderful daydreams inspired by my beautiful yarn stash. By seeing beautiful images in my mind, I came up with my bad idea, the ugly version of those daydreams.

Daydreaming is good, but it’s not successful when you try to translate something you see in your mind to paper. The creative process rarely works so literally. The images in our minds are often vague. Copying them detail by detail is practically impossible. The imagination is more like the leader who supports your art making, not a manager who controls it or the specialist who does the work. During the recent years, I have developed a method of using imagination to connect with the passion of creating art. I teach this method in the group coaching program called The Exploring Artist.

6 Steps to Making an Impact

6 steps to making an impact with your art. Sign up for the Exploring Artist, a group coaching program by Peony and Parakeet!

The Exploring Artist helps you to connect the play with your deeper passion and use that to move forward in all levels of art-making. During this program, you will:
– lead yourself by playing and imagining
– grow ideas from your personal feelings and experiences
– remove blind spots and build skills through the challenges
– get confident for publishing your art, whether it’s just friends or a bigger group of your people

The Exploring Artist is also about connecting and soul-searching within a friendly group. We will work through 6 steps and have live group coaching sessions, where your art and your art-making is in focus.

This is not a class where you create after me and try to get to the similar result. It’s for you who wants to get support and guidance for creating freely from your personal standpoint. You can use any media you are comfortable with and apply the methods to your visual project(s). If you feel that you are “all over the place,” and want to find a creative direction, The Exploring Artist is the program for you!

The Exploring Artist - a coaching program for new artists by Peony and Parakeet

The Exploring Artist begins July 1st – Sign up Now!

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Feeling Dissatisfied with Your Art? – Watch the video!

Decorative illustration by Paivi Eerola from Peony and Parakeet. Watch the video about drawing this one and about feeling dissatisfied with your art!

This week, I talk about why we can feel disconnected and dissatisfied with our art no matter what other people say about it. I also address the issue why the exercises of taking inspiration photos and creating from them don’t always work. At the end of the video, I create this decorative illustration which is a new version of a class assignment from 6 years ago!

Feeling Dissatisfied with Your Art? – Watch the Video!

Build Your Artistic Identity – Discover Your Passion!

The Exploring Artist - A coaching program for artists by Peony and Parakeet

The Exploring Artist begins at July 1st – Sign up Now! 

Feeling Disconnected with Your Art? – Learn from My Story

I feel really passionate about this topic, so I made an illustrated story about how I cured it. I shared this on my Facebook page. For those who don’t use Facebook, I share it here too. Click the image to see it bigger!

Feeling disconnected with your art? Read Paivi Eerola's story about how to cure it!Here’s the link to my latest coaching program – come to solve this issue with me: http://www.peonyandparakeet.com/exploring-artist/

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Lessons from Palazzo Pitti – Don’t Apologize for Your Art!

Strawberry Madonna, an acrylic painting by Paivi Eerola from Peony and Parakeet

Here’s my latest acrylic painting called “Strawberry Madonna.” I started it in February, and it’s my first painting using old masters’ techniques with acrylic paints. It’s much more difficult to use acrylics instead of oil paints, but I managed to find few tips and tricks that helped. But this blog post is not so much about the techniques. I want to write about being unapologetic when creating art. It feels like a never-ending journey to me, and I hope this blog post will resonate with you too.

Palazzo Pitti and Traveling to Florence, Italy

Last week, I traveled to Italy with my husband to see Renessaince art. We flew to Rome, then took a train to Florence. After spending a couple of days in Florence, we got back to Rome, spend a couple of nights there, and then flew back home. We visited so many museums that it was a bit exhausting at times. I took over 700 photos, and there were so many highlights in our journey that I decided not to try to fit it all in this blog post, but focus on the glory of Palazzo Pitti, an art museum located in Florence, and save other experiences for later.

Namely, seeing Palazzo Pitti on the first evening in Florence, reminded me of how needless it is to tone things down and how we can be as glorious as possible when creating art and when using our imagination.

One Chandelier is Never Enough!

When watching the chandeliers of Palazzo Pitti, my first thought was: “Isn’t one enough?”
Then I realized that on my artistic journey, I have often thought like that: “it should be enough.”

  • Creativity: “I should be enough to have one idea for one image.”
  • Time: “It should be enough to have two hours for this piece.”
  • Skills: “It should be enough to just have a little bit of fun with it.”
  • Potential: “It should be enough to stick with what I know now.”
  • Imagination: “It should be enough to replicate the reality.”

Palazzo Pitti, Florence, Italy

But one idea, one short session, one technique, one reality, is never enough if you want to continue the journey. When you have passed the first steps in creating, the room gets bigger. Making art frustrates you. It feels like your chandelier is broken. But instead of continuously changing the chandelier, you need more chandeliers to lighten your way.

A detail of Strawberry Madonna, an acrylic painting by Paivi Eerola from Peony and Parakeet

When you begin creating, it’s just fun to change the chandelier: the theme, the technique, the idea. But when you have been creating for a while, it becomes overwhelming. The nature of creativity is never to focus on one small thing at the time. One chandelier is never enough for the curious mind. You need to learn to:

  • combine your many ideas
  • take more sessions for one piece
  • find the blind spots in skills and knowledge
  • and the most important of all: increase your imagination so that it takes you above the everyday life.

When you have many chandeliers, you see it clearer why you create art and where you want to go with it. Don’t apologize for your lacking focus but embrace all aspects of your creativity!

Ask What Your Heart Says!

When I saw “The Horrors of War” by Peter Paul Rubens in Palazzo Pitti, it caused an immediate emotional reaction. I was in tears before I was able to analyze the painting. Even if the theme was very dramatic, violent even, the movement and the wind was so beautifully painted. To me, it expressed the beauty of change, the theme that has always been close to my heart.

Palazzo Pitti, Florence, Italy

When I was a teenager, I often drew scenes or portraits where the wind was present. It just looked fun and dynamic. But the more I have been creating, the more I have realized that I love to express movement, change, and transformation in one way or another, and the wind is often a symbol of that in my work. Thinking about big changes is one of those chandeliers that always lightens my inspiration.

A detail of Strawberry Madonna, an acrylic painting by Paivi Eerola from Peony and Parakeet

I believe in digging deeper behind the first reactions. If art makes you emotional, there’s something important that’s behind it. It’s often contradictory, something so different that you have a hard time in believing it.

It’s kind of funny how much time I spend at home, doing the daily routines, and how my mind is in grand transformations and explorations. But to find what’s your true passion, the mundane life and your everyday wishes don’t give answers to that. You need to connect with your imagination.

Don’t apologize for your circumstances but use your imagination to experience the freedom! 

Decorating is Not an Enemy for Expression!

One thing that I found very delightful in Palazzo Pitti was how the number of decorative designs. I have always felt drawn to decorative painting style and even called myself as a “decorative artist.” It was my way of saying that I don’t feel like being very expressive. But nowadays I think that it’s possible to combine both decorative and expressive together, and there’s no need to limit the inspiration. Namely, who couldn’t be inspired by this ceiling?

Palazzo Pitti, Florence, Italy

And look at the door and the tabletop! The most amazing thing is that the table top is made from stoneware!

Palazzo Pitti, Florence, Italy

We may not be the similar masters as those decorative artists, but the experience in crafts can still be a treasure chest of ideas. For example, in my Strawberry Madonna, I added a crocheted lace on her dress and truly enjoyed painting it!

A detail of Strawberry Madonna, an acrylic painting by Paivi Eerola from Peony and Parakeet

Don’t apologize for your background in crafts (or in anything) but see that as a part of your artistic journey!

About Confidence and Belonging

When walking in the aisles of Palazzo Pitti, I felt sweaty and modestly dressed. The Medici family would not have invited me to their party, for sure. I thought about my art too and how modest it felt after seeing the big masterpieces.

A Finnish artist Paivi Eerola at Palazzo Pitti, Florence, Italy

But it’s not only my art but I also often struggle when writing these blog posts. I don’t want to just write about my thoughts. I want to write so that you would continue creating and evolving with me. I want to offer classes that make you draw the connecting lines between your brain and your heart.

So that the way you speak about your art, would include more joy and confidence.

A detail of Strawberry Madonna, an acrylic painting by Paivi Eerola from Peony and Parakeet

So that the way you see art, would be filled with happy surprises and inspiration.

A detail of Strawberry Madonna, an acrylic painting by Paivi Eerola from Peony and Parakeet

So that the way you explore between the many styles, would make you see higher to your passion.

Palazzo Pitti, Florence, Italy

So that the ideas that you get, would get full wings because you value them.

A detail of Strawberry Madonna, an acrylic painting by Paivi Eerola from Peony and Parakeet

Here’s what we can learn from the treasures of Palazzo Pitti:

There’s no reason to be apologetic when creating and sharing your art. There’s no reason to underestimate the impact that art can have on your life and others as well.

Strawberry Madonna, an acrylic painting by Paivi Eerola from Peony and Parakeet - with a ceiling from Palazzo Pitti, Florence, Italy

Art is Timeless but Our Time to Create It is Limited

The final image is a view from Palazzo Pitti. It is a reminder of how art can stand time but how our time to create is limited.

A view from Palazzo Pitti, Florence, Italy

If your heart wants to create in a new way, don’t postpone it. If you are struggling, don’t delay solving the problem. I hope I will see you in my upcoming coaching program The Exploring Artist, where your art and your artistic identity is in focus. It’s about finding ways and confidence to create unapologetic art as well as building belongingness with the like-minded people.  >> Sign up here!

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