The Inspiring World of Details – Ideas from Uffizi Gallery

Paivi Eerola and Gypsy Girl, a painting by Boccaccio Boccaccino

If you have followed my blog for some time, you know that this photo is very meaningful to me. It was a hot day in June when I visited Uffizi Gallery in Florence, Italy. The huge old building was filled with world-class art. But I wasn’t just going to look at the famous masterpieces like Botticelli’s Primavera or Birth of Venus. I was searching a small painting of Boccaccio Boccaccino.

Meeting Boccaccio Boccaccino at Uffizi

Boccaccino’s painting made my heart bounce when I saw it on Google at the beginning of this year. I made my version of it during the spring.

Paivi Eerola and her oil painting combining Lady with an Ermine by Leonardo da Vinci, and Gypsy Girl by Boccaccio Boccaccino

After finishing the painting, Boccaccino’s Gypsy Girl continued to fascinate me so that in June, I traveled to Italy with my husband to see the original painting. I tried to prepare myself for the situation that I wouldn’t see it. Sometimes museums lend paintings for other exhibitions or don’t have everything on display. But my journey wasn’t wasted: I got the chance to admire the painting, so tiny that I couldn’t believe my eyes. Namely, the whole spring I had tried to capture the gentle features for much bigger size, and it felt challenging!

Boccaccino's Gypsy Girl and Paivi's version, by Boccaccio Boccaccino and Paivi Eerola

Comparing Boccaccino’s Gypsy Girl and Paivi’s version

Now when I compare the details, I see many differences. My gypsy girl is not the same person than the original, but it’s ok. I feel that it resembles me and especially how I would like to be seen: gentle but observing, always protecting what’s precious.

Wouldn’t it be if I could tell my story to Boccaccio Boccaccino? I would tell him how I saw his painting on the Internet, in a big catalog that anyone can browse. I would tell him how I examined the images of the painting and painted a bigger version of it. He would probably wonder how I could afford for all the paints for the big version, and who had ordered such a large painting of a modest gypsy girl. “It’s just for me,” I would say, “this painting is so special that I don’t want to sell it.” “You must be a wealthy woman,” he would probably say and then continue: “Where did you say you come from?”. I would tell him about Finland, an area in the far north and show it on a map. Then I would tell him about airplanes. He wouldn’t probably believe anything!

But at the end, all I would like to say to him is this: “People from all over the world come to see your painting. They buy the ticket in advance. They queue. They sweat. They book the hotel based on its location. They take pictures of it. They examine them when they are back home.”

Isn’t that something any artist would like to hear?

More Uffizi – Some Ideas for Your Art Journals

1) Fresco Pages

Like any museum in Florence, Uffizi Gallery’s ceilings had a lot of frescos. The long hallways were full of illustrations.

Uffizi Gallery, ceilings

The round ceiling is so brilliant that I have to show you a close-up photo:

A painted ceiling at The Uffizi Gallery, Italy, Florence

I love how the branches go to the back and to the front of the bars, and how the color changes in the background. It’s such a great idea that I also quickly recorded it onto my art journal!

Art journal page idea by Peony and Parakeet

2) Delicate Patterns Filling Solid Areas

Another idea is to see the possibility of a solid or dull area. See how the grass can be more than just green color or green strokes. I saw quite a many paintings that had this:

Alesso Baldovinetti, Cafaggiolo Altarpiece, c. 1453, a detail

Alesso Baldovinetti, Cafaggiolo Altarpiece, c. 1453, a detail

3) Translucent Elements

I am fascinated by the number of veils in Renaissance art, and especially how they are painted.

Sandro Botticelli: The Cestello Annunciation, a detail

Sandro Botticelli: The Cestello Annunciation, a detail

They are like abstract art if you look at them closer! See how the line changes in strength and how a little bright spot makes the fabric look shiny!

Sandro Botticelli: The Cestello Annunciation, a detail

Sandro Botticelli: The Cestello Annunciation, a detail

I also loved how the veil was painting in this painting:

Sandro Botticelli: Madonna of the Magnificat, c. 1483

Sandro Botticelli: Madonna of the Magnificat, c. 1483

Another idea: add stripes on those translucent elements!

A detail of Sandro Botticelli's Madonna of the Magnificat, c. 1483

A detail of Sandro Botticelli’s Madonna of the Magnificat, c. 1483

4) Light on the Center

I end this blog post with the simple idea that came from a stunning painting. Create a very bright element in the center and then add dark shadows around the painting!

Gerard van Honthorst, Adoration of the Child, 1619-1620

Gerard van Honthorst, Adoration of the Child, 1619-1620

As you can guess, it was an inspiring visit, and I could easily write and show more. Hopefully these inspired you, and hopefully, I will see you in the classes this fall.

Coming Up!

Online classes
Aug/Sept Collageland – a self-study class (textile-inspired collages)
Aug/Sept Inspirational Drawing 2.0 – available as self-study (drawing from imagination)
Oct/Nov Flower-themed online workshop (not your regular flower art class!)

Local workshops in Finland
Sept 9-10 Draw Freely – Piirrä vapaasti 1-2 (Suomeksi! – in Finnish)

Other news
I am planning to offer a free live webinar in September if I can just fit that into my schedule. Many have asked about my coaching program The Exploring Artist. I will rerun that at the beginning of next year.

Stay tuned and if you haven’t subscribed my weekly emails yet, subscribe here!

13 Prompts for Expressive Art – Illustrated by the Students of Peony and Parakeet

13 prompts for expressive art by Peony and Parakeet
When you wonder what to create next, here’s a list of prompts for expressive art! Use these for art journal pages, drawings, paintings, mixed media, even for creative writing. The inspirational quotes from famous artists complement each of the short prompts. The students of Peony and Parakeet created the beautiful pieces that illustrate the prompts. They are based on the mini-courses “Botanical Discovery” and “Romantic Geometry.” These mini-courses are included in Imagine Monthly Art Journaling Class Bundle 2.

1) Living Colors

Claude Monet: “I perhaps owe having become a painter to flowers.”

A hand-painted collage by Joan Lilley, UK. Based on the mini-course "Botanical Discovery" by Peony and Parakeet.

Joan Lilley, UK

2) Dreamy Sharpness

Rene Magritte: “If the dream is a translation of waking life, waking life is also a translation of the dream.”

A mixed media painting by Joan Lilley, UK. Based on the mini-course "Romantic Geometry" by Peony and Parakeet.

Joan Lilley, UK

3) Speaking with Shapes

Vincent van Gogh: “The emotions are sometimes so strong that I work without knowing it. The strokes come like speech.”

An art journal page spread by Eloise Luyk, USA. Based of the mini-course "Botanical Discovery" by Peony and Parakeet.

Eloise Luyk, USA

4)  Composition of Absurdness

M.C. Escher: “Only those who attempt the absurd will achieve the impossible. I think it’s in my basement… let me go upstairs and check.”

An art journal page spread by Eloise Luyk, USA. Based on the mini-course "Romantic Geometry" by Peony and Parakeet.

Eloise Luyk, USA

5) No Stereotypes!

Henri Matisse: “There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the roses that were ever painted.”

An art journal page spread by Darci Hayden, USA. Based on the mini-course "Botanical Discovery" by Peony and Parakeet.

Darci Hayden, USA

6) Bring in The Sun!

Pablo Picasso: “Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.”

An art journal page spread by Darci Hayden, USA. Based on the class Romantic Geometry by Peony and Parakeet.

Darci Hayden, USA

7) Taking Flight

Michelangelo: “I saw the angel in the marble and carved until I set him free.”

Hand-painted collage by Debs England, UK. Based on the mini-course "Botanical Discovery" by Peony and Parakeet.

Debs England, UK

8) Blue Escape

Wassily Kandinsky: “The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural… The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.”

An art journal page spread by Terry Whyte, Canada. Based on the mini-course "Romantic Geometry" by Peony and Parakeet.

Terry Whyte, Canada

9) Nature’s Mystery

Francis Bacon: “The job of the artist is always to deepen the mystery.”

A painted collage by Rochelle Zawisza, USA. Based on the mini-course "Botanical Discovery" by Peony and Parakeet.

Rochelle Zawisza, USA

10) Colors of the Night

Vincent van Gogh: “I often think that the night is more alive and more richly colored than the day.”

An art journal page spread by Sue O'Mullan, USA. Based on the mini-course "Romantic Geometry" by Peony and Parakeet.

Sue O’Mullan, USA

11) Strong but Gentle

Paul Klee: “One eye sees, the other feels.”

An art journal page spread by Christie Juhasz, USA. Based on the mini-course "Botanical Discovery" by Peony and Parakeet.

Christie Juhasz, USA

12) Explosion

M.C. Escher: “We adore chaos because we love to produce order.”

A mixed media drawing by Diana Jackson, USA. Base on the mini-course "Romantic Geometry" by Peony and Parakeet.

Diana Jackson, USA

13) Panorama of Your Inner World

Wassily Kandinsky: “To create a work of art is to create the world.”

An art journal pages spread by Stephanie Carney, USA. Based on the mini-course "Romantic Geometry" by Peony and Parakeet.

Stephanie Carney, USA

Buy Botanical Discovery!

Georgia O’Keeffe: “I decided that if I could paint that flower in a huge scale, you could not ignore its beauty.”

Botanical Discovery is a mini-course inspired by the famous American artist Georgia O’Keeffe and botanical art. Create beautiful collages from hand painted papers – Buy here!

Buy Romantic Geometry!

Wassily Kandinsky: “Everything starts from a dot.”

Romantic Geometry is a mini-course inspired by the famous abstract artist Wassily Kandinsky, Renaissance masters and computer games. It’s a journey through centuries and especially suitable for you who want to make your art more dynamic! – Buy here!

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Mixed Media Painting Idea – Revisiting Your Old Style

Lost and Found, a mixed media painting by Paivi Eerola from Peony and Parakeet.

Between 2010-2014 I was enthusiastic about decorative art. I called myself as a “decorative artist” and saw myself more as a designer than as an artist who focuses on expression. My upcoming class Collageland (thank you, everyone, for the feedback you gave in the last blog post!), is a retrospective to that period in my life. While editing the videos, I have been pondering about what inspired me back then and how it’s different from what motivates me now.

Some themes and styles often feel too familiar to me. They don’t seem to challenge me anymore, so I have moved on. But now it hit me how harsh it sounds and how unnecessarily harsh it sometimes also is. So when creating the pieces shown in this blog post, I gave myself permission to take it easy and get decorative. I also became curious about comparing my past decorative work with the pieces that I would produce today.

My comfort zone is getting inspired by design and translating that inspiration into art. So I made a mixed media painting that is inspired by the world of fashion, jewelry, lace, Renaissance murals, and botanical art. I call it “Lost and Found”. To embrace a designer’s approach to art, I also made two different color versions by processing the photo of the original artwork digitally in Photoshop.

Here’s Marine:

Lost and Found, a mixed media painting by Paivi Eerola from Peony and Parakeet. The colors have been changed digitally in this image. See her mixed media painting idea behind this one!

And here’s Botanical:

Lost and Found, a mixed media painting by Paivi Eerola from Peony and Parakeet. The colors have been changed digitally in this image. See her mixed media painting idea behind this one!

I don’t have many phase photos because I wanted to relax with that too but this is what I drew on my planner the previous day:

Sketching a mixed media painting idea. By Paivi Eerola from Peony and Parakeet.

These quick sketches are the core of my creative process.

Another Painting with the Same Idea

I also made another design-inspired painting. The idea came from the ceramic art of the 1960s.

The photo below shows how the piece looked like before adding the decorative layers. Glowing watercolors remind me of the glazing used in ceramics. When this happens, I feel like I am a ceramic artist, playing with colors.

Dr Ph. Martin's Hydrus watercolors

A student of mine kindly donated Dr. Ph. Martin’s Hydrus watercolors some time ago. First, I liked them, now I adore them. They are intensive and easy to use, and I especially love the coverage of white. I used Hydrus watercolors for “Lost and Found” too.

Retro Living, a mixed media painting by Paivi Eerola from Peony and Parakeet.

Here’s the finished painting called “Retro Living”.  It is also a mixed media piece. I used colored pencils, PITT Artist Pens, and a correction pen for the last layers. I love these muted colors, so typical for the Finnish ceramics from the 60s. But then, I thought they might be too gloomy for many, so I made another version digitally that reminds me of furniture from that era:

Retro Living, a mixed media painting by Paivi Eerola from Peony and Parakeet. She altered colors digitally for this version.

Comparison

See my new gallery showing decorative art and designs from 2011 to this day. When I look at the newly-created pieces as a part of that collection, it looks to me like I have traveled a long journey in art. And I have – I just never thought that it would show in this decorative style as well. It makes me want to explore more of this and also, see exciting challenges in this direction too.

My challenge to you: Pick an old piece and make a new one using the similar techniques and style! 

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Feeling Dissatisfied with Your Art? – Watch the video!

Decorative illustration by Paivi Eerola from Peony and Parakeet. Watch the video about drawing this one and about feeling dissatisfied with your art!

This week, I talk about why we can feel disconnected and dissatisfied with our art no matter what other people say about it. I also address the issue why the exercises of taking inspiration photos and creating from them don’t always work. At the end of the video, I create this decorative illustration which is a new version of a class assignment from 6 years ago!

Feeling Dissatisfied with Your Art? – Watch the Video!

Build Your Artistic Identity – Discover Your Passion!

The Exploring Artist - A coaching program for artists by Peony and Parakeet

The Exploring Artist begins at July 1st – Sign up Now! 

Don’t Just Create Circles! Moving on with Freehand Drawing

Freehand drawing by Peony and Parakeet. Made for the class Inspirational Drawing 2.0

I have created this journal spread for the class Inspirational Drawing 2.0 where I teach freehand drawing that goes beyond just drawing circles. Don’t get me wrong; I don’t have anything against circles. I think that I, if anyone, have had a real love affair with circles. In fact, it was all I drew for a long time.

Circle Love

Mixed media circles, by Peony and Parakeet. Read the blog post to move on creating more than just circles!

In 2010-2012, I spent most of my free time drawing circles.

Mixed media circles, by Peony and Parakeet. Read the blog post to move on creating more than just circles!

I even went to a few craft fairs to sell – hand-drawn circles!

Paivi from Peony and Parakeet in 2012

I firmly believed that if I create enough circles, I will find something new behind them. And yes, I slowly started to realize that there’s more than just making repeated circles that are more like backgrounds and patterns than expressive images. Now years later, I wish someone would have shown me how to move on – how to combine those repeating graphic shapes with lines that express more.

A detail of a freehand drawing. By Peony and Parakeet.

Do You Make Abstracts but Still Feel the Stiffness?

Circles and other geometric shapes are fun to create. But no matter how good I became in that, I never felt the same satisfaction that I felt when I was able to go beyond that. So when I meet people who say that they “make abstracts” and “want to get away from stiffness,” I totally get it. “I don’t really know what my abstracts represent,” says many who come to my classes. Drawing circles and playing with layers feels free first, but the more you want to express yourself, you need to explore more.

“More” doesn’t mean that you have to throw away what you have already learned. If you look at my two pieces, you can still see similarities. The first one made in 2011 called “Romance,” and the second in 2015 is called “Withering Peonies.” I called the first one “Romance” because I thought it’s all so romantic. But in the second one, I was able to express my love for peonies with much more expression without just drawing stiff flower-like shapes.

From creating circles to expressive freehand drawing. By Peony and Parakeet.

The satisfaction that came from being able to deliver a message, instead of just an atmosphere, was ground-breaking to me. My art became more powerful, impactful, it spoke not only to me but others as well.

That’s why I now teach
– how to open up and liberate the line
– how to communicate visually: create illustrations instead of backgrounds
– how to express inspiration and explore imagination in its full potential.

And that’s why my class Inspirational Drawing 2.0 exists.

A mixed media art journal page by Peony and Parakeet.

Freehand Drawing Video – Create with me!

I have made a video where we start with geometric shapes and then move on to liberate the line. To create with me, you will only need a black thin-tipped drawing pen and colored pencils (or any coloring supplies).

Art supplies for freehand drawing. By Peony and Parakeet.

Here’s the little drawing that we will create together.

An art journal page exploring freehand drawing. Watch the video to create this! By Peony and Parakeet.

And here’s the video!

Inspirational Drawing 2.0

is now available as a self-study class! Buy here! (Update: August 17)

Paivi from Peony and Parakeet and her mixed media art journal page spread.

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Freedom and Fear of Drawing – with Students of Peony and Parakeet

Asian Bunny, an illustration by Paivi Eerola from Peony and Parakeet.

I dedicate this blog post for drawing, but I want to talk about cross stitching first. It’s one of my long-time hobbies, and I find it relaxing. I don’t have to make any decisions, use any imagination, just follow the chart, and the result will be just like I wanted it to be. Cross stitching is like a simple house plant. If you give a little bit of time for it fairly regularly, it will grow even if it doesn’t feel like so at first.

Paivi likes cross stitching

I can choose complicated charts or simple ones, and easily adjust the attention required for stitching. But there’s one problem that always remains: pixelation. Each image is made from single square-shaped stitches. No matter how complicated the design is or thick the fabric is, the pixelation is there.

Christmas at Gingerbread Lane, a cross stitching project in progess

Working with single stitches is not only a visual problem. It’s also a problem if we want to create more freely. Then we need a medium that allows faster and more flexible thinking. Like drawing. There are many kinds of drawing styles. When I want to experience creative freedom, I don’t do sketching using a pre-made model. (The photo shows a recent Renaissance-style painting in progress. I have designed it first in Photoshop.)

A sketch for a Renessaince style painting, by Peony and Parakeet

A Fear for Freedom – A Fear of Drawing

When I want to feel free, I don’t want models. Then it’s just a blank paper and a pen and a wish for a glimpse of imagination.

But freedom and fear are strangely connected. About three years ago, when I planned to leave my day job and start an art business, I warned myself. I told how I would no longer be anyone noticeable. I would have no office, no place to go every day, no colleagues to discuss with, no job title, no respect from others, no self-esteem. I would live in the darkest edge of the society and completely against the way of life I was taught. With these stories, I tried to prevent myself making the life change, and at the same time, I knew I had to try it. I had to turn the page and start a completely blank one.

Drawing on a blank page, by Peony and Parakeet.

I often connect with the same fear when I start drawing. That I am no one, that I have no power, that it is overwhelming and I don’t know what to do. But then, it’s the same gate that leads to the most wonderful feeling: the feeling of freedom.

Before I left my day job, I started to follow other self-employed women online. I listened to podcasts where they told their stories, and they all had one thing in common. They had put what they already know into use and then learned more. It made me list all the skills that I had and be more content about the decision I had made.

Paivi just before her life change

Drawing Factory Teaches You to Draw from Stick Figures

Still, on this day, I find it both assuring and inspiring to acknowledge what is already there before starting something new. So last year, I wanted to create a mini-course about line drawing, using the same philosophy. That was how Drawing Factory was born. It teaches you to start from stick figures and then move on to flowing lines and more imaginative illustrations.

Drawing Factory, a line drawing mini-course that helps you to lose your fear of drawing. By Peony and Parakeet.

Student Artwork

I offered Drawing Factory as a part of Imagine Monthly Fall 2016, the series of monthly mini-courses. See some of the gorgeous pieces that my students have made from the course! Another central theme in the course is Japan, the land of pretty details and high productivity and that has inspired Denise Dineen, Linda Robson, Christie Juhasz, Stepanie Carney, Marie Jerred, and Kathy Gallant, too.

Denise Dineen, USA. Student Artwork from the mini-course Drawing Factory.

Linda Robson, Canada. Student Artwork from the mini-course Drawing Factory.

Christie Juhasz, USA. Student Artwork from the mini-course Drawing Factory.

Stephanie Carney, USA. Student Artwork from the mini-course Drawing Factory.

Marie Jerred, Canada. Student Artwork from the mini-course Drawing Factory.

Kathy Gallant, Canada. Student Artwork from the mini-course Drawing Factory.

Overcome Your Fears for Line Drawing – Buy Drawing Factory!

Drawing Factory is now available as a single self-study class. >> Click here to buy!
You can also buy the whole bundle of five art journaling classes, published last year as Imagine Monthly Fall 2016.

Thank you for supporting my journey now and during the last three years!

Expressing Inspiration Through Art

Storyteller's Power, a mixed media drawing by Paivi Eerola from Peony and Parakeet. Read more about expressing inspiration through art!

I made this mixed media drawing “Storyteller’s Power” for the class Inspirational Drawing 2.0. I have created it from a collection of inspiration images. One of them is Luca Mombello’s Renaissance painting “The Immaculate and God the Father” which I saw at the recent renaissance art exhibition of The National Museum of Finland. Seeing the artwork, and how it reminded me of modern fantasy novels, caused a huge spark of inspiration. But when I heard that the frame was handmade by the painter, it felt mind-blowing. What an artist!

A set of inspiration images for creating art. One of the image is Luca Mombello¨s painting The Immaculate and God the Father"

Inspiration is Often Visual

It doesn’t have to be an art exhibition to make me inspired. I see ideas everywhere. Because of that, I am a useless listener without doodling or knitting. If I listen to a long lecture without nothing to do with my hands, I find visual ideas and inspiration everywhere. I look at the pipes attached to the ceiling or count the colors of the clothes. Soon, I have discovered a new idea that has nothing to do with what I came to listen! I believe that especially for visual people, inspiration is often visual too. We get excited by what we see and can’t help being drawn to colors and details.

Only You Can Express Your Inspiration!

Over three years ago I started to find a solution for expressing inspiration by drawing and painting. The world was full of images that embarked my excitement, but it seemed impossible to express it genuinely through art. I was either too intentional which brought stiffness, or too intuitive, which took me just further away from my original inspiration.

I already had some experience of using mood boards when studying design so I was certain that there was a solution to the problem. But rather than creating a new design, I wanted to use the images for enriching artistic expression. The idea was not to copy but boost imagination in a meaningful and intentional way. After all, inspiration is a personal feeling, and it should be interpreted in a personal way. Even if it’s evoked by something or someone, there’s always something unique in the way each one of us experiences it. Only you can express your inspiration!

A detail of Storyteller's Power, a mixed media drawing by Paivi Eerola from Peony and Parakeet. Read more about expressing inspiration through art!

Expressing Inspiration Through Art

An inspirational image can quickly touch hearts but drawing and painting is a slower process. We can use images for picking visual ideas but we also need to process the inspiration so that we know why we got inspired in the first place. I believe that the images are like icons that bring up personal memories, points of view and aspirations. If we don’t connect with those, we don’t fully put the inspiration into use for art making.

At the first version of Inspirational Drawing, I showed a method for using an inspirational image as the source of ideas for a new drawing. At Inspirational Drawing 2.0, I introduce an improved process. It helps you to use one or more images as an inspiration source, connect with the thoughts and feelings that they evoke and create unique art from there. First, I show samples and walk you through a simplified process. Then I help you to create a bigger project that uses many kinds of inspiration along creating.

Paivi and Storyteller's Power, her mixed media drawing. Read more about expressing inspiration through art!

Claudia Watkins, one of the students says: “Paivi is a very profound lady. Her insights are amazing. Although having a technical background, Paivi sees beauty, philosophy, and art in everything. Paivi has helped me a lot in my art journey.”

Express Your Inspiration: Sign up for Inspirational Drawing 2.0!

Mixed Media Drawing Tutorial – Create Step by Step!

Intuitive mixed media drawing inspired by old still life paintings. By Paivi Eerola from Peony and Parakeet.

With this blog post, I want to encourage you to
… draw from imagination
… fall in love with the combination of water-soluble media and colored pencils
… find inspiration from art that has been created hundreds of years ago

Inspiration from Old Still Lives

A few weeks ago, I visited a small art museum called Sinebrychoff Art Museum in Helsinki. I have visited it many times because it’s a cozy old building and small art exhibitions are refreshing more than overwhelming. One more reason is that in Finland you can buy a museum card for about 65 EUR and it gives you free access to most of the Finnish museums for a year. It became available in 2015, and since then I have visited museums more than ever before in a year.

The exhibition at Sinebrychoff Art Museum was about old still lives, painted in the 16th to 18th centuries. I have admired those old, elegant paintings with beautiful flowers and fruits of all sorts for a long time. I have a Pinterest board dedicated to the most luxurious still lives, and I often bring up little things that I have learned from watching them in my classes. So no wonder, I was very inspired after seeing the exhibition, and I had to create a small drawing just to let my imagination play with the memories of beautiful paintings.

Mixed Media Drawing with Imaginative Fruits and Flowers

I picked one of my art journals, a Daler- Rowney’s Graduate Sketchbook, and a black thin-tipped drawing pen that has permanent ink. I prefer sketching with a permanent pen rather than with a pencil. Not being able to erase anything makes me more creative. Using permanent ink allows me to play with wet media as well.

First, I started doodling from the edges towards the center. Then I added some watercolors on the top of the doodling leaving the center blank.

Making of an intuitive mixed media drawing inspired by old still life paintings. By Paivi Eerola from Peony and Parakeet.

Once the watercolor was dry, I added more doodling in the center and finished the page with colored pencils. The dark background makes the colorful flowers and fruit stand out.

This process was so simple that I wanted to make a small tutorial for another page inspired by old still lives. So here it comes!

Mixed Media Drawing – A Tutorial

1) Set the composition with simple shapes. Draw a big shape and then a smaller one. The shapes can intersect.

A tutorial for an intuitive mixed media drawing inspired by old still life paintings. By Paivi Eerola from Peony and Parakeet.

2) Add the horizon by doodling. I wanted to make the drawing dynamic by giving the horizon a diagonal direction.

3) Paint the background leaving most of the shapes blank. I used watercolors, but you can use any water-soluble media like inks or watercolor pens. Just make sure that your lines will show through because it’s part of the visual appeal. Use more than just one color so that your painting inspires you in the next step. Let dry.

A tutorial for an intuitive mixed media drawing inspired by old still life paintings. By Paivi Eerola from Peony and Parakeet.

4) Doodle your heart out! Without raising your pen from the paper, doodle over the painted background and on the center too.

5) Color the drawing with bright colors and dark shadows. I used colored pencils, but you can use almost any media for coloring. For example, felt-tipped pens work great. You can also continue to use water-soluble media for coloring. Add dark colors between the flowers and the leaves. Leave some of the painting made in Step 3 visible so that your drawing breathes.

A tutorial for an intuitive mixed media drawing inspired by old still life paintings. By Paivi Eerola from Peony and Parakeet.

6) Add the final touches to balance the drawing. I added some lines to make the elements in the background more explanatory and a tiny flower that looks like it’s reaching them. I also made the top right corner look similar to bottom right corner to highlight the diagonal composition in the background.

Intuitive mixed media drawing inspired by old still life paintings. See step by step instructions for making this! By Paivi Eerola from Peony and Parakeet.

Mixed Media Drawing – Say You Want to Explore More!

Sign up for Inspirational Drawing 2.0!
1) Enjoy Drawing from Imagination!
At Inspirational Drawing 2.0, you will quickly get in touch with you living line and lively imagination. You will also get personal help to finish your pieces so that they are meaningful and appealing to other people too.
>> Sign up for Inspirational Drawing 2.0!

Buy a mixed media self-study class Flowing Greenery!
2) Practice Merging Painting with Drawing!

Learn to merge drawn areas with painted areas and play with shadows! Flowing Greenery is a self-study class with two projects, a small still life, and a bigger landscape.
>> Buy Flowing Greenery!

Buy an e-book Coloring Freely!
3) Get Creative with Colored Pencils!

Coloring doesn’t have to be stiff or boring. Learn to color freely whether it’s coloring a drawing or creating intuitive art directly on a blank page!
>> Buy Coloring Freely!

Traveler’s Notebook as Art Journal

Midori Traveler's Notebook spread by Peony and Parakeet. See her ideas in a video too!

I ordered a Midori Traveler’s Notebook last year, in August. I couldn’t help myself because based on Instagram, it seemed to me that everybody had one! I was curious to know what’s so special about it. Midori Traveler’s Notebook is practically a piece of leather with a binding system for small notebooks, often referred as “inserts.” I also ordered a few blank inserts. When I received the set at the beginning of September, I wasn’t so impressed. I didn’t like the smell of the leather, and the paper in the small notebooks was so thin that writing showed through. But I knew many of those who make planner pages had changed to a Traveller’s Notebook, so had many scrapbookers and art journalers. I had to try it!

Traveler’s Notebook as a Visual Diary

I decided to start a notebook where I combine journaling and drawing. It would be a kind of visual diary where I would add random thoughts and illustrate them. I began with daily events, but once I got the hang of it, I wrote more openly about anything that came to my mind. Like in the spread below, I write about how Finnish Post is in trouble when people don’t send letters anymore and when the postbox is on the phone rather than anywhere else. I also speculate what would happen if people suddenly started writing letters again.

Midori Traveler's Notebook spread by Peony and Parakeet. See her ideas in a video too!

In the next spread, I show the current year and the next year walking side by side on the left page. The right page is inspired by a Japanese artist Yayoi Kusama and her inspiring exhibition in Helsinki Art Museum.

Midori Traveler's Notebook spread by Peony and Parakeet. See her ideas in a video too!

Supplies for Traveler’s Notebook

I mostly use a thin-tipped black drawing pen and colored pencils. I sometimes add a little bit watercolor or water with watercolor pencils. Random collage pieces are also used, but I mainly use thin paper so that the bulkiness doesn’t affect my drawing in the next pages.

Midori Traveler's Notebook spread by Peony and Parakeet. See her ideas in a video too!

Alternating between Words and Images – Watch the Video!

I don’t sketch but just start by drawing a small motif or writing a couple of words. While creating a page, I like to maintain a dialog between drawing and writing. A written thought leads to a visual element and vice versa. To show this technique I have created a short video where you can see me writing and drawing, and at the same time, I show some ideas about what you can put in your notebooks.

Because the video is quite small in size, here’s a close-up of the page that I am creating in the video.

Midori Traveler's Notebook spread by Peony and Parakeet. See her ideas in a video too!

And here’s the video which shows a few more pages too.

Get more ideas and enjoyment by drawing!
>> Sign up for Inspirational Drawing 2.0

Year 2016 in Review – In Terms of Art Supplies

A handdrawn collage by Peony and Parakeet. Her course Inspirational Drawing 2.0 teaches how to create these + more!

I am not usually so keen on “year in reviews,” but I thought it would be interesting to look back regarding art supplies used in 2016. When people ask me what supplies do I use, my quick response is: “Acrylic paints, watercolors, and colored pencils.” If I get detailed questions, I often refer to these blog posts: What Art Supplies Do I need? and What Acrylic Colors to Buy?

But it hit me that I have used a more diverse selection of supplies in 2016. And then, there are all kinds of necessary stuff that we don’t often mention but still use all the time. So, I dedicate this blog post to supplies. It’s not so much about the single pieces created in 2016. If you want to have a look at those, go to 2016 Gallery!

Must-Haves for Collage Art

The image that is at the beginning of this post is a collage made for January’s lesson at Inspirational Drawing 2.0 while teaching how to create unique collage pieces and enjoy freehand drawing. I have been blown away by the beautiful art created by my students, and I am more certain than ever that introducing the ideas for drawing piece by piece makes freehand drawing and the use of imagination easier than trying to build a bigger illustration in one piece. (You can still sign up for the class and get the first lesson immediately after the purchase!)

I like to create collage art to my biggest art journals. I have two of large Dylusions Creative Journals. The first one is almost full, so I hope I can fill it in 2017 and make a flip-through video of it. I purchased the second one last year because I love the quality of the paper. It’s perfectly smooth for colored pencils and sturdy enough for collage art.

Making of a hand-drawn paper collage. By Peony and Parakeet. Her course Inspirational Drawing 2.0 teaches how to create these + enjoy hand drawing!

Like in the previous years, I have used “Golden Soft Gel Gloss” gel medium for attaching the collage pieces and Tim Holtz’s non-stick scissors for cutting the pieces.

A new discovery is to use a piece of cotton cloth to remove excess gel medium. First, I started using old t-shirts for finger painting. But when learning old masters painting techniques at a class, we used old linens for cleaning the brushes and realized that they work well for wiping off too. Since then, I have been a collector of old cotton fabric pieces. A fellow artist told me that she has several plastic bags filled with waste cotton fabric for art making!

Cutting collage pieces. By Peony and Parakeet.

Speaking of collecting, I am still a collector of the best handmade supplies: hand drawn and hand painted paper pieces! If you have never tried creating collage pieces, see Step by Step page for basic instructions! I also have a mini-course called Doodled Luxury, that shows how to combine doodling with collage techniques.

Colored Pencils – Not for Art-Making Only!

Because I create a lot with colored pencils, I often get questions about which colored pencils to buy. Many contemplate between regular and water-soluble pencils. I love regular colored pencils because they are easy to carry and easy to use when you only have a minute or two. I use regular colored pencils also outside my art-making. I love to use them to make written notes more visual and add visual ideas to my notebooks and planners.

Work Planner Spread. By Peony and Parakeet. She uses Happy Planner for her art business.

It’s why I always have colored pencils in my reach, and I think it’s also why I find it so easy to create with them. If I have to create something quickly that isn’t very big in size, it feels natural to choose them. I use Prismacolor Soft Core pencils when I create art pieces and a selection of old pencils for more mundane purposes. My e-book Coloring Freely focuses on regular colored pencils and shows easy techniques for creative coloring.

Using watercolor pencils by Peony and Parakeet. See her class Inspirational Drawing 2.0.

I also have a mixed selection of watercolor pencils, and I enjoy using them too, especially in the beginning of coloring. Using water makes it quicker to fill a paper with a soft mix of colors. It is the technique I use a lot at Inspirational Drawing 2.0: starting the coloring with watercolor pencils, inks or watercolors and then moving on to dry supplies like colored pencils and felt-tipped pens.

Using Watercolor Paper – and Not!

This is a supply that makes my heart sing – I only have to touch it: a good quality watercolor paper! My absolute favorite: St Cuthberts Mill’s Saunders Waterford HP watercolor paper. It’s smooth and thick (300 gm2/140 lbs), and it’s perfect for both watercolors and colored pencils. I especially enjoy creating intuitive still lifes on the thick paper. I often cut the paper to a square to enable easy changes in orientation. See this blog post to watch me creating the intuitive mixed media painting below on a watercolor paper!

March Still Life, a mixed media painting by Peony and Parakeet.

March Still Life, 2016

Even if I love smooth watercolor paper, I don’t want to limit the use of watercolors. I use watercolors constantly and often with paper that is not designed for it. I like to carelessly splash watercolors on any paper because there are a lot more opportunities to use watercolors than to use watercolor paper. For example, watercolor paper is not good for collage pieces because it’s too thick. I like to use sketching paper instead.

Watercolor painting in Hundertwasser's style. By Peony and Parakeet.

The best exploration with watercolors so far happened in 2016. I studied Friedensreich Hundertwasser’s way of using watercolors and created a mini-course about imaginative painting style. This painting style uses only a little water, and it’s easy to apply on almost any paper. See the mini-course Painter’s Ecstasy!

The Year of Canvas

If I had to name one supply that marks 2016, it would be canvas. I have created more canvas pieces than ever before. I have painted five small acrylic paintings and two medium-sized paintings. “Human Nature” was not a wall-sized, but so far the biggest that I have painted. See this blog post: 5 Lessons Learned When Painting on Big Canvas

"Human Nature" by Peony and Parakeet. This was her biggest painting in 2016.

I always take the canvas more seriously than if I create a painting on a watercolor paper or an art journal. A blank paper syndrome is nothing compared to a blank canvas syndrome! But I enjoy larger projects between smaller ones, and I have two blank canvases waiting for 2017 creations.

Experiments with New Supplies

Oil paints 
I would have never guessed that I would be 47 years old before trying out oil paints for the first time, but that was how it went. I started painting as a young teenager and my parents purchased acrylic paints to me. They explained that using oil paints would require all kinds of liquids that would not be safe and acrylic paints were better in that way. They were so right! Not to mention all the smells! I live in a house built in the 1960s, and the smell stays there for some time. It would be impossible to me to use oil paints daily just because of that.

Paivi Eerola from Peony and Parakeet exploring old master painting techniques with oil paints.

But I have signed up for an art class and will start my second oil painting next week using the old masters’ techniques. (See this blog post to read what any artist can learn from old masters!) I love the pigment and gloss of good quality oil paints. We are using Schminke’s Mussini oil paints, and they are the best quality paints that I have ever experimented with.

Soft Pastels
During 2016, I saw quite a lot of art that was created with soft pastels. I almost bought Unison soft pastels to treat myself but then realized that I already had a small set of Rembrandt soft pastels. I had purchased them many years ago for industrial design studies, but we had been using them very differently than how people use them usually. We scraped them to get powder and used the powder to create soft shadows.

A detail of an art journal page by Peony and Parakeet. Made using soft pastels.

I created an art journal page (see the full image in the middle of this blog post) to try them out. Now I just grabbed the sticks and drew with them, but it felt like there was powder everywhere. And then, in the end, I had to use fixative, of course. It felt tedious even if it was not. I had no desire for new pastels anymore, but afterward, I have wondered if I gave up too easily. Maybe I should try the soft pastels again sometimes in 2017.

Liquid Watercolors and Watercolor Markers
In the late fall, I got a couple of surprise packages from one of my students! I got to use liquid watercolors and watercolor markers for the first time, and I liked both of them.

Art supplies. Liquid watercolor bottles.

I like the intensity of color in liquid watercolors. Mine are Dr. Ph. Martins’s Hydrus watercolors.

A detail of a painting made with gouache, watercolor markers and liquid watercolors. By Peony and Parakeet.

Watercolor markers seem to be very versatile because you can use them with or without water. I also received a set of gouache paints, and they encouraged me to dig out my old gouache tubes as well. To see what I created with the new supplies, watch this video blog post!

Going Digital?

Based on 2016, my answer is both yes and no. Yes, I have created digital art, see this blog post especially! I have used Adobe Photoshop CS5 for so many years that it feels very intuitive and I don’t have to think about the commands and such, I can just focus on the fun stuff.

Digital art by Peony and Parakeet.

But when I create digital art, I like to use my hand-drawn and hand-painted pieces as building blocks. I know that many buy stock photos, but it feels much more exciting to me to use my art as a starting point. Sometimes when I don’t work I buy a digital kit and have fun with it, but that’s just playing in my spare time (Sometimes I do wonder, how much do I have to create, to stop creating …)

I have a student at Inspirational Drawing 2.0 who is adapting the exercises to work with her iPad mostly. I look forward to seeing more of this happening because I see a potential of more people going into creating art. However, I don’t want to spend all of my time with devices, so I enjoy creating pieces by hand and as long as I can do it, I think I will, also in 2017!

What about you? What supplies were new to you in 2016, and what supplies are you going to continue using in 2017?