Peony and Parakeet

Watercolor Panoramas to Express Travel Memories

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet

I try to have a wide range of topics on this blog, but now I am posting watercolor sceneries again! (See the last week’s post). I have quickly become addicted to them! It all started with buying Daniel Smith watercolors and realizing that many members of my community Bloom and Fly love watercolors. I try to grow my skills in most of the media that the members use. Then I can give advice that’s not only great in theory but also works in practice.

Not So Traditional Landscape Painting

A lot of reasons were needed for landscape painting because so far, it has been one of the most boring genres of visual art to me. I haven’t ever been the kind of person who travels with a tiny watercolor kit and sits down near the sights to paint the surroundings. I do usually carry a camera – often just my phone – when traveling or walking in nature but never before have I understand the fascination of the traditional landscape painting.

But last week, I realized that because art is freedom, I can be as wild and expressive as I want. That made the landscape painting a fun game. It gives me the opportunity to re-live the travel memories, get lost in the process, and then come out with a piece that’s like a souvenir from that creative experience.

Watercolor Panoramas – Playing with Expression

This time, I was not painting just one piece like last week, but five small panoramas at one go. I carelessly chose the reference photos for the last part of the process. I will talk about the process later in this post, but let’s talk about the expressive ideas first.

A) How Would The Place Currently Look?
When painting watercolor panoramas, it was interesting to see what travel memories come to mind and how they got merged with the current life.

When we were in the Scottish countryside in 2014, it was a sunny day in June. The heat felt very similar to Finland’s summer. It was pleasant, not suffocating at all, and remembering it made me ponder how the spring would look there now – perhaps quite similar to Finland too.

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet
This was the photo that I used as inspiration when finishing the painting.


B) The Chain of Memories
Barcelona was my husband’s suggestion in 2009. I wasn’t excited until I remembered Mies van der Rohe’s Barcelona Pavilion. And of course, the pavilion was also the first thing that came to my mind when I painted the panorama. But I also remembered Catalonia’s National Art Museum, Gaudi’s architecture, the mountains that surrounded the valley, the sea views, a lot!

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet

The long chain of memories and locations started from this (not so artistic!) snapshot showing Barcelona Pavilion.

Mies van der Rohe, Barcelona Pavilion

C) The Emotional Experience

Last summer, we visited Palazzo Pitti in Florence, Italy. The place has inspired me ever since. I remember entering the museum and seeing the first room filled with chandeliers. It was a hot and relatively quiet evening in Florence, but my mind was buzzing. It’s like I was trying to get exposed to as much art and beauty as I could.

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet

Here’s the photo that I had in hand when finishing the watercolor panorama above.

Palazzo Pitti, Florence, Italy

D) Being Far, Seeing Far
When being far away from home, it’s possible to see the life from a different perspective. It’s like rewriting some parts of the personal story. In the brilliant Palazzo Pitti, I had the same experience than when visiting Hermitage Museum in St. Petersburg, Russia: I should trust my points of view more, and not hold back. When I looked out of a window of Palazzo Pitti, it didn’t matter what other people saw there. I saw what I saw, and that’s true to me.

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet

Here’s the reference photo that I almost deleted when I came back from the trip because it wasn’t so pretty. While painting, I realized that good reference photos are not only those which show the best scenes. The ones that remind from the best moments are also worth saving and painting.

Palazzo Pitti, Florence, Italy

E) Highlighting What Matters
While traveling in Italy last summer, we visited Vatican Museums too. Some of the things that stuck in my mind were the huge maps on the walls and the incredible number of tourists. While painting, I thought how the old maps could be seen as symbols for the curiosity to know the globe.

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet

The statue of the reference photo (Arnaldo Pomodoro’s Sphere within a Sphere) expresses the complexity and fragility of the world. I made it dominate the scene in the watercolor panorama and made it look a bit like a round map. To me, it’s much more important than the buildings!

Vatican Museums

Watercolor Panoramas – My Process

The idea for panoramas was accidental. I happened to find oblong pieces when going through the watercolor papers. I often like to paint a square, so I had cut away the excess of a blocked paper. I don’t usually work in this small scale. However, using a thin water brush most of the time, made it quite easy.

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet

For the colors, I used a mixed collection of watercolor and gouache paints.

1) Background – Traveling to the Mind

The fact that I didn’t use any reference photos until in the end, made the painting fun. The first layers were splashing and blending. I had no idea about the scene or the location that would appear on paper!

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet

I took a photo of the backgrounds and then another one when the paintings were finished. Can you recognize which belongs to which?

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet

2) Doodling with Watercolor and Masking Fluid

After I had painted the background, I started doodling. Working with five watercolor panoramas at the same time was handy. I could work with one painting while others were drying. I used both pigments and masking fluid for doodling. Some backgrounds had watercolor doodles first. Others went straight to masking.

At this point, I started thinking about a reference photo that could suit the painting. For some panoramas, I found the picture quickly. But there were a couple that raised no memories at all, so I just doodled this and that!

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet

After the masking fluid had dried, I was having fun again. I splashed the paint and enjoyed the wonders of watercolor.

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet

After the topmost layers had dried, I removed the masking fluid.  Here’s “Scotland.”

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet

3) Finishing the Painting with a Reference Photo

When aiming for an expressive and loose image, the reference photo is more like an inspiration photo. I can glance at it, pick some ideas and elements from it but I don’t follow it to the detail. I let my associations and memories override the photo and build an inner vision of the place. (My class Inspirational Drawing guides you to master this process more in detail.)

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet

Why I Have Never Learned Watercolor Painting from the Books

Some elements of the panoramas are more abstract, some more recognizable. It’s important to cherish the abstract nature of art when making room for expression.

I must confess that during the years that I have experimented with watercolors, I have found the books and videos difficult to comprehend and adapt. Watercolor tutorials usually follow the reference photos very carefully. To me, it doesn’t make sense. I need to know “the code” – the logic and the principles behind the image, not just the image. After you’ve got the code, you can express much more!

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet

As an artist, I have always been more interested in what something expresses than how it looks. I have often felt disappointed by the lack of the expression part in tutorials, so I try my best to focus on the expression when teaching others.

The Magic of Finishing Touches

To me, the most challenging step in creating is finishing. The first two steps are usually just happy happy happy, but then there is a danger that the project becomes sad sad sad. 

The watercolor panoramas were quite easy to finish, but if I have bigger struggles, I use the camera for the whole creative process. Then I take a photo of my work and look at it in several ways, enlarge it, make it smaller, etc. It’s fast and makes the finishing much easier than just staring at the actual piece. In May at Bloom and Fly, I will show how to use a camera and other digital tools to make the most out of your art, even if the actual creating would happen manually.

Painting watercolor panoramas by Paivi Eerola from Peony and Parakeet

The Summer Season (July-August) of Bloom and Fly is Watercolor Journey
>> Sign up here!

Painting with Imagination – Watch the Video!

Bluebird, a watercolor and gouache painting by Paivi Eerola from Peony and Parakeet. Watch the video about creating this painting and using imagination!

This week, I have made a special video for you! On the video, I paint with watercolors and talk about getting attention and growing imagination. They both are important for any artist. Honestly, it was quite exciting to talk and paint under two cameras, and I was afraid that I would just make a mess when I had so many things going on at the same time. But I tried to make the video so that it would feel like you would be visiting my studio and paint with me there. I hope you’ll enjoy it!

Painting with Imagination – Watch the Video!

Floral Fantasies in 3 Styles Begins Oct 16!
Floral Fantasies in Three Styles, a flower painting online workshop by Peony and Parakeet

Let flowers make you an imaginative artist! Reserve Your Spot Now!

Want to Find Your Art Style? Need to Focus?

"Towards Summer", a gouache painting by Paivi Eerola from Peony and Parakeet. See the video where she paints this!

This blog post is dedicated to you who have been creating art for some time, and want to find your art style and a clearer focus. I have a bit different take on these issues than what you would probably expect. I think that forcing your creativity is not the way to go. Instead of making yourself to focus on one idea, I suggest that you learn to integrate your many ideas. And instead of trying to find your perfect art style, start building your artistic identity by doing some soul searching on a deeper level!

Finding Focus and Your Art Style – Watch the video!

I talk about focus and art style while creating the gouache painting. Watch the video below!

Sign up for The Exploring Artist to discover the passion behind your art
and to become more confident with the big word “artist”!

The Exploring Artist - a coaching program for new visual artists by Peony and Parakeet. When you want to find your art style ...

See the full program description for The Exploring Artist and sign up now!
When you sign up before June, you will get an early bird discount!

Year 2016 in Review – In Terms of Art Supplies

A handdrawn collage by Peony and Parakeet. Her course Inspirational Drawing 2.0 teaches how to create these + more!

I am not usually so keen on “year in reviews,” but I thought it would be interesting to look back regarding art supplies used in 2016. When people ask me what supplies do I use, my quick response is: “Acrylic paints, watercolors, and colored pencils.” If I get detailed questions, I often refer to these blog posts: What Art Supplies Do I need? and What Acrylic Colors to Buy?

But it hit me that I have used a more diverse selection of supplies in 2016. And then, there are all kinds of necessary stuff that we don’t often mention but still use all the time. So, I dedicate this blog post to supplies. It’s not so much about the single pieces created in 2016. If you want to have a look at those, go to 2016 Gallery!

Must-Haves for Collage Art

The image that is at the beginning of this post is a collage made for January’s lesson at Inspirational Drawing 2.0 while teaching how to create unique collage pieces and enjoy freehand drawing. I have been blown away by the beautiful art created by my students, and I am more certain than ever that introducing the ideas for drawing piece by piece makes freehand drawing and the use of imagination easier than trying to build a bigger illustration in one piece. (You can still sign up for the class and get the first lesson immediately after the purchase!)

I like to create collage art to my biggest art journals. I have two of large Dylusions Creative Journals. The first one is almost full, so I hope I can fill it in 2017 and make a flip-through video of it. I purchased the second one last year because I love the quality of the paper. It’s perfectly smooth for colored pencils and sturdy enough for collage art.

Making of a hand-drawn paper collage. By Peony and Parakeet. Her course Inspirational Drawing 2.0 teaches how to create these + enjoy hand drawing!

Like in the previous years, I have used “Golden Soft Gel Gloss” gel medium for attaching the collage pieces and Tim Holtz’s non-stick scissors for cutting the pieces.

A new discovery is to use a piece of cotton cloth to remove excess gel medium. First, I started using old t-shirts for finger painting. But when learning old masters painting techniques at a class, we used old linens for cleaning the brushes and realized that they work well for wiping off too. Since then, I have been a collector of old cotton fabric pieces. A fellow artist told me that she has several plastic bags filled with waste cotton fabric for art making!

Cutting collage pieces. By Peony and Parakeet.

Speaking of collecting, I am still a collector of the best handmade supplies: hand drawn and hand painted paper pieces! If you have never tried creating collage pieces, see Step by Step page for basic instructions! I also have a mini-course called Doodled Luxury, that shows how to combine doodling with collage techniques.

Colored Pencils – Not for Art-Making Only!

Because I create a lot with colored pencils, I often get questions about which colored pencils to buy. Many contemplate between regular and water-soluble pencils. I love regular colored pencils because they are easy to carry and easy to use when you only have a minute or two. I use regular colored pencils also outside my art-making. I love to use them to make written notes more visual and add visual ideas to my notebooks and planners.

Work Planner Spread. By Peony and Parakeet. She uses Happy Planner for her art business.

It’s why I always have colored pencils in my reach, and I think it’s also why I find it so easy to create with them. If I have to create something quickly that isn’t very big in size, it feels natural to choose them. I use Prismacolor Soft Core pencils when I create art pieces and a selection of old pencils for more mundane purposes. My e-book Coloring Freely focuses on regular colored pencils and shows easy techniques for creative coloring.

Using watercolor pencils by Peony and Parakeet. See her class Inspirational Drawing 2.0.

I also have a mixed selection of watercolor pencils, and I enjoy using them too, especially in the beginning of coloring. Using water makes it quicker to fill a paper with a soft mix of colors. It is the technique I use a lot at Inspirational Drawing 2.0: starting the coloring with watercolor pencils, inks or watercolors and then moving on to dry supplies like colored pencils and felt-tipped pens.

Using Watercolor Paper – and Not!

This is a supply that makes my heart sing – I only have to touch it: a good quality watercolor paper! My absolute favorite: St Cuthberts Mill’s Saunders Waterford HP watercolor paper. It’s smooth and thick (300 gm2/140 lbs), and it’s perfect for both watercolors and colored pencils. I especially enjoy creating intuitive still lifes on the thick paper. I often cut the paper to a square to enable easy changes in orientation. See this blog post to watch me creating the intuitive mixed media painting below on a watercolor paper!

March Still Life, a mixed media painting by Peony and Parakeet.
March Still Life, 2016

Even if I love smooth watercolor paper, I don’t want to limit the use of watercolors. I use watercolors constantly and often with paper that is not designed for it. I like to carelessly splash watercolors on any paper because there are a lot more opportunities to use watercolors than to use watercolor paper. For example, watercolor paper is not good for collage pieces because it’s too thick. I like to use sketching paper instead.

Watercolor painting in Hundertwasser's style. By Peony and Parakeet.

The best exploration with watercolors so far happened in 2016. I studied Friedensreich Hundertwasser’s way of using watercolors and created a mini-course about imaginative painting style. This painting style uses only a little water, and it’s easy to apply on almost any paper. See the mini-course Painter’s Ecstasy!

The Year of Canvas

If I had to name one supply that marks 2016, it would be canvas. I have created more canvas pieces than ever before. I have painted five small acrylic paintings and two medium-sized paintings. “Human Nature” was not a wall-sized, but so far the biggest that I have painted. See this blog post: 5 Lessons Learned When Painting on Big Canvas

"Human Nature" by Peony and Parakeet. This was her biggest painting in 2016.

I always take the canvas more seriously than if I create a painting on a watercolor paper or an art journal. A blank paper syndrome is nothing compared to a blank canvas syndrome! But I enjoy larger projects between smaller ones, and I have two blank canvases waiting for 2017 creations.

Experiments with New Supplies

Oil paints 
I would have never guessed that I would be 47 years old before trying out oil paints for the first time, but that was how it went. I started painting as a young teenager and my parents purchased acrylic paints to me. They explained that using oil paints would require all kinds of liquids that would not be safe and acrylic paints were better in that way. They were so right! Not to mention all the smells! I live in a house built in the 1960s, and the smell stays there for some time. It would be impossible to me to use oil paints daily just because of that.

Paivi Eerola from Peony and Parakeet exploring old master painting techniques with oil paints.

But I have signed up for an art class and will start my second oil painting next week using the old masters’ techniques. (See this blog post to read what any artist can learn from old masters!) I love the pigment and gloss of good quality oil paints. We are using Schminke’s Mussini oil paints, and they are the best quality paints that I have ever experimented with.

Soft Pastels
During 2016, I saw quite a lot of art that was created with soft pastels. I almost bought Unison soft pastels to treat myself but then realized that I already had a small set of Rembrandt soft pastels. I had purchased them many years ago for industrial design studies, but we had been using them very differently than how people use them usually. We scraped them to get powder and used the powder to create soft shadows.

A detail of an art journal page by Peony and Parakeet. Made using soft pastels.

I created an art journal page (see the full image in the middle of this blog post) to try them out. Now I just grabbed the sticks and drew with them, but it felt like there was powder everywhere. And then, in the end, I had to use fixative, of course. It felt tedious even if it was not. I had no desire for new pastels anymore, but afterward, I have wondered if I gave up too easily. Maybe I should try the soft pastels again sometimes in 2017.

Liquid Watercolors and Watercolor Markers
In the late fall, I got a couple of surprise packages from one of my students! I got to use liquid watercolors and watercolor markers for the first time, and I liked both of them.

Art supplies. Liquid watercolor bottles.

I like the intensity of color in liquid watercolors. Mine are Dr. Ph. Martins’s Hydrus watercolors.

A detail of a painting made with gouache, watercolor markers and liquid watercolors. By Peony and Parakeet.

Watercolor markers seem to be very versatile because you can use them with or without water. I also received a set of gouache paints, and they encouraged me to dig out my old gouache tubes as well. To see what I created with the new supplies, watch this video blog post!

Going Digital?

Based on 2016, my answer is both yes and no. Yes, I have created digital art, see this blog post especially! I have used Adobe Photoshop CS5 for so many years that it feels very intuitive and I don’t have to think about the commands and such, I can just focus on the fun stuff.

Digital art by Peony and Parakeet.

But when I create digital art, I like to use my hand-drawn and hand-painted pieces as building blocks. I know that many buy stock photos, but it feels much more exciting to me to use my art as a starting point. Sometimes when I don’t work I buy a digital kit and have fun with it, but that’s just playing in my spare time (Sometimes I do wonder, how much do I have to create, to stop creating …)

I have a student at Inspirational Drawing 2.0 who is adapting the exercises to work with her iPad mostly. I look forward to seeing more of this happening because I see a potential of more people going into creating art. However, I don’t want to spend all of my time with devices, so I enjoy creating pieces by hand and as long as I can do it, I think I will, also in 2017!

What about you? What supplies were new to you in 2016, and what supplies are you going to continue using in 2017?

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