Color the Emotion

Pick a few colors and create without stiffness.

Art Supplies and Emotions

This week, we ponder what kind of feelings and emotions our art supplies raise in us.

Do you remember these small paintings from a few weeks ago?

Four small oil paintings by the artist Päivi Eerola, Finland.
Four small oil paintings, 15 x 15 cm each.

I now got the fourth one finished, and I couldn’t resist taking a photo of them together. These are only 6 by 6 inches, and the small size enables me to study a style or an idea before making a bigger painting. So, in a way, these are like pages in an art journal – small art that is delightful to create and look at but that doesn’t fill a wall. It’s the first time I feel I can create quick experiments directly in oils. And this brings us to the topic of art supplies.

Crayons, Inks, and All the Possibilities

I have now painted on canvas in oil for over two years, and most of the other art supplies don’t inspire me so much anymore. I have all kinds of crayons, inks, and paint tubes that were purchased in a different mindset many years ago.

Playing with crayons.
Derwent Art Bars. See more crayon love!

Back then, a new supply meant a new beginning. Purchasing a box of crayons meant that I still believed in myself – that there was still hope that I will become an artist. See a video of me working with crayons – a blog post from 2017.

Created with Derwent Art Bars and Faber Castell Gelatos. By Päivi Eerola of Peony and Parakeet. See her post about art supplies and emotions!
Derwent Art Bars and Faber Castell Gelatos. >> See more crayon love!
Rising Star - graphite pencil, acrylic paints, oil pastels, from the class Innovative Portraits. Creating mixed media, choosing art supplies.
Rising Star – graphite pencil, acrylic paints, oil pastels, from the class Innovative Portraits

I like many of the pieces that I created back then, but now when I look at those boxes of crayons, the magic has gone away. All I can hear is the calling of my beloved oil paints.

There are two exceptions though.

Colored Pencils Are the Easiest Art Supplies

Colored Pencils bring me back to my childhood when I was drawing with my elder sisters, admiring what they did with them. For me, colored pencils were not just pencils, but dolls that had names. It was sad to see a doll that I loved get shortened and then finally thrown away!

Compared to oil paints, colored pencils have an advantage. There’s no preparation involved. When I paint with oils, I need to build the palette, clean the caps, select the brushes, protect the tabletop, etc. But with colored pencils, I can just grab a piece of paper or open another page in a journal and start coloring freely. When I am tired but still want to create something, it’s really nice.

Colored pencils on a journal. Choosing colored pencils as art supplies.
Autumn colorings from 2022, see the video where I talk more about colored pencils!

I have also liked to maintain my illustration skills, and colored pencils are great for that too. For example, see the newest course Doll World!

Watercolors Are a Great Teacher

I am also emotionally connected with my watercolor set. Even if I haven’t used it much lately, I feel that painting in a watercolor set my style. Many techniques that I use in oil were learned when I was painting in watercolor, for example, negative painting and building an image layer by layer.

Päivi Eerola, After Winter - Talven jälkeen, 38 x 28 cm, watercolor, 2019.
After Winter – Talven jälkeen, 38 x 28 cm, watercolor, 2019.

I also learned a lot about pigments and their behavior back then. It was a good learning experience to paint many pieces in a row.

Watercolor paintings in a studio. Choosing the art supplies that produce the best emotions.
Watercolor paintings from 2019.

I have several courses on watercolor, for example, Magical Forest for fairies and Floral Fantasies for floral still lives!

What about all those inks, crayons, and such, did I learn anything from them? Yes, of course, but when I look back, it feels like when I started to focus more on one media instead of mixed media, I also took a big leap forward in skills. My art went forward when I no longer tried to find a solution by changing the media but by growing the skill. I was also able to get a more emotional connection with the supplies and somehow that feels very important to me.

Oils vs. Acrylics as Art Supplies

Before oils, I painted in acrylics for some time. They are more practical. They don’t smell like wet oil does. The painting mediums have less odor too. They dry fast so painting is much faster, no need to wait for days before adding a new layer or making the finishing touches. Acrylics don’t require a similar kind of knowledge of pigments and painting mediums as oils do. In oils, you have to be careful with some pigments and the use of mediums because they may cause crackling.

Varnishing small oil paintings with Gamvar.
Varnishing small oil paintings. I do my best to build the layers of the painting so that it will last the test of time.

Despite all that worry, when I open my box of oil tubes, I feel different than if I pick acrylics.

The Emotions I Get When Painting in Oil

The oil paints connect me to the past. They take me to the time before I was even born.

Within seconds, I travel back to the beginning of the 20th century, meet the early abstract painters and impressionists, then continue my journey to the 19th century and meet pre-raphaelites, and move from them to those who wanted to capture the realism, and to those who were more romantics. Then again, within seconds, I go to the 18th century and admire all the floral still lives and women in beautiful dresses.

And at best, I continue the journey to the 17th and 16th centuries and see big paintings full of details. Then I also meet the masters that had the patience to make really thin layers and wait for each to dry before adding a new one.

This time traveling enables me to meet long-time friends like Wassily Kandinsky, Peter Paul Rubens, and Leonardo da Vinci and if I do some browsing before I start painting, I always find a new one that I want to meet and learn from.

Oil painting in progress. By Päivi Eerola, Finland.
One of the paintings that I will show you later this spring!

And now when I am painting for the upcoming Albert Edelfelt -themed exhibition, I also learn from him.

Kirsikankukka, oil on canvas, 15 x 15 cm, Paivi Eerola, Finland.
“Kirsikankukka” (Cherry Blossom), 15 x 15 cm, oil on canvas, inspired by Albert Edelfelt’s painting The Parisienne (Virginie)

There are many great artists today, but I feel that tracing what you love back to history is essential to artistic growth. I also get satisfaction from knowing that I belong to the chain of generations. Artists from the past, still live through me.

A small oil painting with thick edges. By Paivi Eerola.

Paintings In Progress

I have been painting quite a lot recently, and there are many more paintings in the queue.

Oil painting in progress.

These are in-progress pictures! I will show you the finished ones in the near future!

Oil painting in progress. By Paivi Eerola, Finland. See her post about art supplies.

I usually reserve a whole day for painting and try not to do anything else at the same time. If you want to follow a painting day, look for my Instagram stories where I usually post in-progress photos when I am testing the composition and such.

What are Your Favorite Art Supplies?

Miniature oil paintings by Paivi Eerola. The attic series.

Tell us what are your favorite art supplies at the moment!
It would also be interesting to know which supplies raise emotions in you
.

3D Paper Collage of Hand-Drawn Art

This week, let’s play with hand-drawn paper pieces and create 3D collage art.

3D paper collage by Paivi Eerola

My example is eight by eight inches (about 20 x 20 cm), so fairly small, but it has quite a lot of details. I used foam tape to add dimension to it, and the result is lovely. It brings embroidery or applique to my mind.

3D effects with foam tape. A closeup of hand-drawn collage art.

The idea of using foam tape between the layers is familiar to many from card-making, but I think the result is much more original when you use your own hand-drawn art.

Boxes of Joy – Shops Made by You for You

For years, I have been inspired by the idea of creating my own little paper shop. This shop is not about selling stuff for others but creative play where you are both a shop owner and its best customer. This picture is from 2016, when my shops were pretty simple and contained mostly paper sheets.

Playing with paper.
See the blog post from 2016: Painterly Collage in Rut Bryk’s style

But the longer I have been in business, the more demanding my customer has got. I have got requests from myself to draw doodles, embroidery imitations, animals, magical stuff, flowers, dolls, and the little shops that I call boxes of joy have increased year by year and course by course.

Working with hand-drawn paper pieces to create 3D paper collage.

Sometimes the things I have drawn feel too precious to put to use. For example, the roses that I made for Doll World.

Hand-drawn rose for collage art.

But the older the pieces get, the more I try to use them. And if something doesn’t “sell,” I can recolor it or add something to it so that I – my best customer – feel tempted to “buy” it.

Drawing on collage art.

I like this process of adding more to something that’s pretty full already!

Thick Paper Love

One of my favorite papers is thick and smooth watercolor paper. It is suitable for both painting and drawing, but I sometimes avoid it because the collage gets so bulky. But for 3D effects, thick paper is perfect. It’s sturdy and goes very well with foam tape. Another paper that I like is Bristol paper. It’s not so thick but very smooth and sturdy enough for 3D.

Making of a 3D paper collage. Hand-drawn pieces, scissors, foam tape.

The background of this 3D paper collage is hand-painted watercolor paper. The elements are hand-drawn on watercolor paper or Bristol paper mostly.

Colored Pencils for 3D Paper Collage

Back in 2016, I used acrylic paints a lot. But nowadays, they feel less tempting. Not only because they are messier than colored pencils or watercolors but also because they are too similar to oil paints that I use for canvas paintings. I want to separate play from the pieces that I sell.

Collage art in progress.

With play, I also want to grow my drawing skills. Colored pencils are great for that. They also go well together with watercolors. I have had a break with watercolors, but I hope to use them more this year.

3D paper collage of hand-drawn elements.

I like the many tones of green in this piece! I have colored many white parts with green to integrate the pieces better with the background.

Artist’s Life – Upcoming Projects

My playing time will get more limited soon because I will start a new series of oil paintings. I have been invited to a wonderful art history-related group exhibition that begins in August, and there is a smaller fantasy-related show in April. I will tell you more about these in the upcoming posts.

This spring is also full of art in other ways. I enjoy seeing all the lovely dolls from the participants of Doll World and other classes in my Bloom and Fly community. I hope to help you there as much as I can throughout the year. I am also participating in a Finnish artist coaching program to get to know the practices of the fine art world better. You have enabled my growth, and I hope that my growth will also benefit you. I hope that 2023 will be a good year of art for both of us.

Preparing for Sales Events

This week’s post is about something that I have been doing lately: preparing for sales events!

Sale items for art sales events

I participate in four events:

For me, this is a lot! Fortunately, I have had time to prepare. For example, I got the deadline for the suggestions for the curated group show on Sept 1st. I was then able to apply and have new work specifically painted for the gallery.

Of these four, I am most anxious about the 2-day Christmas sales event even if it’s the smallest one! I have a sales table there, and I haven’t been preparing one for ages. I enjoy selling face-to-face, so it’s also something that I look forward to. It’s also great to see all kinds of sales items on one table and make a nice selection.

Selecting Sales Items – Delivering the Experience of an Original

Even the smallest sales table is a chance to strengthen your artistic voice and communicate your art brand. Most customers may buy postcards and other affordable items only, but still – we want to give them the whole experience. People have come back to me saying: “I remember you. I bought one card from you a couple of years ago, and I look at it every day.” I like to think that with the card, they also buy a piece of the world I am presenting to them. That’s why I always try to include original art as well.

Here’s one of the small paintings that I just finished. It’s called Samettikukan sointi – The Sound of the Marigold.

Samettikukan sointi - The Sound of the Marigold, 20 x 25 cm, oil on canvas, by Päivi Eerola, Finland
Samettikukan sointi – The Sound of the Marigold, 20 x 25 cm, oil on canvas

The Sound of the Marigold is a sister to a piece that I showed you earlier called Ruusun henki – The Spirit of the Rose. But when I placed the paintings side by side, I wanted to make adjustments to the rose painting so that its’ color scheme is less similar. So here’s the new version of The Spirit of the Rose:

Ruusun henki - The Spirit of the Rose, 20 x 25 cm, oil on canvas, by Paivi Eerola, Finland
Ruusun henki – The Spirit of the Rose, 20 x 25 cm, oil on canvas

Here are the two versions together so that you can compare the changes.

Before and after finishing touches, finishing a painting
Before and after – Click the image to see it bigger!

I am going to have small stands for them so that they will stand out from the rest of the selection.

Two small paintings by Paivi Eerola, ready for a sales event

There are also a couple more small oil paintings. They are still in progress, but I hope to finish them soon so that they have time to dry.

Small paintings in progress

I have noticed that people who don’t regularly go to art events forget the difference between a photo and an actual painting. – like it would be the same browsing the feed or picking a postcard as watching an original.

A6 and A5 printed cards for sales events, by Päivi Eerola, printed at Moo.com

On my sales table, prints will dominate in quantity. And because most of them are pictures of oil paintings, I also want to deliver the experience of an original oil painting. With the four small ones, I can hopefully present one medium-sized original, maybe Forest of Wishes.

What A Part of Your Audience Expects to See

In my experience, some people are interested in a specific art technique. Previously, when I had the sales table at a similar event, there were some who wanted to talk about watercolor painting and were disappointed that I only had one example or so. These are people who are art hobbyists themselves and who are potential customers for my classes.

Watercolor paintings for sales events, by artist Paivi Eerola

I used to paint a lot in watercolor, but lately, not so much because they don’t sell as well as oil paintings and have a low price point. Because I need to make a living and because I enjoy creating big paintings, I have focused on oils. But this time, I thought I would take a bunch of watercolor paintings with me and set the price lower than expected. If I still actively sold watercolor paintings, I wouldn’t do that, but now I see the chance to reach this part of the audience and show my watercolor work.

Watercolor paintings for sale, by artist Paivi Eerola

Because most elements of my style were developed in watercolor first, these pieces fit well with cards that have oil paintings.

A5 cards with satin finished, printed at Moo.com, Paivi Eerola's art for sales events

These cards came out gorgeous! They have a satin finish and are bigger and thicker than standard postcards. I ordered them as well as the cards from Moo.com (affiliate link, but I would recommend them without one too!)

What to Leave Out

Many times, I have put everything I have on the sales table, and that’s never been a good thing. You might have potential best sellers, but bringing items that don’t make sense to them will ruin the sales. For example, I brought fabrics with my designs and some craft items to an event focused on fine art. And vice versa, I took some original art to a craft show. Yes, you might get some sales from the odd items, but confuse most of the audience.

Price can be a reason to exclude some too. For example, if the organizer takes a percentage of the sales or if the price of the sales table is high, selling the most affordable items doesn’t necessarily make sense. And vice versa: when people come for good finds on their way to the shopping center, selling the biggest and most expensive pieces can be hard.

This painting – Tiger’s Eye – has been waiting to get to a curated exhibition that interests art collectors. Now I am happy to pack it and two other paintings for a big gallery show.

A big painting varnished for the gallery show, by Paivi Eerola, Finland
Tiikerinsilmä – Tiger’s Eye after varnishing

My oil paintings always get a varnish and a hanging wire so that they are ready for hanging on the wall.

In my experience, original art that is ready to hang is more tempting to buy than pieces that require, for example, framing. However, if the price point is very low, it doesn’t always make sense to frame the pieces. Whatever the case, it’s always good to present a unified collection and leave out some that are too different in size, style, or frame than others.

When selecting work for the small postcards, I left out many paintings I like and value. For example, many of my big paintings are not so great for postcards. Their details get lost in the tiny size, and their subject is more suitable for decorating interiors than sending wishes.

And then some paintings are quicker but more suitable; for example, Kukkiva maa – Flowering Earth that I painted in acrylics for the class Floral Freedom.

Postcards for sales events, selling and marketing art

I think it’s perfect for a postcard – full of colors and flowers!

How You Will Be Remembered

Many times when I have been preparing for the events, my behavior has been on my mind: Am I able to show my enthusiasm? How could I not only make sales but be remembered afterward too?

But the best answer here is quite technical. You should have something to give that has your contact information on it. And all your products should have your name and website – or at least an email – on them. I use the same tactics, the same generosity that is, that I have used with selling online courses. I give something for free and invite people to see if I am suitable for them. On the sales events, I have small cards that have different pictures – details of my art – and I invite people to pick one that they like.

Moo mini cards for art sales events

This begins a conversation about their likings about them, and when they have the mini card, I can serve them better and be remembered too.

The postcards also have contact information printed on the back.

Back side of a postcard, printed at Moo.com, designed by Päivi Eerola

There’s also another artwork as a frame.

Back side of an A5 card, printed at Moo.com, designed by Päivi Eerola

I think about these features as generosity as well. I have taken the time to design the back to make the cards even more valuable.

Sales Events Are the Opportunity to Test

Even if it’s good to have a unified style and selection, the sales event is also an opportunity to test new ideas and approaches. I like to do tests that are not big new things but hidden in the small stuff. This time, I made a postcard of my colored pencil work to see how many people can recognize the medium and how many are interested in this style of drawing.

Paivi Eerola's art on glossy postcards, printed at Moo.com, ready for sales events

This postcard is composed digitally of many colored pencil pieces.

Digital collage of colored pencil artworks by Paivi Eerola

As you know, I am not just an oil painter, but also love colored pencils. It would be fun to talk about them too.

This leads us to my course sales event on Black Friday weekend. All classes will be on sale and registration for the new class Doll World will open. Doll World will begin at the beginning of January.

Sneak peek at Doll World - drawing poses and clothing, an online art class
Sneak peek at Doll World – drawing poses and clothing

During the years, I have learned that if I love the class, there’s a possibility that you will love it too. The same goes for all art really. We have to pamper it and give attention to its needs. And when the course or the painting asks: “Will there be anyone for me?” we must say: “Yes, my dear – kyllä kultaseni – sometimes it will just take a little bit of time.” We both feel vulnerable about this.

Paivi Eerola with her oil painting The Spring of Dreams - Unelmien kevät
Unelmien kevät – The Spiring of Dreams ready for a big gallery show

P.S. The engineer in me says that this is not a comprehensive article about setting a sales table. But I intend to share some pics when I set the actual table on December 3-4 at Galleria K, Vantaa, Finland. So stay tuned for Black Friday sales and future blog posts!

Expressing Winter Memories

This week, I have a new winter-themed painting, and we talk about the many approaches for expressing winter and memories of any season.

Winter Night's Poem - Talviyön runoelma, 60 x 80 cm, oil on canvas, by Päivi Eerola, Finland.
Winter Night’s Poem – Talviyön runoelma, 60 x 80 cm, oil on canvas

Here’s my newest painting called Winter Night’s Poem. This time, the Finnish name is much more beautiful: Talviyön runoelma. I wanted to give the painting a poetic name – like Shakespeare’s play “A Midsummer Night’s Dream – Kesäyön unelma” but something more wintery. So I come up with the Finnish name, which sounds so romantic (if you know Finnish that is!), and then translated it to English as accurately as possible.

I painted this piece for the local artist association’s winter-themed art exhibition. Winter sceneries aren’t really my thing, but I wanted to take the challenge. I started by exploring Japanese woodblock prints and made a small colored pencil study that is more like a fall scenery, but that has similar abstract elements than in the final painting.

Colored pencil art. An abstract scenery.

I talked more about this colored pencil piece in October’s video blog post.

Winter Memories

I found it challenging to get emotionally connected with the theme. As Finn, I do know winters. They are cold and dark, and there’s not much that I enjoy about them. As a child, I lived further north, and winters were even colder and darker. Here’s a picture of me in 1974 when I was 5 years old.

Winter memories from 1974.

However, I have one special winter memory. Earlier this year, in one of the weekly emails, I wrote about Avicii‘s music and how it brings the memory to my mind:

When I hear A Sky Full of Stars, I am a little girl on a cold Tuesday evening in Eastern Finland. After participating in an icon painting group, I walked down the snowy hill looking up. The starry sky was blue-black, I realized. Not black like for those who glance carelessly or blue like for those whose skies were always blue. Working with colors had made the world look more beautiful.

I also remember getting an idea for a poem that I later wrote down. It was something about the starry sky. And there was a melody too. The sight, the words, and the sounds all formed this beautiful winter memory. And isn’t it so that memories are full of sensations of all kinds? Why should we then paint only what we see?

But then I heard myself saying: “Paivi, remember that it’s a winter-themed exhibition. It has to look like winter!”

How Does Winter Look Like?

In 2013, I made this hand-drawn collage for Christmas cards. It has a decorative approach to winter. Snow, hearts, berries, pastel colors – they all form a light-hearted and entertaining take on winter.

Hand-drawn paper collage, 2013.
A hand-drawn paper collage from 2013

An even more obvious choice would be to paint a realistic winter scenery with snow, trees, and such. Here’s a watercolor painting from 2018:

Fall and winter, two seasons in watercolor, Paivi Eerola's painting from 2018.
Two Seasons, watercolor, 2018 – From the class Watercolor Journey

My idea was to paint both fall and winter into the same piece. This is a class project from Watercolor Journey where we paint all kinds of sceneries in watercolor.

Winter in a Poem

But the more I thought about winter, the more connection I felt with the abstract side of it. I didn’t want to just paint an empty-looking scenery in black and white. I wanted the lights and darks to have a rhythm.

Starting an intuitive painting about winter.

My favorite poet Eeva-Liisa Manner has a winter poem that I have read hundreds of times because it was in a little poem book my family had. For a small child, the content felt strange, but the more I read it and the more I grew, I fell in love with its rhythm. The poem doesn’t rhyme, it’s free verse, very modern. But still, when I read it, I feel the rhythm, and when it ends, it feels like you have listened to a song, not read a poem. The words have been thrown into the air, carelessly, and yet, it feels like everything has a purpose. It’s like every word would have fought to get into to poem, and after accepted, they are ready to fly beautifully, each on their turn, and then to get mixed up even more elegantly in the reader’s mind.

Maybe you too, love poetry and have experienced the same. The words glow like jewels and have a long effect even if the time spend on the reading, is just a minute or two. Isn’t that what we aim for in visual art too?

Abstract painting in progress.

Wonders of a Winter Night

More than thinking about realistic scenery, I approached the painting with a poetic mindset. I imagined the sounds and rhythm of a winter night and visualized those. I trusted that the result will look wintery even if the painting is abstract.

Abstract painting in progress

I also thought about how things move, and one of my favorite details is the curvy black wind that blows snow.

A detail of Winter Night's Poem - Talviyön runoelma, oil on canvas, by Päivi Eerola, Finland.

Carelessly painted ice-like objects are on the top, and the sound of ice is visualized below them.

A detail of Winter Night's Poem - Talviyön runoelma, oil on canvas, by Päivi Eerola, Finland.

Probably the childhood memory of the winter night has stayed with me because it’s a little bit scary to walk alone in the cold and in the dark, under a few street lights only.

A detail of Winter Night's Poem - Talviyön runoelma, oil on canvas, by Päivi Eerola, Finland.

The color scheme was one of the challenges. I didn’t want the painting to look off-puttingly cold. Instead of only using blue and white, I brought a wide variety of tones but so that most of them are quite dark or pale.

A detail of Winter Night's Poem - Talviyön runoelma, oil on canvas, by Päivi Eerola, Finland.

Fortunately, winter is not here yet, but usually, we have the first snow in November. So the garden scenery will change soon!

Paivi Eerola and her painting Winter Night's Poem - Talviyön runoelma

I hope this blog post inspired you to express winter or any season that you have fond memories of!

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