Inktober Warm-Up Exercise
It’s soon October and with that – Inktober! Last year, I did all 31 prompts. Read about my previous experience here and here!
This year, I intend to make at least some drawings. And because Inktober was such a great experience for me last year, I want to support you to take it too. Here’s an Inktober warm-up exercise. I hope it inspires you to use inks and black felt-tipped pens to create black and white art. Follow the steps to keep going!
1) Paint an Abstract Composition
Let’s start by playing with liquid ink! Mine is Dr. Ph. Martin’s Bombay India Ink. I make the image on Leuchtturm 1917 Sketchbook.
Put a few drops of black ink on a palette. Mix some water to the ink so that it’s grey rather than pitch black. Make some pale strokes with a flat brush. Then add new strokes on the top of previous ones. Work slowly! Enjoy each stroke and the translucency of it.
Turn the brush upward and make narrow strokes by using the tip of the flat brush. Experiment with both wet and dry brush.
Pick a small round brush and add some ink on the top of the narrow strokes. Now you should have an abstract composition that has a variety of painted elements.
2) Fill Spaces Between the Painted Areas
Use a brush pen or black ink that hasn’t been watered down. Focus on the center of your composition.
Fill most of the spaces between the painted areas with black ink. Leave some white to highlight the best parts. Black adds depth to the grey composition.
3) Draw Realistic Objects
Select black thin-tipped drawing pens of various thicknesses. I use Copic Multiliners from 0.05 to 1.0.
Choose a realistic object that you want to repeat in the image. My choice was women’s faces. For example, flowers or birds could be great too.
Look at the abstract composition and seek for places where you can add the objects. Add more black, and adjust the shape of the pale areas so that they partly outline the objects. When drawing the objects, play with the scale so that some are big and some small no matter where they are located in the image. All the objects don’t have to be fully visible. Some can hide partly behind the abstract elements.
I like to draw faces so that I sketch it first with a thin ink pen, and then adjust it by adding a black element beside the face. (In my classes Animal Inkdom and Magical Inkdom, I show easy step-by-step methods for drawing all kinds of fun figures.)
4) Doodle Decorations
Continue with the black drawing pens, and doodle on the blank and pale areas. I also use a handmade oval template to get a big geometric shape that is fun to decorate.
For decoration, the sky is the limit, but I like jewels, frills, laces, waves, and flowers!
When doodling, I also add shadows to the elements by drawing thin lines side by side.
5) Finishing Touches: Shadows and Highlights
Squeeze your eyes and point all the white areas. Usually, there are too many and it makes the image look busy. Pick a brush and paint most of the white with diluted black ink.
Especially the areas that are near the edges are worth toning down.
I also like to paint over the shadowed areas to give them a softer look.
White gel pen can be handy for those areas that need a little bit more white.
Inktober Warm-Up – Finished Piece
Here’s my finished piece again. See how limited the number of white areas is.
I hope you enjoyed this Inktober warm-up! Tell me – are you going to participate in Inktober?
How Inktober Strengthened My Visual Voice
This is the second blog post about participating Inktober drawing challenge. See the first post here!
Inktober Experience in a Nutshell
Here’s what this challenge did to me:
1) Following the prompts and working with black ink only revealed some creative blocks. Becoming aware of these helped me to remove them!
2) I found what I love to draw and it has strengthened my visual voice.
3) I have always liked to draw with non-erasable ink but now I am addicted! I am more creative when I can’t erase the lines.
4) I have a lot of stories to tell that have never found their way to my art before.
5) I like being challenged by weird words that are difficult or even appalling to visualize.
What you can learn from all this:
a) Draw with pen or pencil only now and then so that your voice won’t get hidden behind the products.
b) Write what people have said to you about your creative skills. These may have been good advice back then but irrelevant now.
c) Start a list about things you love – these are also the things you should draw, no matter how superficial or deep they are. Make sure you include some things you loved when you were a child.
d) Give yourself a problem and solve it by drawing. Don’t settle for the obvious solutions!
Strengthening the Visual Voice – Watch the Video!
In the video, you can see all 31 drawings as a flip-through video, some thoughts, and how I used my sketchbook during the challenge.
I also attach the drawings in this blog post with the notes that I wrote for each one during Inktober.
Inktober #13 – Guardian
The external world may be designed for extroverts, but every introvert is a designer and guardian of her own world.
Inktober #14 – Clock
As a child, my favorite play was to be the queen of England. I lived in a small town near the Russian border, and the only real luxury was nature. To me, trees were the pillars of the enormous halls, and I graciously wandered from room to room, repainting every plant and bird in my mind. No matter what’s the time or the place, this is still true: We can’t be the queens of England, but we can all be the queens of Imagination.
Inktober #15 – Weak
Even if all the ties and responsibilities may feel heavy, they are what keep us going through the hard times. Let’s stay connected so that we can support one another!
Inktober #16 – Angular
Have you seen the newest version of The Great Gatsby? It’s directed by Australian Baz Luhrmann, and it’s gorgeous. My favorite scene is the big party scene where everybody dances disco: “A Little Party Never Killed Nobody” wearing art deco party dresses in a divine-looking villa with pools, staircases and all. So today and tomorrow my Inktober pieces are dedicated to a big party, and you are all invited!
Inktober #17 – Swollen
Let’s continue the party from yesterday! Imagine that art has two feet. One foot represents the techniques, and the other one is the imagination. Moving forward in one foot only is impossible in the long run. You need both feet. And – even if sometimes your other foot is swollen, don’t let that bother you too much! Here’s to celebrate our creativity!
Inktober #18 – Bottle
If only we could bottle nature inspiration! I would have a stash of Finnish summer days! Now when trees are losing their leaves, I could spray some summer breeze and the smell of peonies!
Inktober #19 – Scorched
Sometimes the process is more beautiful than what comes out of it. All of us who like arts and crafts have experienced that, do you agree?!
Inktober #20 – Breakable
The misconceptions about what we can’t do are breakable. When becoming aware of any of mine, it feels like I have been a bird inside a soap bubble forgetting to use the beak. Why float inside the bubble when you can fly? Let’s believe in ourselves!!
Inktober #21 – Drain
After drawing some ethereal and romantic pieces, I went to a couple of contemporary art exhibitions and this happened! When I was studying industrial design, it was made clear to me that this is NOT the acceptable style to draw. But today, let’s not care about those “don’t”s and “no”s and denials, and let the humor be a part of the art!
Inktober #22 – Expensive
What could be the most expensive bouquet ever? All the four seasons in one bunch!
Inktober #23 – Muddy
I believe in mud and dirt. If life becomes too sterile, it is not enjoyable anymore. That’s why I have animals and house plants, the garden, and I think that those who have children share this thought too. The same principle applies to art as well. If every stroke you paint, every line you draw is controlled and pre-planned, it lacks the soil where the ideas grow. So here’s to celebrate the mud in our lives!
Inktober #24 – Chop
Now when I am well over the halfway, I have started to make a list of things that I love to draw. My list includes stuff like folk art, antique jewelry, glass, fabric, etc. Most of them are quite decorative and luxurious stuff. I have also sliced and chopped these words to less general subjects like Russian handpainted trays, victorian necklaces, crystal, kelim, etc. It has felt like day by day, I am getting more hang of what I really love to illustrate. One item on the list is citrus fruits, oranges, lemons, etc. so I made some for today’s challenge, decorated with jewels and folk art, of course! — Tell me, what’s on your list!
Inktober #25 – Prickly
Virginia Woolf has said: “You cannot find peace by avoiding life.” So when the pot feels prickly and the hat too heavy, there can still be some kind of peace and satisfaction in all that.
Inktober #26 – Stretch
This one is dedicated for all who love to write. Many prepare for NaNoWriMo to write a novel during November. I am more of a visual creator, but there’s definitely risktaking involved in both writing and drawing. You never know where it takes you, but that’s also a big part of the reward!
Inktober #27 – Thunder
Only 4 to go! Really enjoyed drawing this one.
Inktober #28 – Gift
Out of the box, towards the change! Ink pens and watercolor on Bristol paper.
Inktober #29 – Double
When you get to spend time with someone who likes similar things … Thank you, my friend, fantasy artist Eeva Nikunen! Here’s for the friendships between artistic souls!
Inktober #30 – Jolt
When I started this monthly challenge, I was quite timid. First, I used everyday life as an inspiration, but the more I drew, the more I yearned to go on a journey to the hidden world. I have always loved Russian zhostovo paintings, luxury handbags, decorative fabrics, antique jewelry, Dolce & Gabbana … so slowly all the luxury found their way to these drawings.
First, it felt like they would be fragile and disappear soon, but now I can take a hammer and hit them, and they just keep flowing onto paper. I have cried because I have lost a part of my old style and mindset, but after 30 drawings, there’s no hammer big enough to make all of this luxury disappear. Thank you for still following me, I know this has been quite a change for many of you, I hope you continue the journey with me anyway.
Inktober #31 – Slice
After the challenge, I am a like a nomad, carrying all the stuff that has come along with the journey, wondering what will happen next. Time will tell! Here, have a slice of cake with me to celebrate both this accomplishment and Happy Halloween!
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How Inktober Helped Me To Cure a Creative Block
This month, I am participating in a daily drawing challenge called Inktober. My goal was to make 10 ink drawings based on the first ten official prompts. I have passed the goal, and now I am trying to make as many as I can. As an experience, this challenge has had a ground-breaking effect on me. With Inktober prompts, I have discovered a creative block and cured it!
Supplies
For the first five drawings, I used black pens and inks from the stash. My illustrations have been quite detailed, so they take a lot of ink. I have made some purchases and will need more pens if I keep going. Here’s what I have currently in use!
I make the drawings on Nuuna Square Bang Sketchbook. It is 9,5 x 9,5 inches, which is a good size for daily work. The basic pens are Copic Multiliners. The tip sizes that I now have are 0.1, 0.3, and 1.0. I am planning to purchase 0.05 too because I like to draw small elements! I also have a Pentel brush pen for larger areas. I love this pen. It is refillable and comes with extra ink tanks. The brush is wonderfully soft and precise and the ink flows effortlessly.
My Expectations – Stretching to a More Masculine Zone
I started the challenge with an open mind. Building Watercolor Journey was a huge workload. I wanted to make a comprehensive class, and it took a lot of my time during the summer. Now when I got the self-study version available, I wanted to reward myself by taking part in the challenge. My idea was to draw what I love, the only limitations being that I had to use black ink and follow the prompts.
Because Inktober is mostly for fantasy artists, the themes are very different than what I would choose. Many of the prompts are about the darker side of life, but I thought that little stretching would do me good. The biggest fear that I had was that the people who follow me on social media would totally ban me. I knew that because of the prompts and the black ink, my work would look more masculine than before. But I didn’t expect anything ground-breaking to happen regarding my style or visual voice. But something did happen, quite unexpectedly.
Discovering a Creative Block
When I picked a pen and started drawing the first image, I heard myself saying: “Paivi, be careful.” The tone was gentle but the voice was definitely of my inner critic. And as soon as I wondered what I should be careful about, an old drawing came to my mind. It was a black ink drawing as well, an exercise for the first class that I took in industrial design. We had to make a series of images showing the product, and mine was a hilarious collection of detailed drawings showing all the enthusiasm I had for industrial design back then. I don’t remember the exact words that my teacher used but I got the message that it was all wrong, a bit pathetic even. I should be more systematic and not so decorative.
It was a critique that was beneficial for an industrial designer but totally irrelevant and wrong for a person who is more of an artist and illustrator. But back then, I was not able to see that the direction that I was heading was different so I took it deep into my heart. I also remember some other situations during my studies when I was accused of being too decorative. That was good for me back then, opening my eyes for expressing the form instead of the surface only. But now when working in the field of art, the situation is different.
So when I heard the whisper to be careful, it meant that I should not be too decorative when drawing industrially manufactured items like syringes that I intended to include in the first drawing. Becoming aware of this block has turned a new page in my artistic path.
Inktober #1 – Poisonous
Maybe sometimes we think that something is poisonous when it’s not?
While drawing the first entry for the challenge, I allowed myself to be as decorative and detailed as possible. I accepted the union of industrial objects and more abstract elements and went with the flow. Here’s to those past student years!
Inktober #2 – Tranquil
To me, tranquility and yarn go hand in hand. In the evenings I like to knit, cross-stitch, or quilt to calm myself down. So it’s like the threads and yarn tie little moments happened during the day together. The day that felt chaotic in the afternoon becomes tranquil and meaningful before I go to sleep.
The second insight came with the second prompt. I haven’t even considered myself a surreal artist, but the drawing came out so naturally that it started to make sense.
Inktober #3 – Roasted
After starting to work from home, I have been forced to get deeper into the world of cooking. I have made some disastrous meals because I don’t like to follow recipes and don’t have much experience either. But now, after four years, I have found a way that works quite often. I buy good ingredients. I study several recipes and then figure out what my version could be. I use a timer a lot, just because I am often in my thoughts and don’t realize how minutes fly. I like roasted vegetables, especially roasted carrots, so this is for them!
With the third prompt, I wanted to try if I could make something out of less romantic subjects that I would normally choose. Here, I found drawing the oven most inspiring which was an interesting observation. Is the industrial designer raising her head?
Inktober #4 – Spell
I connect the spell with the atmosphere of the inner world. It could be like a cloud hanging over the scenery, sending sounds and lighting candles. I haven’t been a big fan of fantasy novels or such, but when I am creating, the fantasy can easily take over!
The prompt was a weird one for me, but the result is the old average. It didn’t feel so comfortable anymore. Something was lacking there.
Inktober #5 – Chicken
Something big is happening and the change feels scary.
– “I can’t do it! I have to protect what I already have.”
And then the whole universe shouts “Chicken!”
You can’t stop the change. You need to follow the eggs.
The fifth drawing started as a funny one, but at the end, it felt like it was speaking about me. Consciously, I didn’t have any idea what had changed but it felt that I can’t keep on creating like before.
Inktober #6 – Drooling
When your mind is drooling for beauty so that you feel you are eating all the forbidden fruits.
In this drawing, it became visible and clear to me that my creative block had forbidden me to draw decorative items that I adore. I love high fashion, jewelry, elegant fabrics, tassels, pearls, fur, you name it. I don’t grave them so that I would like to wear or own them but my world of fantasy never has a lack of this luxury. I have always thought this is a superficial characteristic in me, but this attitude feels too restricting now when I am more conscious of it.
Inktober #7 – Exhausted
Here’s how I define the exhaustion of the 21st century: You have done too much, and it feels like you have done nothing yet. You have too much stuff to sort out, and it feels like you haven’t got all you need. You are at the bottom of the big pile, and the clock is ticking: “Don’t forget! You are late!”
When drawing like this, I feel the satisfaction that I have never had before. It’s not that this way of expression would be technically more brilliant than my best work so far or superior to what everybody else does. It’s just that it’s like looking myself in the mirror, seeing all the goods and bads, and accepting what’s there. Isn’t it so that no matter how much you admire other artists if you imagine their work to be yours, it feels empty or defective in some ways? At least to me, there are hundreds of artists that I admire passionately and would happily hang their paintings on my walls, but if I were the one creating them, my fingers would itch to change something.
Inktober #8 – Star
Even if I work from home and live an extremely boring life (if you look at it from outside that is), I am a nomad, we all are. We get it when Harley-Davidson advertises motorcycles with the slogan: “Everything you need, nothing you don’t.” It’s about The Freedom – a full-designed package of service including a couple of woven carpets, one string of prayer flags, five long minutes of photographing bokeh and flares on the mountains, a ride downhill feeling a warm wind and hearing the sound of the beautifully polished engine. Some change the motorcycle to a horse or even to a Corvette, but it’s all the same, here’s to The Freedom!
During the challenge, I have not only found new ways to draw, but I have also discovered that I am bursting with stories! Most of the stories are connected with items that have a symbolic meaning to me.
Inktober #9 – Precious
We get excited about a new thing. The next thought is that we need the products. All the products. Happened to me so many times! But hey, let’s not get lost in the products. Discovering yourself is more precious than any product.
What if the challenge wouldn’t have the restriction of supplies, and what if it wouldn’t be specifically for inks, related to my creative block? It’s possible that nothing would have changed. Seeing the stream of simple drawings and how they change one after another, has brought such clarity that I wonder how many times the creative blocks hide under products. When I have bought a new set of this or that, have I subconsciously avoided the block?
Inktober #10 – Flowing
In the Renaissance, the strong currency called Florin enabled the birth of financial professionals like bankers. Today, their working environment looks very different, and the change may feel vast, but that’s only if we keep our perspective narrow.
The facts:
Renaissance was about 500 years ago.
The age of the earth: 4,5 billion years.
The age of our universe: 13.8 billion years.
Here’s to honor all who work in finance but also to remind how money is just a tiny island in the flowing ocean of time.
As a former engineer, I believe in the power of knowledge. But it’s new that I want to express that in my art too!
Inktober #11 – Cruel
Life can be cruel. It throws more and more for those who already have plenty while those who have nothing can’t get anything.
This prompt was not an easy one. I felt sadness and shame. But once I got the idea, I had to draw it out.
Inktober #12 – Whale
Love makes us brave. No matter how timid we are, we can do anything for those who we love.
During Inktober, I have found a way to connect the things that I love from storytelling to decorative designs and illustrational art. So far, it has brought a new sense of happiness in my artistic path. It’s also a scary feeling – what will happen next, what will I do with all these? Time will tell!
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What Tsubaki Stationery Store Taught Me About Making Art
I listened to a wonderful book. It was like a refreshing rain pouring straight into my heart.
The book is new and by the Japanese author Ito Ogawa. Its Finnish title is Paperikauppa Tsubaki, and it is also being released in English as Tsubaki Stationery Store (Amazon – affiliate link, Goodreads)
Tsubaki Stationery Store
The book tells the story of Hatoko, who has inherited a small paper shop from her late grandmother. It isn’t a sticker shop, but a very minimalistic one. Additionally, Hatoko offers handwriting services. For Hatoko, “beautiful” isn’t a static concept. Case by case, she carefully considers not only the message itself, but also the shape of the letters, the paper she chooses, the writing instrument, the envelope, and even the postage stamps.
You absolutely must read this book.
Refreshing Rain
I loved the book so much that I wanted to make a drawing about its impact. It started by spraying some ink.
I got the idea of spraying ink when browsing the pages of my sketchbook. See this blog post from 2019: 10 Black and White Art Techniques with Personal Stories
I then made the drawing with pencils and ink pens (Copic brand).
I started with graphite pencils.
And then introduced black ink pens.
When I wanted to have something darker or more clearly outlined, I used the ink pens. The pencils were for softer greys and shadowing.
A piece of paper under the hand protects the drawing.
I wanted the drawing to grow freely and express the impact that the book had on me. The last step was to add a little color to the central flower.
Here’s the finished piece again. I had so much fun drawing the waves. When I draw, I try to follow the principle: “Draw what you love.”
This is about my inner world getting the refreshing rain from Ito Ogawa’s wonderful book.
Simple and Small Can Lead to Better
Tsubaki Stationery Store made me think about how simple things can become when we stop ignoring the basic truth.
You see, this spring I have been thinking a lot about how I could make better paintings. It has felt like a complicated question. Just breaking down what “better” means takes time. The choices feel big, as if I were standing at a highway junction in the middle of this constantly changing, chaotic world.
But Ito Ogawa’s book brought me back to a small street. A series of small decisions that naturally follow each other can overcome grand choices. At its best, that is exactly what drawing is about, too. One thing leads to another, and only small adjustments are needed to take the drawing to the next level.
Tiny Things in Practice
Instead of this week’s small drawing project, I was actually planning to show you a much bigger one – a painting called Ikigai. I have been working on it for a couple of months now. But after listening to the first few chapters of the book, I realized that the painting isn’t finished yet. The book helped me to see small fixes that would make the painting “better.”
Now, Ikigai needs to dry before I photograph it. You will see it in a week or two.
But in the meantime, let’s keep drawing!
Crazy about Ornaments!
I believe that in every artist’s journey, there are moments when you feel you’ve hit the core—or at least, you’re getting very close. For me, many of those moments have been about ornaments. I simply love drawing and painting decorative lines.
>> See more pics and a video at Taiko Online Art Store
This week, I share a recent watercolor painting that is full of ornaments and how I fell in love with ornaments in the first place.
Ornaments in Watercolor
This is how the watercolor painting started.
Ornamental shapes are much easier to draw than paint. In 2020, I made this watercolor painting.
I can now paint much more elegant shapes.
I have been after this skill for so long.
Ornaments – Are They Scary or Harmless?
An ornament is an animal. At first, it’s like a fox that is a bit too tame. You meet it on an evening walk and feel like shouting: “Don’t follow me, I’m not giving you a home!”
Then someone says, “It’s just an ornament, a harmless little decoration. It’s not a fox, it’s a bird.” And that’s when I realize I am dreaming about a magpie, picking only the oldest and most beautiful spoons from the pile.
But when I go to my imaginary pile of spoons, I see snakes. I can only catch the slowest and clumsiest one. My line was quite ugly for a long time, yet it has been my mascot for years. For just as long, I have been searching for the core of my expression.
In 2018 and 2019, my drawing skills took a jump, and I was able to incorporate more and more ornamental expression into my drawings. I participated in Inktober and built two drawing courses: Animal Inkdom and Magical Inkdom.
Looking Through The Lens
Lately, I’ve read many descriptions of artists—both by the artists themselves and by critics. It felt as if I were forcing myself to read tiny text through a small lens, all while swallowing an ornament-shaped lump in my throat.
I believe the most accurate descriptions of how art is born are linked to childhood. My love for ornaments comes from my own.
Our family wasn’t wealthy, but we were dreamers. We followed the lives of European royalty with admiration. The large yard of our old wooden house, with its meadows and little woods, turned into a queen’s castle in my mind. I imagined grand halls, furniture, and a magnificent atmosphere. Nature became my palace once I understood that a plant should be looked at as a structure, not just a decoration.
From a Clumsy Snake to Expression
In the process of making art, however, the ornament is not a child, but an old soul. When a line is still young, it has no idea of the wisdom and beauty it can eventually store within its curves.
I believe that anyone who has the patience to feed their “clumsy snake” will eventually be rewarded. This madness—this love for ornaments—begins to transform from simple decoration into pure expressive power.
Almost all of my drawing courses are about developing a living line that can then transform into an ornamental one. A great courses to start are the colored pencil courses, especially Mystical Minis.
Painting Ornaments
It has taken me a long time to paint more ornamentally. I have had to learn to imagine an ornament as a 3-dimensional structure rather than just a decoration.
Now that I can paint like I used to draw, I can add many things that I have missed from that era, for example, tassels.
I can now also include what I learned from decorative painting when creating the course Decodashery.
There is a sense of the medieval and the Baroque here, blended with the historical fantasy and folklore.
I have also worked in this ornamental style not only in watercolor, but also in oil, but I will share those projects later.
In the world of ornaments, every line has its own age. Is your line still a curious child, or is it beginning to store the wisdom of an ‘old soul’? Tell me about your process in the comments!
Art Supplies I Should Not Use Anymore
When I look at my art supplies, there are many that just take up space and don’t bring me joy anymore. Recently, I have tried to use them up, but one crayon, for example, can last a long time. Maybe I should just stop using them and give them away?
This blog post is a little inventory of what art supplies don’t bring me joy anymore.
Arteza Gouache Paints
Arteza sent a big set of their gouache paints to me in 2019, and I made a blog post with a video about them.
>> Intuitive Painting in 60 Colors of Arteza Gouache Set
I prefer Schminke Horadam gouache paints, because they are much better quality.
In general, I like watercolors more than gouache paints because they are livelier and more transparent. In the course Decodashery, I have used both gouache and watercolors.
Gouache is great for decorative-style painting, so I will keep my few Schminke paints, but I should give the Arteza gouache paints away.
Derwent Artbars
I have a love-hate relationship with these crayons. I have used them quite a lot, especially with water. But always when I look at the finished piece, I think that it would have looked so much better if I had used watercolors instead. For example, this recent art journal page would have been quicker to create and much more delicate with watercolors.
On the other hand, I really like many sketchbook pieces from 2017, like the one below.
In this blog post from December 2017, I share many projects where I have used Derwent Artbars.
I bought the Artbars somewhere around 2014, and even if I have tried to use them now and then, they may live longer than I do. I think I should either toss them or give them away. Watercolors easily replace them.
Faber-Castell Gelatos
I often wonder: “What did I think to achieve when I purchased these?”
I bought Faber-Castell Gelatos around the same time as Derwent Artbars. Mixed media enthusiasts thought that Gelatos were fun at that time, around 2010. I was very much into mixed media, and it was not difficult to sell new art supplies to me. Nowadays, I am much more traditional and don’t consider myself a mixed media artist anymore.
However, if you have Gelatos, you may enjoy this blog post from 2014 where I show some color mixing with them. >> How to Mix Colors (with Gelatos)
And this blog post where I work with Gelatos by using inspiration from art history.
>> Consistency and How to Get Inspired by It (with Gelatos)
I try to use gelatos now and then, and managed to use up one stick of the big set. But these are just a nuisance: no accuracy and not enough pigment. I should give these away.
Oil Pastels
I only have a small box of oil pastels. They really suit my art style. They have strong pigments and it’s easy to mix and blend them. Oil pastels look great a a top layer of pencil drawings and work well on top of many other art supplies too.
And I love the results! Here, the face has been painted in acrylics, there are regular pencil marks, and then the oil pastels add their flare.
See more images in this blog post from 2018: Oil Pastels and Spicing Up Your Art
I have also used a lot of oil pastels in this recent blog post: Using Up Old Crayons
And I have even made a course that uses oil pastels with other supplies. It’s called Innovative Portraits!
So, why should I not use oil pastels anymore when I seem to be so excited about them? Well, they are messy for sure, but also this: If I make a piece with oil paints instead, I can sell it and get more worth of my time. Oil paints (and acrylics) can do everything oil pastels do. Oil pastels are quicker, but the result is more valuable if I use paint. So, this is related to what kind of artist I am and what I need to get out of my time.
Alcohol Inks and Acrylic Inks
I bought alcohol inks in my mixed media years and loved them.
Alcohol inks are strong and work on any background, even on the top of acrylic paint. I used to use them to make backgrounds too, here’s one example from 2015.
And in 2012, I made many collages in the Collageland style where I also used splashes of alcohol inks, often pinks!
But now, they don’t feel so much fun anymore. Their odor is a bit disturbing too. But I have some pens that can be filled with alcohol inks, and will use the rest of them like felt-tip pens.
I also have some acrylic inks and acrylic watercolor inks.
I prefer to use watercolors instead nowadays. I should just make some art journal pages to use up those few bottles or give them away. I actually found a fun idea from an old blog post: Inktober Warm-Up Exercise (inks + drawing, from 2019)
All That Glows
Gold, silver, pearlescent effects – they are not my thing. I love to imitate glowing effects with regular paints, but glowing surfaces are not what I like to create. I have tried too many times, and made some fun pieces too, like this one from 2020.
See more images in the blog post: Impressionistic Floral Painting on Structure Paste
And see how lovely glitter glue looks on the box cover, made in the course Doll World!
I have already given away many glittering paints, and I intend to give away the few that I still have.
Special Mediums
When visiting an art supply store, it’s tempting to try a new medium. I have velázquez oil painting medium, masking fluid, granulation medium, fiber paste …
Some of these mediums are for adding surface effects. For example, fiber paste creates a surface that can then be used for watercolors. Velázquez medium is for those who like to paint thickly. The more I have painted in oil, the smoother surface I want. For me, the smooth quality of the surface feels important to achieve. Smooth paintings bring old masterpieces to mind.
I know many use masking fluid and granulation medium for watercolors. I have used masking fluid in the course Watercolor Journey, but have stopped using it. There are ways to avoid it so masking fluid feels unnecessary nowadays. Granulation medium is not a miracle medium either. I like to keep my watercolors with water only. I think they don’t enjoy the makeup!
However, in Watercolor Journey, we use the masking fuild in a fun way – for doodling – and I think the result is fun!
I have some masking fluid and granulation medium left. Maybe I should make some art journal pages with this doodling approach to quickly use them up!
My Basic Art Supplies
These are the basic supplies, I want to keep: oil paints, acrylic paints, watercolors, watercolor pencils, colored pencils, and felt-tip pens. Oil paints and acrylic paints are mainly for canvas paintings. Watercolors are mainly for watercolor paintings. And colored pencils and felt-tip pens are mostly for art journal pages and small drawings.
Mediums
With oil paints, I need painting medium. And with acrylics, I like to use gel medium and glazing medium for thinning in addition to water. I could give up the gel medium if I had to choose, because the glazing medium works better for thin layers. Then comes the question: how minimal to go and what would it serve?
What do you think?
However, nowadays when I want to have a treat while visiting an art supply store, I buy a new color, for example, a new colored pencil or a new tube of oil paint.
Visual Vocabulary First, Style Second
This week is about visual vocabulary and how to widen it.
I often hear the worry about finding the style, but more rarely about widening the vocabulary. Style is a quality word, but vocabulary is more about quantity. Still, it’s as important, and you can’t find the style without growing the vocabulary!
Often when we create art, we use a limited variety of shapes and lines and often the most ordinary ones. For example, your strokes may be quite straight and have very little variety in thickness. Or your shapes can be mostly basic geometric shapes. When I started, I mainly drew circles and my pieces were very symmetrical in general.
Forget the Style, Grow the Visual Vocabulary!
When you want to widen your visual vocabulary, look at the details of your work. There are seeds that can grow into great things. For example, could you repeat a random spot that almost disappears into the background and build a subtle texture from it?
Look at your drawing line and think about whether it could deviate slightly from its path. Could you make a notch somewhere and thus make the shape more interesting?
Imagine you are a child who knows only a few words. Then it’s not important to question what the topic should be, but to find more words to tell any. Stop worrying whether you should create faces or landscapes and make a wide range of art to grow the visual vocabulary.
When you can draw a wide range of shapes, curves, lines and have many ways to color, repeat, break up and assemble them, you can produce visual stimuli on the paper that makes your imagination work. From this collaboration, art is born.
Outer Inspiration – Borrowing “Words” from Others
By looking at art, you can find words, i.e. shapes, that you want to incorporate into your own vocabulary, i.e. style.
Art history is like an encyclopedia where we can pick what we like. Any art can be seen as abstract – just focus on finding a variety of shapes and colors.
Your vocabulary can be inspired of not only fine art, but crafts as well.
Imagination Sets Who You Are
Too much outer inspiration causes copying, so don’t leave your imagination out of the equation! Imagine you are a singer who takes a popular song into your repertoire. Then you enter a singing competition and are told: “You sound a lot like the original singer of the song, but we want to hear who you are.”
So we need not only to expand our expressive language, but also to develop our imagination. Visual vocabulary and imagination are a pair, and art needs both.
For example, you can draw a circle and give it a meaning, but can others see it? With imagination alone, the expression remains hidden. With a rich expressive language, we can make art enjoyable for others as well.
Welcome to My Courses + What I Want to Teach
The goal of my courses is to develop both your visual vocabulary and imagination.
First, I want to get you to draw something a little differently than you have done before and thus enrich your visual vocabulary. Second, I want to make a crack in your everyday thinking and plant imagination in it. I want you to ask: “What if?” and to respond with something completely crazy – something that makes you feel free to tell completely new kinds of stories.
When art emerges from this starting point, richly and vividly expressing itself, you will find your style.
Why Draw in the Ready-Made World?
Have you recently asked yourself: Why draw? Here’s why we need to keep drawing no matter what!
Writing This Blog Post Was Difficult
I enjoy writing about art, but this time the task seemed difficult. First, I thought I would write about how you get ideas for colored pencils when you paint a bottom layer with watercolors.
But it felt like something I’ve written about many times before. For example, see the posts Wild Botanical Art – Create with Colored Pencils and Watercolors and How to Combine Watercolors and Colored Pencils.
Then I thought about writing about the quality of watercolors and colored pencils, but that didn’t seem like a very inspiring topic.
At last, I started writing about how to make a visual voice stronger, but the text became too theoretical. And I have nice posts about the topic already. See, for example: How Inktober Strengthened My Visual Voice and Enrich Your Art – Play with Shapes!
In the end, I decided to write what I have really been thinking about recently: “Why draw in the ready-made world?”
Feeling Blue
Lately, I’ve had the feeling that I’m in an ancient profession and that I am ancient in all other ways too. It’s odd for me because I love technology and I’m always learning new things. But I’ve seen too many images produced by artificial intelligence and depressingly enough hype about how you don’t have to create anything yourself anymore.
In addition, all kinds of insecurity have increased in the world, and that’s also toxic to creativity.
Despite feeling blue, I don’t want to give in. I still want to believe in the basic human need to create something new. It has helped that the upcoming course that I have been finishing, feels like a safe and cozy place. I hope it will have the same comforting effect on you.
Why Draw and Believe in Visual Self-Expression
There has been a lot of talk about freedom of speech lately, but human expression is not just words. I deeply believe that drawing allows people to express themselves more directly than writing.
And at its best, a drawing offers an imaginary view to which not only the creator but also viewers can attach their memories and meanings.
If we don’t approach life with our imagination, we lose our inner harmony. When we put pen to paper, we open up a connection to our inner world.
Not everything that comes out is necessarily masterful, but it is authentic to ourselves, and through that, there is an opportunity to also find a connection with others.
That is why I have been making art almost every week for over 10 years. Even if art were to one day no longer be my profession, I would still maintain this connection in my life, which only requires pen and paper.
This is the reason why I want to be an advocate for drawing and imagination.
Hearts and Stories – Sign Up Now!
Let’s turn your art journal into a storybook and make the most out of simple shapes!
Hearts and Stories will begin on March 17, 2025. >> Sign Up Now!
About Birds and Art
This week is about observing birds and bringing them into our art.
These are from my online classes Animal Inkdom and Magical Inkdom.
Let’s start with a lonely budgie.
Last fall, the same sight always awaited me in the mornings – a lonely budgie in a big cage. The door was open, and I turned on the full-spectrum bird lamp, but nothing cheered her up. Ever since Primavera’s husband Leonardo had died unexpectedly, her world had been empty, and even the best YouTube budgies couldn’t fill it.
I have had budgies since 1991. My first budgie, Piuku, was also alone at first. Unlike 5-year-old Primavera, Piuku was a young bird. She adapted to being alone by taking me as her best friend. Later on, Piuku got other birds as companions.
Birds Bring Joy
The most enviable quality of birds is their ability to fly, but the more you get to know birds, the more you realize that their social life is very lively. A small flock of a few budgies can be like a soap opera. There will be arguments, gusts of affection, gossip, singing sessions, and all kinds of fun play. This way, the day flies by!
I have admired birds since swallows made their nest in the eaves of my childhood home. There were many other birds in the big yard too. I had bird books, and I dreamed about seeing kingfishers and other exotic birds.
Similarly, as wild birds make you look up, pet birds bring lightness to the home. Their vocals are clear and the flight sounds lighten the atmosphere. It is as if the world is not only lying down but also up in the air.
Birds and Flowers
At the beginning of my entrepreneurial career in 2008, I founded an Etsy shop to sell crafts and named it Kukkilintu.
Kukkilintu is a Karelian embroidered bird pattern that symbolizes happiness.
Karelia is a place in Eastern Finland, a part of it was lost in the war with Russia in 1940. I live in Southern Finland but was born in Northern Karelia.
Karelian people believed that the soul leaves the body in the form of a bird. Kukkilintu is a bit like the Finnish version of the peacock, which appears in the designs of other countries with the same meaning.
I thought the name “kukkilintu” was funny because it had the words “kukka” and “lintu” – “flower” and “bird.” When I was thinking about a name for my art blog a couple of years later in 2010, I thought that the flower could be a peony and the bird a budgie, so, a parakeet.
These two themes “flower” and “bird” have guided my creative process. I have wanted to learn the language of flowers and create beauty in the world, but also understand the life of birds and include their movement. Birds, flowers, and art belong together.
However, recently in my everyday life, it happened that the more I delved into the flowers, the more time they took away from the birds. I didn’t want to keep pet birds anymore, but felt that watching wild birds would be enough.
Magical Scene
Outdoors, one scene is above the rest – when a bird flies across the scenery. The bird then becomes kukkilintu – a flower bird. It takes over the landscape and erases all the sadness.
I came up with this when I was grieving the death of one of my dogs. Since then this very ordinary event has made me happy. It’s a message from the world that we always have inside of us, but that we don’t always remember, especially when we’re like a lonely budgie that has a hard time seeing ahead in life.
We must believe in our abilities, and happy endings as well. I found a new home for Primavera, where it has a spouse who was also widowed. I wish Primavera a long life. After all, it already has a long-lived name-sake, the famous painting by Botticelli born in the 15th century, which I have been to Florence to admire.
Do birds appear in your art?
Inspiring Art Journals
This week is dedicated to inspiring art journals that hopefully make you start creating right away.
Towards the end of last year, I started to really miss drawing. When I want to come up with ideas, I need a pen and paper! Or maybe I should say that I need my art journals because that’s where the ideas stay in good order.
I made this spread in my colored pencil journal. 2023 is an old romantic woman that is going away and a young girl who is ready for adventure will take her place.
There are only a few pages after the previous year’s spread.
I hope to make more pages in this colored pencil journal this year.
Inspiring Art Journals
This week, I picked up random art journal books and browsed them. I especially love the one in the upper left corner with the black and white drawings the most.
The drawings have no color but they are all full of ideas that still inspire me.
I now want to add ink drawings to my colored pencil journal as well.
Tiny Pages
Last year I bought a very small art journal. This is a pretty cute page!
All the reds and pinks looked very nice together.
Years go by and my skills grow, but even the clumsiest covers still seem to fit with the new creations.
Doodler’s Resort
While browsing the journals, I found a spread with a transparent film in the middle. I had printed doodles on it and I still quite like the effect. This idea is from 2020, when the world stopped and I couldn’t do anything but mindless doodling.
This art journal also has a lovely inside cover.
Divide the Content!
I don’t understand why it took so long before I realized that I could add annual pages, inside covers, chapters, and other pages telling about the content of the book in art journals.
Nowadays, I have a course called Fun Botanicum, where you make a chapter cover, themed pages, and an end page in the middle of an art journal.
Inspiring Art Journals Tell About Time
It was fun to look at old art journals and wonder how these are connected to everything that is going on now.
Time is a mysterious place. It is like an illuminated palace that blinds us. We can only walk away from it to the darkness. But as long as we are alive, we can start the adventure and get creative. “It takes a long time to become young,” said Pablo Picasso.
In my opinion, only by drawing can we know what we really think. The more you draw, the more your skills grow, and the more you will find out!
Do you agree?