Making a Creative Impact – My Words for 2025 and 2026
I like to choose a word for the year that guides my actions. In 2025, it was “Release”. This year, it’s “Impact”.
I think that Impact is a natural continuum of the word Release. Once you have learned to release a lot, it’s time to learn more about making a creative impact.
Have You Chosen Your Word?
Tips for choosing your word from last year’s blog post:
>> Choosing the Word for 2025
Discover your word through art journaling from 2019:
>> Guiding Word – Choosing and Visualizing Your Word of the Year
How Did My Word Work in 2025?
In 2025, I released a lot. It was not only because I wanted to, but also because I had to. The year was very challenging financially, and the world events have been depressing. It has meant bad things for the Finnish economy as well.
My art year could be divided into three sections: oil painting, watercolor painting, and drawing/art journaling.
Reflections on 2025: Exhibition + The Best Painting
In February 2025, I had a solo exhibition at the gallery Gumbostrand Konst & Form, where I presented not only my paintings, but also my virtual reality artwork, Unknown Land, which I completed the previous year.
Here’s a video about preparing for the exhibition.
Another highlight of the year was a visit to the Rijksmuseum in Amsterdam.
In 2025, I painted five oil paintings and a couple of acrylic paintings. It is usually difficult to choose the best painting, because they are all unique, but I think I am most proud of this painting called Elixir. It has already been sold, because I had to, but I have looked at the image of it many times since then.
See how Elixir was made: Following the Inner Color
Watercolor Painting in 2025: Wild Garden
One of the biggest projects of 2025 was making the course Wild Garden. I made a lot of recordings for it, some of them from our garden. Before Wild Garden, I had made a course called Freely Grown, where you also paint flowers freely. But in Wild Garden, I wanted to go deeper and expand the subject. Wild Garden is a tribute to flower gardens, where we paint flower greeting cards and larger garden views.
>> Wild Garden – Flower cards and garden scenes in watercolor – Buy Now!
I love painting flowers freely with watercolors. I painted several flower watercolors in addition to the pieces for the Wild Garden course.
>> See how this painting was made: Let’s paint Like Emily Wrote
Happened in Drawing/Art Journaling: Fun & Mystical
In 2025, I pulled together everything I’ve done over the recent years in art journaling. In spring, I made a course called Hearts and Stories, where you make small drawings and use them as collages on the journal pages.
>> Hearts and Stories – Draw hearts and characters – Buy Now!
In summer, I went through my art supplies (Art Supplies I Should Not Use Anymore) and donated the supplies I no longer needed to a person who had just started an art hobby. In the fall, I went through all my art journals (Half-Empty Art Journals I Should Fill Up) and combined or discarded some. I also finished one of my art journals and made a video about it.
In December 2025, I released a course called Mystical Minis, where you draw abstract art with colored pencils. This course really captures the essence of the word Release. When I got the idea for the course, I decided to just follow my own lead – the words “Intuitive Power” – and let my creative engine run at full speed. I was in a flow state, and making the course felt exciting. I hope Mystical Minis is also an exciting and mind-opening experience for you, too!
>> Mystical Minis – Draw abstract art with colored pencils – Buy Now!
Word for 2026: Impact
I have been thinking about the impact the outside world has on me and how I can positively influence it. Even if creative ideas arise naturally and intuitively, I also want to think about what kind of impact they make.
For example, when finishing a freely-born painting, highlighting one detail above the others increases the impact. In the painting Cosmos, it was important to paint a small blue flower so that it connects the universe in the upper right corner and the beautifully rising vase.
>> See how this painting was made: About Music and Painting
In my work, whether it’s creating or teaching, I want to adjust small things to achieve even greater impact and connect many kinds of things in an impactful way.
The word Impact is not only directed outward, but also inward. We can ask whether all inspiration has to come from the outside. We are exposed to a large amount of information and external events anyway. So, could now be the time to give more space to inner inspiration that will have a more creative impact? I want you to start this kind of process with my course Mystical Minis, and in 2026, I aim to support you on this path.
I think that the biggest threat to art is that people give responsibility for their own thinking and entertainment to others. Then there are no paintings at home, only screens. Then moments become fragmented, and there is never enough time for yourself and your art.
Smilingly: Tell me, am I getting old? Or am I just too Finnish with these thoughts?
Anyway, I hope to remain relevant to you and make a positive creative impact on your art-making in 2026.
Building a Mystical Course with Hilma, Georgiana, and Virginia
Usually, after making a course, I think: never again! It takes time to get new ideas and energy. But this time, after finishing Wild Garden, I had a new idea right away, and it felt like someone was talking to me: “You must do this, Päivi. If you don’t, nobody else will.”
The upcoming course is called Mystical Minis. We will create abstract art with colored pencils.
We will make small drawings, and each takes only about an hour to create. At the same time, we see our inner world in a new light and build a self-feeding process for creating art. This course will bring both excitement and depth to your art-making. I believe it will leave a permanent mark on you, and I hope you carry the influence of it with you for a long time what ever art you make after the course.
Mystical Trio: Hilma, Georgiana, and Virginia
With Mystical Minis, I honor three women from about 100 years ago. Two of them are pioneers in abstract art: Hilma af Klint (1862-1944) and Georgiana Houghton (1814-1884). The third one is the modernist author Virginia Woolf (1882-1941). You can’t find another course similar to this one, I promise!
Mystical Flow
I have been super-motivated to create the new course. So far, I have also enjoyed making it immensely. Some courses are born with intention, while others come out naturally, and those love children need to be born without too much forcing. It’s the very same thing as in the art-making! This course wants to come out, and I will help it.
I usually question the course idea many times before I start making the course. I especially think about whether anyone will buy it and what kind of people would. But here, it feels like Hilma, Georgiana, and Virginia do not care. They just want the course to be born. They want their voice to be combined with mine, and that brings an extraordinary meaning to this work that truly feels mystical.
If you have been in my courses, you know that I am not a secretive person. I always try to explain everything as openly as I can, and I can’t help smiling. And when I asked Hilma, Georgiana, and Virginia, why they picked me, they said: we need somebody like you to complement us, just be you and everything will go fine. And I have trusted them and followed my inner voice to gather all of us together, not only Hilma, Georgiana, and Virginia, but also you who want to create a new kind of connection to your inner world.
Mystical Minis – When?
I am currently editing the videos. I don’t have the exact publishing date yet, but I expect releasing this mystical course late this year or early next year.
Making Florals More Modern
This week, we are making florals more modern! So, when you want to get away from a botanical look, and draw and paint flowers that are more abstract and expressive, here are my tips for you!
In my recent painting Gossamer, I have stretched my style to a modern direction. The painting was born much faster than usually if you count the actual painting time only. But that’s not the whole truth because I practiced this style several times. You too, can make your florals more modern in this way!
#1 Choose Your Muse!
Pick a painter that has a modern abstract style for flowers.
My choice was Helene Schjerbeck (1862-1946). She was a famous Finnish modernist, and even if I find many of her paintings a bit too melancholic, her style fascinates me.
Helene is more of a portrait painter, but she also painted many still lives. (By the way – I also have a blog post about mimicking Helene Schjerfbeck’s style in portraits in colored pencil.)
#2 Make Many Tiny Sketches on One Page
Paint or draw small sketches where you pick ideas from your muse’s paintings. Combine many paintings on one page. When the size is small, you need to simplify and thus, find the core of your muse’s modern style.
I examined several Helene Schjerfbeck’s paintings in watercolor and combined them on one art journal page.
Focus on the shapes and lines and answer to these questions while working:
- Are the muse’s shapes light or heavy?
- How angular are the single strokes?
- How light and shadows are expressed?
- Where can you find playfulness and creativity?
Helene Schjerfbeck’s shapes are rather heavy, and her strokes are quite angular. The light and shadows are treated like they are objects as well. The result is a puzzle where the material and immaterial are treated identically.
I didn’t first think that Helene’s paintings are playful, but when I browsed more of her paintings, I started to see humor in the way she painted the shadows. There is something human in their shapes. It is shown brilliantly in this piece “Trees and Sunset.”
I started to think that maybe for my muse, the shadows were like animals, or dolls, and that they could be a little like toys in my paintings too.
#3 Create a Bigger Study More Freely
Next, use your observations to create a bigger study. Work freely and mix the observations with your original style.
I used left-over oil paints and made this spread for my Dylusions Creative Journal. I really like how playful the shadows are, and painting this was a lot of fun!
In the detail pic below, you see how angular my strokes are.
When searching for images for this blog post, I found this small painting from Helene Schjerfbeck. My flowers are different, but still there are similarities as well.
My best tips for making florals more modern:
- While working, think about surface patterns in interiors and clothing rather than the actual flowers.
- Use angular strokes to build puzzle-like compositions.
- Similarly to the parts of the colorful flowers, see the shadows and light as the shapes of the puzzle.
#4 Make the More Modern Piece
After practicing, you can now create a piece where you spend more time for finishing. Modern strokes often appear quick and careless, but they are still packed with aesthetics and style. Those kind of strokes can take a lot of attention and focus.
Here’s a pic from the early stage of my painting Gossamer. I started with a narrow color scheme, and many of the shapes and strokes were more like suggestions – a whispering start, you could say!
In the finished piece, I especially enjoy the playful color changes in the background and the new playfulness is present in lines too.
#5 Old and New – Compare!
Here you can see my previous painting of the same size and the finished Gossamer side by side. The styles of the two paintings are slightly different, but not totally!
I used leftover paints for these two miniature paintings. The one on the left is more of my original style, the other one is more modern.
If the weather allows, I always take the photo of the final piece outdoors. This fall has been exceptionally long and warm. There are still leaves in the apple tree, and it’s November!
I hope you enjoyed this little tutorial on how to make florals more modern!
How Realistic Should Your Art Be?
In this post, I divide visual art into two parts. The division is a bit extreme, but it helps us to ponder about this: How realistic should my art be?
Realistic or Abstract?
Realistic expression emphasizes drawing, while abstract work more often emphasizes painting.
When we draw realistically, we express things through the external world.
When we paint abstract, we use shapes and colors more freely so the tools for expression come from the inner world.
Realistic art can still express the inner world and abstract art the outer world – it is more about the means than the actual content.
It’s good to alternate between the realistic and the abstract approaches, even if one of them would feel more natural. Here’s why:
Two Extremes – Same Result
First, imagine a person who only draws representational pictures.
The danger is that the longer she continues on this path, the narrower her perception of reality becomes. All the leaves are green, the roads are brown, and the flowers are red and yellow. Everything is outlined with a pen, and the outlined shapes are then colored. When she creates freely without references, her shapes become more and more similar to each other. There is only one kind of leaves and the flowers are always drawn in the same way. When she repeats the same thing long enough, the expression gets narrower and narrower.
The person wonders why drawing no longer brings excitement and joy, even though she actually draws exactly what feels most natural to her.
Second, imagine a person who only paints abstract.
The danger is that the longer she continues on this path, the narrower her perception of reality becomes. The person begins to repeat a very limited number of shapes and colors without realizing it. All the spots are vague and quite the same size. The person begins to wonder if her output is something really fine and profound or just a random mess. Her motoric skills and the use of colors fall short because she does not really have a reference point: after all, she is only painting the stream of consciousness.
The person wonders why painting no longer brings excitement and joy, even though she actually paints exactly what feels most natural to her.
Creative Block
They say that there are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.
The two imaginary people have the same problem: their art no longer have miracles. They have stayed in their current comfort zone for too long.
How to Move Forward?
In this photo, you can see both abstract and representational elements; there’s very little division.
Ask, what is truly real?
- How do light and shadows express the object?
- How abstract is the nature of light? Look for motifs and patterns created by light.
- How light, on the one hand, blurs the boundaries of objects and, on the other hand, highlights details?
- How multi-colored nature is? Even a piece of grass contains a huge number of tones.
- Develop your eye and hand to embrace subtle diversity! Simple leaves or circles don’t express it.
Wassily Kandinsky has said:
“The observer must learn to look at the picture as a graphic representation of a mood and not as a representation of objects. “
Learning New Things Keeps the Artist in You Alive
It’s good that, from time to time art-making involves discomfort, questioning, and wondering about reality from strange perspectives. And when art starts to take you away from yourself, that’s not a bad thing either. Once you open up to what feels silly, scary, and not allowed, you’ll find that you’re closer to yourself and to humanity than ever before.
So, how realistic should your art be?
More realistic than what you currently create.
Pablo Picasso has said:
There is no abstract art. You must always start with something. Afterward you can remove all traces of reality.
Wild Garden – You Can Still Hop in!
In Wild Garden, we will paint freely, intuitively, and expressively from Sept 22 to Nov 14. We will begin with floral greeting cards and gradually move forward in expression.
The course has just started but you can still hop in!
>> Sign up now!