Peony and Parakeet

The Child and The Adult – Finding Clarity for Your Art

This week I show a new painting “Call of the Sun” and talk about finding clarity in art. This week’s post is especially for you who feels that your art is all over the place and you have no artistic direction.

Auringon kutsu - Call of the Sun, an acrylic painting by Paivi Eerola of Peony and Parakeet.

Auringon kutsu – Call of the Sun, acrylics, 50 x 70 cm. Click the image to see it bigger!

The Child and The Adult – Who Do You Serve?

I used to think there are two kinds of artists – those who like to play and dream, and those who are more ambitious and aim to express their deepest emotions. Just recently, when I started this new painting, I asked myself: “What do you want to paint, Paivi?” And the answer was: “Horses!”

– You can’t paint horses only!
– Why?
– Because there’s more that needs to come out.

Artist Paivi Eerola holding her abstract painting Call of the Sun.

There was. There is. My inner child wants me to paint horses, but I am an adult too. If all my art is playful illustrations, I am desperately missing the adult in me.

Magical Pets image sheet - Paivi Eerola's drawings

The Magical Pets image sheet is now available in my art shop. Or make your own in the classes Animal Inkdom and Magical Inkdom!

Concrete vs. Abstract

The adult in me wants to work in a way that does not appeal to the child. The expression is more intuitive and abstract and thoughts less concrete. I feel free when painting like this. It’s like life travels through me, and it heals my soul. It makes me feel that this is the best that art can offer.

Acrylic painting in progress. By Paivi Eerola of Peony and Parakeet.

But I also feel free when I grab a more childish painting. I imagine talking to the horse and how it responses with gentleness.

Ebony, a miniature oil painting by Paivi Eerola of Peony and Parakeet.
Ebony, a miniature oil painting

This, too, is the best that art can offer – the connection to childhood, to the person who didn’t want much more than a pet of her own.

The Child and the Adult – Don’t Lose Either One

Nowadays, my studio is both the playroom and the space for meditation. The inner adult needs to paint with the inner child and vice versa.

Artist Paivi Eerola in her studio. She writes about finding clarity for your art.

If the child gets neglected, other people’s expectations step in, and I lose myself. If the adult is away, I focus too much on the tangible things. Then the invisible side of the experience doesn’t come through. This realization has helped me in finding clarity for my art.

What are Invisible and Intangible Things?

Examples of intangible things that we can visualize in art:

  • communicating the atmosphere with nature’s elements like light, air, and wind
  • expressing emotions that contain mixed feelings, for example, the combination of love and melancholy
  • inventing creative concepts like seeing similarities in the structure of plants and bridges
  • focusing on experiences like flying instead of painting a bird

When we omit these kinds of intangible things, we are in danger of only creating shells rather than expressing a spirit.

Viewers Have Child and Adult Too

As viewers, we also have both sides: the child and the adult.

A detail of Call of the Sun, an acrylic painting of Paivi Eerola of Peony and Parakeet.

I painted a dragonfly for your inner child to play with while the adult can ponder about the more abstract strokes.

A detail of Call of the Sun, an acrylic painting of Paivi Eerola of Peony and Parakeet.

Sometimes simple lines and colors can express more than realistic objects.

Finding Clarity and Balance for Art-Making

For a long time, I haven’t been happy about my art. Especially this fall, it has changed. I have found what my child needs to be satisfied with the result, and what pleases the adult in me. Surprisingly, being able to satisfy the child has been crucial for me to getting forward in abstract painting. This one is in progress, and you will get more pics and stories about it when it’s finished.

Artist Paivi Eerola and an abstract acrylic painting in progress. She helps artists to find clarity for their art.

What do you think? Are you in the journey of finding clarity for your art? What would need to change in your art so that both the child and the adult are happy? Tell me, I am interested to know!

Expressive Abstract Style Tutorial – Paint a Beautiful Mess!

Expressive abstract style tutorial by Paivi Eerola of Peony and Parakeet.

This week I have a video about painting in an expressive abstract style. It’s a very contemporary style which many artists have nowadays. It’s based on loose strokes, and I guess it’s the style that many who are not so much into art say that even a child can do it, but it’s not quite like that! Watch the video!

Are you interested in creating abstract art? Do you wish to learn more about abstract art in my blog and in my classes? Leave a comment!

Artistic Spirit between Abstract and Realistic

This week’s theme is the artistic spirit. I share a new painting, glimpses of my painting fever, and inspire you to explore the zone between abstract and realistic art.

"Paradise", an acrylic painting by Paivi Eerola of Peony and Parakeet.

Here’s an acrylic painting that I just finished yesterday. It’s called “Paradise” and it’s quite big: 61 x 50 cm, about 24 x 19,5 inches.

Painting at Late Evenings and Wee Hours

I like to paint in the late evenings when the world quiets down. Now when it’s summer, Finland floods in light, and nights are short. When the blackbirds begin to sign at 3 am, I know it’s time to wash the brushes.

Starting an intuitive painting. Connecting with the artistic spirit.
Painting abstract shapes. Connecting with the artistic spirit.

After a long night, I rush to the studio in the morning: “What have you done! You’ll never be able to finish it!”

Painting in progress. By Paivi Eerola of Peony and Parakeet.

But with this painting, I decided to accept whatever comes up. And with that, I have a little story to tell. I shared it on Peony and Parakeet’s Facebook page recently, but if you missed the post, here it is, with one of the paintings from the teenage years.

My Story about Artistic Spirit

An acrylic painting made by artist Paivi Eerola when she was a teenager.

As a teenager, I browsed big art books at the local library. I started hanging around with Matisse and Picasso and they said: “Hey Paivi, take this obsession from us, and make the most of it.” First, their inspiration was like a fever: mustpaint…mustpaint… mustpaint. Then, after too many matissepicassos, it became a burden and I went to study engineering.

During the past five years as a full-time artist, I have been hanging around with other guys – like Da Vinci, Caravaggio, and Rubens. Even if I first thought so, they are not much different. After too many rubenscaravaggios, the empty feeling takes over again.

But recently, I went to my studio secretly, picked the brushes, squeezed the paints, and in silence, I met a spirit. It was not me or any of my masters, but the spirit that arrives when we are ready to let go of the ego.

To paint like me, I need to let go of me. I am pretty sure Matisse and Picasso already told this, I was just so impressed by their names that I didn’t listen.

Painting an artistic spirit. An acrylic painting in progress. By Paivi Eerola of Peony and Parakeet.

Abstract, Realistic, or Stylish?

Every time I make a class, I don’t only teach but also learn new things. The newest class Decodashery boosted my confidence to paint decorative motifs right from my imagination. Between “abstract” and “realistic,” there’s a zone that’s “stylish.” Then you simplify what’s real, and complicate what’s not. By simplifying, you dig the artistic spirit out of tangible things, and by complicating geometric shapes, you make the spiritual things more tangible.

"Paradise", an acrylic painting by Paivi Eerola of Peony and Parakeet.

I really like this painting, and hope that you enjoy these close-up pics too.

A detail of "Paradise", an acrylic painting by Paivi Eerola of Peony and Parakeet.
A detail of "Paradise", an acrylic painting by Paivi Eerola of Peony and Parakeet. Read her post about connecting with the artistic spirit.
A detail of "Paradise", an acrylic painting by Paivi Eerola of Peony and Parakeet.
A detail of "Paradise", an acrylic painting by Paivi Eerola of Peony and Parakeet.

Wishing you many happy moments with painting and drawing!

Artist Paivi Eerola holding a painting called Paradise, in her garden.

Imaginary People – How to Paint Their Soul?

This week, the theme is painting imaginary people and how to find their soul. There’s plenty of examples in this blog post!

Imaginary People - How to Paint Their Soul? An article by paivi Eerola of Peony and Parakeet.

One of the wonders of painting and drawing is that we can give birth to an imaginary person – that we can create someone who breathes, talks, and has a life of her own. However, many times the doll that I have on paper hasn’t come alive. Or she has taken just a few breaths, and after the creative spark has gone, she just stares with empty eyes. So no wonder that I have had a love-hate relationship for painting imaginary people. I want to experience the miracle, but it can also be too much of a struggle.

References – Working with a Soul that Breathes Already

Using a reference may be the least innovative solution but if you find an image that really speaks to you, it can be a good one. Tiny changes in facial features lead to a whole new person so if you don’t follow the reference in the smallest detail, yours is like distant relative to the original – familiar features but still unique. For this oil painting called “Heaven and Earth“, I used a detail of Sandro Botticelli’s painting “Madonna of the Magnificat” (1483) as a reference.

"Heaven and Earth" - an oil painting by Paivi Eerola of Peony and Parakeet.

Here’s a close-up of the faces. I changed the angle of the face, opened the eyes more, and made the mouth look more determined.

Using a reference. "Heaven and Earth" by Paivi Eerola and "Madonna of the Magnificat" by Sandro Botticelli.

Sounds easy, but I often struggle with finding the soul when using references. With this painting, I tried to slowly work towards an individual personality, but creating a connection took a lot of time. Botticelli painted his soul, and it’s not the same as mine.

Here the work was in the early stage so that you can see how she has changed.

Using a reference. "Heaven and Earth" in an underpainting stage by Paivi Eerola and "Madonna of the Magnificat" by Sandro Botticelli. Read about Paivi's thoughts on painting imaginary people with or without a reference.

From the struggles of this painting and many others, I have learned this:

Working on the face alone never brings up the soul.

With the Madonna, as soon as I figured out the purpose and the style of the surroundings, I was able to finish the face.

The Soul Spreads Over the Painting

Even if a person is usually the focal point of the painting, the soul is not focused but spread.

The soul is in the setting, in the things, in the atmosphere. Even Botticelli’s Madonna can look just like a bored person without the crown, the light, the child, the book, etc.

"Madonna of the Magnificat" by Sandro Botticelli.

So no matter if you paint intuitively without pre-defined ideas, sketches, or references, or more intentionally with a clear idea of how you want your imaginary people to look like, seek for the soul in everything you paint.

Flowers have soul.

A detail of "Mirimer" - a floral watercolor painting by Paivi Eerola of Peony and Parakeet.

Pots have soul.

A detail of "Mirimer" - a watercolor painting by Paivi Eerola of Peony and Parakeet.

Hair and hats have soul.

A detail of "Mirimer" - a watercolor fairy by Paivi Eerola of Peony and Parakeet.

Inanimate and organic things also give the soul to the imaginary people.

A detail of "Mirimer" - a watercolor fairy painting by Paivi Eerola of Peony and Parakeet. Read about how to paint imaginary people and their soul.
“Mirimer” – a watercolor painting by Paivi Eerola of Peony and Parakeet.

In this watercolor painting called “Mirimer“, the fairy is the focal point, but her soul is spread all over the paper.

"Mirimer" - a watercolor painting by Paivi Eerola of Peony and Parakeet. Read about painting imaginary people and finding their soul.

Imaginary People Exist in Shapes and Colors As Well

The painting doesn’t even need to have a face. Your imaginary people can be abstract, like in this small acrylic painting that I recently painted on a sketchbook.

"Pinkpolka" - a small acrylic painting on a sketchbook by Paivi Eerola of Peony and Parakeet.

Shapes and colors have soul.

A detail of "Pinkpolka" - an abstract painting by Paivi Eerola of Peony and Parakeet.

Imaginary People – First or Last?

The idea for this post came from the question that I received a couple of days ago:

“I like your little people peeking out from within your art. I would like to learn more about that. Do you draw them first and paint around them or paint and then save a spot for them?”

I have many approaches.

"Rising Star", a mixed media painting by Paivi Eerola of Peony and Parakeet. Read about creating imaginary people by drawing and painting!

In Innovative Portraits, we use references and make a sketch. The soul begins with the plan.

"Valomio", a watercolor painting by Paivi Eerola of Peony and Parakeet. Buy her class Magical Forest to learn to paint imaginary people like this little fairy!

In Magical Forest, we lure fairies to appear intuitively from the watercolor background. The soul begins with the feeling.

Art for the class Decodashery. Paint flowers, lace, cakes, and omaginary people called Decodollies! By Paivi Eerola of Peony and Parakeet.

In the new class, Decodashery, we start by building a visual world and then make the dollies to fit with it. So the soul is first just a small flower, then it expands to floral paintings, cakes, lace, and finally, the imaginary people are born. By gradually setting the style and the spirit is the best intentional way to add soul to your work.

Decodashery, an online art class by Paivi Eerola of Peony and Parakeet.

Decodashery will begin on June 29, 2020. >> Sign up now!

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