Circulism – Freely with Colored Pencils by Using Circular Motions
This week, I want to bring up a technique called circulism. It’s great for colored pencils when you want to achieve a soft and somewhat vintage look. It’s also a useful technique if you find shading with colored pencils difficult or are hesitant about mixing colors.
In this blog post, I show you how to use this technique to create freely and expressively, without any reference photos or even outlines. You can just pick a pencil and start making continuous circular lines without a specific plan, and let your intuition and imagination take over.
You can also combine circles with other kinds of lines, and thus create different textures that are like meshes on paper.
When you are close to finishing, include sharper lines to reduce the blur in the drawing.
Sounds simple, right? Let’s explore this technique in detail by coloring a mini scenery.
Circulism Tutorial – Mini Scenery Step by Step
Here’s my mini scenery, but yours can have different colors and a different atmosphere. The idea is to draw circular lines with different colors and get soft color transitions and mixtures.
I got the idea for this mini-scenery after I visited Galerie Forsblom in Helsinki to see Petri Ala-Maunus‘s exhibition. His art is based on very small strokes, and the result is stunning and historical-looking. We can achieve a quite similar effect in colored pencil by using circulism.
Step 1 – First Circular Strokes
You only need colored pencils and a small piece of paper. Start by practicing the continuous circular line and, at the same time, marking the corners with different tones. Calm down and keep the circles small!
I have darker and lighter tones of two different colors. When every corner is a little different, either in color or in darkness, it’s easier to get inspired.
Step 2 – Layered Corners
Add some darker neutrals to your color selection. I have black, dark brown, and a little lighter, warmer brown. Add more layers to the corners by making circles with the first four colors and with the new neutrals.
Work on one corner at a time. Make sure that the original color from step 1 dominates, even if you also use other colors. Don’t just color evenly, but create blurry clusters.
Change the orientation of the paper to achieve a more balanced circular mesh. Treat every corner a little differently.
Here you can see how my corners are different. One is very light, for example.
Step 3 – Valley
Add a valley between the lower corners. Draw a route across the landscape and add the horizon. Use circular strokes wherever you can.
Make sure your valley is dark on the bottom. Keep the center blank.
Step 4 – Clouds
Make the sky more expressive. With circular motion, draw clouds by adding contrast and colors to the sky. Remember to keep the color transitions soft.
Step 5 – More Layers
Color more details in the earth and the sky. Color over all the layers so that the coverage becomes better. The sky can have some very smooth and pale parts, and there you can use a white pencil.
Notice the dark lines that define the valley and some trees.
Step 6 – Finishing Touches
Adjust the shape of the blank center area by coloring its surroundings.
Bring in a couple of accent colors to make the color scheme richer.
The Possibilities of Circulism
Try combining circular strokes with different methods to add depth to your art. We usually think about colors and layout, but don’t forget the texture. This enriches your visual language and makes the drawing much more interesting. Softness also brings more depth and adds spirit to your work.
So, when you are working on my colored pencil courses, for example, Intuitive Coloring, you can add some circulism there too!
I Did the Same Drawing Twice!
I rarely sketch my drawings beforehand, but this time I wanted to try something different: creating the same piece twice and recording the process.
The first version was done freely with watercolor pencils. The second was a study of the first, but created using traditional colored pencils. These drawings have many kinds of flowers, including roses and tulips, but I don’t think you always have to know which real flower you are creating; you can have fantasy flowers as well.
Same Drawing Twice – Watch the Video!
When I began the first one, I didn’t have a reference or a model. I simply decided to draw flowers. Watch the video to see how it went!
Which Was Faster?
Both of the drawings took me about the same time—around two hours each. Watercolor pencils are definitely faster for covering the paper, but since I was starting from scratch with the first one, I had a lot of puzzles to solve with the composition and the overall mood. With the regular colored pencils, the process itself was much slower, but since I was just following my first drawing, it didn’t take nearly as much mental energy.
I hope the video inspired you to pick up your colored pencils! I am also curious to know: Have you ever tried an experiment like this?
Try Intuitive Coloring for a simple start to coloring freely, or explore Joyful Coloring if you’re into watercolor pencils. And for those looking to combine watercolors and colored pencils, check out Freely Grown!
Semi-Abstract Floral Still Life: A Painting Inspired by Dutch Masters
This week, I want to show you a piece called Damask. It is a dark, semi-abstract floral painting. I often try to create lighter works because they sell faster, but if it were up to me, I would paint almost only dark pieces.
There is something valuable and very private about dark tones. The painting felt so private that I originally thought about just posting a photo of the finished work and keeping the process to myself. But the purpose of my blog is to inspire you to create. Seeing only the final result rarely inspires as much as seeing the imperfect beginning where everything started.
Inspired by Dutch Old Masters
My painting is about how ornaments can be traced back to nature, but it is also a tribute to 17th and 18th-century Dutch floral paintings. The concept – dark background, lots of details, beauty after beauty – doesn’t leave me alone – it is like a recurring fever.
>> See the blog post “Flower paintings at Rijksmuseum”
And there is only one cure: starting a new dark still life, without references, just by painting freely.
How to Start a Semi-Abstract Floral Painting
At first, I used a broad brush and painted simple shapes with different colors.
Then I decided what flower to enlarge and what to hide. Some flowers appeared, but then disappeared when the painting progressed. I like to think that some flowers are born just to give birth to other flowers.
Why Mastering Technique Is Never Enough
I have noticed technical progress in my work. As things get easier, I can set more challenging goals for myself. However, I don’t believe that art is just about mastering technique, or that painting flowers is only about using them as decoration.
When you start a new work, you create a space around you.
It is a private and special place.
While I was making this piece, I felt like I was in an old room. I could hear the wooden floor creak and the wind blowing behind the old window glass. And yet, I felt I was wealthy. I was far away in the past, but I didn’t feel homesick at all.
The longer I have made art, the clearer my vision has become. Intuitive work is not about copying an image from your mind. It is about your work and your imagination starting to share the same atmosphere.
Here you can see the painting in different stages. Some might please you more, but I was after the special place, remember.
Here’s the finished piece, ready to be photographed.
Your Intuition – Your Private Atmosphere
So, what matters is the atmosphere you want to build. This is why it doesn’t really matter if you paint flowers or faces. From this perspective, all art is abstract. It is not just about thinking of the composition as abstract —it is about the character of each detail and how it connects to your private place (that then opens up to the viewer, too).
Here are some detail pics of my semi-abstract floral painting called Damask.
Friends in Art
Art is a private experience. Through my online courses and videos, I am visiting your private space. I often imagine that we are visiting each other. When the lesson ends, we both return to our own worlds, feeling inspired. It is hard to grow—both technically and as an artist—if you always keep the door closed.
Welcome to my courses to improve your skills and your artistic thinking! If you need more inspiration, feel free to browse my blog archives by date, category, or supply. I have shared my journey here every week for over ten years.
Crazy about Ornaments!
I believe that in every artist’s journey, there are moments when you feel you’ve hit the core—or at least, you’re getting very close. For me, many of those moments have been about ornaments. I simply love drawing and painting decorative lines.
>> See more pics and a video at Taiko Online Art Store
This week, I share a recent watercolor painting that is full of ornaments and how I fell in love with ornaments in the first place.
Ornaments in Watercolor
This is how the watercolor painting started.
Ornamental shapes are much easier to draw than paint. In 2020, I made this watercolor painting.
I can now paint much more elegant shapes.
I have been after this skill for so long.
Ornaments – Are They Scary or Harmless?
An ornament is an animal. At first, it’s like a fox that is a bit too tame. You meet it on an evening walk and feel like shouting: “Don’t follow me, I’m not giving you a home!”
Then someone says, “It’s just an ornament, a harmless little decoration. It’s not a fox, it’s a bird.” And that’s when I realize I am dreaming about a magpie, picking only the oldest and most beautiful spoons from the pile.
But when I go to my imaginary pile of spoons, I see snakes. I can only catch the slowest and clumsiest one. My line was quite ugly for a long time, yet it has been my mascot for years. For just as long, I have been searching for the core of my expression.
In 2018 and 2019, my drawing skills took a jump, and I was able to incorporate more and more ornamental expression into my drawings. I participated in Inktober and built two drawing courses: Animal Inkdom and Magical Inkdom.
Looking Through The Lens
Lately, I’ve read many descriptions of artists—both by the artists themselves and by critics. It felt as if I were forcing myself to read tiny text through a small lens, all while swallowing an ornament-shaped lump in my throat.
I believe the most accurate descriptions of how art is born are linked to childhood. My love for ornaments comes from my own.
Our family wasn’t wealthy, but we were dreamers. We followed the lives of European royalty with admiration. The large yard of our old wooden house, with its meadows and little woods, turned into a queen’s castle in my mind. I imagined grand halls, furniture, and a magnificent atmosphere. Nature became my palace once I understood that a plant should be looked at as a structure, not just a decoration.
From a Clumsy Snake to Expression
In the process of making art, however, the ornament is not a child, but an old soul. When a line is still young, it has no idea of the wisdom and beauty it can eventually store within its curves.
I believe that anyone who has the patience to feed their “clumsy snake” will eventually be rewarded. This madness—this love for ornaments—begins to transform from simple decoration into pure expressive power.
Almost all of my drawing courses are about developing a living line that can then transform into an ornamental one. A great courses to start are the colored pencil courses, especially Mystical Minis.
Painting Ornaments
It has taken me a long time to paint more ornamentally. I have had to learn to imagine an ornament as a 3-dimensional structure rather than just a decoration.
Now that I can paint like I used to draw, I can add many things that I have missed from that era, for example, tassels.
I can now also include what I learned from decorative painting when creating the course Decodashery.
There is a sense of the medieval and the Baroque here, blended with the historical fantasy and folklore.
I have also worked in this ornamental style not only in watercolor, but also in oil, but I will share those projects later.
In the world of ornaments, every line has its own age. Is your line still a curious child, or is it beginning to store the wisdom of an ‘old soul’? Tell me about your process in the comments!