Dramatic Peonies with Colored Pencils and Black Pens
This week, I have a free video for you. Create these dramatic peonies with me!

Use colored pencils to add the softness and color, and black pens to bring in the drama!
I used regular colored pencils and two black pens – thick and thin. My thick pen is the Copic Gasenfude brush pen, and the thin one is a Copic fineliner, size 0.5. You can use any brands. This is an exciting project with many things to learn.
Dramatic Peonies – Watch the Video!
By following the video, you can create your dramatic peonies. Start with the soil, and then grow a garden on it. Watch the video below!
It took me about an hour to create the dramatic peonies, so this is not a big project. The effect is based on sharp contrasts rather than details.
Dramatic Peonies and Your Living Line
In the video, I talk about discovering your living line. The longer I have been an artist, the more significant that has started to feel. When I look at my past work and compare it with the current paintings, I can see a glimpse of my style here and there. It all started with a simple line, so I wish I could inspire you to wake up your line and let it show the way. I am currently building a new course where learning from your line is the key content. Stay tuned!
Inspiration for Colored Pencil Journal
You can create dramatic peonies either on a separate sheet of paper or in an art journal. I created mine in an A5-size colored pencil journal, and the drawing fills the whole spread.

Useful links for you who want to start or make more pages for the colored pencil journal:
- Starting a Colored Pencil Journal
- All posts tagged with “Archer & Olive notebook”
- The course Fun Botanicum – Make a chapter for your colored pencil journal!
Artistic Line Drawing – What Do You Think About This Course Idea?
To me, all visual art begins with drawing. When you want to get to know yourself, draw! When you want to develop as an artist—say, as a painter—draw! To draw is to think. Make your lines come alive, and gradually, a whole new world will emerge, even on a small piece of paper. That’s what artistic line drawing is about.

Black drawing pen and colored pencils.
Past and Present Drawing Courses
In most of my courses, drawing plays some role. Free and artistic line drawing is especially close to my heart. In the past, I have taught two courses on the subject: Inspirational Drawing and Inspirational Drawing 2.0. These are already retired. Of my current courses, Mystical Minis comes closest to these.

Passion For Teaching Artistic Line Drawing
For some time, I have wanted to offer more help with line drawing. Not just how to draw, but also how to alter the process to take it in a more artistic direction. By “artistic,” I mean moving beyond the conventional and creating something that is both personal and at least partly abstract. I want to speak especially to those of you who want to create freely and push your boundaries—both in how you think and how you create.

Watercolors and colored pencils.
At first, I thought the material I had gathered over the past few months would be just for these blog posts. But as I have started to unpack the topics, I find myself wanting to share more than what fits into a single post—to show things in both theory and practice. So, I’ve started developing a new course, under the working title Artistic Drawing.
Artistic Line Drawing – Course Themes

Here are the themes I have selected for the upcoming course:
- Ways to Start a Drawing: I want to help you explore how you begin. You can approach your drawing like an architect, building a clear structure first—or like a gardener, letting everything grow from a single seed.
- Letting Go: If drawing does not make sense and feels directionless, letting go can be difficult. I want to give tips on how to feel free and draw anything without too much inner resistance.
- Interaction: I want to help you notice the possibilities of interaction in the creative process. This is about both how you speak to yourself and how you work with drawing. For example, a line you draw can invite another line to join the conversation.
- The Scale of Shapes: An impressionist draws in a pixel-like manner, placing tiny dots one after another. An expressionist creates larger, vector-like shapes. I want to help you use both approaches and find the combination you enjoy most.
- Presence: At its best, your drawing radiates presence. I want to help you become like a singer who doesn’t just go through the notes, but pours their whole soul out to the audience.
- Clarity: You can begin a drawing with plenty of elements, but towards the end, it is worth striving for clarity. I want to help you discover a minimalism that is not based on scarcity, but on the ability to pick the essential.
- Sense of Style: I want to help you find the things you want to add to your drawings, and the ones you want to get rid of. It is not just about developing a style, but also about developing your sense of style.
Which of these themes interests you the most? What else do you hope to be included in the course?
You Can Draw Patterned Papers!
This week, I answer the question: “I want to draw, but don’t know how or what! How to start?” My suggestion is to start with patterns. So, draw repeated shapes and make a collection of patterned papers that you can use for collage art, for example.

The No-Pencil Approach
I usually start my line drawings with a black thin-tipped drawing pen or a blue ball-point pen.
If you say you can’t draw, say goodbye to the pencil era. Don’t be one of those who sketch many parallel lines and erase all the time! A pencil is a crutch that might feel helpful, but trust that you can walk and pick up a pen. The first steps may be scary, but when you risk more, you draw better. Your line is not just a vague and neutral curve, but one that expresses your existence.
Let’s draw four patterned papers!
Paper #1 – Small Flowery Shapes
Pick a tiny piece of paper and a pen, not a pencil. When you can’t erase, you focus more and draw better. Small paper doesn’t need anything grand, so clusters of tiny flowery circles are enough, and if not, you can add some leaves.

I colored my pattern with colored pencils. The fun thing with colored pencils is that you can use an eraser to add more patterning. I have a precision eraser pen that is handy for small dots. If you use a bigger eraser, color the dots smaller after erasing.

I love colored pencils because it’s easy to layer the colors to get a variety of tones.

People may say: “It’s just a pattern, not a picture.” Or: “Tiny scraps mean nothing.” But I think it’s a packet of seeds, ready to grow and expand. The first paper may be a secret thing, something you glue on your notebook or planner, to freshen up all the mundane words like “To do” or “Meeting at 9 AM.”

Paper #2 – Big Nested Shapes
Let’s get bolder and pick a bigger paper! The shapes should now be so big that most of them are only partly visible.

Draw nested shapes. The first lines define the inner shapes, and the second lines are the outer shapes that group them. These are fun to color! I used felt-tipped pens and strong contrasts.
Then I added circles, stripes, and some color variation with colored pencils.

When the motifs are big and the colors bold, the shapes can be quite simple. The Finnish design company Marimekko has produced great patterns over the years. See inspiring examples here at Marimekko’s site!
Paper #3 – Dynamic Strokes
Pick a pen with a brush tip. You can also use ink or watercolors with a paintbrush. Draw clusters of three intersecting strokes. Then draw curvy lines that travel around the strokes. The result is dynamic and looks like flying trees or the sight when looking up at the trees. You can add small, flowery shapes and circles too.

I also played with the background and added a free-form low-contrast grid that is like a city map or a tiled wall. The more you draw patterns, the more you will cluster and layer. This way, you will gradually move towards making expressive art rather than staying in the area of surface design.
Paper #4 Traveling Line
Now let your line travel more freely. Repeat what you have learned in the previous exercises, but do it in a more relaxing way, without too much care about what comes on paper. Think about the line being just a foundation for coloring.

When the first lines are just a foundation, you can add decorations like swirls and small dots, which are often seen in surface patterns. Some motifs might be more decorative than others, and the result becomes more like scenery than a design.

I used a regular ball-point pen for the first lines, then colored the paper with watercolors, and finally added decorative details with colored pencils.
To Draw Freely? – What It Is
Drawing means letting your pen take the lead. It means guiding it forward, meandering, and turning. It means traveling your own paths, daring to go back, and driving over and past them. When drawing freely, you don’t really care about the destination, but you want to enjoy the ride.
Your pencil should be firmly on the road, but not so heavily that it’s hard to move. A person who travels with their pencil and focuses on the line knows how to draw, unlike those whose line merely flits across the paper before fleeing. Drawing isn’t about the line representing something, but about the line having someone who treasures it.

Extra – From Hand-drawn Paper to Digital Kaleidoscope Pattern
If you can use image processing software like Adobe Photoshop, scan or photograph your design and duplicate it several times. Flip some copies vertically and some horizontally to build a continuous kaleidoscope pattern.

Draw and Use Patterned Papers -More Inspiration
Use your papers! See this project: Painterly Collage in Rut Bryk’s style
Create more paper and make collages: See the class Collageland
Draw freely: See the classes Intuitive Coloring, Joyful Coloring, and Mystical Minis
Filling an Art Journal
One of my projects this summer is to fill one of my art journals – Dylusions Creative Journal Square. I hope that these pics from my current in-progress journal, inspire you to start filling your art journal!

Reaching Saturation Point in Filling Art Journal
I think art journals have a saturation point. When most of the pages are full, you have to give the book a little more attention than usual. This journal was started in 2020, and I have filled it here and there over the years.

One spread can have things done in many different years. So the book is full of temporal layers, and I think they make the best art journal.

and finally added a zebra made in the style of Animal Inkdom.
Magical Inkdom also has fun projects for these kind of small drawings.
Practicing in an Art Journal
My courses appear a lot in my art journal, because I often practice on the pages or later glue pictures I made for the courses into it. I hope my course participants do the same!

and then added some more painted petals in acrylic.
Journaled “Sweet” with watercolors.
Part of being an artist is to be happy with your own development, and also to be interested in what you have done before.
This and That Will Magically Come Together
When my art journal is full, I will make a video of it, where I go through it and talk about each spread. I also know that when the journal is finished, the flow of the spreads feels much more coherent than when I was filling them.

In the style of Freely Grown.
One thing that applies to all art journals, sketchbooks, and notebooks is that they are most beautiful when full. When you purchase one, it looks too beautiful to fill, but once you hold a full one, it feels much more valuable. I am looking forward to that!