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Peony and Parakeet

Impressionistic Floral Painting on Structure Paste

This week, I show how I made an extraordinary floral painting with acrylics and structure paste. See how I achieved the historical look!

Old Art Yearning, an acrylic painting by Paivi Eerola. She has used structure paste to make reliefs and a frame.

I call this piece “Old Art Yearning” because I desperately miss Europe’s palazzos and museums. It would definitely be the time to pack the bags for a few-day trip to Vienna or some other old city, but I chose differently because of the pandemic. But first, look at the interior of Palazzo Doria Pamphilj in Rome. My husband and I visited the place on June morning in 2017, and it was pleasantly quiet, just suitable for dreaming about living there in the middle of luxury.

Interiors of Palazzo Doria Pamphilj, Rome.

So, what luxurious can you do when you are asked to stay home and be safe? I decided to create something that’s like a soft drink for the old art thirst: fake but sweet and consolating!

Old Art Yearning by Paivi Eerola. A detail of an acrylic painting which has structure paste.

The idea of using structure paste is from the summer, but back then, I didn’t quite see as far as I did this week.

Structure Paste Inspiration from Clay

This summer, my friend Johanna Rytkölä, a ceramic artist ran a flower pot class for a small group. My husband made a stylish and minimalistic bonsai pot, but mine came out quite different!

Ceramic handmade flower pot.

Even if my pot was not perfect, I wanted to experiment with a 3-dimensional surface for a painting right away. I dig out a jar of structure paste that some call molding paste as well. I have blogged about the paste twice before. In 2014, I made cardboard templates to create reliefs for a mixed media piece and in another project, I made surface textures with a variety of tools.

I decided to try the template technique again, and cut simple geometric holes to a thick cardboard.

Making cardboard templates for structure paste.

Then I placed the template on the top of the painting board and filled the holds with structure paste.

Filling cardboard templates with structure paste. Making reliefs for an acrylic painting.

I wasn’t completely satisfied with the edges of the structure paste shapes and put the board away.

Acrylic Painting on Structure Paste

But now, when I wanted to create something with historical feel, I remembered the board, and started painting on it. The small imperfections didn’t bother me so much anymore. All pieces can’t be so serious anyway. There has to be some room for creative play too!

Painting on structure paste with acrylics.

I decided to paint something loose and impressionistic that would still look decorative.

A floral acrylic painting in progress.

On the reliefs, the strokes were sharper and more controlled than on the background.

Painting a florals on structure paste.

But before I made the finishing touches, the piece looked too bare to me.

A floral panel that has structure paste shapes.

It needed a frame!

Making a Frame from Structure Paste

I still had some structure paste left and I found a piece of cardboard too. I traced the outline of the painting on a soft foam board and used that as a template for the center.

Making a frame for the painting from structure paste.

It’s not easy to make a smooth surface of the paste so I didn’t even try. Historical frames had all kinds of textures so the hills and valleys would look ok when painted.

A structure paste frame left to dry.

I painted the outer edge of the frame black and the inner edge with gold paint.

Painting a frame with gold and black acrylic paints.

The transition from black to gold became lovely when smudging the paint with fingers. I also added some gold mica flakes on the top of the gold parts and near the edge.

Adding gold mica flakes to a handmade frame.

Then the painting got some finishing touches and gold paint too.

Painting golden details on a structure paste reliefs.

I also added some acrylic paint on the frame.

A Mini-Monet for Old Art Yearners!

The finished piece is a bit clumsy, but I love the historical feel.

Old Art Yearning, an acrylic painting by Paivi Eerola. The frame and the reliefs are made of structure paste.

It’s my mini-Monet!

A detail of Old Art Yearning, a floral impressionistic painting by Paivi Eerola of Peony and Parakeet.

The unevenness of the structure paste in the edges looks quite good with the gold paint.

A detail of Old Art Yearning, a floral impressionistic painting by Paivi Eerola of Peony and Parakeet.

The frame was intentionally placed so that it’s not quite in the middle. This way I could make the piece more interesting. I really like how these painted spots look like nails or blueberries!

A detail of Old Art Yearning, a floral impressionistic painting by Paivi Eerola of Peony and Parakeet.

Just cardboard, structure paste, fake gold, acrylics, but I enter the gentle world of old art by looking at it!

A detail of Old Art Yearning, a floral painting with a handmade frame by Paivi Eerola of Peony and Parakeet.

I display this piece in our library room which has more old-fashioned style than my studio.

Paivi Eerola and her paintings.

My painting has simple strokes but it’s still romantic. I have bent the principles of abstract art to serve the impressionistic style. It’s so much fun to paint freely like this!

Paint Dreamy Florals to Free Your Spirit!

Floral Freedom – the floral class based on Paul Klee’s and Wassily Kandinsky’s insights on abstract art – will begin on Dec 4, 2021. In this class flowers are not just passive decorations, but they fly, sing, and dream! >> Sign up Now!

Floral Freedom, an online painting class by Paivi Eerola of Peony and Parakeet.

Floral Freedom is 20% off for the rest of November, so now is a good time to sign up!
>> Sign up now!

5 Ways Music Can Improve Your Art

Opera, a mixed media collage by Peony and Parakeet. Read about how you can improve your art with the help of music!

This mixed media collage is called “Opera”. For me, visual images have always been more important than sounds, but I still think that there’s a lot in common and a lot to learn from music.

Tip 1: Let Music Challenge You!

How would jazz look like as a collage? Paint the voice of your favorite artist! Create a  rhythm to your artwork!

A week ago was my first time in opera. I had bought the tickets as a birthday present for my husband who is a very cultured person. I was a bit worried about how I would endure the experience as I had disliked opera for all my life. At least the play was one of the easiest pieces, The Marriage of Figaro. While listening to the beautiful sopranos, I saw strong colors and lines in my mind. I began to think how powerful and intellectual music can be. I felt I was challenged! Could I ever express visually what I was experiencing?

However, when I began to create the collage, I did not think of opera. I knew that it would come out someday or another. Like many times, I just had a compelling idea of the technique I was going to use. I was going to create strong shapes with a molding paste.

Making of Opera, a mixed media collage by Peony and Parakeet. Read about how you can improve your art with the help of music!

But before opening the paste jar, I grabbed a sheet of heavy-weight watercolor paper and the box of india inks. Painting the background was fast with a thick brush.

Tip 2: Think Your Artwork as a Space for Music!

I read an interesting interview from the newspaper Helsingin Sanomat. They had interviewed a famous Finnish painter Marika Mäkelä. She quoted another Finnish artist, Leena Luostarinen. She had said that you should imagine a lighting inside the painting. Even the colors of the painting should be considered through the lighting. I think it is ingeniously said. It made me think about the space I would create inside my artwork and how the lights, shadows and color contrasts should flow there. My addition to this thinking is: if the music was played in that space, think about how it would sound. Pick the shapes and lines to express that!

With these deep thoughts, I cut both heavy and light cardboard into pieces. They were attached to the background with a masking tape.

Making of Opera, a mixed media collage by Peony and Parakeet. Read about how you can improve your art with the help of music!

See how irregular the handcut shapes are! I love the uniqueness that only handcuts can give! I can’t understand the popularity of machine-cut stencils.

Making of Opera, a mixed media collage by Peony and Parakeet. Read about how you can improve your art with the help of music!

After placing the masks on the background, I added the molding paste, a lot of it! Some swirls were doodled on the paste, so that the surface would look lively.

Making of Opera, a mixed media collage by Peony and Parakeet. Read about how you can improve your art with the help of music!

I removed the masks carefully before the paste was dry. Drying time was really long, almost a day, even if I used a heat gun to fasten the process.  I usually like to take breaks from creating, so this extra waiting time did not frustrate me at all. While I was waiting, I was thinking about how I was going to paint the artwork. How would the light flow around these dramatic shapes?

Tip 3: Pick the Colors from the Music

Making of Opera, a mixed media collage by Peony and Parakeet. Read about how you can improve your art with the help of music!

I like to think music as colors. The lower the notes, the darker the colors are. A melancholic song is also darker than the cheerful one. Red and orange are for deep, rich voices. You do not need to overanalyze it: just get into the feeling of the music and pick the colors that come to your mind! The Marriage of Figaro has both bright and dark sounds. I also wanted to express the dramatic nature of the music with colors.

Tip 4: Move to the Rhythm of the Music While Creating

Making of Opera, a mixed media collage by Peony and Parakeet. Read about how you can improve your art with the help of music!

When the painting gets near the end, I often stand up. I need to see my work properly to find the essence of it.  This is the stage where I usually put the music on if I have not done it before. I wave my hands and take steps to the rhytm of the music. I try to get as close as possible to the feeling that I want to express. I also try to be as focused as possible.

White gel pen and black markers were in use as I dived into the melodies of the opera.

Tip 5: Focus Your Energy with the Help of Music

It is important not to change the music too much when you want to focus. If you listen to the variety of songs just when you make the final touches, it might not do good for your work. I often play the same song repeatedly when I am finishing the work.

A detail of Opera, a mixed media collage by Peony and Parakeet. Read about how you can improve your art with the help of music!

On the other hand, when I am in the earlier stages of the work, I am not that careful. I listen to this and that as long as it gives me the energy to continue. I like to listen to the music that gives me confidence and which doesn’t feel too themed. Here are my recent favorites for boosting the creative process: A Sky Full of Stars (Coldplay), Viva La Vida (Coldplay), This Years Love (David Grey), Change (Tracy Chapman), September (Earth, Wind & Fire), Flower (Kylie Minogue), Thorn in My Side (Eurythmics), I Say a Little Prayer (Aretha Franklin).

Opera, a mixed media collage by Peony and Parakeet. Read about how you can improve your art with the help of music!

I love how dimensional my artwork became. I am also happy how finished it looks. Hand decorated papers were helpful while finishing the work. With them, it is easy to add details that are interesting and different. Just do not use the same paper too much!

Sometimes I aim for flying lines and relaxed touch, but this time – it was all about opera! My computer was playing The Marriage of Figaro in high volume and I was pushing my boundaries to express the quality of the music. Then finally, after placing the two red pieces, I felt that I have solved it, the riddle of opera music!

Opera, a mixed media collage by Peony and Parakeet. Read about how you can improve your art with the help of music!

What music do you listen to while creating? Try changing the music if you want to fine-tune your art or expand to new areas!

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Using Molding Paste in Collage Art

Wide Open, a mixed media collage by Peony and Parakeet

I have had the idea for this painting for a long time: to mimic fabrics including their surface structures. I wanted to combine watercolors and decorated papers with the structures I also had a deeper theme: being open for combinations. Fabrics in a quilter’s stash have no hierarchy between each other. Similarly, we can accept different sides of ourselves and our lives and make them work together.

Creative Process with Molding Paste

Using molding paste, by Peony and Parakeet

I began the artwork by painting a watercolor paper yellow. I love my White Nights watercolor set, its colors have such a great intensity! After the watercolor background, I added splotches of molding paste and made it look like corduroy by drawing straight lines. My paste is a Danish product, Schjerning Smooth Structure Paste, but if you are going to purchase some, I would recommend Golden Molding Paste.

Creating a mixed media collage by Peony and Parakeet

The great thing about molding/structure paste is that, after it dries, you can watercolor on it.

Creating a mixed media collage using molding paste, by Peony and Parakeet

You can also paste extra layers.

Creating a mixed media collage using molding paste

It is difficult to doodle on the layers but if you leave some areas free of paste, you can doodle there. The combination of the structured surface and doodled areas create great contrast.

Creating a mixed media collage, by Peony and Parakeet

You can also add decorated papers and achieve a more detailed look that way. I tore most of my papers by hand so that their soft edges remind from the softness of fabrics.

Wide Open, a mixed media collage from a distance, by Peony and Parakeet

I do not usually look my paintings from the distance before they are almost finished. I feel it is unnecessary to try to balance an unfinished work. The last little details are added based on what I want to emphasize. In this work, I wanted to create a composition of several equal areas. The final step was to add the little turquoise pieces in the lower part of the work. Working as a contrast color, that made the weight of the orange equal to the other bigger areas.

Have you ever used surface structures in your art or craft? How? Which do you enjoy more: structure or color?

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