Belonging Somewhere as an Artist
This week, I share my word for 2024 and thoughts about the good and bad in the sense of belonging. I also have a new finished painting!
See more pics at the Taiko art store!
I haven’t used acrylic paints on a canvas for a long time. But now I wanted to paint faster and not wait for the layers to dry.
Painting Freely
This painting took me a couple of long evenings and I deliberately left it abstract, because the subject of the painting is not about the flowers, but about the power rising from the ground.
Here’s how the painting started: loose strokes and juicy colors.
It’s easy to fall in love with colors, but when you want depth, you also need muddy colors: browns and greys.
I like to use several different brushes in one painting, and my favorite brushes are very thin.
The title “Muutosvoima – Driving Force” sums up what I want to tell with this painting. Muutosvoima could also be translated as “power of change.”
I believe that the best power of change is not the hype created by others, but the inner enthusiasm that has a grounded tone. Because isn’t it so that flowers only bloom when the earth warms up? Sunlight alone is not enough.
Belonging Somewhere – The Good and The Bad
I’ve been thinking about togetherness lately. It’s a wonderful feeling. For example, last week when many people commented on my post, I felt happy that this blog brings us together. One of the best things that has come with the internet is that you can be pretty weird and still find like-minded people.
However, the sense of belonging has its danger. Art is about walking your own path. Encounters are important, but you also need to go in the other direction to create something unique. As a teacher, I have often thought about how I could better guide people in their own direction.
Art is like a pot that you have to break first and then put together again. The pot can be broken in many ways and at best, you find your own way to put it together. You need a driving force to break the pot and then persistence to rebuild it.
Finding Your Places in the Art World
In my career as an artist, I have often wanted to be like someone else. I have envied popular artists and then later realized that I wouldn’t want to create the kind of art that they do. I realized that I would like to be popular in creating something else and somewhere else.
With experience, the art world opens up. Instead of one hall, you begin to see numerous smaller rooms. What is popular in one room can be overlooked in another. Being an artist requires a lot of self-esteem and the power to move from one room to another.
When you find one room that feels like your own, the sense of belonging is at its greatest. However, it’s better to move between several rooms and find many groups. At best, the artist acts as a bridge between different things.
My Word of the Year – Do You Have One?
My word for 2024 is Integrate. This year I have allowed myself to do more diverse things, but on the other hand, I have tied all the pieces together so that one benefits the other.
Have you chosen a word for this year? How has it been realized?
About Creative Freedom
I have often wondered why I am an artist. The first answer that comes to mind is creative freedom. “Creative” and “freedom” seem like easy words at first. Everyone wants to be creative, right? And who doesn’t want to be free?
But creative and freedom are also difficult words. Especially if you think of creativity as the opposite of traditional or familiar, and freedom as the opposite of safety and stability.
I find many things in myself where I love tradition and security. You could call me a homebody, that’s how much I love being at home. If I had to choose between a museum of historical art and a contemporary gallery, I would definitely go to the museum. And I love decorative items and anything small and cute. Also, my studio is always super clean – not what is expected from an artist!
But I still want to be a liberated artist, create a mess, break the formula, and then discover something new out of it. Crafting, or copying reference photos, or drawing the same things year after year, has never been enough for me. I have wanted to blow up the lump inside me, which has accumulated from creative energy that has not been able to get out. That’s why my courses also have a lot of creative freedom.
The idea of the course Liberated Artist Revisited is not to create an image similar to what I do in the videos, but to solve a puzzle that we first create. Creative freedom begins when you realize that there is not only the art of creating but also the art of seeing. When you highlight what you see, you become a liberated artist.
Liberated Artist Revisited is a limited edition – only available for purchase until the end of March 2024! >> Buy Now!
Ninety-Ninety Rule for Art-Making
This week, we talk about the agony that’s associated with finishing.
Last fall, I had a turning point when I started making digital art. I’m not giving up painting, though. There will be just fewer oil paintings this year.
New Start
This year’s first oil painting started already in October last year. First, I made a mess with pastel hues. Then I began to figure out what kind of personality the painting could be.
This kind of intuitive painting is wonderful and for example, my latest course Liberated Artist Revisited is based on it. Instead of the model, we study the painting itself and let it go in its own direction.
When I paint, I often listen to some talk or music program at the same time, that’s why the iPad is also visible in these pictures.
Ninety-Ninety Rule
Programming and painting have a lot in common. One of those is definitely the ninety-ninety rule. It states that 90 percent of the work is done effortlessly and takes only 10 percent of the time. And the remaining 10 percent is difficult and takes 90 percent of the time!
For example, in this part of the painting my intuition was working fluently, and finishing these details was also easy. I especially like that beige flower near the edge.
But the further the painting progressed, the less often I worked on it. I wasn’t satisfied with the center and the soul of the painting was missing. I looked at it every day, but all my ideas seemed too ordinary.
Then when I finished the video artwork last week, I suddenly got ideas for the painting. First, I brought similar greenish tones and then, by keeping my mind on the video, I solved the puzzle stroke by stroke!
The name was now easy to find: Käännekohta – Turning Point.
The ninety-ninety rule applies to the fond factor as well. It’s easier to like an unfinished painting than one that is close to a finish. When under 90 percent, you can see the potential and ignore the unpleasant parts by saying that the piece is not ready yet. When working on the last 10 percent, things get more complicated and there are times when you hate the piece!
Old Supports New
During big changes, I have often thought that I leave the old completely and jump fully into the new. But this time I feel that the old and the new support each other.
Life is an interaction between the past and the present and that applies to art-making as well.
Liberated Artist Revisited
With the newest course Liberated Artist Revisited, I invite you to paint with me – to follow directions from Paivi many years ago, and then create more with the current Paivi. At the same time, you can ponder, how your art-making has changed and will change.
Liberated Artist Revisited is a limited edition – only available for purchase until the end of March 2024! >> Buy Now!
New Beginnings in Art-Making
Let’s think about new beginnings and give one to our art-making!
In recent months, I have felt that a new era has begun in my life. It has been surprising. I have thought that I am already too old for anything new – that the new beginnings in life have already been experienced, at least in terms of working life. But it just so happened that my work as an artist has a new beginning thanks to the grant for creating digital art.
At the same time, I have gained a new perspective on the past and my artistic development. Now, it feels that life with its changes is full of new beginnings, and art, too, is full of them! There are big beginnings and then smaller beginnings within them.
Valuing Randomness and Intuition
I developed the latest course Liberated Artist Revisited, because I wanted to relive the idea of the old course Liberated Artist. I wanted to relive that time in 2015 when a new beginning meant letting go of excessive control and surrendering to happy accidents and intuition. Because isn’t it the case that whenever a new era begins, we need faith in chance and intuition – so, the art of letting go!
At the current new beginning, I have been thinking about what I have to give up. Because, couldn’t you say that life with its changes is full of not only beginnings, but endings, and ask if the same applies to art? While making the course Liberated Artist Revisited, I listened to Paivi from 2015.
Younger Paivi was very prompt: Step A and Step B and so on. If I compare her and I, I am partly different and partly similar. I would do some things differently now but in many ways., I am still quite the same artist. The new course Liberated Artist Revisited is a dialogue between the old and the new. You could also say that I have changed as an instructor a bit. Nowadays, I want to open up your artistic thinking, not so much to exclude options.
Life is so grand that everything that once had a beginning, stays in our hearts for a long time, even if it has ended. It’s the same in art. I can smile at Päivi after more than eight years, but not ironically, but warmly. “It’s wonderful to create something new with you again,” I say to young Päivi, and it’s also wonderful to invite you all to a new course again!
Liberated Artist Revisited – Buy Now!
Liberated Artist Revisited is a limited edition – only available for purchase until the end of March 2024! >> Buy Now!