Peony and Parakeet

Paint Spiritual Energy – Step by Step!

Paint spiritual energy! Art journal page by Paivi Eerola of Peony and Parakeet. See her step-by-step instructions!

When there is a big crisis in the outer world, it’s important to protect and strengthen the inner world. In this project, we paint spiritual energy with loose strokes, continue it to form a face, and then add a protecting frame around the painting. I find this project soothing and healing. I hope it makes you pick the brushes again too!

A) Where to Paint?

I have made these paintings on my newest art journal which is a black Dylusions Creative Journal. It is my third Dylusions Creative Journal, and I really like this product. It’s durable, the paper is thick, and it can be closed with an elastic band.

My first two Dylusions Creative Journals were large ones, but the newest one is a bit smaller, the page size being 8 by 8 inches.

The links above are affiliate links to product pages.

Dylusions Creative Journals with decorated covers

Watch the flip-through videos of the first two art journals! See these journals in practice and to get more inspiration:
Journal 1 Flip-Through
Journal 2 Flip-Through

B) Collage or Painting?

This project can be made as a painting or as a collage where you paint the figure separately from the rest of the image.

When I did this project the first time, I made a collage. I painted the profile on a paper, cut it out, and glued on the art journal page, and then continued painting the background and adjusting the facial features. In the photo below, the white line shows how I cut the face.

Paint spiritual energy! Art journal page by Paivi Eerola of Peony and Parakeet. See her step-by-step instructions!

If you choose the collage technique, it’s good if the paper is not too thick. I used Bristol paper, which is fairly sturdy but thinner and easier to attach than thick watercolor papers.

C) Pick the Colors that Bring Energy!

I painted the second version directly on an art journal page.

Paint spiritual energy! Art journal page by Paivi Eerola of Peony and Parakeet. See her step-by-step instructions!

Both versions have a limited color palette. By picking only a few colors, they come alive and express energy more effectively than if you work with all the possible colors. So, choose the colors that energize you – that you feel drawn to at the moment.

I recommend choosing three different tubes of acrylic paint and adding white to the mix as well. If none of your colors is dark, pick black or another dark color so that you get a strong image with good contrasts.

For the first version, my colors were these (+ Titanium White):

Choosing a limited color palette. By Paivi Eerola of Peony and Parakeet. Golden Heavybody Acrylics.

For the second version, my colors were these (+ some Mars Black for finishing)

Choosing a limited color palette. By Paivi Eerola of Peony and Parakeet. Golden Heavybody Acrylics.

My acrylic paints are Golden Headybody Acrylics.

D) Paint Spiritual Energy!

Let’s create some abstract art! Use selected colors and paint with horizontal strokes. Mix white to get lighter strokes and make muddy mixes to get tones that make the pastels shine. Enjoy the colors and making most of the narrow selection.

Starting a painting with horizontal strokes and limited color palette. By Paivi Eerola of Peony and Parakeet.

If you paint directly on a page, mentally divide the page in half, and paint on the other side only. This way, you will have enough room for the face.

E) Sketch the Face!

Pick a pencil and sketch a profile. You can adjust it later by painting, so focus on the location of the face more than the actual look. I used a white pen in the photo below so that you can see my sketch clearly.

Sketching a profile of a woman. By Paivi Eerola of Peony and Parakeet.

F) Draw a Frame!

Take a round object, for example, a plate, and draw a protective frame around the person.

Drawing a frame around a portrait. By Paivi Eerola of Peony and Parakeet.

G) Paint the Face!

Paint the skin and facial features. Instead of outlines, paint shapes. Allow yourself to be more unconventional. Don’t paint bright white scleras or red lips but shapes that connect the person with the abstract part of the painting. In this project, the energy that the strokes represent is more important than the person herself.

Painting in progress. See all steps of this project! By Paivi Eerola of Peony and Parakeet.

H) Paint the Background!

Surround the person with everything that soothes and heals. At this point, it can be just subtle strokes that will be more defined later, when you finish the painting.

Making a spiritual painting. By Paivi Eerola of Peony and Parakeet.

Paint the frame too. Use muted colors so that the frame doesn’t take the energy away from the person.

Painting an art journal page with acrylic paints on a black paper. Dylusions Creative Journal. By Paivi Eerola of Peony and Parakeet.

I) Finishing: Give Her All the Beauty She Needs

Paint details with a thin brush so that she will get all the softness and beauty she needs. Again, prevent using intense colors for the details on the background.

Painting details with acrylic paints. By Paivi Eerola of Peony and Parakeet.

Connect her forehead with the beauty so that she is in the middle of the energetic strokes and more delicate and soft fillings.

Spiritual energy with acrylic paints. By Paivi Eerola of Peony and Parakeet. See her step-by-step instructions!

I also added some decorations on the frame.

Paint spiritual energy! Art journal page by Paivi Eerola of Peony and Parakeet. See her step-by-step instructions!

Less Control – More Energy and Expression

Art is freedom! In this project, we started with wild strokes and then built a portrait around them. These kinds of less-controlled uses of supplies are an important part of self-expression.

Paint spiritual energy! Art journal page by Paivi Eerola of Peony and Parakeet. See her step-by-step instructions!

On Thursday, March 26, 2020, I will be talking about doodling and how to expand it to various supplies and styles in my art community Bloom and Fly. The session will be recorded too. If you have bought my class this year, you are invited! I have sent an email to the members yesterday.

How to join Bloom and Fly for 2020?
>> Buy any of my classes!

Hand-Drawn Collage Samplers

Squirrel Sampler by Paivi Eerola of Peony and Parakeet. Read how to create hand-drawn collage samplers!

I have been browsing my art archives lately, and it has been surprisingly inspiring. I have lots of art journals and a big box of paintings and drawings from my teenage years. Even if I have experimented with many techniques and themes, it all looks very similar now. Everything fits together and gets my approval. Painting “Icebreaker” gave me a new kind of confidence, and with that confidence, I am now blogging about a playful idea that I got from cross-stitching – hand-drawn collage samplers!

These samplers are composed of hand-drawn paper pieces so that they look like cross-stitch samplers. They have ribbons, many identical ornaments, tiny floating elements, and some symmetry. There’s also stiffness and order so that it looks like the elements are on a grid.

Paivi Eerola and a cross stitch project in progress

Cross-stitching is one of my hobbies, and even if I try not to think about art when stitching, I just couldn’t resist this idea! Here’s how I applied cross-stitching to collage art.

Print Tiny Scans of Hand-Drawn Collage Pieces!

It’s essential to have tiny decorations to make the collage look ornamental. I solved the problem by making collage sheets of scanned hand-drawn pieces. These collage elements were drawn for the classes Animal Inkdom and Magical Inkdom, and there are some jeweled flowers from the free mini-course for subscribers too.

Sheets of scanned hand-drawn collage pieces. By Paivi Eerola of Peony and Parakeet.

The original size of these pieces is much bigger than in the printed sheets.

A hand-drawn collage piece and printables. By Paivi Eerola of Peony and Parakeet.

Use All Kinds of Hand-Decorated Papers!

Samplers have a variety of designs, so every little doodle is a potential sampler piece. I have a box of hand-decorated and painted papers (mostly leftovers from Collageland) and two boxes of hand-drawn collage elements. I have also cut some old art created in the 1980s. All these are a good addition to small printed pieces.

Boxes of hand-decorated papers by Paivi Eerola of Peony and Parakeet.

Of course, you can also use store-bought die-cuts, pictures from magazines, etc. but if all the elements are handmade, they will all fit together much better because they are all YOU!

Perfect Project for Hand-Painted Background Pages

If you are an art journaler, I bet your journal has a lot of pages that are more like backgrounds rather than finished pages. You can use them for collage samplers!

The background of this sampler was busy and bright, but I just added brown over some of the areas and let the colors speak, or should I say shout!

Rabbit Feeders by Paivi Eerola of Peony and Parakeet. Read how to create hand-drawn collage samplers!

I attached the pieces with paper glue and some larger elements with double-sided tape. I usually use gel medium, but it’s messier, and it’s too difficult to cut all those tiny pieces with sticky fingers.

Self-Expression with Hand-drawn Collage Samplers

Sticking paper pieces can be just a relaxing hobby, like cross-stitching. But samplers can also tell stories!

My first page is called Squirrel Sampler, and it has all kinds of little treasures that Paivi the Squirrel has collected.

Art journal page spread by Paivi Eerola of Peony and Parakeet. Read how to create hand-drawn collage samplers!

The second page is called Rabbit Feeders. It refers to women’s status and importance in Virginia Woolf’s novel The Voyage Out. An isolated woman looks at herself from the mirror and questions her importance for the world. I read Voyage Out as a teenager, and this allegory, even if it’s just a few rows in the book, touched me deeply.

Art journal page spread by Paivi Eerola of Peony and Parakeet. Read how to create hand-drawn collage samplers!

It often happens that creative play evokes feelings and stories that are too big to express in any other way. I hope you’ll enjoy making these samplers!

Start drawing your sampler pieces – Subscribe to my weekly emails and get a free mini-course!

What Artists Keep Doing – Series of Inspiring Quotes #3

This post ends the series of inspiring quotes that I have heard or read recently. In the last week, I wrote about the feeling of not being ready yet, and the week before about being honest about what you want to create. But now to this week’s inspiring quote!

"No! Don't Ever Quit Anything" Mixed media illustration by Paivi Eerola of Peonu and Parakeet.

This Week’s Quote

Don’t ever quit anything.

Who: Finnish journalist Kimmo Oksanen
Where: A column in the local newspaper Helsingin Sanomat (in Finnish)

At the age of 16, Kimmo bought a typewriter and a guitar with the money earned from a summer job. He thought he could be a famous singer-songwriter. But he quitted singing and writing songs when he went to university and found out that lyrics are not “real poetry.” He also used to draw, paint and do sports when he was a teenager but ended up quitting all that too. He used to aim for perfection and didn’t realize that mistakes make the master. Now he regrets that he hadn’t just kept doing, and his advice is: “Start a lot and never quit anything.”

Not Quitting Crafting and Writing Made Me an Artist

When I was a teenager, like Kimmo, I also loved to write. I wrote poems and short stories and attended some competitions too. I was also a crafter, always knitting and crocheting. My deepest desire was to become a visual artist, and I painted and drew almost every day.

What artists keep doing. Drawing by Paivi Eerola of Peony and Parakeet.

Then I saw a computer for the first time and fell in love. It was the early 1980s, and the computer age was just getting started, but I knew that technology was my thing. I changed my plans to become an English teacher to a software engineer. But despite my interest in computers, I kept on writing, drawing, and crafting. There was a period when I spent less time with creative activities, but in one way or another, I have been a writer and crafter all my life.

Making an illustration. Painting with watercolors. By Paivi Eerola of Peony and Parakeet.

When art began to call me again, I also wanted to start a blog. I was still quite a beginner in art, and my vision was bigger than what I could put on paper, but the encouragement I got from the readers kept me going. But now when I think about it, my old hobbies also had some role in that. I had learned resilience from crafting, self-expression from writing, and the old dream of becoming an English teacher oddly changed to the courage to blog in a foreign language. Without being a writer and a crafter, I wouldn’t be a blogger, and without being a blogger, I wouldn’t have become a working artist.

Painting on an ink drawing. Illustraion in progress. By Paivi Eerola of Peony and Parakeet.

I Regret Quitting These!

However, there are a couple of things that I loved as a child but quitted doing. I used to write short plays and gathered an acting group from a few of my schoolmates. I also played the violin for a few years. During the past four years as an artist, I have regretted quitting both. When running classes, it’s good to be able to present things in a memorable and fun way. When selecting the music to the class videos, I try to find songs that fit with the topic of the project and keep the attention on the subject. The little that I learned in my childhood years has been useful, and I wish I had continued both acting and playing through all the past years.

A detail of an illustration. By Paivi Eerola of Peony and Parakeet.

Stephen King and Does Talent Dictate What We Should Keep Doing?

In art, the question of talent usually comes up in the discussion sooner or later. I just finished reading Stephen King’s book “On Writing” where he tells how it’s just a waste of time trying to learn something that you don’t have any passion. His son played an instrument, but because he showed no talent to him, Stephen advised him to quit. He had wanted to see some free playing, some evident joy, and some promise of the career as a musician. Because there were none, he thought the son could use his 30-minute practice better than playing.

I find the story and in general, the discussion of talent depressing. It determines both the person and the profession from a very narrow perspective and generates powerlessness. That’s why I have tried to avoid to think whether I am talented enough or not. However, the question of talents always lurks somewhere behind the surface. I got to realize that when suddenly, a few weeks ago, I was told that my grandfather had graduated from a design school. He had been a farmer and died a long time ago. I never met him, but some of his letters have been saved. Based on them, he was an unhappy man who yearned for bigger challenges than what country life could offer. Clearly, he wasn’t meant to be a farmer, but someone who develops new things.

A detail of an illustration. By Paivi Eerola of Peony and Parakeet.

When I heard what my grandfather had studied, a thin string around my heart broke, and the tension relieved. I was no longer the one who had just got an accidental obsession for art and design, but a link in the chain of generations. It became more meaningful than ever to continue the work that my grandfather wasn’t able to do. It also made me partly re-write my story – I had some talent after all! I have also felt embarrassed about how much that meant to me. In the end, the fact that we keep on practicing has much more effect on our skills than any inheritance.

Art is About Not Needing to Quit Anything

When making the illustration for the blog post, I brought things from the past that I carry with me. Many of them are funny and harmless, like my first dream profession of becoming the queen of England. My parents helped me to plant a bench of Queen Elizabeth roses under the window of my room. When drawing, I don’t have to quit that dream. I don’t have to quit anything.

A detail of an illustration. What artists should keep doing. By Paivi Eerola of Peony and Parakeet.

In art, we enter a world where we get to play freely with the things that have made an impact on us. If we hadn’t experienced or practiced anything, our imagination wouldn’t have the tools and the topics we have now. Let’s keep practicing, let’s keep not quitting, and let’s be assured that whether we feel talented or not, we don’t have to give up anything when we keep drawing.

Magical horses. Hand-drawn paper collage by Finnish artist Paivi Eerola of Peony and Parakeet.

Take the Next Step – Do This!

Open a new page in your art journal or sketchbook. Draw and/or glue a collage of things you have grown to love and never stopped doing!

Come to draw fantastic art – Sign up for Magical Inkdom!

Revamp Art Journal Pages So That They Spark Joy!

An art journal page spread by Paivi Eerola of Peony and Parakeet. Mixed media art.

Here’s an art journal spread that I just finished. First, it was just a couple of old black and white drawings that – like Marie Kondo would put it – didn’t spark joy. But I used the old floral drawings as an inspirational foundation for the revamped spread. How and why revamp art? Keep reading!

Why Revamp Art?

The more confident I have become in creating art, the more I have begun to see the potential in my old art. Busy sketches, not so beautiful messes, and clumsy paintings and drawings all show the level of inspiration that still satisfies me. It’s the level of execution that I want to change. I want to tidy up some messes and add more expression and depth. I am certain that Marie Kondo would approve the idea of working with the old art journal pages. Isn’t it quite minimalistic compared to buying new journals all the time?

Revamp 1 – Change the Topic of the Page

Maintain the composition but change the topic of the page!

Here’s the spread before I started re-working it. It has a couple of carelessly drawn floral clusters.

An art journal page ready for revamping. By Paivi Eerola of Peony and Parakeet.

I changed most of the flowers of the left page to animals, added more details and shadows, and made the lines and shapes neater.

A detail of ink drawing by Paivi Eerola of Peony and Parakeet.

Then I used Derwent Artbars to color the line drawing.

Art journaling by Paivi Eerola of Peony and Parakeet.

Revamp 2 – Tear the Page and Make Collage Art

I made some more drastic changes to the other page. I ripped parts of the black and white drawing that had been glued there. Then I went to my boxes of joy – the boxes that hold my hand-drawn collage pieces – and picked this motif.

The background was painted with white acrylic paint. I worked in layers, glued some of the ripped pieces and doodled carelessly, then added more paint.

An art journal page in progress. By Paivi Eerola of Peony and Parakeet.

Revamp 3 – Paint Over a Part of the Page

I wanted to include a hand showing how I currently play with my art. I took a quick photo and used it as a reference.

An art journal page in progress. By Paivi Eerola of Peony and Parakeet.

See how similar a page from my first art journal from 2010 is!

Old and new art journals by Paivi Eerola of Peony and Parakeet.

Have you documented your creative play? How you do it and how it makes you feel?

Art journaling and drawing collage pieces by Paivi Eerola of Peony and Parakeet.

Revamp 4 – Cover a Page with a Piece from the Archive

Before I finished the spread above, I re-vamped another spread. This one only had some doodles on the right page, and then a drawing inspired by Mark Rothko glued on the left one.

An art journal page spread by Paivi Eerola of Peony and Parakeet.

I found an old hand-drawn collage and glued it on the right page. In 2010, the collage was disappointing to me. I wanted to find my style and as a fashion illustration, the image looked clumsy.

However, it seems now that I wasn’t able to translate the message of the image correctly. Now, the piece makes me smile – there I am, sitting and handing the things that have always been inspirational to me: jewels and bags! I just wasn’t able to draw them like I did last October so I didn’t realize that they are the key elements for my visual voice.

My collage was saying: “You should draw more bags and jewels, Paivi!” What does your old art speak to you now?

Revamp 5 – Add a Decorative Frame

During the years, I have made quite many of Mark Rothko inspired drawings, see this blog post! I love detailed drawings, and no matter how skillfully I would try to replicate Mark Rothko and other minimalists, I was never satisfied with the result.

Drawing a decorative frame on an art journal. By Paivi Eerola of Peony and Parakeet.

I wanted to hug the idea though and make a decorative frame around the old abstract.

This way I am saying that the level of inspiration is there – Mark Rothko really makes me want to create whenever I look at his paintings. But the level of execution that I enjoy and am best at is something totally different.

This spread really sparks joy to me now, and I also couldn’t resist playing a bit with the collage pieces.

Playing with hand-drawn art by Paivi Eerola of Peony and Parakeet.

Isn’t it amazing how similar the style can be after so so many years, and after spending so long time trying to figure it out!

Playing with hand-drawn fantasy art by Paivi Eerola of Peony and Parakeet.

Here’s to Mark Rothko!

Playing with hand-drawn fantasy art by Paivi Eerola of Peony and Parakeet. A decorative cat.

I am loving playing with the old art journal spreads, building the bridges between the years. If you separate inspiration from execution, does it make you look at your art in different eyes?

Playing with hand-drawn fantasy art by Paivi Eerola of Peony and Parakeet. A decorative cat.

The Idea For This Blog Post Came from These

a) One of my notebooks mixes writing and drawing so that randomly scribble, doodle, and write there. It’s a private journal, and I didn’t want to publish its pages but the more full it has got, the more I have realized that when the sketches and writings are not organized chronologically, and I can revamp the pages repeatedly, they naturally produce new ideas.

b) Mackie d’Arge, a wonderful fellow artist from the USA, has shown her beautiful art in my art community Bloom and Fly. She has made many pieces by rebuilding and revamping her old artworks. It has given me the idea of looking at the potential of my old art and what could be made from there.

c) My classes Animal Inkdom and the upcoming Magical Inkdom are all about playing by drawing. I have wanted these classes to be fun, so they have made me include humor, fantasy, and play in my artistic process as well. They have made sure that my boxes of hand-drawn collage pieces stay filled even if I would “shop” there all the time! In Magical Inkdom, we will also draw decorative frames. >> Sign up Now!

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