Crazy about Ornaments!
I believe that in every artist’s journey, there are moments when you feel you’ve hit the core—or at least, you’re getting very close. For me, many of those moments have been about ornaments. I simply love drawing and painting decorative lines.

>> See more pics and a video at Taiko Online Art Store
This week, I share a recent watercolor painting that is full of ornaments and how I fell in love with ornaments in the first place.
Ornaments in Watercolor

This is how the watercolor painting started.

Ornamental shapes are much easier to draw than paint. In 2020, I made this watercolor painting.

I can now paint much more elegant shapes.

I have been after this skill for so long.
Ornaments – Are They Scary or Harmless?
An ornament is an animal. At first, it’s like a fox that is a bit too tame. You meet it on an evening walk and feel like shouting: “Don’t follow me, I’m not giving you a home!”
Then someone says, “It’s just an ornament, a harmless little decoration. It’s not a fox, it’s a bird.” And that’s when I realize I am dreaming about a magpie, picking only the oldest and most beautiful spoons from the pile.
But when I go to my imaginary pile of spoons, I see snakes. I can only catch the slowest and clumsiest one. My line was quite ugly for a long time, yet it has been my mascot for years. For just as long, I have been searching for the core of my expression.

In 2018 and 2019, my drawing skills took a jump, and I was able to incorporate more and more ornamental expression into my drawings. I participated in Inktober and built two drawing courses: Animal Inkdom and Magical Inkdom.

Looking Through The Lens
Lately, I’ve read many descriptions of artists—both by the artists themselves and by critics. It felt as if I were forcing myself to read tiny text through a small lens, all while swallowing an ornament-shaped lump in my throat.

I believe the most accurate descriptions of how art is born are linked to childhood. My love for ornaments comes from my own.
Our family wasn’t wealthy, but we were dreamers. We followed the lives of European royalty with admiration. The large yard of our old wooden house, with its meadows and little woods, turned into a queen’s castle in my mind. I imagined grand halls, furniture, and a magnificent atmosphere. Nature became my palace once I understood that a plant should be looked at as a structure, not just a decoration.
From a Clumsy Snake to Expression
In the process of making art, however, the ornament is not a child, but an old soul. When a line is still young, it has no idea of the wisdom and beauty it can eventually store within its curves.

I believe that anyone who has the patience to feed their “clumsy snake” will eventually be rewarded. This madness—this love for ornaments—begins to transform from simple decoration into pure expressive power.

Almost all of my drawing courses are about developing a living line that can then transform into an ornamental one. A great courses to start are the colored pencil courses, especially Mystical Minis.
Painting Ornaments
It has taken me a long time to paint more ornamentally. I have had to learn to imagine an ornament as a 3-dimensional structure rather than just a decoration.

Now that I can paint like I used to draw, I can add many things that I have missed from that era, for example, tassels.

I can now also include what I learned from decorative painting when creating the course Decodashery.

There is a sense of the medieval and the Baroque here, blended with the historical fantasy and folklore.


I have also worked in this ornamental style not only in watercolor, but also in oil, but I will share those projects later.
In the world of ornaments, every line has its own age. Is your line still a curious child, or is it beginning to store the wisdom of an ‘old soul’? Tell me about your process in the comments!
Floral Watercolor Painting – Finding the Expression from the Details
This painting, “Touched by an Angel,” is the latest in a series of three floral watercolors I’ve created for the Finnish Painters’ Union’s art sales event. I will also have two oil paintings available there, but the three watercolors were also an effort because they have a lot of details.

Finding the Name
It’s quite rare for me, but I had the name for this watercolor in mind very early on. The other two paintings in this series were about scent and taste, so I wanted this third one to be about touch.
The title “Touched by an Angel” reminded me of the 90s TV show, but it also made me think of old churches with their beautiful decorations. In addition to peace and timelessness, I wanted to express spirituality, lightness, and gentleness.
My Creative Process
I usually start my watercolors simply by playing with water and paint.

Once that “mess” has dried, the real work begins. I start with the background, and the flowers slowly find their shape.

This is a process I teach in my Wild Garden course.
The Power of Subtle Details
I have found great joy in painting details in watercolor. I like to forget the “big picture” and focus on making one small part as expressive as possible. When every detail speaks to the theme in its own way, the whole painting comes together naturally.

Not every detail has the same role, though. For example, you can paint a lot of detail in the background so that it doesn’t distract the viewer. The secret is to keep the contrast low.
Believe it or not, this simple thing took me a long time to learn. The light details seem so modest, yet they make the painting so much richer!

The heart of the expression is often not about the subject you choose, but how you work on the details. When every detail builds the story, the whole painting becomes expressive. In my piece, I wanted every detail to bring up the angelic touch.
Details also make a painting feel more finished. Even if those tiny, delicate brushstrokes seem invisible to some, they add significant value to the final piece.

Also notice that when you paint details with a light touch, you can keep the color scheme more limited, and thus, more elegant!
Three Watercolor Paintings with Details – Scent, Taste, Touch
Here are all three paintings of the series.



Tell me, which of these is your favorite?
Video: Artist’s Life and Inner Inspiration
This week, I made a video blog post where I share what I have been working on lately. This watercolor piece is one of them.

In the video, I also talk about the inner inspiration – that not everything has to come from outside, but there’s a lot within our inner world already.
You get to see my planner for 2026, which is also my art journal. It’s a notebook that has pictures of Jasmine Becket-Griffith‘s art.
Artist’s Life and Inner Inspiration – Watch the Video!
My favorite topics – flowers, watercolors, colored pencils, and abstracts – are all covered in this video.
In the last part of the video, I share my joy about the newest course, Mystical Minis – abstract art with colored pencils – Buy Now!
The Magic of Watercolor: 5 Tiny Joys
Let’s talk about watercolors and their magic! I find the process of creating a floral watercolor painting joyful in many ways.

Here’s my first watercolor painting of 2026. The title “Toiveiden tuoksu” could be translated as “The Scent of Wishes” or “Desired Scent.”
Tiny Joy #1 – Randomness
It’s so much fun to leave a paper with random splotches of water and paint and then come back and see what has been born.

As a former engineer, I love to bring order into the randomness.
Tiny Joy #2 – Slowness
When I turn on a good audiobook and start painting the details, time seems to stand still.

I remove the watch from my wrist and slowly move from one detail to another while listening to a captivating story, often a suspense novel.
When I paint slowly, one section has time to dry before I move on to the next.
Tiny Joy #3 – Translucency
I don’t know of any other medium that is as translucent as watercolors. When paint is thin like a film, the effects are pure magic.

All you need to do is wait for the previous layer to dry, and then apply watery paint over it.

I especially love using this effect on the outer petals of flowers. Painting a new layer with a flat brush is like pulling tape over the painting.
Tiny Joy #4 – Accuracy
Small brushes are my best friends in watercolor painting. I enjoy picking just tiny amounts of paint and using a brush as if it were a pen. I love to make tiny corrections with a thin brush and have full control of the central parts of the painting.

Creating a small, concentrated mixture of colors and water feels like preparing a secret ingredient on the palette.

Even if my paintings are minimalistic, I feel like a minimalist when picking a small dose of paint from the palette.
Here’s a close-up of the central flower in the finished painting.

I enjoyed painting all those details, including the petals. Notice that I let the random spots dominate some parts.
Paint watercolor flowers freely without references!
See courses Wild Garden and Freely Grown!
Tiny Joy #5 – Cleanliness
Watercolors are easy to clean. The brushes are quick to wash and don’t wear out much. I use a plastic plate to cover the tabletop, and it’s easy to wipe clean. Compared to oil painting, it’s much quicker to both start and finish the painting session.

What little joys did I miss? What would you add?