Coloring Without Limits
This week, I want to talk about colored pencils and coloring without limits. You can color without a preconceived idea, without outlines, and without sketching.
You only need to feel drawn to one color first. Recently, purple-blue has called me.
What to Draw?
Have you ever been thinking about what to draw when everything in the world seems to be drawn already? Maybe you too have wondered whether you draw a face, a bird, or a flower, and if so why. But there is always a secret path in art – the possibility to deviate from the traditional path at the very beginning and see what appears on paper freely.
I have a small colored pencil journal where it’s easy to make a spread now and then.
This was a quick and fun little project.
Choosing Paper with Colors
The smoothness of the paper affects the coloring experience. Single strokes are better visible on smooth paper.
My colored pencil journal has very smooth paper, and I find it less effortless to color than a rougher one.
But when I want the colors to shine more and achieve a little blurrier and thus a softer result, the paper is better when it has some tooth.
I currently have a pad of Fabriano Accademia drawing paper and it’s very nice with colored pencils.
I keep my pencils organized by color. All brands are mixed in one box. Some are watercolor pencils, some are regular, and all of them are in the same mix.
Just Start! – Two Tips
Bring the pencils to a place where you can see them often. And then …”Just start!”
Sometimes it’s easier said than done. When getting started feels like a chore, I have two tips for you.
First, let the color do the talking. Pick a pencil and examine it’s tone. Color lightly first, and then bring in more layers. Every color has a spirit. Connect with it like it’s your pet or an angel. You don’t need to rationalize why you feel drawn to this or that color. Find the pencil that resonates the best with your current self.
Second, give the color at least two other colors as friends. Often one color is very little, but when it’s side by side with two other colors, art will appear. A shape that has only one color is flat but with two other colors, it becomes much more lively.
Colored Pencils Say This All The Time
I know many colored pencils complain that they always have to create something figurative and realistic. They envy paints who can roam freely on paper and how people only smile at their tricks. Colored pencils are too often squeezed tightly and pressed hard against paper at the very beginning. They have to follow strict discipline and are under pressure to produce something that looks real. And when they try to do exactly as they are told, the result is stiff. “Nothing like what can be achieved with paints,” their owners say which makes the pencils sad. If they could choose they would be coloring without limits.
I believe in free education when it comes to colored pencils: “Make what you want and enjoy!” I often say to them. “Imagine that you are something more than just pencils!”
My pencils jump out of their boxes and do all kinds of silly marks. They are like paints.
Without Limits – Imagine You Are More!
In art, it is terribly important that we imagine to be more than what we are. Be more skillful, more innovative, more unique, and more important. Then, at that very moment, the pencils, life, and fantasy cannot be separated. The colors speak inside us and the art steps in.
Love of Coloring Without Limits
When I was a child, colored pencils often kept me company. They still bring me joy and I want to keep staying their advocate.
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Belonging Somewhere as an Artist
This week, I share my word for 2024 and thoughts about the good and bad in the sense of belonging. I also have a new finished painting!
See more pics at the Taiko art store!
I haven’t used acrylic paints on a canvas for a long time. But now I wanted to paint faster and not wait for the layers to dry.
Painting Freely
This painting took me a couple of long evenings and I deliberately left it abstract, because the subject of the painting is not about the flowers, but about the power rising from the ground.
Here’s how the painting started: loose strokes and juicy colors.
It’s easy to fall in love with colors, but when you want depth, you also need muddy colors: browns and greys.
I like to use several different brushes in one painting, and my favorite brushes are very thin.
The title “Muutosvoima – Driving Force” sums up what I want to tell with this painting. Muutosvoima could also be translated as “power of change.”
I believe that the best power of change is not the hype created by others, but the inner enthusiasm that has a grounded tone. Because isn’t it so that flowers only bloom when the earth warms up? Sunlight alone is not enough.
Belonging Somewhere – The Good and The Bad
I’ve been thinking about togetherness lately. It’s a wonderful feeling. For example, last week when many people commented on my post, I felt happy that this blog brings us together. One of the best things that has come with the internet is that you can be pretty weird and still find like-minded people.
However, the sense of belonging has its danger. Art is about walking your own path. Encounters are important, but you also need to go in the other direction to create something unique. As a teacher, I have often thought about how I could better guide people in their own direction.
Art is like a pot that you have to break first and then put together again. The pot can be broken in many ways and at best, you find your own way to put it together. You need a driving force to break the pot and then persistence to rebuild it.
Finding Your Places in the Art World
In my career as an artist, I have often wanted to be like someone else. I have envied popular artists and then later realized that I wouldn’t want to create the kind of art that they do. I realized that I would like to be popular in creating something else and somewhere else.
With experience, the art world opens up. Instead of one hall, you begin to see numerous smaller rooms. What is popular in one room can be overlooked in another. Being an artist requires a lot of self-esteem and the power to move from one room to another.
When you find one room that feels like your own, the sense of belonging is at its greatest. However, it’s better to move between several rooms and find many groups. At best, the artist acts as a bridge between different things.
My Word of the Year – Do You Have One?
My word for 2024 is Integrate. This year I have allowed myself to do more diverse things, but on the other hand, I have tied all the pieces together so that one benefits the other.
Have you chosen a word for this year? How has it been realized?
About Creative Freedom
I have often wondered why I am an artist. The first answer that comes to mind is creative freedom. “Creative” and “freedom” seem like easy words at first. Everyone wants to be creative, right? And who doesn’t want to be free?
But creative and freedom are also difficult words. Especially if you think of creativity as the opposite of traditional or familiar, and freedom as the opposite of safety and stability.
I find many things in myself where I love tradition and security. You could call me a homebody, that’s how much I love being at home. If I had to choose between a museum of historical art and a contemporary gallery, I would definitely go to the museum. And I love decorative items and anything small and cute. Also, my studio is always super clean – not what is expected from an artist!
But I still want to be a liberated artist, create a mess, break the formula, and then discover something new out of it. Crafting, or copying reference photos, or drawing the same things year after year, has never been enough for me. I have wanted to blow up the lump inside me, which has accumulated from creative energy that has not been able to get out. That’s why my courses also have a lot of creative freedom.
The idea of the course Liberated Artist Revisited is not to create an image similar to what I do in the videos, but to solve a puzzle that we first create. Creative freedom begins when you realize that there is not only the art of creating but also the art of seeing. When you highlight what you see, you become a liberated artist.
Liberated Artist Revisited is a limited edition – only available for purchase until the end of March 2024! >> Buy Now!
Liberated Inspiration – Painting Freely
This week, I talk about liberated inspiration and share what I discovered about 8 years ago.
>> See more pics at the Taiko art store!
Liberated Inspiration from 2015-2016
Recently, I have been thinking a lot about the years 2015 and 2016. Then I combined watercolors, acrylic paints, and colored pencils for intuitive still lives. At the same time, I thought about how complex the forms of nature are and how I could create a more finished impression with nuances.
I have those pieces saved in an album. Watch a short video of me browsing the folder! Here you can see only a small part of the pieces – the album is thick!
Liberated Inspiration
These last couple of pieces shown in the video have stuck in my mind. This one:
See the blog post about making this!
And this one:
See the blog post about making this!
Both of these have a dark and romantic atmosphere that can be seen often in historical paintings, but there’s also liberated inspiration – meaning that no one dictates what that kind of painting should or shouldn’t have.
You can be inspired by what you have seen, but only pick the atmosphere from it.
I like this kind of inspiration the most. That you are inspired by something, but don’t take it too literally. Liberated inspiration boosts your enthusiasm but doesn’t tell what the final image should be.
I wanted a similar romantic yet liberated feel for this watercolor painting.
Imagine someone saying: “dinner is served” and bringing you to a table where good company and classical music would make the world look like it’s full of possibilities.
Painting Freely in Watercolor
It has always been important for me to paint freely without models and let randomness meet my imagination. In 2015, I developed a course called Liberated Artist. It was about creating a mess first and then solving it. It was a fun course.
I started this watercolor with a similar mess.
Then I switched to thinner brushes to finish the image.
I like the way the imaginative scenery, flowers, ornaments, and the table came all together into one image.
Coming Up: Liberated Artist Revisited
The Liberated Artist course is no longer available, but I got the idea to redo a small part of the course. In that, Päivi from 2015 will teach Päivi from 2024! I will follow the old instructions again, but like an experienced student, I also offer a bit of my current knowledge.
Here’s a sneak peek at the new mini-course called Liberated Artist Revisited.
Liberated Artist Revisited will be published within a few weeks, but it’s likely to be a limited edition – only available for a limited time – so stay tuned!