Altering a Flower Painting – Inspiration from Vatican Museums
About three weeks ago, I quickly painted a small flower painting while sharing my thoughts about painting softly (see this blog post, which also includes a video).
During the past weeks, I have been wondering what to do with the painting. I thought it could be a little more detailed and tell a bit more glorious story. So this morning, I decided to work more on it. Some artists are always afraid of “over-working” their paintings. But I belong to the group who thinks that the painting is almost never fully finished. There seem always to be more ideas I could add and more adjustments I should do.
1) Painting a Decorative Frame
This time I decided to use a selection of old decorative art as an inspiration source. I picked photos that I took from the visit to Vatican Museums in June. I often work like this: letting images spark ideas that I will add to my work. It’s not so much “copying” but picking concepts or generic ideas. My first inspiration came from these decorative panels.
By using a Chinese marker, and a lid of a jar as a template I drew a circle on the center.
A huge porcelain piece and a beautiful ceiling inspired me to paint a frame with lots of swirls.
I just added some burnt umber around the drawn line and then painted the swirls in white. I added several translucent layers to make the shapes look more three-dimensional.
2) Playing with Colors and Shapes
The next ideas came from this picture. It’s one of the many beautiful ceilings, so full of images and details that it’s almost overwhelming.
The ceiling inspired me to add more color variation to the painting. I used mostly ultramarine blue, ochre, and cadmium yellow on the center, and quickly some elements with white on the bottom left corner. While waiting for each thin color layer to dry, I pondered what to do with the rest of the painting.
I almost heard a voice saying: “Stop right here, don’t ruin the painting!”
3) Letting Go – More is More!
While browsing the photos taken from Vatican Museums, I remembered the astonishment that came from the number of visitors there were. It was Friday afternoon, but the area was packed. Each huge corridor was filled by us, tourists walking and staring at the beautiful ceilings. The Sistine Chapel was even more crowded. Frescos, mosaics, statues, paintings and decorative textiles covered the surfaces. Everything was full in every possible way. And now in Finland, I was sitting in my half-empty studio with my half-empty painting.
So I said to myself: “Go for it!” And took some extra boost for my confidence by examining a photo of a wonderful wall textile. If men can be this decorative, why not just continue the painting!
I worked more with the center of the painting, making it grow towards the edges.
A detail of a mosaic floor gave me an idea to combine geometric shapes with curvier lines.
Here’s a close-up showing tiny additions on the left:
4) Bringing up the Expression – Highlighting the Visual Message
Before the final touches, I still had some stiffness in expression. To me, it’s often difficult to fully trust my intuition unless I know what I am expressing. I was almost finished when I realized that my painting is about being a queen of the fantasy, ruling every little detail, making ships change their direction on the sea, and wearing a crown that shines further than anyone could imagine.
Some Close-Up Photos of the Flower Painting
Ships sailing:
The center. This is a very small painting, only 12 by 12 inches total:
Floral Fantasies
Lately, I have been more and more aware of the fact that I want to paint fantasies. To me, the first version of the painting was too bland. I dress modestly, I hate wearing too much jewelry, my home is not full of stuff, and still, I want my art to be full, to go beyond what’s expected and accepted.
I am currently preparing a new online workshop about painting flowers … If all goes well, it will take begin in October.
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The Inspiring World of Details – Ideas from Uffizi Gallery
If you have followed my blog for some time, you know that this photo is very meaningful to me. It was a hot day in June when I visited Uffizi Gallery in Florence, Italy. The huge old building was filled with world-class art. But I wasn’t just going to look at the famous masterpieces like Botticelli’s Primavera or Birth of Venus. I was searching a small painting of Boccaccio Boccaccino.
Meeting Boccaccio Boccaccino at Uffizi
Boccaccino’s painting made my heart bounce when I saw it on Google at the beginning of this year. I made my version of it during the spring.
After finishing the painting, Boccaccino’s Gypsy Girl continued to fascinate me so that in June, I traveled to Italy with my husband to see the original painting. I tried to prepare myself for the situation that I wouldn’t see it. Sometimes museums lend paintings for other exhibitions or don’t have everything on display. But my journey wasn’t wasted: I got the chance to admire the painting, so tiny that I couldn’t believe my eyes. Namely, the whole spring I had tried to capture the gentle features for much bigger size, and it felt challenging!
Now when I compare the details, I see many differences. My gypsy girl is not the same person than the original, but it’s ok. I feel that it resembles me and especially how I would like to be seen: gentle but observing, always protecting what’s precious.
Wouldn’t it be if I could tell my story to Boccaccio Boccaccino? I would tell him how I saw his painting on the Internet, in a big catalog that anyone can browse. I would tell him how I examined the images of the painting and painted a bigger version of it. He would probably wonder how I could afford for all the paints for the big version, and who had ordered such a large painting of a modest gypsy girl. “It’s just for me,” I would say, “this painting is so special that I don’t want to sell it.” “You must be a wealthy woman,” he would probably say and then continue: “Where did you say you come from?”. I would tell him about Finland, an area in the far north and show it on a map. Then I would tell him about airplanes. He wouldn’t probably believe anything!
But at the end, all I would like to say to him is this: “People from all over the world come to see your painting. They buy the ticket in advance. They queue. They sweat. They book the hotel based on its location. They take pictures of it. They examine them when they are back home.”
Isn’t that something any artist would like to hear?
More Uffizi – Some Ideas for Your Art Journals
1) Fresco Pages
Like any museum in Florence, Uffizi Gallery’s ceilings had a lot of frescos. The long hallways were full of illustrations.
The round ceiling is so brilliant that I have to show you a close-up photo:
I love how the branches go to the back and to the front of the bars, and how the color changes in the background. It’s such a great idea that I also quickly recorded it onto my art journal!
2) Delicate Patterns Filling Solid Areas
Another idea is to see the possibility of a solid or dull area. See how the grass can be more than just green color or green strokes. I saw quite a many paintings that had this:
3) Translucent Elements
I am fascinated by the number of veils in Renaissance art, and especially how they are painted.
They are like abstract art if you look at them closer! See how the line changes in strength and how a little bright spot makes the fabric look shiny!
I also loved how the veil was painting in this painting:
Another idea: add stripes on those translucent elements!
4) Light on the Center
I end this blog post with the simple idea that came from a stunning painting. Create a very bright element in the center and then add dark shadows around the painting!
As you can guess, it was an inspiring visit, and I could easily write and show more. Hopefully these inspired you, and hopefully, I will see you in the classes this fall.
Coming Up!
Online classes
Aug/Sept Collageland – a self-study class (textile-inspired collages)
Aug/Sept Inspirational Drawing 2.0 – available as self-study (drawing from imagination)
Oct/Nov Flower-themed online workshop (not your regular flower art class!)
Local workshops in Finland
Sept 9-10 Draw Freely – Piirrä vapaasti 1-2 (Suomeksi! – in Finnish)
Other news
I am planning to offer a free live webinar in September if I can just fit that into my schedule. Many have asked about my coaching program The Exploring Artist. I will rerun that at the beginning of next year.
Stay tuned and if you haven’t subscribed my weekly emails yet, subscribe here!
Paint Gentleness – Watch the video!
It’s the time for a video blog post! This week, I talk about gentleness and how you can experience that through a painting technique. I show some basic elements from the old masters painting techniques. In the past, artists painted with oil paints. For acrylic paints, the secret is to use glazing medium for thinning the paint. Have fun!
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13 Prompts for Expressive Art – Illustrated by the Students of Peony and Parakeet
When you wonder what to create next, here’s a list of prompts for expressive art! Use these for art journal pages, drawings, paintings, mixed media, even for creative writing. The inspirational quotes from famous artists complement each of the short prompts. The students of Peony and Parakeet created the beautiful pieces that illustrate the prompts. They are based on the mini-courses “Botanical Discovery” and “Romantic Geometry.” These mini-courses are included in Imagine Monthly Art Journaling Class Bundle 2.
1) Living Colors
Claude Monet: “I perhaps owe having become a painter to flowers.”
2) Dreamy Sharpness
Rene Magritte: “If the dream is a translation of waking life, waking life is also a translation of the dream.”
3) Speaking with Shapes
Vincent van Gogh: “The emotions are sometimes so strong that I work without knowing it. The strokes come like speech.”
4) Composition of Absurdness
M.C. Escher: “Only those who attempt the absurd will achieve the impossible. I think it’s in my basement… let me go upstairs and check.”
5) No Stereotypes!
Henri Matisse: “There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the roses that were ever painted.”
6) Bring in The Sun!
Pablo Picasso: “Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.”
7) Taking Flight
Michelangelo: “I saw the angel in the marble and carved until I set him free.”
8) Blue Escape
Wassily Kandinsky: “The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural… The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.”
9) Nature’s Mystery
Francis Bacon: “The job of the artist is always to deepen the mystery.”
10) Colors of the Night
Vincent van Gogh: “I often think that the night is more alive and more richly colored than the day.”
11) Strong but Gentle
Paul Klee: “One eye sees, the other feels.”
12) Explosion
M.C. Escher: “We adore chaos because we love to produce order.”
13) Panorama of Your Inner World
Wassily Kandinsky: “To create a work of art is to create the world.”
Buy Botanical Discovery!
Georgia O’Keeffe: “I decided that if I could paint that flower in a huge scale, you could not ignore its beauty.”
Botanical Discovery is a mini-course inspired by the famous American artist Georgia O’Keeffe and botanical art. Create beautiful collages from hand painted papers – Buy here!
Buy Romantic Geometry!
Wassily Kandinsky: “Everything starts from a dot.”
Romantic Geometry is a mini-course inspired by the famous abstract artist Wassily Kandinsky, Renaissance masters and computer games. It’s a journey through centuries and especially suitable for you who want to make your art more dynamic! – Buy here!
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