Start Art Journaling!
With this post, I want to introduce more people to art journaling. I will create this art journal page step by step using a simple concept and few basic supplies. You only need watercolors, colored pencils, and a thin black marker pen.
I have created this page on a Moleskine notebook (size: 5 x 8 1/4 inches, 13 x 21 cm). Your journal can be larger or smaller. This page is created on the actual page of a journal. But you can also use a separate paper and attach it later, so you do not even need a journal to get started!
Journals
You can make an art journal from almost any notebook or old book. You can also bind one yourself. If you paint on the pages, thick pages are better than thin ones. For watercolors, absorbent paper is better than waxy one. But if you use water sparingly, even pages with a waxy surface can handle some watercolor.
I am currently working on three various sized journals. In addition to the Moleskine notebook, I have a black Smash book and a Dylusions journal. The paper in Moleskine notebooks is less absorbent than in the other two, but it still works with watercolors.
General Inspiration
An art journal can consist of any visual material. You can create a collage of cut-out images or printed photos. Or you can paint or draw, or do it all! The pages often have some writing too. You can cut words from magazines, write them on a computer and print them or journal by hand. As art journaling is a form of self-expression, I think that pages are at their best when you create everything by hand.
I do not believe in waiting for the inspiration. Once I have made the page, I usually realize what things have affected on it. Like when walking in the garden, I realized that my marigolds had had something to do with the page! So, do not wait until you have something to say or draw, just start creating! With these step by step instructions, you do not need a single idea before you begin!
Step by Step Tutorial for an Art Journal Page
1) Choose the page and draw the first shape
When I begin an art journal page, I usually feel quite stiff. The routines of everyday life can block our creativity. So it is no wonder that when you hold that brand new journal, you feel intimidated to start. Pick the page randomly as the first pages are the most usual causes of the blank page syndrome. Then take your thin marker and begin to draw. Slowly. Then a bit faster.
My imagination at this point was close to zero. I drew a rectangular and was able to mess it up so that I needed many lines to hide those clumsy strokes. Now I could have easily given up, no inspiration, nothing, just ruined one perfect blank page. But I knew better and went on.
2) Paint the shape with watercolors
To get my creativity flowing, change the marker to the watercolors. Constant interruptions are something that our rational side hates. That’s why it is important to be impatient, work quickly and continuously change the way of working. Paint the shape with watercolors and do not care how ugly it looks!
Painting the square did not make me feel especially creative. And with all the color choices I had, I chose a very conservative blue. Some would say that all the hope is lost, but I promised myself to continue to the next step.
3) Doodle around with colored pencils and finish with a large shape
Start doodling with colored pencils. Believe me; you want to stay focused and work close to the shape. The rational thing to do would be doodling all over. Just stick to the area around the shape!
At this stage, I began to feel a bit anxious. It would have been so much fun to fill the page. But I followed my rules and remembered to change the color so that the process of coloring got interrupted. You can see that I began very traditionally, just with strokes. Then I changed the color and moved to drawing circles. After that, I picked another pencil and colored the circles.
The whole process so far has been pretty dull: First a square, then strokes, then circles. I felt a bit sarcastic at the moment: “What next? Triangles?” You can choose your doodles freely but end this phase with a bold movement: draw a large shape. Then abandon the colored pencils for a while.
4) Paint a new large shape with watercolors
Watercolor the large shape drawn in the previous step. Then clean your brush by dragging it around the shape.
You can see that when choosing the colors, I did not repeatedly use the same colors so that they would have spread evenly. Instead of that, I created two color areas: blue and orange. They both contain various hues of color. The blue area varies from gray-blue to blue-green, and the orange area includes warm red. This way there are two elements on the page: blue rectangle and orange circle.
They say in poetry: two is a conversation. Even at this early point, the page looks like an image. It makes you think: who are they?
5) Doodle with the marker
Fuzzy watercolors and soft color drawings look beautiful when they are partnered with a thin marker. Like in photos where something is blurry, and something is sharp, your page will look more appealing when you create the same effects.
Doodle around and over the shapes that you created in the previous steps. Don’t be afraid of crossing the shapes. In art journaling, a lot of time and energy can be spent in layering, but it requires nothing more than drawing over something beautiful to create even more beauty!
6), 7), 8) Colored pencils, watercolors, doodling
At this point of repetition, I began to feel pretty inspired. After coloring some doodles with colored pencils and painting some blank areas with watercolors, I felt inspired enough to write something that I thought that I am experiencing. I wrote: “When I decide that I have to be under control, I will be out of control. Then I make an agreement with myself: let’s be both!”
9), 10), 11) Watercolors, colored pencils, doodling
Now we are in the final round of making the page. Because these are the steps where you fine-tune your artwork, use a thin brush and very little water with watercolors. When adding details with the marker, change the orientation of the work once in a while. Many times it is easier to focus on the details if you turn the page upside down.
In poetry, they say that if two is a conversation, then three is a dance. I emphasized the upper left area to create a third element. It made the page more dynamic. Namely, at that point, I was feeling super dynamic and inspired!
12) Finished?
When you assume that your page is finished, it is time to take a pause and examine the work.
When I examined mine, I saw that my rational side is there in the form of a computer screen and my creative side in the form of an orange flower. I decided to add a little hand decorated paper piece under the computer screen to make it look more like a computer. Then I added another tiny blue piece besides the orange flower to make the orange pop.
When you use your own hand drawn papers for collage, they will integrate beautifully. (New to hand decorated papers? See the basic instructions.)
The finished piece now expresses my love for the internet and computers. If that subject was given to me at the beginning, would you think that I could have created that image? Never! I would have stared the blank page and after a while, be as bored as my beagle is at the moment! Getting started even if you don’t feel like to and still finding the happiness of self-expression along the way – that is the magic of art journaling!
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Arboretum Patterned Paper
My newest design for hand decorated papers is called Arboretum. Arboretum as a word means a collection of trees. It is often used for the gardens where various kinds of trees from the collection. As you can see below, this design is very versatile: you can create any trees and play with the colors and pattern repeats.
I have used mainly watercolors here, but you can create this pattern with almost any supplies. When I designed this, I was inspired by two things: 1960s retro style and modern quilting.
Living in a house built in the 60s, we have brown, sturdy floor tiles and pine trees in the garden. The whole era celebrated the simple shapes forming simple designs. In modern quilting, solid fabrics are combined with modern patterns. Modern style quilts also often use asymmetrical and improvisational piecing.
I wanted to create a design that would be improvisational as well. I aimed for the painted design that leaves space for variations and self-expression. The simplified black and white pattern picture shows the structure more clearly.
Each of the trees has rectangular shapes in the middle. They represent the trunk of the tree. The rectangles are surrounded by round shapes, which represent leaves. Each row is separated by the row of rectangles, representing the fence or earth. A single tree can also be used alone, as an element in an illustration or as the only image illustrating a text.
Step by Step Instructions for the Painted Design
1) Create the background
Use several colors to create the background. The colors can be intensive but not very dark as this is only the bottom layer that shows behind the trees.
I used thin watercolor paper, watercolors, broad brush and plenty of water. I worked with long strokes from top to bottom and vice versa. The paper was dry, but the brush was very wet. In the end, I added splashes of water to create even more variation.
Let the background dry well. If you like the result, and you have a scanner, scan it so that you can use it multiple times by printing it!
2) Add the fences.
The fences can be straight or curvy. They can break or continue from edge to edge. The distance of these rows determines the size of your trees.
3) Add the trees.
Start with the rectangles of the trunk. Continue by adding circles near them. Create the rectangles and circles in different sizes and different colors. Color variation looks great especially if you maintain the intensity of the color fairly even between the shapes.
Leave some space between the trees.
3) Darken the background around the trees.
Add darker color to the space between the trees. You can use various colors here too. The dark background represents the sky.
4) Finish with doodles.
Create details to the rectangles and circles. I like to use white gel pen here. You can make each tree look different if you like.
My finished piece is inspired by fall. Thus some trees only had few leaves. On the top row, there ‘s also a tree that has rectangles set like branches. The darkest tree in the upper left corner reminds me of a cone. I could have made an art journal page too by replacing the fence with the journaling. There’s so many little tweaks you can make to this pattern to tell your personal story!
After creating these, I have begun to wonder: what if I cut some of the trees out and created a collage from them!
More patterned papers: Basic instructions + links to more
More inspiration from simple shapes: What to Create from Simple Shapes? 6 ideas
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Imitate Ceramic Art!
A strange cat in the shadows.
Too many apples for the tree to bear.
A blackbird complains: Dry mouth!
Still, it’s a paradise: my garden.
This is an art journal page where I wanted to achieve two things:
1) imitate Scandinavian ceramic artists of 1940-1960s
2) write a poem and illustrate it
Scandinavian Ceramic Art
Let’s start with the artists: Annikki Hovisaari from Finland and Lisa Larson from Sweden. They are women who made beautiful ceramic art in 40s-60s. Annikki Hovisaari died in 2004 but Lisa Larson is still alive and she has a website too.
Me and my husband own a couple of Annikki Hovisaari’s work. We have bought those from antique fairs.
I found out about Lisa Larson in Scandinavian Retro magazine nr 1/2014. You can also see the best work of hers by searching from Google with the search term “Lisa Larson tile”
When I examined the work of these two artists, it was clear that a white correction pen would be perfect to imitate the lines. I made a couple of small pages by combining the correction pen with acrylic paints and PITT Artist Pens. However I was not fully satisfied with the outcome. These did not have the liveliness in color that I wanted to achieve.
But after making these I realized how I would use the correction pen and what I would combine it with: watercolors! Here’s how you can create your own ceramic tile look!
1) Doodle with correction pen
2) Use watercolors for coloring
The correction pen works as a resist. You can watercolor over the white doodles. After painting add some water and wipe the paint off from the doodles.
3) Add contrast and draw thin black lines
When you are done with watercolors, don’t stop yet. Add color variation and contrasts to doodled shapes. You can also work with colored pencils when finishing if it feels easier. Finally, take a thin black marker and add thin lines in the center of white doodles or both sides of the doodles. These lines will make your work look sharper and more dimensional.
Here you can see the difference that finishing makes. At this stage, I have also added the poem. Actually, my process began by writing the poem. I have discovered that if I want more depth in journaling, it’s better to write it first.
Have fun with this simple technique!
More ceramic art inspiration and playing with simple shapes
>> Modern Mid-Century art journaling mini-course
Fun Designs from Decorative Papers
Were you ready for the color bomb? I just could not resist creating this design with the vibrancy that is almost inappropriate. Hopefully, you are like me and need to get your overdose of colors and patterns now and then!
Collage Elements
I have created this surface pattern from handmade collage elements. I often mention how I create single decorative elements which I use in collage art or art journaling later. This time, I made a pattern that is based on those odd elements. These elements are like mini collages. They were made by cutting handmade decorated papers and adding some doodling with markers.
The elements might look complicated but are super simple to make:
1) Combine few paper pieces.
2) Add details with markers.
3) Cut the combined piece in half.
4) Repeat the previous steps changing some of the pieces as you go.
Cutting and combining the cut pieces repetitively is fun, and the result is like a mini quilt. Especially if you add seams with markers like I have done.
Surface Pattern
When creating a surface pattern, you also need something in the background unless you will put the elements tightly together. I wanted to add the background to make the design more interesting. The plain black background was something that I considered first. But it looked too separate from the pieces.
Luckily I save all kinds of doodles, even the ugly ones. I found a file called “blue mess,” a scanned image of the paper which I made a long time ago.
At the time I had thought this doodle was horrible, but now it would be just fine!
I processed my scanned images at Photoshop image processing software. At Photoshop I created a solid colored background, added the blue mess as the second layer and changed its color. Then I removed the white background from each of the four decorative elements and added a stroke to each element.
The repeat was created so that one decorative element is in the middle, two at sides and the fourth one at the corners. It takes some accuracy to place the elements so that they match when the design is repeated. It would have been easier to have each element separate, but I wanted to create a sort of appliqued look.
If you do not make a commercial pattern, you can just create an artwork manually instead of composing a repeatable pattern on the computer.
Here’s the design again, with more muted colors. This design reminds me of an old quilt, colors faded a bit unevenly but still suitable to be the centerpiece of any room.
I call this pattern Kira.
Create more hand-drawn collages: Buy Doodled Luxury!