From Movie Posters to Art Journal Pages
“The Discerning Diva – She could be hired as the art director of this journal.”
This page is my version of the poster for the movie “The Big Lebowski”. I have borrowed the concept of weird glasses and the composition from the poster, but it is still a separate artwork, not an exact copy.
The Discovery of Movie Posters
After learning that I like to use alphabet stamps in the art journal pages, I had been thinking about the next step in journaling. Last week I watched the poster artist James Victore‘s course Bold & Fearless Poster Design on Creative Live. His style has very little to do with mine, but I became fascinated by the visual concept of posters.
Last weekend I found a book about 1990’s movie posters at the local library. I became fascinated by the compositions used in the posters. Then it hit me: maybe I could replace the main elements with my own and apply the visual concept of the poster to my personal stories!
How to pick ideas from movie posters?
I will show you how to make your own “Discerning Diva” (very easy) but before that, I want to show you another poster-inspired page.
The page on the left is inspired by the poster for the movie “The Matrix”. I picked few main elements and the general atmosphere from the poster. The page on the right is made a long time ago, but I like how the two pages tell the story about being inside someone’s brain.
Four tips for picking ideas from the movie posters:
1) Composition: Examine the placement of the title, the grouping of the main elements and the most noticeable color contrasts.
2) Subject: Think about how your life could be applied to the movie.
3) Process: Examine the poster carefully but when you start creating, focus on your page and make it your own.
4) Imagine: Remember that you can replace the elements of the poster with whatever you like. For example, a person can be replaced with a vase of flowers.
Create Your Discerning Diva!
1) Paint the background of the page.
I used acrylic paints to make the background strong and heavy-looking. Leave an unpainted area for the face. Add water to the paint and gently brush the area around the face. Wet strokes create the impression of a thin scarf and add dimension.
2) Color the face.
I used colored pencils to maintain the big contrast between the background and the face. Add some color to the skin. Draw a mouth and a nose.
3) Add glasses.
Go to your box of hand drawn papers. Cut two lenses. Attach with glue or gel medium. Add frames with pens. Make the glasses as decorative as you like!
4) Add text.
Pick a color that has a high contrast with the background and journal on the bottom of the page. I have used a correction pen for the title and a white gel pen (Uni-Ball Signo) for the text below the title.
5) Add finishing strokes.
With colored pencils, add some strokes below the face to represent a scarf.
Add few strokes to outline the scarf near the forehead.
More Ideas for Compositions
Believe or not, this page is inspired by Austin Powers movie poster and hand embroidery! I think that hand embroidery has a lot in common with hand drawing.
Learn to draw from imagination and inspiration!
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Illustrating Poems in Art Journaling
A lace doily waits to be picked up again.
A young girl’s fingers where an old woman used to fiddle.
How many beginnings can one hold?
This is an art journal page which illustrates a poem. I usually create the image first and then add the text. This time, I wrote the poem first and then illustrated it. Namely, for a long time I have had a desire to include creative writing in my art journals. I have loved poems since a small child and I used to write them all the time. After I grew up and moved away from home, it gradually stopped. But now years later, poems seem a great addition to art journal pages. Especially because I usually start writing a poem with a visual image in mind. Wouldn’t it be suitable to document that image too?
Of course, you do not have to be a poet to get into illustrating poems. You can also illustrate the poems that other people have written. Poems are great tools to get connected with the visual images that represent feelings. I think poems make a perfect pair with visual self-expression!
Illustrating Poems
1) Getting in touch with the feeling
Read the poem several times.
What kind of atmosphere does it create? What metaphors does it use? Are there physical objects or people to include?
There’s a risk of getting too rational here. Try answering these too:
What kind of memories or thoughts does the poem raise in you? What kind of rhythm, music or dance does it resemble?
2) Sketching
Lightly sketch the elements you want to include to the page. Write the poem or at least reserve a place for it.
I used watercolors for sketching. Light painting can bring a more intuitive approach to your work than using a pencil. You don’t need to know your exact composition yet. Think this phase as the first steps in the dark! Do not take it too seriously (= too rationally)! Focus on the feeling you want to express!
3) Expressing with composition
After sketching, adjust the composition by adding more elements to the page! With poems, I often feel that if the composition delivers the message, the rest is trivial or easy. There’s so much content in the words itself.
I wanted my page to lean to the right and then up. Right – because there’s a strong connection to the future in the text. Up – because the doily waits to be picked up in the story. I also chose the colors accordingly: blue representing the old and red representing the new.
4) Finishing
This phase is to fine-tune everything already created.
I wanted to add the feeling of fabric and emphasize the upward movement by adding thick lines with watercolors. I also made the lace more detailed. Then I added some dark areas to make lighter areas pop. A thin black marker and colored pencils are great for the finishing touches when using watercolors on the page.
The page was made on a separate watercolor paper and then attached to the journal. Watercolors work best on watercolor paper. Even if you use a thin watercolor paper it’s better than using a smoother surface.
Illustrating Poems – A Minimalistic Approach
You know that I am not a particularly fond of minimalism in self-expression but with poems, I think it can be a very effective approach.
A yellow spot on a white painting.
A happy thought when leaving.
I saw the sun on a cloudy morning,
The one to brighten my being.
This poem of mine began with a visual image that called for simplicity. When aiming for lots of space, acrylic paints can be a better medium to use than watercolors. Acrylic paints have more substance themselves, and it’s easy to add slight, yet powerful color changes with them.
In this page, I divided the poem into three parts. The composition was built accordingly.
The first part is focused on expressing the latter sentence: the leaving. It is bittersweet, light peachy orange.
The second part visualizes the sun in cloudy weather.
The last part communicates the person, her being and her relation to the world that she is leaving behind.
With acrylics, it’s easy to work on any surface. I used white gesso instead of white paint but only to save some money.
Art Journal of Poems
Think about having an art journal that is filled with illustrated poems! What a treasure would it be! The best things in life are those we can create ourselves.
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Imitate Ceramic Art!
A strange cat in the shadows.
Too many apples for the tree to bear.
A blackbird complains: Dry mouth!
Still, it’s a paradise: my garden.
This is an art journal page where I wanted to achieve two things:
1) imitate Scandinavian ceramic artists of 1940-1960s
2) write a poem and illustrate it
Scandinavian Ceramic Art
Let’s start with the artists: Annikki Hovisaari from Finland and Lisa Larson from Sweden. They are women who made beautiful ceramic art in 40s-60s. Annikki Hovisaari died in 2004 but Lisa Larson is still alive and she has a website too.
Me and my husband own a couple of Annikki Hovisaari’s work. We have bought those from antique fairs.
I found out about Lisa Larson in Scandinavian Retro magazine nr 1/2014. You can also see the best work of hers by searching from Google with the search term “Lisa Larson tile”
When I examined the work of these two artists, it was clear that a white correction pen would be perfect to imitate the lines. I made a couple of small pages by combining the correction pen with acrylic paints and PITT Artist Pens. However I was not fully satisfied with the outcome. These did not have the liveliness in color that I wanted to achieve.
But after making these I realized how I would use the correction pen and what I would combine it with: watercolors! Here’s how you can create your own ceramic tile look!
1) Doodle with correction pen
2) Use watercolors for coloring
The correction pen works as a resist. You can watercolor over the white doodles. After painting add some water and wipe the paint off from the doodles.
3) Add contrast and draw thin black lines
When you are done with watercolors, don’t stop yet. Add color variation and contrasts to doodled shapes. You can also work with colored pencils when finishing if it feels easier. Finally, take a thin black marker and add thin lines in the center of white doodles or both sides of the doodles. These lines will make your work look sharper and more dimensional.
Here you can see the difference that finishing makes. At this stage, I have also added the poem. Actually, my process began by writing the poem. I have discovered that if I want more depth in journaling, it’s better to write it first.
Have fun with this simple technique!
More ceramic art inspiration and playing with simple shapes
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