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Peony and Parakeet

Fly to Your Inner World and Color the Emotion

Using Up Old Crayons

This week, we use up those old crayons: oil pastels, soft pastels, Faber & Castell Gelatos, Derwent Artbars … whatever you happen to have!

Expressing nature and light. Using old crayons: Faber-Castell Gelatos and oil pastels. A crayon drawing by Paivi Eerola.

This piece is made of Faber & Castell Gelatos and oil pastels. I used oil pastels a little more than gelatos. The paper is thick mixed-media paper. You can see in-progress photos in the video.

In the video, I talk about old crayons and show several examples of how to use them.

Using Up Old Crayons – Watch the Video!

Here’s the link to the course that I mention in the video: Innovative Portraits

Let’s keep creating art!

Artist Päivi Eerola paints in oil and teaches creative drawing.

Flower Paintings at Rijksmuseum

Charming and necessary for any artist. Let’s admire the flower paintings at Rijksmuseum!

Seeing flower paintings at Rijksmuseum, Amsterdam, Allegory of Spring and Autumn by Georgius Jacobus Johannes van Os in the background
The paintings: Allegory of Spring (1817) and and Allegory of Autumn (1818) by Georgius Jacobus Johannes van Os

This week, I had a lovely time in the Netherlands, where my husband and I spent a few nights. The highlight of the trip was the visit to Rijksmuseum. It’s a huge museum in Amsterdam, and it takes many hours to see even a glimpse of all the artworks. For this post, I took some flower photos for you, as you may, like I do, love flower still lives.

Flower Paintings at Rijksmuseum with Some Notes

Detail of "Flower Still Life with a Crown Imperial Fritillary in a Stone Niche" by Jacob Woutersz Vosmaer, oil on panel, 1613
Detail of “Flower Still Life with a Crown Imperial Fritillary in a Stone Niche” by Jacob Woutersz Vosmaer, oil on panel, 1613

I love these paintings because the flowers are not isolated, but layered, giving a rich effect. Remember, you can paint just part of a flower and then another right next to it.

Still Life with Flowers in a Glass Vase by Rachel Ruysch, oil on canvas, c. 1690-1720
Still Life with Flowers in a Glass Vase by Rachel Ruysch, oil on canvas, c. 1690-1720

We can learn from Rachel Ruysch that part of the flower can be in the shade, making the most important flowers stand out even more.

Flower paintings at Rijksmuseum. Still Life with Flowers by Balthasar van der Ast, oil on panel, c. 1625-1630
Still Life with Flowers by Balthasar van der Ast, oil on panel, c. 1625-1630

Animals are often included in old flower paintings. You can create a miniature world in one flower piece!

Still Life with a Vase of Flowers and a Dead Frog by Jacob Marrel, oil on panel, 1634, Rijksmuseum, Amsterdam
Still Life with a Vase of Flowers and a Dead Frog by Jacob Marrel, oil on panel, 1634

The dead frog here represents the cycle of nature. Some of the flowers may also be pointing downwards and appear withering.

Flower paintings at Rijksmuseum. Still Life with Flowers by Jan van Huysum, oil on panel, 1723
A detail of “Still Life with Flowers” by Jan van Huysum, oil on panel, 1723

I am also fascinated by the backgrounds of old flower paintings. Even if their color is dark or neutral brownish, the variation in darkness or tone makes the painting feel natural.

Flower Still Life with an Alabaster Vase by Gerard van Spaendonck, oil on canvas, 1783, Rijksmuseum
Flower Still Life with an Alabaster Vase by Gerard van Spaendonck, oil on canvas, 1783
Flower paintings at Rijksmuseum. A detail of Flower Still Life with an Alabaster Vase by Gerard van Spaendonck, oil on canvas, 1783
A detail of “Flower Still Life with an Alabaster Vase” by Gerard van Spaendonck, oil on canvas, 1783

The abundance of details is a challenge for a busy contemporary artist. But on the other hand, one painting can be the source of inspiration for many pieces!

Still Life with Flowers and Nuts by Anthony Oberman, oil on cardboard, 1830, in a frame, Rijksmuseum
Still Life with Flowers and Nuts by Anthony Oberman, oil on cardboard, 1830

Did you notice that we started in the 17th century and gradually moved forward in time? The colors and their durability increase, while on the other hand the detail and abundance of flowers decrease.

Flower paintings at Rijksmuseum. A detail of "Still Life with Flowers and Nuts" by Anthony Oberman, oil on cardboard, 1830
A detail of “Still Life with Flowers and Nuts” by Anthony Oberman, oil on cardboard, 1830

But no matter what century, such beauty is not only charming, but also necessary. When everyday life slowly creates an empty hole inside me, I call the feeling “old art hunger”.

Bouquet of Roses by Jans Frans van Dael, oil on canvas, c. 1825
Bouquet of Roses by Jans Frans van Dael, oil on canvas, c. 1825

Now the hunger is gone and the hole feels filled again for a while. Seeing these flower paintings at Rijksmuseum was both a grounding and spiritual experience.

A Detail of Bouquet of Roses by Jans Frans van Dael, oil on canvas, c. 1825
A detail of “Bouquet of Roses” by Jans Frans van Dael, oil on canvas, c. 1825

Let’s Paint Flowers – Inspiration for Art-Making

I am obsessed of painting flowers and this whole blog is full of inspiration for that. Here are some top picks for old-world-floral style:

How to Discover Yourself as an Artist

This week I share deep thoughts about how to discover yourself as an artist and how to get discovered. I have a video for you and also, some photos of making a recent large oil painting called “Atlantis”.

Atlantis, oil painting by Päivi Eerola, Finland.
Atlantis, 80 x 120 cm, oil on canvas

When I paint, I am an introvert, but after the session, I want to connect with the world.

A visual artist is painting a big abstract painting.

When the painting is not finished, I may look at it with a very critical eye.

Tired artist after a painting session.

Then I think: Only if you knew what I think, how I feel, and how I have made myself to always reach higher.

Finishing a big oil painting.

This week, I want to tell you. I want to share some things I have found helpful in my artistic career. How I have discovered my artistry and more: how I have got discovered as an artist.

How to Discover Yourself as an Artist and How to Get Discovered – Watch the Video!

I hope this was helpful. Tell us what you think!

Artist Päivi Eerola and her paintings.

I am always waiting for your comments!

Intuitive Flowers with Colored Pencils

This week, we take an intuitive approach to flowers and color them freely with colored pencils. This method can also be easily adapted to watercolors.

Coloring intuitive flowers. Colored pencil art by Päivi Eerola, Finland.

Everyone’s flowers are different, but we can all start with the same steps. I will show you how to start and how to bring intuition into the process, and then you can finish the piece in your own style.

Artist Päivi Eerola and her intuitive flowers.

Let’s get the colored pencils and start intuitive flowers step-by-step!

Step 1 – Background

Start by intuitively picking one main color. I choose a color that I feel strangely drawn to, or a pencil that looks a bit sad and needs some quality time with me. I may sharpen or re-arrange the pencils before I start, so that I feel more connection with them.

With the chosen pencil, color the paper lightly and softly. Leave a part of the center blank so that you will also have white in your work.

Starting a colored pencil drawing without references.

When you feel bored, add other colors for an energy boost and spiciness, but always get back to your main color. The main color sets the mood and makes sure that every flower will breathe the same air.

I use soft-tipped colored pencils, such as Prismacolor Premier and Caran d’Ache Luminance. Thin layers are a joy to color and the strokes are soft. My paper is Fabriano Accademia Drawing Paper (200 gsm/94 lbs).

Step 2 – Circles

Color a new background layer so that you leave round areas uncolored. These are like ghosts that will be turned to flowers in the next step.

In progress. Coloring circles freely with colored pencils. You can change the circles to the flowers in the next step.

Make sure you have big, small, and medium circles, not just one size. Let some circles overlap and some disappear partly near the edges. This step is simple, but not very intuitive, because we tend to create circles of one size and separate from each other.

What does intuitive mean to you?
For me, it’s an emotional connection to colors and bringing out the spirit rather than the material. If you think intuitive is what feels easy, you’re holding back your development in making art.

Step 3 – Notches

Turn circles to flowers by coloring notches with the background colors. Make all kinds of shapes this way. I try to avoid symmetry, because flowers are rarely perfectly symmetrical. The more imaginative the shapes are, the more spirit I see in them.

Adding notches and changing circles to boost the intuitive process of coloring flowers freely.

You can also add some color to the flowers if it helps you to form a tighter connection, but do it only lightly in this step.

Step 4 – Colors

Add more colors – and not only to the flowers but also to the background. I like to think that the spirit of the flower is larger than its outline. The flower radiates the spirit, and the color of the flower is more in its surroundings than in the flower itself. This makes the background as fun to color as the flowers.

Colored pencil art in progress. Coloring freely without photos. Abstract floral in colored pencils.

Make stems thin and curvy when you want the flowers to look delicate.

Step 5 – Repeat!

Add more details with the techniques of steps 1-4: more background color, more circles, more notches, more colors.

What to put in the background? The intuitive coloring process treats it as a spirit.

The more experienced you are, the more patience you have. Intuition is a rusty vehicle. The connection improves with time, and your piece will begin to speak to you.

Colored pencil art in progress.

Grow Your Skills at Fun Botanicum!

Fun Botanicum is a great course for all who want to grow their skills in drawing plants and learning more techniques for florals.

Fun Botanicum >> Buy here!

Intuitive Flowers and Colored Pencils

For me, being intuitive also means being flexible. I cherish every little flower, but also accept that not every flower can remain in the final piece.

Working with details of a flower drawing. Prismacolor Premier soft core colored pencils.

A flower can bloom and give her soul to you, and then become a background spirit only. In this piece that happened a lot.

My drawing took about four hours to make.

Artist Paivi Eerola and her colored pencil drawing.

What does intuitive mean to you? Do you aim for intuition when you are creating art?

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