Floral Watercolor Painting – Finding the Expression from the Details
This painting, “Touched by an Angel,” is the latest in a series of three floral watercolors I’ve created for the Finnish Painters’ Union’s art sales event. I will also have two oil paintings available there, but the three watercolors were also an effort because they have a lot of details.

Finding the Name
It’s quite rare for me, but I had the name for this watercolor in mind very early on. The other two paintings in this series were about scent and taste, so I wanted this third one to be about touch.
The title “Touched by an Angel” reminded me of the 90s TV show, but it also made me think of old churches with their beautiful decorations. In addition to peace and timelessness, I wanted to express spirituality, lightness, and gentleness.
My Creative Process
I usually start my watercolors simply by playing with water and paint.

Once that “mess” has dried, the real work begins. I start with the background, and the flowers slowly find their shape.

This is a process I teach in my Wild Garden course.
The Power of Subtle Details
I have found great joy in painting details in watercolor. I like to forget the “big picture” and focus on making one small part as expressive as possible. When every detail speaks to the theme in its own way, the whole painting comes together naturally.

Not every detail has the same role, though. For example, you can paint a lot of detail in the background so that it doesn’t distract the viewer. The secret is to keep the contrast low.
Believe it or not, this simple thing took me a long time to learn. The light details seem so modest, yet they make the painting so much richer!

The heart of the expression is often not about the subject you choose, but how you work on the details. When every detail builds the story, the whole painting becomes expressive. In my piece, I wanted every detail to bring up the angelic touch.
Details also make a painting feel more finished. Even if those tiny, delicate brushstrokes seem invisible to some, they add significant value to the final piece.

Also notice that when you paint details with a light touch, you can keep the color scheme more limited, and thus, more elegant!
Three Watercolor Paintings with Details – Scent, Taste, Touch
Here are all three paintings of the series.



Tell me, which of these is your favorite?
Inside the Creative Process: Art, Words, and Morning Robes
I often find that the bridge between painting and words is a difficult one to cross – especially when your latest work decides to speak a language of its own.

Even though I’ve always loved writing, being a visual artist often brings moments inside the creative process where words simply disappear.

Lately, I’ve been painting a lot. The more I paint, the harder it feels to write all those applications and descriptions that an artist is constantly expected to produce. It’s just as difficult to read what other artists write about their work—and even harder to read a critic’s take on anyone’s paintings.
It feels like words just bounce off the surface of a painting without ever sinking in. When you paint, you are inside the artwork, living between wordless layers. It’s a good place to be. At least until you make the mistake of asking yourself: “Hey, what exactly are you painting right now? Tell the camera! Write it down! Share it with the world!”

When that happens, my confident grip on the brush vanishes, and I start to stutter: “I’m just… putting some green here… and a little bit of red. Just a tiny bit …”
Inside the Creative Process: When the Painting Speaks First
As a painting gets closer to being finished, the words come more easily. Or rather, it feels like I don’t have to go looking for them because the painting has something to say for itself. Even though I don’t speak French, I feel like my latest work speaks the language. I call her Boheme. She is like a woman opening her front door in a morning robe, with everything in her life a bit scattered and messy.

In my own life, I think I’ve only opened the door in a morning robe once when a surprise package arrived. Back then, the postman certainly didn’t see a mess behind me — everything was in its place. So, it’s a mystery why this opposite creature appeared on my canvas. I knew from the start that I couldn’t control her with a heavy hand. Not because Boheme would be afraid of orders, but because I have no desire to fight that kind of energy. I’d rather let her grow, be free, and express her own kind of beauty.
Dreams I Didn’t Know I Had
Maybe that’s where the conflict lies. My own world is small, and I find myself quite uninteresting as a person. Yet, my paintings reach further and bring out things I didn’t even realize I was thinking about. That’s my favorite part of this job—seeing your dreams come true, especially the dreams you didn’t even remember having.

Despite all this “unconsciousness,” it’s still good to recognize the words, music, scents, and moods that belong to your artistic vision.
Finding the Right Mood
A few weeks ago, my husband told me about a record review he had read. He hadn’t heard the album yet, but the description stuck with him. Just from his brief explanation, I got a strong feeling it could be interesting for my art. We searched for the article to find the singer’s name. It was the album LUX by the Spanish artist Rosalía, and it felt familiar from the very first notes. I love her track Bergheim. It mixes different styles with classical music, creating a luxurious, grand, and slightly mystical atmosphere.

Boheme and I have been listening to the song together. Through her, I’ve realized that when it comes to morning robes, the mint-green terry cloth one my mother once bought me has nothing to do with the luxurious creations Boheme has in her closet. And those are the kind of closets you actually want to leave open when you answer the door.

And that’s the true beauty of art: it always gives you a better view.
The annual major painting event, the Sales Event of the Finnish Painters’ Union, takes place in March at the Cable Factory, Helsinki. I am participating in the event with this painting, along with a few others.
Video: Artist’s Life and Inner Inspiration
This week, I made a video blog post where I share what I have been working on lately. This watercolor piece is one of them.

In the video, I also talk about the inner inspiration – that not everything has to come from outside, but there’s a lot within our inner world already.
You get to see my planner for 2026, which is also my art journal. It’s a notebook that has pictures of Jasmine Becket-Griffith‘s art.
Artist’s Life and Inner Inspiration – Watch the Video!
My favorite topics – flowers, watercolors, colored pencils, and abstracts – are all covered in this video.
In the last part of the video, I share my joy about the newest course, Mystical Minis – abstract art with colored pencils – Buy Now!
The Magic of Watercolor: 5 Tiny Joys
Let’s talk about watercolors and their magic! I find the process of creating a floral watercolor painting joyful in many ways.

Here’s my first watercolor painting of 2026. The title “Toiveiden tuoksu” could be translated as “The Scent of Wishes” or “Desired Scent.”
Tiny Joy #1 – Randomness
It’s so much fun to leave a paper with random splotches of water and paint and then come back and see what has been born.

As a former engineer, I love to bring order into the randomness.
Tiny Joy #2 – Slowness
When I turn on a good audiobook and start painting the details, time seems to stand still.

I remove the watch from my wrist and slowly move from one detail to another while listening to a captivating story, often a suspense novel.
When I paint slowly, one section has time to dry before I move on to the next.
Tiny Joy #3 – Translucency
I don’t know of any other medium that is as translucent as watercolors. When paint is thin like a film, the effects are pure magic.

All you need to do is wait for the previous layer to dry, and then apply watery paint over it.

I especially love using this effect on the outer petals of flowers. Painting a new layer with a flat brush is like pulling tape over the painting.
Tiny Joy #4 – Accuracy
Small brushes are my best friends in watercolor painting. I enjoy picking just tiny amounts of paint and using a brush as if it were a pen. I love to make tiny corrections with a thin brush and have full control of the central parts of the painting.

Creating a small, concentrated mixture of colors and water feels like preparing a secret ingredient on the palette.

Even if my paintings are minimalistic, I feel like a minimalist when picking a small dose of paint from the palette.
Here’s a close-up of the central flower in the finished painting.

I enjoyed painting all those details, including the petals. Notice that I let the random spots dominate some parts.
Paint watercolor flowers freely without references!
See courses Wild Garden and Freely Grown!
Tiny Joy #5 – Cleanliness
Watercolors are easy to clean. The brushes are quick to wash and don’t wear out much. I use a plastic plate to cover the tabletop, and it’s easy to wipe clean. Compared to oil painting, it’s much quicker to both start and finish the painting session.

What little joys did I miss? What would you add?