Paint Your Mental Images!
This artwork is inspired by the subject that keeps on fascinating me: beautiful objects like Russian handpainted plates! My admiration for them began many years ago, and only got stronger when I saw them in 2013 at St. Petersburg, Russia.
Here’s a scrapbook page which I made back then. My husband took the snapshot in The Russian Museum. Even if I look a bit worn out from the amount of walking we did during our travel, I love how my clothing and the plate match up!
We also bought one plate as a souvenir. I placed it on the table near me while finishing the painting. Just to keep me inspired to fine-tune all the details. But let’s not go that far yet! Before that, a lot happened, in my mind at least!
From Photos to Mental Images
Before starting the painting, I spent quite a lot of time thinking what to paint and how. I feel that it is easiest to think while walking, so I took the dogs out to the snowy nature. Then I took some photos, which is also a great way to observe and examine things.
After my beagles had fallen asleep, I browsed the photos. “There’s a difference of how I those subjects in my mind,” I thought. If I think of a Russian plate, I might see one detail of it, then other images come to the mind, then the fraction of a Russian plate again. The thoughts move so quickly that the images seem to get mixed up and change.
I could not help looking up what psychology says about it. Yes, there’s a concept called mental image and several theories about how mental images are formed in the mind.
What I find fascinating is, that when creating art, we tend to pick one photographic image instead of a mental image. Then we get disappointed when the artwork does not represent the realistic, photographic image. Replicating the photographic image to the mental image is extremely hard. Let’s try! Look at any of the photos above, then close your eyes and imagine every little detail of the image – impossible! Similarly, if you read a story for the first time, then try to repeat it exactly from word to word, you will certainly fail! But could we paint what we remember and see in our minds, like Edward Munch said: “I painted only memories, adding nothing, no details that I did not see.”
Using Mental Images in Art
I thought it would be both philosophically and practically interesting to use the mental image as a starting point for a painting. So, I decided to paint the mental image of my souvenir, the decorated plate. I forcefully thought about the plate for few minutes. But at the same time (as focusing on one thought is so dull), I was also cleaning. When I grabbed the morning newspaper to put it away, I saw an article of Paul Gauguin‘s artwork being sold at a high price. Just when I had gathered my thoughts around the Russian plates, there it was, a picture of Gauguin’s art! Whoosh … my mental image changed to a mixture of a decorative plate and Gauguin’s art, not just that specific one but many others too that I have seen!
While walking towards the room where I create art, I saw a banana on the kitchen counter, then thought about the wine we are going to taste to celebrate my coming birthday. My mind wondered towards glass objects – how I love them and how I should really paint only them … Before I began painting, my mental image had grown into a huge collage!
The complex thing in mental images is, that if you think very visually, holding the static view is difficult. Instead of trying to focus on one thing only, let it go and replace it with a more general subject. I chose my love for decorative art, beautiful concrete things and how they are at their best when they represent the beautiful shapes and shades from nature.
Instead of trying to build one controlled mental image first, accept the short-term, fractional nature of them. My artwork could be a collection of mental images appearing while I work. To emphasize that, I decided to start the painting with masking fluid. That way I could not even start building one complete image.
Masking Fluid
… or liquid masking film as my bottle says creates a rubber-like surface which you can remove afterward. You can add as many layers of paint as you like, then remove the masking fluid and you still have white areas to fill – or you can pick a colored area which you want to preserve and cover it with the fluid. It is a great way to obtain a layered look without too much thinking. Just remember to let the fluid dry properly before moving forward.
You can remove the dried fluid easily just by pulling it off with your fingers. With the help of the fluid, I was able to create very detailed areas before focusing on bigger objects so that they still look very sharp.
The painting was finished with colored pencils. The process was very similar to the one I teach in the video “Watercolor 101 for Intuitive Painting“, I just added the masking fluid before starting to paint with watercolors.
Here are some details of the finished piece:
And here’s the painting again:
Before finishing, I realized that the banana from the kitchen counter had made it’s way to the painting. It seemed awkward at first but then, why not accept it to be the part of this surrealistic still life, surprisingly exact copy of the collection of my mental images!
What do you think? Could increasing intuition and including mental images improve your art?
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Video Blog: Mix-and-Match Inspiration
It’s time for a video blog post again! I will be creating this watercolor painting on the video. At the same time you will see how I grab pieces of inspiration here and there and add them to my work.
In the beginning of the video I am sitting on the floor of my new art studio. We are renovating a spare room for making art, photographing and shooting videos. I will show you more photos once the room is finished.
Here’s that turquoise studio wall again and me and my younger beagle, Stella. She is a very pampered pet, the sunshine of my life, also called as Princess Stephanie!
I am wearing one of my latest handknits, a sweater knit from Finnish naturally dyed wool, bought from a small Finnish company Riihivilla. If you are interested in knitting, here’s another picture of the sweater and more information about it.
Hopefully you will enjoy the video! Have a wonderful weekend full of inspiration!
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From Fact Finding to Quick Start
She searched ideas by watching what others had made. Then she realized that she had spent hours trying to find the inspiration. And it was already too late to start making anything by her own. Besides, she was feeling overwhelmed.
Does this sound familiar to you? You might get inspired of this or that, but feel powerless to start making your own. It can be only that you are tired after a long day. Then the best you can do is to go to sleep. But if repeatedly find yourself having difficulties to begin, it might be that you are using the wrong method when searching for inspiration.
Use your imagination when browsing other people’s work.
When you use your imagination, you will get your own, not other people’s ideas. This requires that you do not take anything you see as a fact. Instead, you should focus on the feelings and associations which they raise.
Here’s a crayon drawing which I made as a teenager. It is about a girl coming from the library. The weather is predicting the end of summer.
But actually, you don’t need to know anything like that. The fact that the girl is standing in the middle of the picture should be irrelevant to you too. The purple dress is interesting only if you react to the color. Maybe you are touched by the combination of blue purple and bright yellow? Or maybe you get cold vibes when watching the image? Like when you were sitting on the floor of your new unfurnished home thinking of how to renovate it. Which reminds you of new beginnings and how much hope they hold. A little bit like puppies and young children …
Now you ask: would that mean that I should draw a puppy dog? Or just grab the idea of softness? You could if you feel inspired enough but I would advise you to have a bit larger mix of things. So let’s pick another image.
Here’s another work from decades ago. I used watercolors to replicate a black and white photograph of my grandmother and her three friends. Here you might think how stiff and serious people used to be in photographs. Those forced gestures are a complete opposite for the puppies. How funny the similar photo of four puppies would be!
Now you might get inspired by expressing the two opposites: stiff and free-form, hard and soft. Hard can still be soft inside, like the hearts of the four young girls.
Make a Quick Start using the ideas as a starting point.
When I began working from this standpoint, I knew only this: I would begin with coloring four soft areas and at some point add both organic and angular lines to express the opposites. Then I turned the music on and went with the flow.
In the end, I wrote where my thoughts had led me to: “The sun always rises in the morning”. I had illustrated the change of day and night and expressed how every morning is a new beginning. Now, there’s hardly any resemblance to the images I started with. Still, they gave me a jumpstart on creating.
When browsing, focus on your inner thoughts.
If you get stuck with having no ideas and being overwhelmed by other people’s work, you think too much about facts and give too little value to your inner thoughts. You will browse endlessly because facts never stop if your own thoughts will never get noticed. Instead, look at few images or read few sentences and think: What is here that comes to my mind? What basic combination could I create from these just to get started?
If you look for the perfect inspiration starter, you may never find it. In fact, there’s no such thing. But if you value your own thoughts, creating art will generate happiness regardless of the source of inspiration. Your art journal or any end result will become more and more perfect because you are perfect for yourself.
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