From Intuitive to Intentional Painting

This is my latest mixed media painting called “The Phantom of the Opera.” Just saw the musical in The Finnish National Opera! I don’t know about you, but when I go to see a performance like that, I know that it will appear in my art one way or another. With this blog post, I want to challenge you to think what is intuitive and what is intentional in art. And – can they be combined?
Day 1 – Watercolors
It was a sunny winter day when I started the painting. A friend from the UK was visiting me, and we were chatting while I painted the first layers. With watercolors, like many times before.

I love how well watercolors support intuitive painting. You can just splash here and there and then get inspired by the result. In this phase, I tend to choose the colors quickly, based on what feels good. I would call this phase very intuitive also because I don’t usually have no idea about how the result would look.

After splashing watercolors on the paper, I tried to get something a bit more intentional out of it: distinct shapes, strokes and color areas.

The painting looked like it could be a still life with wine grapes and some fruits. But I did not have more time to continue with the painting, so I saved it in my album. I love to create 12 by 12 paintings as they fit on a regular scrapbooking album. I also love the square shape as it is easy to change the orientation of the picture in the middle of the process.
Day 2 – Acrylic Paints
About a week later I picked out the painting again. This time, I wanted to add some acrylic paint to it. I find the combination of transparent watercolor and non-transparent acrylic paint very attractive. When touching the acrylic paint tubes, I get ideas about color mixes that would work with the watercolor background. I would call this pretty intuitive step too.

As I am a very detail-oriented person when painting, I try to be bold when painting with acrylics. Broad strokes add more interest to detailed paintings.

In the end, the painting still looked like a still life, but I wasn’t quite confident about the orientation of the painting.

Here you can see the difference between the end of day 1 (watercolors) and the end of day 2 (acrylics).
Day 3 – Colored Pencils
Because I love details, I also love to use colored pencils. With colored pencils, it’s easy to add little nuances here and there, and I also like the look of pencil strokes on the painting.

Day 3 was a day after day 2, but it was still before I had seen the musical. When I work with colored pencils, I am often very intentional. First, I had an idea to create wine glasses of the two round elements, but then I changed the orientation of the painting and saw lamps in the ceiling!

Which one do you like the best: the wine glasses or the lamps?
Day 4 – Acrylic Paints + Colored Pencils
Day 4 was after the musical. I got an idea from one of the scenes. The painting continued with acrylics expressing the famous chandelier crash!

So far I had been pretty intentional but then changed to intuitive. I played the music and tried to get into it as much as I could. I used both acrylic paints and colored pencils.
Here’s the result again:

Intuitive Painting – Guess What!
The story doesn’t end here! While photographing the finished painting, I glanced at my feet and saw the same color scheme in my socks! I had just finished them before Day 1 and worn them ever since. So, this painting actually started when I was picked the yarn from my stash for the socks. No, wait – it began when I bought the wool that I spun to the yarn …!

Combining intuitive with intentional is a lot of fun! It’s the best cure for getting rid of stiffness in the result. The intuitive parts allow you to feel free when painting; the intentional parts bring more clarity to the painting.
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Create Flowing Greenery!
Flowing Greenery has just been published as a part of Imagine Monthly, the on-going art journaling class. The two mini-courses are inspired by great artists. January’s mini-course Doodled Luxury was inspired by Alphonse Mucha. Flowing Greenery is inspired by another great artist from the beginning of 20th century: William Morris!

Like the previous one, Flowing Greenery is a technique-heavy course. It has great ideas especially for those who want to combine acrylics and colored pencils on the same page. You can still purchase Imagine Monthly and get immediate access to the two mini-courses already published. Sign up here!
Fun in February
Finland is definitely not full of greenery at the moment. The winter has been cold, occasionally so cold that Stella has had to wear a hand-knit sweater!

But even if I am not very fond of the winter season with cold weather, lots of snow and early darkness, I quite like February. Maybe it’s because February always seems to be full of events. My birthday is in February. I also like Valentine’s day and this year we will also have an old friend from the UK visiting us. (If you hear me pronounce some of the words more with British than Finnish accent, that’s her influence!)

With snow, there’s a lot of white in Finland at the moment. Whether it’s strawberries picked from the freezer or fresh oranges in my art journal, I crave for those colors!

Another February event – and also full of colors: Inspirational Drawing, my “the drawing class”. Whether you want to approach drawing from an artistic angle or learn more about the designer’s mindset, this class will make you enjoy drawing.
New Video Series: 14 Answers about Creating Art
To celebrate Inspirational Drawing, I am publishing a new video every day for the first two weeks of February! These short videos give focused answers to the questions that people usually ask from me. You can follow them via Facebook, via YouTube or by visiting this blog (already published: Question 1, Question 2). Feel free to share the videos and spread the word!
Video: Abstract Painting

I made this abstract mixed media painting last fall and it has been waiting in the queue ever since as I also recorded a video of the process and had no time editing it.
The painting is called “Wheel Mechanics”. It expresses my thoughts about how good engineering, design and art are connected together but maybe you see something else? With abstract art, it’s good to present a basic idea (in this case: “merging”) in such a general level that it leaves room for interpretations. That’s one of the main difficulties in creating abstract art, I think.
I was about to make a video introducing my online classes so I combined the two together. You can watch me painting + get info about the classes.
Inspirational Drawing is the next class!
It’s my “the drawing class” and especially good for you who wants to enjoy drawing without boundaries. See these blog posts for fabulous drawings created by the students of this class: Explore by Drawing!, Do You Have a Talent for Creating Art? and sign up now!
Find Your Art Journaling Inspiration!

After stretching my limits at the last blog post, I felt the need to go back to basics. I picked my Moleskine Watercolor Notebook and made three spreads by just answering the question: what does continually inspire me?
The short answer is: I am constantly inspired by the history of decorative art. I believe that it’s important to respond to the question on a general level like this. If you only list specific artworks and other artists, there may be less room for personal interpretation. If you define yourself too tightly through others, you can find it hard to figure out what to create next and how to find your personal style.
My Art Journaling Inspiration Sources
I am constantly inspired by embroidered fabrics and wool rugs from the first half of the 20th century.

I am constantly inspired by art glass, fabric prints, and the way these characteristics are seen in today’s street fashion, especially Japanese street fashion.


I am constantly inspired by Russian decorative plates, European Art Nouveau and the way they combine drama with natural colors and shapes.


Even if I don’t have the ability to paint decorative plates or the looks to wear Japanese street fashion, I can use them as a constant source of inspiration. I can let them show in art journals and other artworks, often in a way that is less literal but still obvious for myself.
The history of decorative art fills my mind with values that I can resonate with. They are understanding nuances, focusing on details, telling stories that last time, uplifting people with beauty and spirituality and integrating production with technology. It may not be the whole big picture of the subject, but it is how I look at it. That in turn, inspires me to create art, to blog and to deliver new techniques and workshops.
Let art journaling make you happy – fill your pages with subjects that truly inspire you!
Monthly art journaling inspiration: Sign up for Imagine Monthly!


