Here’s my new watercolor painting called “Tree of Friendship.” It’s painted freely, first by splashing water, and then by changing to more intentional strokes. But I also show another piece, a more controlled one that I made after this painting. I like to toggle between intuitive and intentional approaches, and maybe this is a working solution for you too in your artistic journey.
Intuitive Art – Start with Freedom!
I regularly need the freedom to paint without any predefined image in mind. If everything that I do is sketched, pre-planned, pre-thought, it’s suffocating. Watercolors have become my favorite medium because they dry rather quickly. I can also splash them without worrying about my safety or the cleaning of the clothes and the studio.
Even if I begin with abstract shapes, most of my work is representational, at least to some degree, when it’s finished. So I slowly discover what the painting could represent and move towards a more intentional approach.
However, I try not to force anything and leave many elements so that they are not fully realistic. I love this freedom between representational and abstract art.
In the later stages, I practice intuition so that if I feel like I need to add irrational elements, I do it no matter how silly it is. Then I challenge myself to make them work. In this painting, some color was thrown on the forehead of the other fairy. The spot was connected with the big white flower by drawing a stem.
I also like to paint a small area at the time. Then time stops, and painting captivates me. It feels like an adventure, not knowing what will appear within time.
When I paint intuitive art, I often end up creating a challenge that feels almost too big. My self-confidence gets low, and freedom gradually becomes a chaotic prison.
After this painting, I felt pretty empty and disappointed. I barely managed to make it work, and I questioned many times if this is what I want to do as an artist. I painted this piece for about two days. It took one good night’s sleep to get over the disappointment!
This painting is about the beauty of true friendship, secretly connecting two different souls together. When I create intuitive art, I am often able to express bigger themes and more deeply than if I work intentionally.
Intentional Art – Start with Order!
After some free painting, I am usually ready for order, and this time was no exception. Updating the watercolor chart grounds me. I try to do it whenever a pan gets empty and needs to be replaced. The more that I have painted, the more planned my storage has become. I have documentation about the new color that will replace the old one after it’s been used. The upcoming colors have been mentioned in the chart under the actual color.
So I have this very controlled side of me that makes me paint a new chart and then memorize it so that when I paint, I don’t have to guess or search for a specific color.
This intentional part of me likes to paint or draw in an illustrative style. Then I often make a quick sketch first. This time, I sketched the face and other main elements lightly with a pencil on watercolor paper and then filled the outlines by painting. I got inspiration from pre-raphaelite paintings and had been thinking for a long time to include more clocks in my work because I really like them.
Even if I painted the textures, shadows, etc. freely, there was definitely no splashing involved. I used water much more sparingly and knew what I was doing most of the time.
The intention of making this piece went so far that I had made a couple of collage pieces to test the style beforehand.
I quite liked how they seemed to fit, and there was no emotional ups or downs!
Why Alternate Between the Intuitive and the Intentional?
If I only painted intuitively, my technical painting skills would stop growing and decay. If I only painted intentionally, my ideas would become too traditional, and I would express too little of myself.
Sometimes we intuitively feel the urge to one direction or another. When you say next time: “I would like to become an abstract painter”, maybe it can be interpreted so that you have left too little room for self-expression lately. Or, if you say “I find it difficult to understand or create abstract art,” maybe it means that you need to practice your technical skills to move forward. Whatever is the case, open the other door too. Permit yourself to let go, and then get back in control again.
Some readers may find this advice worrying, dangerous even when they want to find their style and be consistent in what they do. I would not worry about that too much. If you compare my pieces below, they are not very different from each other. The two approaches will strengthen your voice and make sure that you will keep growing your skills as well.
I am currently building a class that consists of creating both intentional and intuitive art. I am interested to hear your thoughts on the subject! What do You think?
I just finished this fantasy forest! The painting is called “Once Upon A Time.” I think this will begin a series of fantasy watercolor landscapes. Recently, I have got lots of inspiration from daily walks.
First Idea: Forest Is Like a Golden Palace
This fall has been beautiful, and I have especially enjoyed yellows and oranges. It looks like the trees are decorated with gold, and even the most modest specimens look noble and precious when the sun highlights their leaves.
The fall sceneries took me back to childhood when I used to wander in the surroundings. Often it was an escape from boredom, sometimes from unpleasant feelings. I didn’t admire nature like adults do. I saw myself as the queen of England (because I didn’t know anything more exotic and powerful!), pacing around her palace. Trees were pillars of the luxurious hall, and the mosses were sumptuous carpets. In my eyes, every living plant became a grand artifact, contributing to my perception of ultimate beauty.
Earlier this fall, I painted this watercolor scenery that perhaps has some remains of those childhood memories.
When painting with watercolor, it’s important to be patient and let the paint dry properly before adding more details on the top. I have learned that just staring at the painting and waiting for the layer to dry is not a working solution to me. I try to figure out something else to do too. This time I had two painting stations and another painting also got some layers even if I didn’t get to finish it.
I have big plastic plates covering the top of the tables so that I can splash water quite freely.
From a Building to a Fantasy Forest
I started the paintings with simple geometric shapes and used photos of interiors as inspiration. The staircase of Palais Garnier inspired the painting of this blog post.
Here you see some details of the painting in an early stage. The elements are more architectural-looking than organic. Maybe because of my childhood experiences, I find it easy to see the connection between interiors and outdoor scenes. If I look at the photo like the one below, it’s more difficult for me to pick the shapes that define the 3-dimensional space.
When I continue the painting, I change most of the shapes so that they are more organic.
At this point, I was working from my imagination only. I find it most freeing when I don’t have to keep any photos visible. I had quite a flow here, listening to old cembalo music and painting!
I like those leaves in the bottom corner. It’s always a bit pity when something pretty appears near the edges. I had to tone them down a bit so that they don’t steal all the attention.
Second Idea: Orchids
Orchids have never been my thing until I received my first one from Patricia, one of my students, as a birthday present. I was so impressed by getting the orchid that I learned to take care of it. When I changed the pot, I was fascinated by its roots. The months went by, and I became more and more interested in all kinds of orchids. A few weeks ago, I went to see a show organized by The Finnish Orchid Society.
So no wonder that my second idea was to add orchids to the fantasy forest!
I have quite a few orchids to take care of nowadays. All of them don’t show in the picture below … These plants are as inspiring to me as the golden forests!
Here’s the finished piece again, combining the ideas of seeing a forest as a luxurious place and expressing the love for orchids.
I hope this inspires you to paint a fantasy forest!
Now when Inktober is running, art prompts are especially popular. This week, we use them so that they highlight more than suffocate our self-expression.
Art Prompts – Threat Or Opportunity?
Using art prompts is a tricky thing. The prompt can be your master, telling you literally what to create. You can take “Snow” and draw a pile of white stuff, and then wonder if that was fun at all. On the other hand, many say that they want to create freely from their ideas but then struggle with getting in touch with what they truly want to create.
I have been using art prompts successfully to expand my artistic expression and to become more clear with my artistic vision. For me, a prompt is a starting point to discover things I love to spend time with. I don’t just draw the first idea that comes to my mind, but process it further before I start drawing.
Ideas vs. Techniques – How to Become a Better Artist with the Help of Art Prompts?
Art blogs rarely talk about processing ideas, and in general, the discussion about art, especially when artists lead it, is very technique-heavy. But if I had to choose between ideas and techniques, my choice would be ideas. In my opinion, it should be ideas that make you learn the techniques, not vice versa. The art that is only about mastering the techniques is more like craft – it can be skillfully made, but the freedom of expression and creativity doesn’t shine through. On the other hand, we sometimes create art that is packed with emotion that other people don’t see. Then the process was cathartic, but the lack of techniques flattened the expression.
Balancing between the ideas and the techniques is not easy, and all artists struggle with it. If you focus on the techniques only, the process of creating becomes joyless and meaningless. The ideas bring back the passion for creating. That’s why I also talk about ideas in my classes.
This week, I share my ideas behind the recent Inktober prompts (days 11-18). I rate how difficult each prompt was for me between 1 to 5, how I discovered the ideas for the images, and what I learned from the process. Like last week, I have also written stories for each image, articulating my thoughts after the creation process. This post is also an example of how you can use journaling to clarify your artistic vision. Words go well together with the art prompts. If you feel the need to write as a part of the actual image, you can challenge yourself in visual expression. Think about how you could visually express the words you want to write!
Prompt 1 – Snow
Difficulty: 1 – Easy Ideas: I live in Finland, I know snow! I was thinking about the harshness of winter and if my new orchids will survive it. I am always inspired by Russian folk art and wanted to the illustration look like a northern fairytale. Lessons Learned: When I look at the image, my emotional reaction is strong. This is who I am and what I love to create at the moment.
Story: Hope carries us. When times are hard, we have the need to protect and nurture. We want to find something to fight for. Even if those things are like rare orchids, freshly wounded, impossible to plant, we want to believe they can be saved. Women have the strength to give a home to a helpless. As well as the weakness to suffocate with love. Still, it is one of the reasons why the world functions, how we can cope through the snowy seasons, and why absolute compassion still exists in this universe.
Prompt 2 – Dragon
Difficulty: 4 – Challenging Ideas: I elaborate on my challenges more in the story part below, but this prompt made me feel that it has to be done quickly and with as little damage as possible! So I picked my sketchbook and found a face, painted with watercolors, and decided to made it look like a dragon. The agony disappeared once I started drawing, and I really enjoyed adding horns, scales, and all. Lessons Learned: Drawing can be a role-play or a dress-up party where I can stretch my perception of myself.
Story: This prompt has been the most uncomfortable for me so far in this year’s challenge. I do like to draw animals, but I haven’t seen myself as the one who draws dragons. I realized that I was also questioning whether YOU want to see any dragons either, and every time I begin to overthink what I should or shouldn’t draw, there’s a creative block that I must overcome. So, I wanted to show myself that yes, I can be the dragon lady. I don’t just create art to protect and admire what I love, but to become open to new adventures. I had a lot of fun drawing this one, inspired by Renaissance too!
Prompt 3 – Ash
Difficulty: 2 – Normal Ideas: Ash reminded me of the Phoenix bird, and I wanted to include some orchids too. My original idea was just to make a woman rising from the ash, but I accidentally drew the thumbs on the wrong side of the hands! Then I remembered cupids from old paintings and added the two little girls so that the hands are theirs. I really like those two mischief-makers. Lessons Learned: Working with the non-erasable media stretches creativity and mistakes can take the work to the new level. The processing of ideas can happen also while creating, not only before.
Story: We are all mythical phoenix birds. When one era ends, another one begins. About 10 years ago, I had a long row of African violets. Then a few years later, I fell in love with Streptocarpus flowers. Now they are gone, and I am beginning a new era in my hobby of growing houseplants – the era of orchids! So my love for plants is regularly reborn. Do you recognize this kind of rebirth in your life?
Prompt 4 – Overgrown
Difficulty: 1 – Easy Ideas: One of the easiest prompts for me! The image came instantly to my mind, and all I had to do is to draw it. I wanted to make the hands, legs, and wings for the playful fairy so that they are very plant-like. Lessons Learned: I need to draw more fairies. It’s funny that I haven’t ever been drawn to them before this year, and now I am really fond of them! I guess I have found my way to interpret their playfulness.
Story: I used to think that when my art grows, it will become deeper and deeper, reaching the remotest end of fine art. But during the past couple of years, my images have become more humorous, playful, and illustrational. It’s been surprising to notice that the same building blocks and ideas that could express the agony in the world can be used for making illustrations that include hope, even childishness. I cherish this child in me, and I want her always to grow bigger than her current pot. And at the same time, I want to protect her from becoming so big that she stops seeing life’s little pleasures.
Prompt 5 – Legend
Difficulty: 5 – Agonizing Ideas: I hated the prompt. It made me think about photo-realistic images of Marilyn Monroe and old rock stars which are not my favorite art at all. Then I tried to approach the subject from the story-perspective, and all that I could think of was Robin Hood, King Arthur, and other similar historical stories that didn’t inspire me. I realized that I needed to pick a legend that I truly appreciate, and Jane Austen came to my mind. Lessons Learned: I really like this illustration! There’s a lot of elements, but their hierarchy is so clear that the image is easy to look at. It was perhaps because I started the sketch in the evening, but finished the image the next morning. All the ideas that I had, fell in place during the night.
Story: Jane Austen is one of the most famous women in history. Do you think she predicted that? Did she know her books would make an impact on the world for hundreds of years? But there she was, alone with her thoughts in late evenings like creative people do, planning her plots. Her life was just a blink of an eye in the universe, but still, the cosmos echoes her name. Generations after generations, we have a human bond with her – no matter how linear time feels and no matter if we really even knew what she looked like.
Prompt 6 – Wild
Difficulty: 2 – Normal Ideas: Because the prompt is so general, I just picked an inspirational image from my Instagram archive, and started from there. The image was a photo of an old clock, and it reminded me how the sense of time disappears when creating. So I made the clock look like it floats and falls apart, and followed my intuition for all the other elements. The couple on the left corner probably came because I have been watching Dancing With the Stars while drawing! Lessons Learned: I like to express movement and create surrealistic illustrations. It makes me feel free, and sometimes it’s important to focus on the process of creating rather than controlling the result.
Story: There’s a place in your mind where everything gets mixed, where nothing stays static, and where rules are broken. What you can’t do is only other people’s false assumptions. The way they define drawing – or any other skill – doesn’t matter anymore. You are in a place where all is wrong and thus so right. Time flies, and you live forever. Go wild and get creating to travel there!
Prompt 7 – Misfit
Difficulty: 3 – Hard Ideas: This prompt was for Friday, and I want Fridays to be a bit more light-hearted than other weekdays. So I wanted to make a humorous illustration that would start the weekend in a cheerful mood. First, it felt a bit challenging to combine the prompt with the humor. I love to draw women in historical dresses, and it made me think about how romantic mind and everyday chores are a definite misfit! Lessons Learned: The empty space can be used to highlight the message. Here the composition is built so, that the romantic steps toward the past (to the left), the butterfly scene directs the eye towards her face and lower lip, and the empty space highlights the bucket. The bucket and the emptiness of the horizontal scene created by the hem are central to the message. It took a couple of extra sketches to get all the elements in place.
Story: Sweeping, scrubbing, dusting … Misfit chores for artistic souls like us, at least today!
Prompt 8 – Ornament
Difficulty: 2 – Normal Ideas: I have been drawing ornaments quite a lot lately, and I love it. Every time I design an ornament, it makes me feel like I am doing something that I am meant to do. It’s probably because it’s so close to my studies in engineering and industrial design. This time I wanted to make an ornament that’s not symmetrical, and that would also express a personal story. Lessons Learned: Many of my ideas easily take the form of an ornament, and I would also like to teach making them! (Would you be interested?)
Story: This prompt is especially close to my heart. It reminds me of how important it is to become the true self. When I studied industrial design, I realized that my expression was too ornamental. “Simplify, simplify,” my teachers said. Plastic stuff that we were taught to design has to be manufactured as cheaply as possible. But I took another route and geared towards art. Ten years have passed by, and I still struggle to accept how ornamental I see the world.
But that’s how it is. To me, an ornament is a time machine. I can travel through the history of humanity by merely picking shapes of any era. It also brings me closer to my roots. My grandfather studied drawing, and my father drew to me when I was a child. These two men passed away a long time ago. I never got to see my grandfather, and I wasn’t very close to my father. But now there’s this strange yet pleasant feeling of being who I am meant to be. I continue the chain of generations, fulfilling not only my dreams but also my father’s and grandfather’s secret wishes. These people enabled me the life I am living, and I am giving back to them by drawing and designing – being as ornamental as I can be.
Repeating Art Prompts – Another Version of Ornament
Difficulty: 2 – Normal Ideas: I started working with the prompt “Ornament”, but then realized, that this one is a more time-consuming piece. So I finished it for Day 19, instead of making the official prompt of the day. The idea became from art deco table lamps. They often have a statue that holds the bulb. I didn’t use any reference for this one, and lately, my drawing skills have grown so that I have drawn a lot without any references. I enjoy that a lot! Lessons Learned: This one started as a quick sketchbook drawing, but I got hooked about the idea and made it a gouache painting, black and white, in the spirit of Inktober. The paper of the sketchbook (Leuchturm A4) wasn’t suitable for wet media, but I finished the painting anyway. My gouache paints were Arteza in colors Noir and Titanium White. Noir wasn’t pitch black but more greyish tones. The cheap paints usually have white to lower the price. The process would have been much more pleasurable with the art supplies of better quality. It would be best if the idea, the technique, and the choices of supplies would serve each other!
Story: I call this “The Guardians of Imagination” and it is to our soul sisters in art. They keep the lights of imagination switched on, and support others to do the same. They bring the best of the past times to this day, so let’s thank them, and let’s be sisters to them as well.
This painting is my last contribution to this year’s Inktober. I am currently working on a big illustration project, and want to focus on finishing it next week.
More About Art Prompts
Here are some older blog posts that you might want to check out too.
Experiences from Inktober 2018 when I finished all the 31 prompts:
I have made the first ten prompts of Inktober 2019, and want to share the art techniques and stories behind the images. I have been following the official Inktober prompts that are single words. By brainstorming around the prompt, I have decided what the first element is, and then worked from one association to another. After creating the image, I have documented my thoughts in writing. For me, Inktober is as much about finding personal stories than making the drawings. The stories help me to see where I am as an artist and as a person in general.
For these first ten images, I also set an art technique to make creating in black and white more interesting. I hope you find these black and white art techniques inspiring too!
Day 1 – Ring
Technique: A big solid shape in the background. I like to use a brush pen for large black areas.
Story: As a teenager, I read Jane Austen’s novels and wondered if those handsome and honorable men really exist. But when I moved to a bigger town to study at the university, I found my Mr. Darcy. Dark hair, brown eyes, doesn’t smile or talk much, but when he does, it’s always worth listening. He looks at my art like Mr. Darcy watches Lizzie playing the piano. He has many skills, but he never brags about them. What others might consider as faults, are what makes him whole to me. So here’s to commitments and true love!
Day 2 – Mindless
Technique: Strong shadowing so that the outlines disappear to the background. It is quite time-consuming but I love the 3D effect.
Story: Instead of mindfulness, I practice mindlessness. I like to think about thinking, imagine the impossible, and when I relax, I knit, because it can be done mindlessly. Pick a circular needle and row never ends – until it’s 3 am and the low energy level makes you stop! The mindless world of imagination where no one needs to do laundry, make dinner, or find a missing sock, is what we humans need every single day. It’s a world of magic that we carry inside us, and no matter how mindless it feels, it’s one of the best things in being alive.
Day 3 – Bait
Technique: Using white space. The earlier I get the idea about the content of the image, the easier it is to leave white space as well.
Story: In today’s world, money seems to be everything. Still, we know that there are more precious things like saving the globe. Sometimes I wonder if someone gives us small rewards just to distract our attention from the bigger destruction. Is the world only a big purse waiting for the next coin, or can we stop the fire?
Day 4 – Freeze
Technique: Spraying black ink. It’s often the best way to remove blank page syndrome!
Story: I love historical places and old art. When I begin to create, I imagine time-traveling to the past. My pens take me to an old palace and start vigorously blowing dust away. I imagine revealing all the beautiful designs under white cloths, opening windows and letting fresh air come in. What’s frozen begins to warm up and get color. My biggest dream is that I can make the forgotten world bloom again.
Day 5 – Build
Technique: Using lots of circles and round shapes. I also like to start with a simple circle and then slightly adjust it. See the jewels, for example!
Story: When we draw, we are free to build anything. Impossible becomes possible, small can be big and big can be small. All the things we see and collect can be toys for the imagination.
Day 6 – Husky
Technique: Shades of grey. I sprayed ink to make the start grey already. Then I added more grey shades by drawing thin parallel lines.
Story: Having a dog of my own – that was my dream as a child. I drew dogs and imagined taking them to shows and running a kennel club. I read books about dogs, learned to identify hundreds of dog breeds, knitted stuffed toys that were as close to real dogs as possible. I wondered how it would feel to be a dog, to look at the world from the animal’s perspective, to run with four legs, and to love undoubtedly. It was a long wait. I was over 20 years old when I finally got a dog, a little spaniel. Now I have two beagles, and I hope I don’t ever have to live a day without a dog. Yes, I am definitely a dog person, what about you?
Day 7 – Enchanted
Technique: Rectangular blocks in watercolor. I used only Dr. Ph. Martin’s Hydrus liquid black for the image.
Story: If I had to choose between outdoors and indoors, my choice would be indoors. Now when it’s autumn, it’s easy to make the home look like an enchanted place. Just switch off most of the lights, light some candles, and make sure you have houseplants, preferably bonsai trees. They look magical in the dark and bring some outdoors to the indoors as well!
Day 8 – Frail
Technique: Combining watercolors and drawing. Some of the areas are painted only so they look softer.
Story: I hope that it wouldn’t be so difficult to remember that people are like plants, not always saying aloud what they feel, think, and plan to do. Their pots can be broken, their roots can be too dry, and their vision can be blurry. But they function, participate, and comprehend anyway. Their beauty is more about persistence than perfection. Their origin is more about cohesion than separation. I wish I could remember that like plants, every person is unique but still shares the need for warmth, hope, and attention.
Day 9 – Swing
Technique: Detailed figure as a focal point, and abstract freely-painted shapes in the background. I love to play between abstract and representational.
Story: Rococo is one of my favorite historical styles, and I always try to find a way to include some of its abundance in my art too. So no wonder that today’s prompt immediately brought a famous Rococo painting to my mind. It’s Jean-Honoré Fragonard’s Swing, where the main character is a young woman, and other people and details are secondary to her. When we are creating, we are that lady on the swing. The outer world becomes more distant, and we get to rest in the sceneries of our minds.
Day 10 – Pattern
Technique: Designing a pattern, then making it look like a representational image.
I drew a few black shapes in Photoshop and arranged them so that they formed a pattern. Then I traced the printed pattern on another paper by hand. By changing the darkness of the shapes and the background, I made a fall scenery.
Story: I haven’t ever taken an ink blob test, but I assume I would see plants. Bonsai trees, orchids, herbs, flowers in bloom, seedlings, you name it. “I hate nature,” I said as a child when a teacher praised my essay. She was astonished: “But you write so beautifully about your surroundings!” I have always wanted to get away from the influence of plants but have never succeeded in it. They enchant me with their silent whispers. Their organic shapes are like stamps in my mind when I start drawing. They never leave me alone, let me be who I am not. The more I age, the more I surrender. My imagination lives in a pot, blooming only when plants are.
What can’t you escape? What do you keep creating time after time?