Liberated Inspiration – Painting Freely
This week, I talk about liberated inspiration and share what I discovered about 8 years ago.
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Liberated Inspiration from 2015-2016
Recently, I have been thinking a lot about the years 2015 and 2016. Then I combined watercolors, acrylic paints, and colored pencils for intuitive still lives. At the same time, I thought about how complex the forms of nature are and how I could create a more finished impression with nuances.
I have those pieces saved in an album. Watch a short video of me browsing the folder! Here you can see only a small part of the pieces – the album is thick!
Liberated Inspiration
These last couple of pieces shown in the video have stuck in my mind. This one:
See the blog post about making this!
And this one:
See the blog post about making this!
Both of these have a dark and romantic atmosphere that can be seen often in historical paintings, but there’s also liberated inspiration – meaning that no one dictates what that kind of painting should or shouldn’t have.
You can be inspired by what you have seen, but only pick the atmosphere from it.
I like this kind of inspiration the most. That you are inspired by something, but don’t take it too literally. Liberated inspiration boosts your enthusiasm but doesn’t tell what the final image should be.
I wanted a similar romantic yet liberated feel for this watercolor painting.
Imagine someone saying: “dinner is served” and bringing you to a table where good company and classical music would make the world look like it’s full of possibilities.
Painting Freely in Watercolor
It has always been important for me to paint freely without models and let randomness meet my imagination. In 2015, I developed a course called Liberated Artist. It was about creating a mess first and then solving it. It was a fun course.
I started this watercolor with a similar mess.
Then I switched to thinner brushes to finish the image.
I like the way the imaginative scenery, flowers, ornaments, and the table came all together into one image.
Coming Up: Liberated Artist Revisited
The Liberated Artist course is no longer available, but I got the idea to redo a small part of the course. In that, Päivi from 2015 will teach Päivi from 2024! I will follow the old instructions again, but like an experienced student, I also offer a bit of my current knowledge.
Here’s a sneak peek at the new mini-course called Liberated Artist Revisited.
Liberated Artist Revisited will be published within a few weeks, but it’s likely to be a limited edition – only available for a limited time – so stay tuned!
Life After Death – Commissioned Art
This week, I have a commissioned art piece to show you. I have fewer words than I normally do – not only because the project is confidential, but also because this project went beyond words in many ways.
Last fall, I got a commission for this oil painting. It was ordered by a man in memory of his recently deceased spouse. We brought elements of the wife’s life and references to what she liked into the painting. The painting is, therefore, a secret portrait, from which loved ones recognize familiar things, but which do not need to be explained to strangers, unless they want to.
Commissioned Art – Sketch First
I started with a digital sketch. Here you can see the sketch and the final painting side by side.
I painted the sketch freely in the ProCreate app. The sketch is more abstract than the finished work and is more about the impression than the details.
Painting Process
After the sketch was approved, I ordered the canvas. The size of this piece is 50 x 40 cm (about 19.5 x 15.5 inches). Here are the first blurry layers.
I worked several sessions and let the painting dry for 1-2 weeks between the sessions.
The sketch helped with the painting process so that I could save my energy on the details.
Final Treatments
When the painting was finished, I photographed it outdoors. The natural light is wonderful now when Finland has a lot of snow, but the shoot had to be done quickly.
I varnished the painting with Gamvar after the photoshoot.
I like to think that varnishing was like giving a special blessing to the painting.
Spiritual Meaning
This project made my work as an artist feel even more meaningful than before. I learned more about what kind of artist I am.
I thought: “What could be a better assignment than building a bridge between life and death?”
What do you think?
How to Create Comforting Art
This blog post is for you who want to spread more joy through your art, and make your art more comforting and captivating.
I am listening to an interesting course on writing. It’s Neil Gaiman Teaches the Art of Storytelling. Writing and making a picture have a lot in common. When you look at your piece, can you find a story – so, a conflict and a solution?
Conflict Creates More Comfort
Neil Gaiman says that beginning writers leave conflict out of their stories. And that it’s the conflict that makes the story interesting. The same goes for the picture. Beginner artists usually want to use only happy colors and draw or paint only beautiful and joyful things.
I too want to make comforting art – something that takes me to a softer world right in the beginning and that will lift the viewer’s mind when finished. But the conflict must still be allowed because first showing it, and then finding a solution for it, creates comfort and happiness.
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For example, in this watercolor painting above, the flowers have run indoors because it has started to get windy and rain a little.
Imagine how they first evaluate the houses: “Where would we be welcomed the most?” And then they would push through the darkest window and settle on the windowsill close to each other.
Imagine stepping into that room and seeing shattered glass and feeling unpleasant coldness. But then the colorful flowers would bend towards you. What a pleasant surprise to receive in these windy times!
When I painted this, I wanted to protect myself from the winds of the world. I started with the flowers, but the painting only came true when the wind joined in.
Overcoming Difficulties Brings Comfort
For me, the most comforting art is the one where difficulties are overcome. For example, in this painting, the flowers have experienced loss, but are still ready to take risks again.
Build Different Characters
Neil Gaiman says that his stories are largely in the hands of the characters. Also in painting, you have to identify the main characters. Blots easily turn into flowers, but don’t leave it at that! Make small changes to the shapes so that the personality of each flower comes out. Often it’s a very small adjustment that a beginner easily ignores as insignificant. The skill of building an expression for a form no matter what it represents develops with making.
Strong characters and an understanding of the place where everything happens create a story in the picture. My main characters are strong-minded and independent and the conflict is often a fight against wild conditions.
For example, winter has arrived here, but the flowers stubbornly decide to turn the clock back to a warmer time. In this conflict, the flowers lose their color to stay alive.
Sometimes what feels good at first can break down in the long run. Can a flower live only in light? Don’t we get a better understanding of our outlines and boundaries in the shadows?
On the other hand, when life has been nothing but darkness and the colors have faded, the power of light enables a fast recovery.
Observe the Surroundings with Empathy and Imagination
As a director of disaster films, I am inspired by the survivors around me. This autumn, I listened to the lily of our new pond, who described how boldly she would soon bloom. Fall progressed and my suspicion grew. But just before the big storm, the bud opened for one day.
You can survive of the deep waters – even only for a moment!
The world of inanimate objects is also full of ideas when you use your imagination.
For example, wallpaper is one of the most pathetic things I know. The flowers are glued in place, but they still see and hear everything. If they were released, a lot of pent-up energy would be present. The silent and motionless wall flowers would party around the room. They had been thirsty for life for a long time.
Isn’t that what happens when a person starts creating art? The frenzy inside her finally gets out!
Expressive Flowers in Watercolor
This week, I share how I found the expressive idea for this floral watercolor painting. I go into more detail about this process in the course Freely Grown.
This week I am presenting a watercolor that is part of a small series I painted for the gallery Gumbostrand Konst & Form. The title of this piece is “Syvältä selviytyneet” in Finnish. The English translation could be “Survivors of the Deep” or “those who survived the deep.” The first of the series was “Talven voittaneet” – winners of winter.
Starting with Random Strokes and Splashes
When I start painting, I usually have no idea what the finished piece will express. That keeps my excitement up! The flowers grow gradually and the overall expression takes turns during the painting process.
Even now, I only had an assignment to paint flower paintings with watercolors in the same style as what I had already painted earlier this fall. After the first random layers, I could see big flowers.
Wondering About the Expression
The large size and fearless look of the flowers reminded me of strong wild animals. But the further I painted, the more I began to think about the environment where the flowers had appeared.
In nature-themed paintings, it’s important to find the right atmosphere, and that’s where the location matters a lot. I got the feeling that these flowers can withstand even the harshest conditions. Would they live in the desert?
But the softness and roundness of the flowers told of something other than the desert.
Finding the Answer from the Flowers
I looked at the big rose at the bottom edge and asked myself where a flower could swell before decomposing. Then I realized that these have come from deep water and are on their way to the surface. After that, it was easy to add the references to water – like bubbles and water lines – and finish the painting. Painting expressive flowers in watercolor is not only about adjusting the flowers but also finding their back story.
I think it’s a wonderful idea that you can not only grow from difficulties but also soften. And that difficulties can be overcome by staying together. Surface water which seems cold and drowning to others, can be like a gentle sea of light to these survivors.
Every time I paint flowers, my mood rises!