Finding Emotional Connection Through Imagination
Imagination and emotional connection go hand in hand in art-making. If you don’t feel a connection with what you are creating, bring in more imagination and treat different areas of your work as characters – even if you won’t be including any humans. Let’s look at this example!
This small painting is part of a series I made for the Albert Edelfelt Foundation exhibition. It will take place in August-September.
Inspired by Albert Edelfelt
For the colors and composition, I was inspired by Albert Edelfelt’s artwork “Koivujen alla – Under the Birches”. It is not this painting that I photographed in the Albert Edelfelt exhibition at the Ateneum Art Museum, but another similar work that I made a mirror image of.
However, I was more inspired by another “Koivujen alla.” See the picture here!
My version of “Koivujen alla” didn’t have any people. Instead, I used my imagination to depict human characters in the form of a plant and an object.
Combine Inspiration and Observation!
A good way to get the imagination going is to combine two different things. For example, if you saw an artwork that inspired you to create, also gather unrelated observations from your surroundings. This way, you need your imagination to bring them into the same image.
In this project, I remembered a pine seedling that I had seen in a nearby rocky forest. The name of the area is Pöllökallio (owl rock) and we often go there with our dogs. This little pine tree was like a bonsai! It was so sweet that I took a photo of it.
When the pink color of Edelfelt’s painting met a crooked stem of the pine, a tree-like rose was born!
Emotional Connection by Asking: Who is This?
The rose became the most challenging part because I wanted it to resemble the woman with a hat in Edelfelt’s painting. I thought about the hat when I painted a rose, but it didn’t work at all.
But then I came up with thinking about the character of the woman instead of her hat. That way my imagination met the emotional connection, and I quickly got the impression I wanted.
Build a Story to Boost the Emotional Connection!
One of the most common problems is that our art is full of separate islands. The sun might shine but the effect doesn’t show elsewhere. The person may smile but the eyes are not affected. There may be three ladies but what are their roles? Use your imagination to find connections between these islands and add elements that make the overall story make sense!
In my painting, there are not two women like in Edelfelt’s painting, but a rose, a leaf, and a feather – three introverts! The rose reaching for the sky has agreed to be the center point. The leaf examines herself through the pond. The feather has been a part of a bigger adventure and is now ready to shift the focus to others.
The small pond is a central element here. It brings the leaf and the feather together.
You can also see the colors of the rose elsewhere in the painting. For example, there are flying thoughts (red lines) that the rose tries to catch, and a bigger punch of roses that is in the background.
The painting is about three romantic introverts who went on a trip to a rocky forest on a lovely summer day. They are together, but in their own thoughts, just like the women in Albert Edelfelt’s painting.
When we paint or draw people, we hope to bring the character to life with their facial features. But we don’t need facial features to find an emotional connection. Once you get the hang of it, you can draw or paint anything, even just different shaped spots on paper.
What do you think?
Kaunosielu – Painting and Drawing Sensitivity
Kaunosielu is a Finnish word for which I don’t know an English equivalent. It means a dreamer who loves beauty, but the word has an ironic undertone. This romantic soul, alienated from everyday life, cares little about taking care of practical matters and frequently stops to admire the beauty around her.
I’ve been thinking about people’s yards in my neighborhood a lot lately. The new houses have a small lawn area, a wooden patio, and a row of white cedars. These homes are advertised as “easy-to-maintain yards” in real estate ads. And yet, it often happens that when time passes, a few violets or a peony bush appear. It makes me believe that we all are “kaunosielu people” who have a sensitive heart and eye for beauty.
So my Kaunosielu painting is dedicated to that part of you who stops after seeing something beautiful. This topic was challenging for me because I usually express movement. Here, however, it’s all about staying rather than leaving and looking rather than running away.
Inspiration from Pastel Drawings
I am making a series of paintings for an exhibition called “In the Mood of Albert Edelfelt” and I have browsed a lot of Albert Edelfelt’s (1854-1905) works. Surprisingly, his pastel drawings fascinate me the most. Look at this woman, for example – or rather – her dress!
I see a similarity with flowers in old portraits. The outfits are pleated like the petals of flowers and the lines form interesting patterns.
I also started using chalk brushes in the ProCreate app. Here is a digital pastel drawing: peonies and strawberries.
I have done oil pastel work for the course Innovative Portraits, but now I dug out the soft pastels.
Soft pastels are more chalky than oil pastels and maybe a bit more difficult too because, unlike oil pastels, soft pastels also need fixative.
This is just a small notebook and a small piece but I like to practice between bigger paintings.
Kaunosielu on Canvas
My painting Kaunosielu is painted in oil, but it is close to pastel artworks in terms of color scheme and the use of lines.
The painting is inspired by a lovely pastel drawing by Albert Edelfelt called “At the Window.” I was lucky enough to see this work authentically in the Albert Edelt exhibition of the Ateneum Art Museum. This piece is 68 x 62 cm, so it’s quite large for a work drawn on paper. And look at that frame!
I was especially fascinated by the composition, and as soon as I started my painting, I felt that now it was coming: Kaunosielu! I had been planning to do a piece called that for a long time.
I wanted to incorporate haziness and vagueness into this painting, but at the same time use strong variations in darkness. With the big differences in color value, I wanted to create a sense of presence similar to Albert Edelfelt’s paintings.
When I took this photo in the morning sun, it felt like the moment stopped and two Kaunosielus came into the picture.
This photo shows so well how darkness and light go hand in hand.
This Week’s Challenges for Your Art-Making
- Empathize with the kaunosielu personality: Examine what it means to be an impractical but sensitive sielu – soul!
- Examine old portrait paintings. Dind the similarities between flowers and luxurious dresses.
- Be bolder with contrasts. Enhance your expression by combining pastel colors with really dark blues and browns.
- Experiment with soft pastels or oil pastels or mimic their effects with other art supplies.
I hope all these tips inspire you to start creating!
Everyday Life as an Artist
This post is about my current everyday life.
I was going to tell you that my life has been very ordinary lately: I wake up in the morning, take the dogs for a walk and start painting. In the evening, I practice my ideas with the ProCreate app or knit and let my subconscious work on art-making.
But if my dead parents heard about this life, they would claim that it’s not ordinary at all!
Visiting Exhibitions
Last week, I went to the big exhibition presenting the work of Albert Edelfelt at the Ateneum art museum in Helsinki. When I sat down to listen to seminar presentations about his work, my parents came to mind. They would have liked to see the exhibition. And they would be amazed to learn that I went to see it because of my work. I wanted to examine Edelfelt’s brush strokes in real life because I’m currently painting works for the show called “Taiteilijat Edelfeltin tunnelmissa – Artists in the Mood of Edelfelt.”
It’s important to me to see what other artists have created. It makes me feel connected, discover new techniques, and it inspires me to do things a bit differently than what I see. I often ask: what’s lacking if this would be my work? In the painting above, I would have added abstract elements on the top, depicting music.
Pressures of Everyday Life
All work becomes mundane when you do it systematically and goal-oriented. There will be pressures that you didn’t even think about in your dreams. You have to remember to order the supplies in time, plan the sizes of the paintings, the subjects, and the schedule for each one, pick up dog hair from unfinished works at the time of shedding, clean the paint tubes, wash the brushes carefully, wonder if anyone likes the painting and worry if it’s finished or not. Making a series of paintings is always a financial investment.
But when I am washing the floor from oil paint stains or doing something else mundane related to painting, I want to remember how wonderful it is to work on this project.
After all, I love art history, and the very thought that my paintings go to the place where Albert Edelfelt spent his summers is inspiring.
Everyday Ponderings
Lately, I’ve been thinking about why I always deal with longing in my paintings. I easily lean into nostalgia. Albert Edelfelt depicted people and landscapes realistically, but he also sometimes dealt with history and went back in time.
However, the difference between me and Albert is that he was interested in how things could have really happened and did detailed background research. I’m more inspired by how things could have gone differently.
I don’t know how my parents thought my life would turn out. Many times it has gone differently than I would have guessed myself! Sometimes for good, sometimes for bad. Life as an artist is very unpredictable. Just when you think you have to stop, a new project comes up.
Everyday Task – Planning for the Future
One of the hardest things in being an artist is to always move forward and think bigger. When this year’s plans are set, the next year begins to worry.
Artists are always in progress and very similar to gardeners. When a person says: “My garden is now finished,” you know that it’s the beginner speaking. Gardens are never finished!
It’s the same thing with art – you will find yourself, but then you will change and have a new you to find. I try to get the most out of this everyday life because it too is about to change for sure.
Get Creative in Drawing Ornaments!
This month, the focus is on art history. Art history is often talked about in a very serious tone, but let’s examine it through imagination and start by drawing ornaments!
Ornament Tells a Story from Childhood
It’s fascinating that even if the ornaments are stiff and organized compositions, one can express a whole story.
The background of this drawing is a funny story from my childhood. When the school asked each student’s favorite food, I answered “Mansikoita ja kermavaahtoa!” – Strawberries and whipped cream” while the others listed macaroni dishes or meatballs. Both the teacher and the students were quite shocked by the answer, but I wondered how anyone would prefer to eat something so modest and usual.
This story tells a lot about how I’ve always wanted to get away from the mundane. I still want to draw things so that they look like a luxurious celebration rather than a gray everyday life. I like drawing jewels, lace, floral motifs, and swirls, and you can have a lot of those on the ornaments.
I often want to include people or animals too. For example here, I wanted to make the whisk half-human, and draw two fairies that enjoy the dessert.
The method that I teach for human poses in the course Doll World was very helpful here.
Inspiration from Antiques, Old Buildings, and Paintings
There are plenty of ornaments in my photo archive. When I visit old buildings, I go through doors, ceilings, wall panels, and floors, looking for nice ornaments.
I also love to examine antiques closely.
Old paintings often have lovely frames. Whenever I photograph one, I always try to include the frame in the picture.
This frame is like an ornament representing a palace!
Lots of Simple Shapes
The decorative appearance of the ornaments can mislead you into overestimating their complexity. When an ornament is taken apart, the shapes can be quite simple.
I love this kind of sophistication based on quantity and repetition, with which you can express anything – humorous subjects …
… or more serious.
This example shows well that you can also express light when drawing ornaments.
Ornaments Can Both Hide and Reveal
I am fascinated by the fact that although the subject can be drowned in decorative forms, it can also be brought out more directly and more concisely than in a regular drawing. Time travel to the past can become surreal when the horizon disappears and the items are arranged as part of a floating structure.
Ornaments as Collage Art
If drawing the whole ornament in one go feels too demanding, remember that the ornaments can also be collage art. You can glue individual elements so that they form a decorative tree or medallion. I have put together many kinds of ornaments from hand-drawn animals and hand-decorated papers.
You can also scan or photograph the drawings and assemble the ornament digitally with an image processing program. Here are animal figures and flowers from the course Animal Inkdom and a teacup from the course Magical Inkdom.
Drawing Ornaments is Expressing the World
After working with ornaments for a while, you begin to realize that the world is largely based on them. Surface patterns are everywhere. The beauty of organic forms can be found in all living things.
Ornaments build a bridge between the living and the non-living. They make the living an object and the object alive.
Hidden Love for Ornaments and How it Shows
I think that many of us have an innate need to design ornaments. Maybe you dream about designing fabrics or have a huge stash of them. Maybe you collect jewelry or save photos of them. Maybe you feel that something is lacking if you only draw or paint complete images and are not able to rearrange the composition so that it’s something more stylish and less representational.
I only realized this tendency of mine when I made ornaments as part of the illustration for a children’s book. Back then, I used transparent marker paper to design the symmetry, and my desk was full of different versions.
One day when picking the pen, I suddenly felt happy and meaningful: “I should do this more!” Since then, I have not underestimated even the smallest encounters with ornaments.
Drawing Ornaments Inspired by Embroidery
I relax from my work as an artist by doing cross-stitch and those projects also inspired me to draw ornaments.
See here how to draw and color an embroidery-inspired ornament – Doodler’s Sampler Step by Step!
Drawing Ornaments without Perfect Symmetry
I drew the last ornament with the ProCreate app. The good things about it are that the background can be kept separate so that the background colors can be varied and it is easy to create symmetry. However, I think completely symmetrical ornaments are a bit too stiff and boring, so I also made quite a lot of asymmetry for this ornament.
I hope you will start drawing ornaments right away whatever technique you choose!
Related Courses
- Doll World – drawing human poses – Buy here!
- Animal Inkdom – drawing animals – Buy here!
- Magical Inkdom – drawing fantasy – Buy here!
- Collageland – inspired by embroidery – Buy here!