Getting More into Drawing and Coloring
This week, I share a method that is helpful when you want to get more into drawing and find your style. It is called “topic-spirit-story-abstract.” With this method, art can open to you step by step!
For me, everyday life experiences, illustrations, creative writing, and abstract art are all connected. If I take something away, the chain breaks and my expression stiffens. Most of my creative work follows this “topic-spirit-story-abstract” method. I don’t always have to draw a spirit, but recently I’ve spent time in such abstract dimensions when creating computer art that I have wanted to play with the spirits with colored pencils.
Start with Template!
When you want to practice the method, start by making a template! Divide the paper so that you have a part for the spirit and another part for more abstract coloring. You can just draw a line or be more creative and make a circle for the most figurative part, and several other divisions for more abstract ideas.
Do some intuitive coloring with a light touch as a warmup before proceeding.
Method: Topic-Spirit-Story-Abstract
After the warmup, find a simple topic that you want to explore.
Think about your recent experiences and find something small and concrete there.
In the example, my topic was a recent visit to a garden center. My husband bought me a beautiful venus slipper orchid there.
Second, imagine a spirit that symbolizes the topic.
Use your imagination – anything contains a spirit!
In the example, I was thinking about the venus slipper and how mysterious and exotic it looks for a Finn.
Third, let the spirit tell a larger story.
What other associations come to your mind when you think about the spirit? Think about literature, music, food, movies, places – what comes to your mind that enlarges the original topic. What is the world that the spirit can open?
In the example, I started thinking about the Queen of Hearts in Alice in Wonderland and Asian culture: sushi and rice bowls. I also had just browsed Kaffe Fassett‘s quilting books and thought about the richness that can be achieved with colors and simple shapes. I slowly enlarged the mixed yet curated world that I was able to reach through the spirit.
Fourth, explore more the abstract side of the discoveries through the story.
Play with the basic shapes and make decorative borders, ribbons, and patterns.
I find it easier to draw abstract motifs, ornaments, and patterns after finding the spirit than if I start from a blank paper.
Optional: Write the Story!
After making the image, I like to put stories to words. This helps me to get even more into drawing and makes my work as an artist more meaningful.
Art is like a venus slipper. It’s like a plant in the back corner of a garden center. Those who only look at traditional roses won’t even notice it. But whoever dares to bend over the shy plant and curiously fit her mind to the shoe, becomes a master in a game where basic shapes break everything and then build a new whole. This way, the beauty of art is limitless, and not only on the surface.
Here’s another example that I made last week. Here, the center is reserved for the quote from the story, and the spirit and the motifs are in the frame.
Art is a spirit in a pencil. A single pencil is nothing. It doesn’t cost much, takes up very little space, and you don’t even notice it if it’s at the bottom of your bag. But still, a pencil can connect us to art. When I was a child, I played with pencils while my big sister was coloring. Every pencil had a personality and while I was watching my sister draw, my herbs grow, and my teddy bear rest, I had no idea that those little moments would dictate my future. Art back then was only a spirit in a pencil. When art is a spirit in a pencil, we say yes to a journey that takes us closer to who we are. We say yes to expression that has no limits. This freedom is why I want to support creating.
Getting More Into Drawing Frames and Borders
Decorative art is a bridge between illustration and abstract expression.
Reality consists of both organic and geometric shapes. The question is: how can you bring both of these worlds into your art and use them in a creative way?
I hope you find all this inspiring and helpful to get more into drawing and coloring.
From Painting to Digital 3D Art
This week I have a video that is made for all who love art and love creating art. It’s about my artistic journey from painting to digital 3D art. My new digital creations move and change color on screen and in virtual reality.
3D Art – Watch the Video!
I am currently making digital artwork in a three-dimensional world. I have received a grant for it from The Finnish Cultural Foundation. The project will continue until September 2024, but it has progressed to the extent that it is good to gather thoughts and show some results on a video.
The main programs I mentioned in the video are Nomad Sculpt, Blender, and Unity. My virtual glasses are Meta Quest 3.
The artwork is not finished yet. The most important thing that I need to do is the interaction with the viewer. I will also include sounds. Fortunately, the project still has five months left. The project is part-time, but on the other hand, breaks are good, because the ideas have time to grow.
Traditional 2D Meets Digital 3D
I understand that I am only at the beginning of everything that technologies make possible and where my artistic thinking can go. It’s exciting. For a long time, I have envied how the students of my painting and drawing courses have great enthusiasm to learn new things. Now I have this situation with digital art.
I am grateful to have been born in an era where all this is possible. With digital art, we have something Rubens and Kandinsky would envy. It would be wonderful to show them all this, even if it would be only just this video. I think a certain da Vinci would like to join Rubens and Kandinsky! There have always been artists who have wanted to see into the future and go on a journey to an unknown land. I think this attitude doesn’t break the tradition but keeps it alive.
What do you think?
Belonging Somewhere as an Artist
This week, I share my word for 2024 and thoughts about the good and bad in the sense of belonging. I also have a new finished painting!
See more pics at the Taiko art store!
I haven’t used acrylic paints on a canvas for a long time. But now I wanted to paint faster and not wait for the layers to dry.
Painting Freely
This painting took me a couple of long evenings and I deliberately left it abstract, because the subject of the painting is not about the flowers, but about the power rising from the ground.
Here’s how the painting started: loose strokes and juicy colors.
It’s easy to fall in love with colors, but when you want depth, you also need muddy colors: browns and greys.
I like to use several different brushes in one painting, and my favorite brushes are very thin.
The title “Muutosvoima – Driving Force” sums up what I want to tell with this painting. Muutosvoima could also be translated as “power of change.”
I believe that the best power of change is not the hype created by others, but the inner enthusiasm that has a grounded tone. Because isn’t it so that flowers only bloom when the earth warms up? Sunlight alone is not enough.
Belonging Somewhere – The Good and The Bad
I’ve been thinking about togetherness lately. It’s a wonderful feeling. For example, last week when many people commented on my post, I felt happy that this blog brings us together. One of the best things that has come with the internet is that you can be pretty weird and still find like-minded people.
However, the sense of belonging has its danger. Art is about walking your own path. Encounters are important, but you also need to go in the other direction to create something unique. As a teacher, I have often thought about how I could better guide people in their own direction.
Art is like a pot that you have to break first and then put together again. The pot can be broken in many ways and at best, you find your own way to put it together. You need a driving force to break the pot and then persistence to rebuild it.
Finding Your Places in the Art World
In my career as an artist, I have often wanted to be like someone else. I have envied popular artists and then later realized that I wouldn’t want to create the kind of art that they do. I realized that I would like to be popular in creating something else and somewhere else.
With experience, the art world opens up. Instead of one hall, you begin to see numerous smaller rooms. What is popular in one room can be overlooked in another. Being an artist requires a lot of self-esteem and the power to move from one room to another.
When you find one room that feels like your own, the sense of belonging is at its greatest. However, it’s better to move between several rooms and find many groups. At best, the artist acts as a bridge between different things.
My Word of the Year – Do You Have One?
My word for 2024 is Integrate. This year I have allowed myself to do more diverse things, but on the other hand, I have tied all the pieces together so that one benefits the other.
Have you chosen a word for this year? How has it been realized?
Artist’s Life – Starting New Media Art
This week, I share my latest new media art and thoughts about my career as an artist. This is a sequel to the blog post called Beginner’s Video Art that was published last month.
Unstill Still Life – Video Art
The video above is my latest artwork “Unstill Still Life.” I have done this largely by programming. I have developed generative algorithms that create and alter shapes. I have designed the individual shapes with a 3D modeling program called Blender. The models and the code are put together with the Unity Engine which is a software environment for developing games.
Inspiration from an Old Painting
With the artwork, I participated in the Finnish National Gallery’s Web3 community Alusta challenge called “Nature and Nourishment.” The Finnish National Gallery has many copyright-free images and the organization encourages artists to use them for creating new media art.
I have taken inspiration for the colors and surfaces, as well as the concept itself, from Fanny Churberg’s 1876 painting “Still Life with Vegetables and Fish.”
I love old paintings, so this challenge was made for me. It’s so interesting to examine the brush strokes and think about the 3-dimensional shapes that they are related to. And I have so much to learn in making generative art, that I need small challenges to keep heading forward.
I Will Continue Painting, But …
I am still going to continue painting traditionally but I also want to start a career in new media art. I want to bring back my skills in programming from the years when I was a software engineer and use those for creating art. I also have a degree in Industrial Design that helps a lot with 3D modeling. The grant that I received from The Finnish Cultural Foundation has enabled me to develop my style in new media.
But all this is not only exciting but hard too. Do you know that feeling that comes when you have to start life over again? There is enthusiasm in the air, but also some “oh no”.
Building a CV
For a full-time artist, most opportunities are based on a CV.
That was not a problem when I graduated in software design in 1996. I thought: “I have plenty of time to grow my CV.” Then, when I graduated as an industrial designer in 2009, life seemed to be halfway over, but I was able to get quite a decent CV by combining some old and new projects.
When I started working as a full-time visual artist in 2014, I didn’t think about CVs at all at first.
The picture above is from 2015 when most of my art was in art journal pages.
But when I moved forward in painting, the reality hit me – it was very hard to get accepted to exhibitions and organizations without a CV. Mine was practically blank at first, and it has taken a lot of time and effort to add rows to it.
The picture above is from last summer at the exhibition organized by The Albert Edelefelt Foundation. See more pics in this blog post!
New Media Art – New Career?
And just when I thought that life was almost over at the age of 55, this new media digital art came into my life and it hit me – I’m a beginner again with an empty CV. So, I need and want to participate in challenges, competitions, and exhibitions, to get accepted again. And I want to believe that I still have time to create this new kind of art, not only paintings.
Some leaves of the big plant are connected to an invisible virtual camera that moves around and sends a mirror image to them.
I learn new things about generative art every day and I am amazed that I have been given this long life to experience it. Gratitude is the overriding emotion that emerges from this new beginning. I am lucky in what I have seen in the development of information technology and what I have been able to develop and be involved in developing in the past. I want my future CV to tell the story of a girl who wanted to become an artist as a child, who fell in love with computers as a teenager, and who finally has the artistic vision and the technical tools to combine the two.
Looking Back Enables Seeing Forward
If you have been following my blog for a while, you must have noticed that my blog posts are often self-reflective like this one. Visual art-making needs self-reflection too. It’s useful to go back and see how things have changed to make future changes and take steps forward.
With the newest course Liberated Artist Revisited, I invite you to paint with me – to follow directions from Paivi many years ago, and then create more with the current Paivi. At the same time, you can ponder, how your art-making has changed and will change.
Liberated Artist Revisited is a limited edition – only available for purchase until the end of March 2024! >> Buy Now!