8 Style Tips from the Students of Peony and Parakeet
This spring, I have seen gorgeous pieces of art made from the mini-course Flowing Greenery. Like in the previous blog post, I want to share some of them with you.
Various Styles with Style Tips
This time I show pieces that are very different in style. I also include style tips and analysis. This kind of comparison can be positive and beneficial. By creating similar work and then comparing it with other artists’ pieces can make you understand more about your own signature style.
1) Warm and Dominant
The first piece is by Terttu Laitinen. Her way to use visually heavy elements feels like a weighted, warm blanket that you want to snuggle into! This piece makes you stop and calm down and still feel inspired! It’s so loaded with energy that the fruits could drop down at any moment.
2) Detailed and Holistic
Gina Meadows takes a step away and makes you think about your life as a whole. It feels like every element in her work has a designated mission, connected to the cycle of living. Her strokes are clearly defined, but living and expanding as she uses very few straight lines.
3) Playful and Social
Michelle Rydell combines round strokes with angular ones very playfully. It looks like every little leaf and cloud has a personality of its’ own. She is also a master of combining imagination with visual clarity. A clear focus looks always appealing.
4) Intimate and Symbolic
Terry Whyte‘s work is more intimate. It’s like the tree protects the like-minded couple. A lot of care and thought has been put into shapes of each element to make them look both aesthetic and meaningful.
5) Primitive and Mysterious
Ulla M. Holm combined William Morris with Henri Rousseau. Her own unique style goes perfectly with Henri Rousseau’s naive masterpieces. This is an insight that’s worth pondering: how could you combine your favorite artists so that they enrich your own unique style?
6) Decorative and Sophisticated
Patricia Bush has an eye for details. But she also knows how to make them differ in size and color so that the result doesn’t overwhelm you. You might stare the gorgeous pegasus first, but take a look at the trunk of the tree too. It’s wonderfully ornamental and has a very wooden feel. Sophistication in every detail, including the castle and the moon, is her magic!
7) Relaxed and Emotional
Meri Andriesse’s style goes to other direction. Her relaxed piece is more than all the careless elements together. Her strength is to create an atmosphere that any creative aspires to have. It’s loose and sunny, just perfect to get inspired and go creating!
8) Connecting and Thoughtful
Sherry Pollack has whimsical style with lively lines but it’s also extremely thoughtful. It’s like every little creature has its’ own thoughts even if the creatures share the same experience. This makes it so easy to imagine being among them. It feels like I could listen to the same sounds, observe the same things and join the conversation that is more spiritual than outspoken.
Flowing Greenery
When using the same mixed media techniques, how would your scene look like? This mini-course, Flowing Greenery, was published at “Imagine Monthly Spring 2016” art journaling class. It’s now available individually as a self-study class – Buy here!
You can also buy all the 6 monthly classes as a bundle. I will also release the classes individually one by one later this summer, and show more ideas on how to apply them.
Create your own fruit trees and whimsical animals, right now!
9 Collage Ideas from the Students of Peony and Parakeet
This spring, I have seen gorgeous pieces of art made from the mini-course Doodled Luxury and I want to share some of them with you. There were so many great pieces that choosing was difficult but this time I thought to share pieces that are very idea-driven. You can never have too many collage ideas, especially if you process several at the same time!
1) Many Variations of One Shape
Gina Meadows shows beautifully how hand-drawn elements are all like from the same family when created by the same person. I also love how it’s full of feather-like shapes. They repeat the idea of a free, observing bird.
2) Solid Ground
The second art journal spread that I want to show you is by Debbie Loftus. Her work is a wonderful illustration of the quote she has picked. This piece also reminds me of how we can create very free-flowing, beautiful mess that still speaks harmony. This can be done by simply making the bottom of the page strong and solid. This piece communicates how we as humans see nature. It’s full of weeds and still so beautiful!
3) Mystery That Can Be Revealed
Mary Werner’s lady looks a bit mysterious here – but wait until you see the second picture!
The lady has a secret, a dog who is her muse, making her to relax and take in much more than when walking outside alone. Mary has used velcro to attach the lady above the muse. Isn’t it a great idea to include a hidden mystery!
4) Spiritual Softness
Speaking of true friends, Stephanie Carney has illustrated two sisters. I love the way they look at the flowers, sharing the same experience. Examine how softly the round frame has been decorated and compare it to others! These kinds of little nuances can communicate a lot visually!
5) Real Person in a Fantasy
Terry Whyte made her granddaughter the central person. Isn’t this spread a treasure? Combine your hand drawing with the photos and start building your own fantasies!
6) Many Sides of One Personality
Satu Kontuvuori included her cat who is a very wild character. Even if she stays still in the image, it’s like the wildly flying bird is one of her many lives. If you are expressing a personality or any subject that has many sides, you can scatter it into various elements of the same piece. That way you will focus on one theme but still express it in a free-flowing and rich manner.
7) Focal Point Balances Richness
Speaking of focus … Christie Juhasz has a trick for creating a clear focal point. See how her mermaid is sitting on a white frame! Even if the work has full of details, white circle makes sure that the main character gets noticed.
8) Movement + Space to Breathe
Another great example of using circles: look at Betsy Eaton’s fish and how there’s a circular space around it. Brilliant! Another thing which makes this so appealing is the movement of elements. That dynamic feel has been created by adding swirly shapes.
9) Rainbow Softness
Kathy Lewis (a.k.a KjAllison) made a gorgeous spread full of multicolored elements, like mini-rainbows. This makes me think about macro photography and dew drops! Soft transitions of colors – why not use them in your next art journal page?
Doodled Luxury
This mini-course, Doodled Luxury, was published as a part of Imagine Monthly Spring 2016 art journaling class. It’s now available individually as a self-study class – Buy here!
You can also buy all the 6 monthly classes as a bundle. I will also release the other 5 classes individually one by one later this summer, and show more ideas on how to apply them.
Start doodling and collaging, right now!
Mid-Century Modern Style for Art Journals
This spring, I have published a new art journaling mini-course each month for Imagine Monthly. May’s mini-course is called Modern Mid-Century. This mini-course is all about mid-century modern style. You can use it to create decorative art journal pages that are not only flowers and hearts but show a wider range of designs.
Discovering a Magic Formula of Mid-Century Modern
The main inspiration for the Modern Mid-Century mini-course came from Annikki Hovisaari’s ceramic Peacock (“riikinkukko” in Finnish). Annikki Hovisaari was a designer in the Finnish ceramic factory Arabia in 1960s. We have the peacock on the living room wall. I look at it each day, admiring. So much can be expressed with simple shapes and thin lines! The mini-course includes plenty of samples.
When I begin examining a new style, I try to see what’s essential there. What could be removed without changing the impression. And also: what could be added without loosing it. It’s like calculating a formula for a certain style. The secret is not trying to solve the whole big equation. It would be too difficult and highly argumentative. Even the experts of 20th century styles argue whether something is mid-century modern or not. I try to avoid that and just pick few of the central features. Then I focus on their relationship, forgetting the rest.
The best art classes give you ideas that you can expand and adjust to your liking. Whether you like mid-century modern or not, you can use the basic formula. With that, you can move forward towards your own ideas and aesthetics. This kind of conceptual approach will bring focus to more personal than to the style itself. Instead of trying to follow the style, you will be making new discoveries through it.
I made a couple of small pieces after finishing the mini-course. The first one, on the left below, is a birthday card made for my husband’s nephew. The second is a digital piece combining the idea of mid-century modern and the concept of a watch.
Create Your Own Mid-Century Modern Art
Sign up for Imagine Monthly! You will not only get Modern Mid-Century, but all the mini-courses published so far, immediately after the purchase.
Imagine Monthly also has a private discussion group at Facebook. It’s fun to see what everyone has created from the mini-courses. In the middle of the month, I also lead a discussion topic related to the month’s theme.
I believe that every art journal needs pages that are handpainted and handdrawn. It is joyful to browse pages that are more like illustrations than just layers of paint. With Imagine Monthly you will get new formulas for stretching your skills and discovering new techniques. Sign up now!
Bringing Life to Illustrations – Coloring the Air
This is an art journal spread called “Chain of Generations.” I made this to express how decorative arts and crafts have connected women through generations. I feel I am part of that long chain, one foot in crafting and another in creating art.
From an Accidental Start to an Intentional Theme
The making of the art journal spread began almost accidentally. I had doodled a border on the right page a long time ago. Then many months later, I had quickly drawn a woman from 1920s and glued it beside the doodles.
A few weeks ago, I saw wonderful photos of Ukrainian folk art (pinned some to my Pinterest board Fantastic Folk Art). I got an idea of women connected with flying ribbons. I made a quick sketch with a pencil and then added more details with a drawing pen. I also got started with the coloring, but finishing felt too much work back then.
This happens to me often: I begin with one idea and end with another sometime later. I think it’s one of the best things in creating art and especially in creating art journal pages. When there are no fixations, surprising connections can happen. Like here, the women on the right are from different eras: Rococo and 1920s, just perfect to tell the story of how folk art and fashion and their timeless connection.
Inspiration from Atmosphere
While coloring the spread, I thought how I have always felt disconnected with folk art of my country Finland. Instead, I have always loved Russian and other Slavic countries’ approach to it. Finnish folk art feels very plain and unimaginative to me. Before the success in IT and education, Finland was a poor country. Many who come to Finland are surprised how few historic buildings there are and how modest the life seems to have been.
I have been born in Eastern Finland, near the Russian border, but visited Russia only three years ago. The grand atmosphere of the big churches in St. Petersburg made a big impact on me. The mosaics at Church of the Savior on Blood (yes, all the “paintings” are made from tiny mosaic pieces) lighted by the candles inspired my coloring.
The atmosphere in these kinds of old, precious buildings is amazing. As the theme of the spread was not only practical but also spiritual, an atmosphere of an old church felt a good choice to bring in.
Coloring “The Air”
Imagine that I had colored the spread so that I had stayed inside the outlines only. The page would have been much flatter, contained much less atmosphere and emotion. When I color, I also try to color “the air”. I try to think not only about the light but also how the air feels on the face and how it interacts with the light.
Things don’t have only one color when they are exposed to light. When coloring, think about the air and the lights flowing through space. Color over the outlines and show those less obvious, but so essential streams!
Buy the E-Book – Coloring Freely!
Coloring doesn’t only have to be calming. It can be expressive and inspirational. Purchase my e-book Coloring Freely to learn more about coloring freely with colored pencils. The book can be used with any coloring page or with any blank page. Buy now!