Three Brave Questions to Ask Yourself about Your Art
This week, I have questions about your art, and I will also share my answers as an example.
As an artist, you’re always asked: 1) where do you get your inspiration, 2) how is your art made, and 3) what does it represent or mean? But when you want to go deeper and find answers for yourself, answer my set of questions instead!
My questions about your art are not positive, but negative. They are braver, but also more grounded, and I think they can be more useful than the ordinary set. When you look at your art through what you don’t instead of do, it can be easier to see what’s truly closest to your heart. If you only dare to admit the truth…
Question #1 – What Subject Do You Always Return to (No Matter How Much You Resist It)
For some, it’s portraits; for others, landscapes. For me, it’s flowers. I actually feel a bit embarrassed about being a flower painter. A woman over fifty, painting flowers … you know the stereotype.
But I feel like my love for flowers and plants runs deeper than many artists. I have rare orchids, a flower garden, and I see flowers as pets with personalities.
But I also have to admit that I planned to create a drawing of a female figure for this blog post. It never got past the early stages; I just wasn’t inspired. Then I tried an abstract idea. I started several, but still nothing. I wasted at least four hours and filled the bin with my scribbles. Finally, I gave in and drew those flowers.
It was so much fun. I felt like I found myself again. “This is so superficial, Päivi!” a voice inside me said, while at the same time: “I love this world above the clouds, where flowers bloom, and everything shines.” So, I’m sorry to post flowers again!
Question #2 – What Do You Break in Your Creative Process?
Rather than convincing yourself how you follow the tradition and how you build the image, think about the cracks in your process. What should you do, but you really don’t? How does that affect your art?
There’s one stage I always try to avoid: sketching. Predictability just kills my motivation. That might be why I don’t draw people so often. When I was creating the course Doll World, I learned how to sketch human anatomy. It’s a very useful skill, but it didn’t stop me from avoiding it. It’s nice to know I can draw a person in any position, but at the end of the day, I’d rather be drawing flowers or ornaments.
For my oil paintings, I do some prep work by researching and writing down ideas. Sometimes I’ll doodle something small in my planner among the written notes.
But I do practice drawing a lot. Even the drawing for this post is kind of a study for my paintings.
However, I never recreate the same image. I want to break that predictability and leave room for those sudden “aha!” moments.
No sketching, no pencil/eraser thing – I’m a little embarrassed by this answer. I have so much respect for the old masters like Rubens and his peers; I think about them every day. I’m also constantly trying to improve my technical skills. But — and Rubens is probably rolling his eyes now — I try to do it without sketching!
Question #3 – What Do You Defy With Your Art?
The world is full of good things that inspire us and that we want to promote. Of course, we would like those things to add meaning to our art as well. But I believe that creativity can’t be forced. You can try to overlay meanings onto your art, but that will only obscure its essence and remove its clarity.
With my art, I’m not defying authority, climate change, social division, inequality, or war. There are many things I oppose as a person, but for some strange reason, they have nothing to do with my art. My art is about defying something as mundane as everyday life.
I respect those who capture the everyday, but that’s just not me. I’m not the kind of artist who sketches the houses in her neighborhood or portrays the ordinary lives of ordinary people. My art doesn’t come from the beauty of the everyday; for me, beauty begins where the everyday ends.
Now I should mention that I’m not a particularly “special” person myself, even though I’m a full-time artist. I work regularly and with discipline. In my free time, I mostly walk the dogs, take care of the plants, do crafts, and clean. I wear wool and cotton.
But when I’m making art, everyday life is far away. I admire the Baroque, rare collectibles, palaces, luxurious fabrics, and historical gowns. I’m a romantic, a nostalgist, and an avant-garde thinker—anything that rises above the mundane pulls me in like a magnet.
I suppose there’s something superficial and embarrassing in that, too. Isn’t luxury the indication of a materialistic mindset?
What’s Behind the Questions about Your Art?
Behind the awkwardly truthful answers, I see a kind of sacredness that inspires me immensely. It’s a connection to nature’s ultimate luxury, to my own intuition, and to a human-made beauty that lifts the spirit.
How would you answer these three questions about your art?
Intuitive Art Journaling
Art is more than re-coloring what we already see. This week, I talk about intuitive art journaling and inspire you to follow your spirit and create more freely.
Even if we continuously grow our skills as artists, the joy of art-making disappears if we use too much reasoning. It’s good to practice the technical skills, but it’s also important to arrange time for the intuitive ideas to emerge.
Two Words – “Intuitive Power”
“Intuitive power” – these words suddenly came to mind when I looked at my colored pencils recently. I have been painting a lot, and it has made me miss my colored pencils, those powerful helpers! So, while working on the last pages of my Dylusions Creative Journal, I have been spending some quality time with them.
I started with a house, but then moved on to color more freely. I wanted to catch the atmosphere of that place rather than stay in the material level, drawing windows and such.
The longer I have been an artist, the more I have wanted to work with invisible things. More than tangible things, I want to express the spirit and the complexity of the world that can’t be photographed. I want to create images that are more like keys to many questions rather than direct answers to one.
Intuitive Artist
Even if I have embraced and used the word “intuitive” for over ten years, I have now realized that it’s not just one word of the many, it’s “the word” for me. And I don’t mean to narrow myself with the word, but to expand my thinking and creating in the direction that feels natural to me.
More than a building, I want to visualize the spirit of the place – the sensations that it causes in me.
More than a face, I want to visualize the spirit of the person.
Art Journaling Without Words
Rather than words, intuitive insights can come up as pictures. So, intuitive art journaling can be as simple as creating a series of drawings. The connection with a certain color can be enough to get started.
Color is a hole, and if you jump in, you enter the immaterial world. Colored pencils are the easiest tools for breaking the ice between the inner and outer.
“Intuitive power” – what do these words evoke in you?
Choosing the Word for 2025
Have you ever chosen the word for the new year and then happily forgotten it? Me too!
But last year, I had a word that stuck in my mind. It was “Integrate”. My word for 2025 is “Release”.
Here’s what I have learned about choosing the word!
Too Much Emotion, Too Little Impact
Some words appeal more to emotion, some to reason. Most often, I have chosen a word that has an emotional appeal. For example, “Imagination”, “Depth” or “Play“. There are plenty of these kinds of soft words, here are some common ones: “Joy”, “Courage”, “Inspire”, “Create”, “Focus”, “Nurture.”
These soft words that make your imagination run wild may seem like good choices, but they have this downside: when you’re busy working, your head is full of rational words. Emotional words don’t come to mind at that moment. This way, the practical connection to the word is missing.
My word for 2024 – “Integrate” – was a rather uninspiring word at first, but it became more and more inspiring over the course of the year. The idea was that even though I was doing a variety of art – drawing, painting and programming digital motion art – I could look for connections between different art forms so that I didn’t have to reinvent everything. I could also value more what I had created in previous years. This union of old and new worked out nicely, and with the word, I began to see my artistic career as a whole and not just an attempt to improve my artistry piece by piece.
The best thing about the word was that it didn’t describe the actual result but solved how to get there. So when I encountered problems, “Integrate” often offered at least a partial solution. That way the word came to mind repeatedly and helped me in situations when my inspiration was at its lowest.
Word That Changes Your Life
I think the best words are those that initiate change for the better. I have often chosen a word that is already familiar and doesn’t make me change anything. This year, my first candidate was “Elevate.” It sounded too soft, so I found a similar rational word “Upgrade.” But since I always try to improve my actions and the level of my art in general, I rejected “Upgrade” and chose “Release” instead.
To me, “Release” means letting go of what I’ve been holding in my heart and letting it come out. I want to give myself permission to be naive, naughty, brutal, overly cute, everything and anything, and start to blindly believe in my artistic vision. Release also means publishing what I’ve done openly and regularly and working with that in mind. Letting go and publishing is a bittersweet combination that really challenges me.
Release also means that I can let go of things if they hinder rather than help the cause.
Drawing the Word for 2025
Writing about the word is good, but I also wanted to process the word by drawing.
By drawing, you always find new dimensions. Even the hardest words become softer and create emotional connection.
One thing leads to another. I love this way of drawing where the result remains a surprise for a long time.
I combined colored pencils and markers here. I like the soft impression of colored pencils, but I used felt-tip pens in the highlights to intensify the colors.
When the drawing was half-finished I compared it to the little pieces I had drawn during the Christmas holiday.
The colors still needs to be strengthened and details adjusted.
Finding the Connection with the Word
Even though this drawing isn’t very big, about letter size, there are a lot of details. I took many breaks and it took me about 3 days to finish the drawing. For the illustration that combines the right and the left brain, it’s important to find the connection between all the details and understand how they express the word.
This drawing depicts my childhood in the 70s with plastic animals and daydreaming. The drawing feels revealing to me, although its style is playful.
Even if the picture feels a bit private, I want to share it with you: release, you know!
What’s your word for 2025?
Are you going to draw it?
Magical Cat and Its Many Lives in Art
This week, I present a new cross-stitch pattern based on my drawings, and ponder about my word for the year: “integrate.”
It’s finally time to release the cross-stitch pattern that you, my dear blog readers, voted for in April. The pattern is based on the cats drawn for the course Magical Inkdom.
Magical Inkdom is one of my most popular courses, so no wonder so many suggested choosing a cat for the cross-stitch design.
Magical Cat Cross Stitch Pattern
The pattern is called Magical Cat. It features a soft and cute cat with sparkling eyes. I like to decorate, so I did that for the cat too. I have taken inspiration from fabrics and jewelry. The color scheme is sweet and happy, and gray serves as a good background for all the pinks, greens, and yellows.
The pattern is now available for digital purchase in my little Etsy shop Needle and Peony. In addition, you need embroidery threads, suitable fabric for embroidery, and of course scissors and a needle. Information about thread colors is on the pattern page.
I have embroidered the design on 14ct aida fabric and it measures approximately 10 x 10 inches. You can embroider just the cat if you want a smaller model. And when it comes to cross stitches, choosing the higher density of the fabric makes the model smaller.
Integrate!
When taking photos of Magical Cat, I have been thinking about what I want to give to the world as an artist. My word this year has been “Integrate” and I have allowed myself to try all kinds of things as much as I could combine them with what I have created before.
I’ve created many different things, for example, motion art based on my paintings.
And my latest course Joyful Coloring combines watercolor pencils and modular thinking, where the picture is built piece by piece.
Now, when I look back on the year, not only “integrate,” but also additional words come to mind.
Repeating Themes
One is “design,” because I’ve been using things that I learned in the industrial design degree.
The second is “techniques” because I have learned a lot of new ways to create.
The third is maybe “confidence” because even though I’ve been in the discomfort zone many times, I’ve stubbornly convinced myself that I can do it all. That has led to new confidence – I can finish and publish all kinds of things and not just leave them as experiments. Finishing gives me a lot of satisfaction.
Purchase this painting from a Finnish online art store Taiko!
Maybe the fourth word is “joyful” because most of what I’ve done has brought me joy, even though it’s been hard work. I hope that the variety of projects that I have presented in this blog has brought joy to you too. My magical cat has had many lives indeed!
But today when I look at my results, I see them as scratching the surface in many directions. I want a new strategic word for next year. I haven’t decided on the word yet, but candidates are at least “elevate,” “expand” and “deepen.”
What do you think?