Since 2008, I have had a dream: teaching how to design and make folk bags. When I invented the idea of the folk bag, I drew a sketch. That sketch was the first piece in the pile of documentation gathered for the workbook.
The workbook has 40 pages and about 100 images. You will be guided from the planning to the making of unique folk bags which you can keep, give away or sell.
I feel so happy and relieved at the moment!
The book includes instructions for three folk bags: one small with stripes, another large with solid-colored fabrics and third medium with printed fabrics. But the best thing in the workbook is that it guides you how to create unique bags in various sizes. Starting from choosing the theme and fabric and ending with setting the final decorations in place!
Buy the book for 15 euros (about 18.50 USD) here or from my Ravelry store
At first, I should probably give you a warning: I am in the middle of the chaos, this not so organized as my posts usually are! With this post, I invite you to the process of writing a craft pattern. I have had this idea for 6 years and it has become hugely important to me.
I designed a drawstring pouch which combines yarn and fabric in 2008. I have made tens of those bags, which I call folk bags, during the years and dreamed about writing instructions of how to create them. Within years I have learned a lot of making these bags. What first started a simple idea and simple sketch of a pattern, has become much more. It became clear when I began working with the pattern that I won’t be writing a regular craft pattern. I am writing instructions and formulas about how to design and customize folk bags so that you can make your own unique bags.
Writing a pattern is not just writing. I have to test each sentence for many times. So I need to actually make more bags while I am writing. Going to the fabric stash in the morning feels as inspiring as grabbing the pens and paints. What I find challenging is to go back and forth from knitting and sewing to writing. I do not know if it was a good idea to make the pattern both in English and in Finnish – and write the both language versions at the same time! Sometimes I get so mxed up that I have to translate the most simple words from English to my mother tongue Finnish! The good thing with working with two languages at the same time is that the instructions get checked much more carefully.
I knew I had taken a lot of photos of my bags during the years. It seemed to be a good thing. All the ideas that I have had and that had been implemented are recorded. Furthermore, I have a special folder in the photo organizing software where they all are. And yes, that’s great. But there are over 500 photos plus the new ones I have took during the writing. I need to pick the best images for each chapter and then process them. There’s still 250 photos to go through and few more to shoot.
After all this, I still have to confess that my heart sings when I am writing the pattern. I hope that with this work I am able to spread more joy than if only I made the bags. I wish that there will be more people experience the joy of both making the bags and receiving them.
I hope to get the pattern published in this month. I already have finished many chapters and soon I will begin to insert the texts and images to the desktop publishing program. The working title of the pattern is Folk Bag Workbook. It will be available for purchase in my web site and at Ravelry.
Next week I have more news, also textile related in a way!
Karelian pies – tears come to my eyes when I remember a childhood memory of my past mother making them. And her story of my grandmother who made a pile of those for her six daughters every Saturday. Just some water, flour, rice and butter was needed. Or well, that’s what I thought before I made some by myself after moving away from home. Patience too, I recognized!
I wanted to experiment with creating something not so serious. So I recreated Karelian pies. These mixed media pies are made of fabric, wool, lace, beads, buttons etc. And they look like baked after I added some fabric dye in the edges.
When making these I remembered the emotional connection I have for the Karelian pies. They represent caring and love for me. In the area where I grew there where no celebration nor funeral where Karelian pies would not be served. The finer the occasion, the smaller the pies – and there were a hundred of them!
I thought I would create a fantasy world with my pies, linens and fancy tea but my thoughts became more real than I had ever suspected. I became to think how important people from the past quietly fade away when the time goes by. And how we can bring them back to our minds. Like inviting them for a cup of tea, even only in our thoughts.
While taking the photos I remembered a small table linen that I had embroidered as a teenager. Back then I dreamt about the future and wanted to make something very traditional Karelian for myself to treasure. I was inspired by the stories of how young women made their linen before they stepped into the marriage. That embroidered piece combined with the Karelian pies really speaks to me.
Art is freedom. Give yourself the freedom to create! You will get something precious in return.
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I needed new mittens so knitted them using some leftover yarns. But when finished, my knitted mittens looked so plain! Even if I had knitted stripes to make them more interesting. I got an idea: I crocheted embellishments which I sewed on the mittens. Yes, I like them now! Very folk with a modern twist!
The mittens were finished but this story is not over. I began to think how I got the idea about the crocheted embellishments. Well, you know my love for collages. I was thinking about collage mittens! I find these words most inspiring when combined: collage and mittens. I got plenty of ideas how I could take the concept even further and begin combining crochet, knit, quilted fabric, ribbons and so on. Probably I will make those crazy collage mittens next winter.
Remember, if you need new ideas, think about naming your project by thinking how they would call it in another substance area. For example, how would carved mittens look like?
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