Artistic Spirit between Abstract and Realistic
This week’s theme is the artistic spirit. I share a new painting, glimpses of my painting fever, and inspire you to explore the zone between abstract and realistic art.
Here’s an acrylic painting that I just finished yesterday. It’s called “Paradise” and it’s quite big: 61 x 50 cm, about 24 x 19,5 inches.
Painting at Late Evenings and Wee Hours
I like to paint in the late evenings when the world quiets down. Now when it’s summer, Finland floods in light, and nights are short. When the blackbirds begin to sign at 3 am, I know it’s time to wash the brushes.
After a long night, I rush to the studio in the morning: “What have you done! You’ll never be able to finish it!”
But with this painting, I decided to accept whatever comes up. And with that, I have a little story to tell. I shared it on Peony and Parakeet’s Facebook page recently, but if you missed the post, here it is, with one of the paintings from the teenage years.
My Story about Artistic Spirit
As a teenager, I browsed big art books at the local library. I started hanging around with Matisse and Picasso and they said: “Hey Paivi, take this obsession from us, and make the most of it.” First, their inspiration was like a fever: mustpaint…mustpaint… mustpaint. Then, after too many matissepicassos, it became a burden and I went to study engineering.
During the past five years as a full-time artist, I have been hanging around with other guys – like Da Vinci, Caravaggio, and Rubens. Even if I first thought so, they are not much different. After too many rubenscaravaggios, the empty feeling takes over again.
But recently, I went to my studio secretly, picked the brushes, squeezed the paints, and in silence, I met a spirit. It was not me or any of my masters, but the spirit that arrives when we are ready to let go of the ego.
To paint like me, I need to let go of me. I am pretty sure Matisse and Picasso already told this, I was just so impressed by their names that I didn’t listen.
Abstract, Realistic, or Stylish?
Every time I make a class, I don’t only teach but also learn new things. The newest class Decodashery boosted my confidence to paint decorative motifs right from my imagination. Between “abstract” and “realistic,” there’s a zone that’s “stylish.” Then you simplify what’s real, and complicate what’s not. By simplifying, you dig the artistic spirit out of tangible things, and by complicating geometric shapes, you make the spiritual things more tangible.
I really like this painting, and hope that you enjoy these close-up pics too.
Wishing you many happy moments with painting and drawing!
Back to Nature – and Back to Acrylics!
When building the class Decodashery, I started to enjoy acrylic paints again. They have vivid colors, and they dry quickly so layering is easy. This piece is called “Back to Nature.” It has a similar playfulness than this small painting that I shared last week.
I found more old paintings (see this post!) to paint over, but this time I added gesso on the top of the old “masterpiece”, and then painted it with turquoise and green tones.
Then I painted some rectangles which helped me to invent more shapes.
My word for this summer is Refreshing. In the photo below, I am holding “Back to Nature”. The other paintings are still in progress, but I try to make them as refreshing as I can, and also, feel as refreshed as possible after every painting session.
Green seems to be the color now! Is there a word or a color that you particularly love nowadays?
Strawberries and Inspiration – Watch the Video!
This week, I have a new free video for you. In the video, I create this small watercolor painting and inspire you to create art as well, even if all you can come up with would be just a few strawberries!
With this video, I invite you to join my new class Decodashery where we paint beautiful art with delicious colors.
Decodashery will begin on June 29, 2020. >> Sign up now!
Art Inspiration from Flowering Trees
Here’s my latest painting, “Dulciana.” It’s inspired by flowering trees and their power to bloom year after year. This spring was special because I got to see blossoming cherry trees in a park that was filled with them.
Embracing the Decorative Side of Art
This spring has also been different concerning my artistic endeavors. I have been building a new class, but a little slowlier than what I usually do. I have been really intentional about what I include in the class and how the class is structured. It’s has felt like it’s my life’s work even if it’s still a very light-hearted and fun class.
The class is called Decodashery, and it dives deep into the decorative side of art. The projects that I have made for the class have given me new skills and ideas about including decorative elements in my intuitive paintings too.
Light Paints the Flowering Trees
Now when summer has come to Finland, I have also spent more time in the garden. I wouldn’t really have to because my husband is crazy about gardening. He has found his passion, and I am so happy for him.
But when I look out of the window, and the sun is shining, I can’t help going there, walking and weeding, taking photos, and admiring how light paints the view.
And when I start a painting, I can’t help thinking about light, and how essential it is for the magical atmosphere.
So most times, when I paint freely, I start with random strokes expressing light and shadows.
Art, Cembalos, and Flowering Trees
To make the painting shine softly, I like to add washes whether I paint with acrylics, watercolors, or oils. Washes have just a small amount of pigment and plenty of painting medium. For washes, I use water in watercolors, water and glazing gloss in acrylic paints, and the mixture of dammar varnish, french turpentine, and linseed oil in oils. This one is an acrylic painting.
When I paint without any assignment, I usually do it late at night. I listen to cembalo music when I start digging out the elements from the mess. Cembalos sound like the light I want to capture in my paintings. The sound is pompous and full of energy, and still, there’s something so delicate and vulnerable that it almost shatters.
The vulnerability is also in the flowering trees. They seem sturdy and unapologetic, but they know how bypassing the blossoming is. It looks like they miss the flowers already, and the dark trunks feel heavy and burdened by the upcoming work of making fruits of them.
I try not to make one painting at one go but take several sessions. Like trees, the painting also has seasons. It needs time to grow, and time to rest.
Often it feels that when I am not painting, the painting progresses best. Ideas come when I get out of the studio and talk to the trees.
Endless Flow of Swirls and Ruffles
After making the projects for the new class, Decodashery, I have enjoyed painting decorative shapes than ever before. I especially like swirls and ruffles.
Similarly than old cembalo music sounds like a melody that never ends, all kinds of little curves can make even a small painting feel like it’s a world of its own. The eye travels from one place to another so that there seems always to be something to discover.
Here’s “Dulciana” with the last week’s painting “Ceruleana.”
Decodashery – Registration Will Open Next Week!
The registration for the new class Decodashery will open next week, and the class begins on June 29.
In Decodashery, we will create a beautiful and comforting world that has some jazz too. We will enjoy painting flowers, lace, cakes, dollies, and break the border between vintage and modern art. When building it, I have been inspired by Jane Austen movies, old jazz clubs, Russian handpainted floral plates, and skillful crocheters and cake makers around the world. I hope you will join us! Until next week!