Hearts and Flowers – Draw Freely with Me!
This week we will grab colored pencils and draw freely in full color. Follow me step by step!
This exercise is set so that we start simple and then get more creative. If you are a beginner, you can stop earlier, and if you have more skills and patience, you can go to the very end. You only need paper and colored pencils. I drew the picture in my colored pencil journal.
Step 1 – Draw a Flower and a Heart
Pick a brown or blue colored pencil and draw a flower and a heart.
There’s nothing creative here, these are just the basic symbols of a flower and a heart. Place these on the corner of the page so that they are like a starting point for the rest of the image.
Step 2 – Draw a Tilted Flower and a Heart
Now draw a flower and a heart so that they look tilted. Having variation makes the image!
Instead of a circle, draw an oval for the center of the flower. Change the length of the petals gradually. Draw the other side of the heart smaller so that it’s not symmetrical anymore.
I like to add some color right away – not much, just a light layer as a warmup.
Step 3 – Draw a Big Flower and Then a Heart Behind It
I bet your flowers and hearts are pretty similar in size and placed separately – like mine are! Let’s add variation by drawing a big flower and by placing a heart behind it. So here, the heart is only partly visible.
Again, I drew the flower a little differently than before. I made the petals go on the top of the center. Now when the flowers and hearts are all a bit different, they look more lively too.
Step 4 – Color the Hearts and Flowers and the Background Around Them
Now pick a wider selection of pencils and color the hearts and flowers. Also, choose a background color and add some of it to the background.
You can adjust the outlines if needed with the background color. Color lightly and leave most of the background blank.
Now you have a cute little drawing, but let’s draw more freely next!
Step 5 – Color Flowers on the Background
We now have stereotypes of flowers, but let’s go further and question them. When a flower wants to be free, it becomes less defined, and the center disappears. Make the background more lively by coloring three big blurry flowers freely.
Without thinking about typical flowers, color stripes that go in different directions. They can have different lengths, be straight or curvy, and the result can look pretty odd!
Then color rectangles on the top. Make three blurry flowers total – sets of stripes and rectangles, that is!
Connect the elements so that the new ones go a little behind the old ones. When you want to create an emotional connection, create a visual connection!
Step 6 – Color Hearts on the Background
Without outlining, color a set of hearts with the background color, and then make a second set of white hearts by coloring the background.
Color around the heart, not the actual heart! The hearts can have various sizes. Place a part of the hearts near the edges so that they are only partly visible.
Then add more background color so that it goes partly over the background elements and makes the image a little darker and calmer.
Now you have some free expression, but next, let’s go further and add more drama!
Step 7 – Color a Dark Path
Light always shines more brightly when there are also dark colors. Pick black and other dark pencils and plan a path that goes across your image from one corner to the opposite side of the center.
First, color the chosen corner and the nearest edge. Then move towards the center. There, add shorter stripes and spots that mark the path and highlight the best parts of the image.
Now you have set the basic lighting. But in nature, light often travels less straight and makes the overall impression less stiff.
Next, we will get creative and free up the light!
Step 8 – Draw a Freeform Line and Color Its Sides Differently
Take a deep breath, and practice first. Stand up, and move a pencil in the air so that it creates curves. Then sit down and draw a curvy and continuous line that goes across the page.
Draw freely and lightly!
Then color around the line so that light and shadows alternate there. When darkening an area, notice that you can also color smaller shapes and patterns instead of using a solid color.
Hearts and flowers can also interact with the division so that they add more little curves to it.
Here, the petals push the line away, creating small bumps.
If you want to add more interest to any other area, you can do the same: draw a line and then color the sides differently.
Now you have an atmospheric image, but does it have a message?
Next, let’s ponder what to express and color a little more!
Step 9 – Finishing with a Message
Ask yourself: what element do you like the best? My favorite thing was this blurry heart.
Even if it’s not a centerpiece like the big white flower, it felt like a force that affects the scenery the most. I often discover this kind of “background force” in my drawings and paintings. It seems to be the most strongly connected with the overall message that I want to tell.
The pink heart is like a lady who makes everybody fall in love with her. I want the overall scenery to look feminine but also have elements that include agony and the more desperate side of romantic feelings. I like the tension that I gave with some sharp lines and dramatic curves.
Because everything has two sides, often finishing with the message means adding more tension. It makes the image feel more real and more relatable.
I hope this inspired you to draw freely!
Let’s Get Inspired by Tassels!
This week, we dive deep into the soul of tassels and get the most out of our creativity.
Here’s one of my newest paintings called Church of Saturn. This oil painting is a part of my series Linnunrata – Milky Way, where I explore planets and outer space. (See previous work: Jupiter here, Uranus here, the Moon here, Mercury here, Neptune here, Pluto here, the Earth here, Venus here, and the Sun here!) When I painted it, I thought about the rings of Saturn, the god of agriculture, branches and twigs, an old wooden church from my childhood, wabi-sabi, and the beauty of – tassels!
Tassel Dolls
When I was living in Eastern Karelia in the 1970s, the simplest doll we could make was a tassel doll. I painted it in watercolors so that you can check if it’s something that you had too!
The doll was made of wool yarn and so simple that even a 5-year-old could make it. It’s a good example of a thing that is not valued by our adult self, but that brings up our inner child: “Hey, Miss Tassel, where do you want to go?”
Tassels as Extra Decorations
I rediscovered my love for tassels in 2018 when I participated in the Inktober challenge. Back then, I thought of tassels being a fun accessory and I have enjoyed using them as extra decorations in my drawings.
This week, I drew a new tassel for my boxes of joy and had a lot of fun making it.
First I drew some circles and lines with a black drawing pen, then added textures and shadows in the style I each in the classes Animal Inkdom and Magical Inkdom.
After colored pencils, I picked some other hand-drawn pieces from my boxes and admired the luxurious collection.
Who needs shopping when you can have your own personal store and draw all the good stuff for it!
Blowing Life to a Tassel
A tassel drawing can be more than a decoration only. You can have more fun by playing with it so that it will get a personality. Imagine a tassel as a person or an animal – a living thing. Here I see two tassel ladies on a stroll!
Now, the tassel has a mind of its own. An artist can see any simple object as an element of expression.
In the painting “Church of Saturn,” the tassels have a spirit that makes them an integral part of nature.
These tassels are organic, and the style is abstract rather than illustrative.
As artists we need to do this – go beyond what’s expected and commonly seen.
Ornamental Figure with Tassels
In the class Magical Inkdom, I draw a funny bunny with a tassel on her head and now I got the idea of making an ornamental figure so that the tassels form the body.
To make a symmetrical ornament, I traced the tassel three times on the right side marker paper. Marker paper is thin so it’s easy to see through it.
Then I taped the paper to the window and traced the three tassels on the left side of the paper. I added additional elements to the center and some facial features too. My tassel doll!
But when I continued the drawing, I got a crazy idea of a knitting hamster. Tens of years ago, I was a hamster breeder, attending shows and everything. I know those little animals well! Knitting is one of my favorite hobbies and the thought of a hamster collecting all the yarn and trying to knit it made me smile.
Then the word “Knitwork Orange” came to my mind, and I included the orange as well!
Here’s me, in the middle of the night, knitting away!
Tassel Dolls on Mars
Last spring, I had a small canvas that was first just a mess. I like to start my paintings in this intuitive way and without a plan. I had some leftover paint so nothing was wasted.
The first ideas are terribly traditional and mine was to make a vase with flowers.
But after this, I was taken to another planet, to Mars! There, tassel dolls met art deco, and I had a lot of fun finishing the painting with all the decorative details.
I love the Great Gatsby movie from 2013. It has the best party scenes and good music. I had a lot of fun creating a tassel doll party that took place on another planet.
This small piece ends the Milky Way series – 11 oil paintings from March to May. I have taken a break from creating art, but feel like I am recovering now. Thanks to making the tassel drawings for this post! I hope they work for you too!
Expressing Moonlight Magic
This week is about the moon and expressing the magic!
Here’s one of my newest paintings called Kuutamon Taika – Moonlight Magic. This oil painting is a part of my series Linnunrata – Milky Way, where I explore planets and outer space. (See previous work: Mercury here, Neptune here, Pluto here, the Earth here, Venus here, and the Sun here!)
Experiencing Moonlight Magic
One night in April, after a long workday, my spirit was low, and I felt tired. But after stepping outside to take the dogs out one more time, I saw a beautiful moonlight. I even took a picture but just with my phone camera, and the photo doesn’t do justice to the sight.
Everything looked black and white at first, but after a while, my eye saw a subtle variety of tones. It was like a message from the moon: “Paint me next! Let me be a part of your galaxy!”
Fantasy Art Connects Imagination and Past
This was not the first time expressing the moonlight magic. A few years ago, I started to feel that my art needed more fantasy. I had begun to follow many fantasy artists, for example, Jasmine Beckett-Griffith and Annie Stegg. Imaginative realism – as the genre is called – felt inviting. In 2018, I participated first time in the Inktober challenge, and in 2019 I made a class called Magical Inkdom.
The world of Magical Inkdom is playful and colorful, but so that some elements look historical, just like in imaginative realism, where the story often happens in the past.
I wanted fantasy art to be present in my upcoming show too. So I wanted to make a painting with a similar historical yet fantasy-oriented look. My goal was to create a traditional floral but still include something that would tickle the imagination and feel magical.
A slightly extraordinary composition and a combination of both decorative and more abstract elements make this painting stand out.
I am also surprisingly fond of the color scheme and it was much more fun to paint than I expected.
Expressing Magic and the Ability to Disappear
A part of the magic is that something almost disappears and then appears again, just like the moon in a cloudy sky. There are lots of blurry elements in this painting, even if you might not notice them right away. A sharp line and some dots on a blurry spot make the flower.
Old master painters of the 16th to 18th centuries used this technique a lot.
For example, look at the hair and the pearls in this portrait. Just blurry spots that have been sharpened with lighter and sharper strokes and dots. Don’t they look magical!
Preparing for the Show
This painting is small, 30 x 50 cm. Here’s a quick snapshot where you can see the size better.
I am currently varnishing paintings for my upcoming solo show in June. All the tabletops are full and the not-so-pleasant odor is in the air. I hope to have photos of the show next week.
P.S. Magical Inkdom is for sale until June 16th! >> Buy here!
Coming Up with Ideas that Make You an Artist
This week’s blog post is about working with ideas that bring more of you together and make you an artist.
Here’s one of my newest paintings called Merkuriuksen lämpötilat – Mercury Temperatures. This oil painting is a part of my series Linnunrata – Milky Way, where I explore planets and outer space. (See previous work: Neptune here, Pluto here, the Earth here, Venus here, and the Sun here!)
My first intention was to create Mars, not Mercury, so I started with sharp strokes and fiery colors.
But it happened that Mars appeared in another painting, so I changed the subject after the first layer. This wasn’t hard. All I needed was to get back to left-brain thinking, which I call my inner engineer.
Fact-Finding for Artistic Inspiration
It has been fun to find out facts about the planets. I have also had great discussions about them with my husband. We both love science and are interested in the bits of information about outer space. The mind-blowing fact about the planet Mercury is that its temperature varies about 650 degrees! Night and day in the same location can have very different temperatures.
I try to keep the fact-finding separate from the painting process as possible. I want the facts to be just one of the many inspiration sources and be intuitive and inventive during actual art-making. For example, in this painting, I also thought about pattern designs, interior decorating, wallpapers of William Morris and Designers Guild, fantasy stories with unicorns, gardening … all kinds of inspiration got mixed into one piece.
Hidden Love for Natural Science
Over a couple of years, natural science has got more and more impact on my art. However, I have been pretty quiet about it because it feels weird to talk about science and then show flower paintings. But now, my inner engineer said that Mercury Temperatures is the only appropriate name for the piece, and I noticed how happy she looked, being involved and accepted more than many times before.
This spring, I have learned a lot about leading myself artistically. I have noticed that if my inner engineer can provide concepts like “temperature changes” rather than direct images, my inner artist can then tie them freely with visual ideas. Together they form an effective pair. My inner engineer can provide exciting ideas based on her background studies, and my inner artist can still get all the creative freedom she needs.
Digging Deeper into the Professional Identity
It has started to feel that there’s a reason why I first studied engineering, then moved to design, and only finally to art. I play with the question that if my career had started as an artist, would I be studying technology now? It feels that my ideas are on several levels, and if I omit the science level, something is missing.
For years and years, I have been trying to manage what my inner engineer can do and how she should not disturb the inner artist. But now, when I have given the inner engineer a significant role, the inner artist hasn’t complained at all. On the contrary, it feels like the artist praises the engineer and vice versa.
This understanding has also closed the gap between design and art. Some of my work can now be openly more design-oriented than others. My inner designer had a lot of fun participating in this painting.
I feel happy about being able to use my curiosity about natural science in the artistic process. I have even started to think that my background in technology and science can be one factor that makes my art unique, even if it doesn’t get the leading role when marketing my work.
Coming Up With Genuine Ideas
We often think about using the skills from one profession to another very literally. But the identity in one can be used for another when we get to the level of ideas and inspiration. Every field has pieces of information that are super inspiring, especially if you already have the foundational knowledge of the area. With the knowledge, your imagination can build bridges between what is and what could be.
Ideas that make you an artist are not about art.
The artistic identity is more like an umbrella rather than an individual thing. An artist is a connector rather than a lonely one on a closed island.
What do you think?