The Magic of Watercolor: 5 Tiny Joys
Let’s talk about watercolors and their magic! I find the process of creating a floral watercolor painting joyful in many ways.
Here’s my first watercolor painting of 2026. The title “Toiveiden tuoksu” could be translated as “The Scent of Wishes” or “Desired Scent.”
Tiny Joy #1 – Randomness
It’s so much fun to leave a paper with random splotches of water and paint and then come back and see what has been born.
As a former engineer, I love to bring order into the randomness.
Tiny Joy #2 – Slowness
When I turn on a good audiobook and start painting the details, time seems to stand still.
I remove the watch from my wrist and slowly move from one detail to another while listening to a captivating story, often a suspense novel.
When I paint slowly, one section has time to dry before I move on to the next.
Tiny Joy #3 – Translucency
I don’t know of any other medium that is as translucent as watercolors. When paint is thin like a film, the effects are pure magic.
All you need to do is wait for the previous layer to dry, and then apply watery paint over it.
I especially love using this effect on the outer petals of flowers. Painting a new layer with a flat brush is like pulling tape over the painting.
Tiny Joy #4 – Accuracy
Small brushes are my best friends in watercolor painting. I enjoy picking just tiny amounts of paint and using a brush as if it were a pen. I love to make tiny corrections with a thin brush and have full control of the central parts of the painting.
Creating a small, concentrated mixture of colors and water feels like preparing a secret ingredient on the palette.
Even if my paintings are minimalistic, I feel like a minimalist when picking a small dose of paint from the palette.
Here’s a close-up of the central flower in the finished painting.
I enjoyed painting all those details, including the petals. Notice that I let the random spots dominate some parts.
Paint watercolor flowers freely without references!
See courses Wild Garden and Freely Grown!
Tiny Joy #5 – Cleanliness
Watercolors are easy to clean. The brushes are quick to wash and don’t wear out much. I use a plastic plate to cover the tabletop, and it’s easy to wipe clean. Compared to oil painting, it’s much quicker to both start and finish the painting session.
What little joys did I miss? What would you add?
Making a Creative Impact – My Words for 2025 and 2026
I like to choose a word for the year that guides my actions. In 2025, it was “Release”. This year, it’s “Impact”.
I think that Impact is a natural continuum of the word Release. Once you have learned to release a lot, it’s time to learn more about making a creative impact.
Have You Chosen Your Word?
Tips for choosing your word from last year’s blog post:
>> Choosing the Word for 2025
Discover your word through art journaling from 2019:
>> Guiding Word – Choosing and Visualizing Your Word of the Year
How Did My Word Work in 2025?
In 2025, I released a lot. It was not only because I wanted to, but also because I had to. The year was very challenging financially, and the world events have been depressing. It has meant bad things for the Finnish economy as well.
My art year could be divided into three sections: oil painting, watercolor painting, and drawing/art journaling.
Reflections on 2025: Exhibition + The Best Painting
In February 2025, I had a solo exhibition at the gallery Gumbostrand Konst & Form, where I presented not only my paintings, but also my virtual reality artwork, Unknown Land, which I completed the previous year.
Here’s a video about preparing for the exhibition.
Another highlight of the year was a visit to the Rijksmuseum in Amsterdam.
In 2025, I painted five oil paintings and a couple of acrylic paintings. It is usually difficult to choose the best painting, because they are all unique, but I think I am most proud of this painting called Elixir. It has already been sold, because I had to, but I have looked at the image of it many times since then.
See how Elixir was made: Following the Inner Color
Watercolor Painting in 2025: Wild Garden
One of the biggest projects of 2025 was making the course Wild Garden. I made a lot of recordings for it, some of them from our garden. Before Wild Garden, I had made a course called Freely Grown, where you also paint flowers freely. But in Wild Garden, I wanted to go deeper and expand the subject. Wild Garden is a tribute to flower gardens, where we paint flower greeting cards and larger garden views.
>> Wild Garden – Flower cards and garden scenes in watercolor – Buy Now!
I love painting flowers freely with watercolors. I painted several flower watercolors in addition to the pieces for the Wild Garden course.
>> See how this painting was made: Let’s paint Like Emily Wrote
Happened in Drawing/Art Journaling: Fun & Mystical
In 2025, I pulled together everything I’ve done over the recent years in art journaling. In spring, I made a course called Hearts and Stories, where you make small drawings and use them as collages on the journal pages.
>> Hearts and Stories – Draw hearts and characters – Buy Now!
In summer, I went through my art supplies (Art Supplies I Should Not Use Anymore) and donated the supplies I no longer needed to a person who had just started an art hobby. In the fall, I went through all my art journals (Half-Empty Art Journals I Should Fill Up) and combined or discarded some. I also finished one of my art journals and made a video about it.
In December 2025, I released a course called Mystical Minis, where you draw abstract art with colored pencils. This course really captures the essence of the word Release. When I got the idea for the course, I decided to just follow my own lead – the words “Intuitive Power” – and let my creative engine run at full speed. I was in a flow state, and making the course felt exciting. I hope Mystical Minis is also an exciting and mind-opening experience for you, too!
>> Mystical Minis – Draw abstract art with colored pencils – Buy Now!
Word for 2026: Impact
I have been thinking about the impact the outside world has on me and how I can positively influence it. Even if creative ideas arise naturally and intuitively, I also want to think about what kind of impact they make.
For example, when finishing a freely-born painting, highlighting one detail above the others increases the impact. In the painting Cosmos, it was important to paint a small blue flower so that it connects the universe in the upper right corner and the beautifully rising vase.
>> See how this painting was made: About Music and Painting
In my work, whether it’s creating or teaching, I want to adjust small things to achieve even greater impact and connect many kinds of things in an impactful way.
The word Impact is not only directed outward, but also inward. We can ask whether all inspiration has to come from the outside. We are exposed to a large amount of information and external events anyway. So, could now be the time to give more space to inner inspiration that will have a more creative impact? I want you to start this kind of process with my course Mystical Minis, and in 2026, I aim to support you on this path.
I think that the biggest threat to art is that people give responsibility for their own thinking and entertainment to others. Then there are no paintings at home, only screens. Then moments become fragmented, and there is never enough time for yourself and your art.
Smilingly: Tell me, am I getting old? Or am I just too Finnish with these thoughts?
Anyway, I hope to remain relevant to you and make a positive creative impact on your art-making in 2026.
Building a Mystical Course with Hilma, Georgiana, and Virginia
Usually, after making a course, I think: never again! It takes time to get new ideas and energy. But this time, after finishing Wild Garden, I had a new idea right away, and it felt like someone was talking to me: “You must do this, Päivi. If you don’t, nobody else will.”
The upcoming course is called Mystical Minis. We will create abstract art with colored pencils.
We will make small drawings, and each takes only about an hour to create. At the same time, we see our inner world in a new light and build a self-feeding process for creating art. This course will bring both excitement and depth to your art-making. I believe it will leave a permanent mark on you, and I hope you carry the influence of it with you for a long time what ever art you make after the course.
Mystical Trio: Hilma, Georgiana, and Virginia
With Mystical Minis, I honor three women from about 100 years ago. Two of them are pioneers in abstract art: Hilma af Klint (1862-1944) and Georgiana Houghton (1814-1884). The third one is the modernist author Virginia Woolf (1882-1941). You can’t find another course similar to this one, I promise!
Mystical Flow
I have been super-motivated to create the new course. So far, I have also enjoyed making it immensely. Some courses are born with intention, while others come out naturally, and those love children need to be born without too much forcing. It’s the very same thing as in the art-making! This course wants to come out, and I will help it.
I usually question the course idea many times before I start making the course. I especially think about whether anyone will buy it and what kind of people would. But here, it feels like Hilma, Georgiana, and Virginia do not care. They just want the course to be born. They want their voice to be combined with mine, and that brings an extraordinary meaning to this work that truly feels mystical.
If you have been in my courses, you know that I am not a secretive person. I always try to explain everything as openly as I can, and I can’t help smiling. And when I asked Hilma, Georgiana, and Virginia, why they picked me, they said: we need somebody like you to complement us, just be you and everything will go fine. And I have trusted them and followed my inner voice to gather all of us together, not only Hilma, Georgiana, and Virginia, but also you who want to create a new kind of connection to your inner world.
Mystical Minis – When?
I am currently editing the videos. I don’t have the exact publishing date yet, but I expect releasing this mystical course late this year or early next year.
Making Florals More Modern
This week, we are making florals more modern! So, when you want to get away from a botanical look, and draw and paint flowers that are more abstract and expressive, here are my tips for you!
In my recent painting Gossamer, I have stretched my style to a modern direction. The painting was born much faster than usually if you count the actual painting time only. But that’s not the whole truth because I practiced this style several times. You too, can make your florals more modern in this way!
#1 Choose Your Muse!
Pick a painter that has a modern abstract style for flowers.
My choice was Helene Schjerbeck (1862-1946). She was a famous Finnish modernist, and even if I find many of her paintings a bit too melancholic, her style fascinates me.
Helene is more of a portrait painter, but she also painted many still lives. (By the way – I also have a blog post about mimicking Helene Schjerfbeck’s style in portraits in colored pencil.)
#2 Make Many Tiny Sketches on One Page
Paint or draw small sketches where you pick ideas from your muse’s paintings. Combine many paintings on one page. When the size is small, you need to simplify and thus, find the core of your muse’s modern style.
I examined several Helene Schjerfbeck’s paintings in watercolor and combined them on one art journal page.
Focus on the shapes and lines and answer to these questions while working:
- Are the muse’s shapes light or heavy?
- How angular are the single strokes?
- How light and shadows are expressed?
- Where can you find playfulness and creativity?
Helene Schjerfbeck’s shapes are rather heavy, and her strokes are quite angular. The light and shadows are treated like they are objects as well. The result is a puzzle where the material and immaterial are treated identically.
I didn’t first think that Helene’s paintings are playful, but when I browsed more of her paintings, I started to see humor in the way she painted the shadows. There is something human in their shapes. It is shown brilliantly in this piece “Trees and Sunset.”
I started to think that maybe for my muse, the shadows were like animals, or dolls, and that they could be a little like toys in my paintings too.
#3 Create a Bigger Study More Freely
Next, use your observations to create a bigger study. Work freely and mix the observations with your original style.
I used left-over oil paints and made this spread for my Dylusions Creative Journal. I really like how playful the shadows are, and painting this was a lot of fun!
In the detail pic below, you see how angular my strokes are.
When searching for images for this blog post, I found this small painting from Helene Schjerfbeck. My flowers are different, but still there are similarities as well.
My best tips for making florals more modern:
- While working, think about surface patterns in interiors and clothing rather than the actual flowers.
- Use angular strokes to build puzzle-like compositions.
- Similarly to the parts of the colorful flowers, see the shadows and light as the shapes of the puzzle.
#4 Make the More Modern Piece
After practicing, you can now create a piece where you spend more time for finishing. Modern strokes often appear quick and careless, but they are still packed with aesthetics and style. Those kind of strokes can take a lot of attention and focus.
Here’s a pic from the early stage of my painting Gossamer. I started with a narrow color scheme, and many of the shapes and strokes were more like suggestions – a whispering start, you could say!
In the finished piece, I especially enjoy the playful color changes in the background and the new playfulness is present in lines too.
#5 Old and New – Compare!
Here you can see my previous painting of the same size and the finished Gossamer side by side. The styles of the two paintings are slightly different, but not totally!
I used leftover paints for these two miniature paintings. The one on the left is more of my original style, the other one is more modern.
If the weather allows, I always take the photo of the final piece outdoors. This fall has been exceptionally long and warm. There are still leaves in the apple tree, and it’s November!
I hope you enjoyed this little tutorial on how to make florals more modern!