Embrace Chaos while Creating Art

The first video blog post of the new year! This time the video a bit longer than usual as the subject is so close to my heart! The subject is the chaos and how you can use it while creating art. Hopefully you will enjoy the video!
Fast Start for Creative Painting
If you also like to paint, purchase my video: Watercolor 101 for Intuitive Painting. With the video you will learn the method where you don’t have to question your ideas before you start. You can just start and find the ideas along the process! Read more here!
How to Create More Often

For many years, I have been dreaming about constantly making quilts. I have even recorded that into my art journal. Even if I have quilted almost all my life, especially in the recent years, I have had difficulties to arrange time for it. It has always seemed to require so big block of time that I am able to arrange that only few times in a year.
I am especially fond of modern quilting. One of my favorite quilting blogs is Crazy Mom Quilts by Amanda Jean Nyberg. She is especially focused on quilting from fabric scraps. I also love her book Sunday Morning Quilts. There are so many days that I have browsed the book, admired my fabric stash and felt sorry for myself not to have enough time for the actual making.

I don’t like showing unfinished projects, but as a proof, here’s one of the many patchwork projects which has been untouched for months. And, my dream is to make more of these quilted boxes for the fabrics (the pattern is from the book Sunday Morning Quilts)

The problem: How to create more often?
I have asked so many times:
– How to quilt more often?
and answered to myself:
– Arrange more time.
– Buy more fabrics, books, classes or subscribe to a magazine.
– Follow more blogs, have a Pinterest board for inspirational quilts.
– Organize your scraps first.
– Take more/less time for planning … etc.
None of that worked. But now have found the solution! I have developed a method derived from digital scrapbooking, another hobby of mine.
A Case Study: Scrapbooking as a regular practice
I had a similar kind of problem with digital scrapbooking, just not so bad. I wanted to do more of that but often realized that I had not done anything for a long time. Last October I decided to start scrapbooking one page a week with Project Life style: insert photos to a grid and make it simple. I only included one photo of each day or two, so it was not a big task to fill the page during the week. I decided that one page per week would be my minimum dosage. If I wanted to do more digital scrapbooking and be more creative, I could create more pages if I had any energy left.
What happened? I have not only created those weekly pages but 12 other layouts as well. That’s 33 pages total in 3 months which much more than my usual pace! Surprised by the result, I began to think about the magic behind that. And – could it be use for quilting as well?
Here’s is what I discovered.
1) Lack of time is not an issue, moving from one task to another is.
It did not require much time to take a sewing machine and start sewing. The reason I needed bigger and bigger time blocks to begin, was because I was thinking about too big tasks that seemed overwhelming. In other words, I required too much of myself. After working late in the evening, I should have started sewing a big quilt in a snap! The more I thought about starting, the less time I had to actually to do that and the less inspiring it sounded. When moving from one very different task, like writing, to another, like quilting, is not easy for the brain.
2) Lack of energy is not an issue, if the task is small and interesting enough.
It’s amazing how tired we can feel ourselves, but still spend time browsing computer or watching tv instead of going to sleep! There must be some energy left in us! I got that energy in use by telling myself that I was allowed to make only one little task. That way I did not imagine doing a lot and feeling a lack of energy for that. It also helped if I had some freedom to perform it. Then it sounded not only manageable but also interesting.
3) When the task is done, move to working with bigger projects.
The biggest thing that I learned is that I should always keep the promises for myself. If I presented a little task to get myself going, I should never ever make the task considerably bigger. Why? Because the next day I remember that one small task is actually a huge one and I don’t want to start it anymore. After I have made the small task and if I feel like doing some more, I can move to the bigger projects – to those unfinished ones that I actually want to finish!
Here’s how I adapted all that for quilting:
Sew One Block per Day
I decided to start a new quilt. But instead of planning and measuring, I just set few simple rules for each block. If I feel exhausted I can only pick one fabric, cut one 4-inch square and call it the block of the day. At the most I can make one 12 ” square with as much piecing as I feel like. But that’s it – no other blocks are allowed on the same day.
I started the quilt on the 1st January and here’s what I have made so far. This won’t most probably be my greatest quilt but more importantly, I have started to make a quilted box, a red one for the red fabrics. And – it is so much fun to sew it!

As the result of the new project, my studio has turned into the sewing room!

The little project bags are also handsewn (two of them are made just recently!). The old cardboard box is for buttons and been inherited from my husband’s grandmother.
Now you might ask:
How to apply this to art journaling?
Why not make a page in phases from element after another! Here’s what I have made in two days: two little ornaments. I continue adding one doodled element or text each day. When the page is full, I will start coloring the elements, each at the time.
Preorder my class: Artistic Embroidery with Pens and Paper

D.H Lawrence has said: “Love is the flower of life, and blossoms unexpectedly and without law.” You can replace the word “love” with the word “creativity”! But whether love or creativity, I believe that we need to do a little push to make the blossoming really happen. Like one doodle per day!
If you love crafting, quilting and needlework and want to show it in your art journal too, preorder my class from 21 Secrets Spring 2015 art journaling workshop! Let’s add little treasures to our pages! (Here’s also a recent blog post about the class).
The Power of Positive Self-Criticism in Art

My latest mixed media artwork is called “Positivity Grows”. It is dedicated to all of you who have a strong inner critic. If you want to improve, it is essential to evaluate your own work. But sometimes the self-criticism can have too negative tone. Have you experienced any of these?
1) Big Picture Panic
The artwork gets evaluated as a whole in a too early stage. It is like making a meal and after tasting the raw potatoes, you’d decide that it’s not going to succeed. “I must have done something wrong when peeling those potatoes!”
2) Overclean Obsession
You take the safe way: you don’t mix colors, don’t let anything intersect, draw sloo-owly, keep everything plain, simple and controlled. This reminds me of a tadpole (a baby frog) which I got from my friend when I was a child. The tadpole lived in a jar filled with muddy water. I picked a clean vase, poured plenty of tap water and put the little frog there. It did not live long. I did my best to take care of it but did not understand that for the tadpole, there was nothing to eat, nowhere to hide. So – Mix those colors! Add diversity! Give some nourishment to the growing artist in you!
3) Mistake Hunt
If you focus on the things that “went wrong” instead of those which “went right”, you are playing the wrong game. Art is in small nuances, it requires sensitivity and openness. If your self-evaluation is too negative, you do not notice the beautiful little details that appear in your art. They are often lucky accidents if you take care of the diversity. When enhanced, those details can take over and bring your end result to the new level.
Positive Self-Criticism
You can get cured of any of those diseases with a healthy dose of positive self-criticism. From the moment you make the first brush stroke, focus on the details and look for beautiful and interesting areas. I will show you how I did that while creating the artwork of this post.
Phase 1 – Watercolors
When I began the artwork of this post, I just made a mess with watercolors. I kind of made the muddy jar for tadpoles to prosper!

After painting this, I could have just quitted and called it ruined. Or I could have tried to make that dark muddy area brighter. But instead, I began to investigate the painting closely.

My inner critic pointed the little details with so much beauty that I began to feel confident and excited. The whole process of making this artwork began to feel like an adventure. Instead of mistakes, I was hunting treasures!
Phase 2 – Watercolors
Next, I continued with watercolors and created new layers of elements. I took care of the diversity: there’s a lot of various hues and shapes. And even more important: the layers intersect so that they create new happy accidents.

After painting this, I enjoyed this tiny detail: a yellow spot. It was like a little star! I felt I was lucky and genius at the same time.

I spent some time searching for more beautiful areas and enjoying them. With watercolors, the edges of brush strokes are often really beautiful.

Phase 3 – Colored Pencils
To keep the diversity level high, I changed watercolors to colored pencils. I also changed the music I was listening to. Working from a small area to another, I enlarged the beautiful details found after another.

In this phase I realized that the main theme of the artwork would be growth. I searched for the details that would express the theme. I found several and they made me happy!

Phase 4 – Pens
New music and new supplies! This time I picked a black PITT Artist Brush Pen and a white gel pen (Uni-Ball Signo). I was encouraging myself to create strong contrasts. They would make the pretty details really pop. Again, I was not worrying about hiding the not-so-pretty details but enhancing the good ones.

In this phase I began to look the artwork as a whole. However, instead of correcting the poor composition, I analyzed which of the details looked most appealing and how they were located.

Phase 5 – Finishing
When finishing, I like to listen to the rhythmic music which gives me the confidence to carefully adjust the balance of the work. I picked a white correction pen and a box of hand decorated papers. By doodling and cutting papers, I changed the composition so that the eye would find all the pretty little details one by one.

The Summary
You can be analytical and critical when making art. You can also be strict: mix the colors, change the tempo, keep the image alive! But maintaining the gentleness and sensitivity is crucial too. Let the little details that appeal to you be the foundation for your self-expression!

Blank Page Syndrome before Big Picture Panic?
Buy the video “Watercolor 101 for Intuitive Painting” where I will show you how you can get a fast start and keep going! Click here for the preview!
Light, Water and Fire

This watercolor painting is one of those I made for the video Watercolor 101 for Intuitive Painting. The painting uses the techniques presented on the video, so I won’t publish phase photos this time as they are on the video. Buy the video and you’ll learn the techniques!
This blog post is about doubt – the doubt that all the beauty you can create in your art does not really exist. Who cares? Well, at least I do. To be exact, a part of me does. Besides design, I have a degree in computer science and sometimes I can be an overly organized and analytical person. So, there’s a little engineer in me who always questions what I am doing. I call her “he” here, just to separate the little engineer from the little artist (the artistic side of me) easily.
When she showed him the watercolor painting, the little engineer said:
– “Ok, but can this really exist?”
– “Well, it’s an intuitive painting expressing how I see the music”, she answered, feeling a bit offended.
– “It is called Graceful Aria”, the little artist continued.
– “I just see some kind of landscape there”, he said. “It makes me wonder if that kind of landscape could really exist.”
– “I don’t think the landscape is important here. If you want to grab something concrete, you should look for the light and water. This painting focuses on them.”
– “This is just the kind of dreamy thoughts from you, that I do not understand. I just see trees, mud and some sky. But to be honest – if you want to paint trees, mud and sky, you could do a better job there.”
The little artist gritted her teeth. But then she realized she could actually show the connection of light and water. Namely, the little engineer had filed all her photographs so that it would be really quick to find the nature’s wonders she had documented while the little engineer had controlled the leashes of the dogs.

“Remember this evening?”, she asked. “See how the light hits the leaves!”

“This spring was really rainy. You hated the rain, but look how beautiful and soft it can be!”

“And you must remember this magical morning, when the rain drops had frozen and it was like millions of diamonds were set on the trees!”

“When we walked home one afternoon, it was mesmerising to see the sky refelecting from the fresh asphalt. In the painting, the water creates wonders too. It makes the watercolors show their true beauty.”

“I always want to photograph this, when in March, the snow and light interact with each other. The snow is frozen water, did you know that?”
“Of course I knew that! Ok, you proved your point. If you could always present things as systematically as you did here, we would not have any problems, you know.”

– “I need a nap today since it’s so tiring to explain big things, like art, to you.”
– “I thought I was able to fire you up to get the blog post done! Go ahead and take the nap, meanwhile I can sort out and sharpen your colored pencils!”
Have Fun with Watercolors – Buy Watercolor 101 for Intuitive Painting

