Expressing Hope by Painting Nature
These past weeks have been black. Social distancing, pandemic, the news … However, I want to share some things that have brought consolation, hoping that they do the same for you.
This first image is a watercolor painting created as an exercise for my newest class Magical Forest. It’s painted quickly and systematically, and it’s less romantic than many of my paintings, but I really like it. I put a lot of effort and thought into all of the class exercises, but I am especially fond of the last lesson where realistic nature themes meet abstract art in unconventional ways.
Expressing Hope – Art is Needed!
One of the carrying themes in Magical Forest is spirituality, and I feel that the connection between art and spirit is more timely now than ever. The need for art that soothes will grow. It’s important that we artists create images that illustrate the inner world when there are chaos and uncertainty in the outer world. This way, we don’t only take care of our sanity but spread hope for other people as well.
Moss, Stones, Clouds – The Comforting Side of Nature
We haven’t got much snow this winter in Southern Finland, so I have had lots of opportunities to observe stones, both in our garden, and in nature. When the world is in a storm, it’s comforting to watch their stillness, and how the moss is like a warm blanket over them.
Last weekend, my husband and I took the dogs for a walk in the forest. When the sun shined through the trees, the view was like a sacred chapel.
Last year, I got a wish to include clouds in the class, and I was able to fit that in. Clouds are surprisingly fun to paint! When the bad news came, little paintings like this became even more important. I want to look at my clouds now and then. The softness of the sky draws in and refreshes my soul.
My beagle Stella also likes sunny skies. She has her chapel on the porch of the old shed that we have in our back garden.
I painted this floral bouquet last spring, and with it, I want to wish hopeful news and hopeful weekend. Let’s take some time to create comforting art!
Nature is definitely expressing hope here in Finland. Let’s keep creating towards brighter days!
P.S. Weekend Sale! There’s a new presentation video about Magical Forest, and to brighten the weekend, I have reduced the price too. The sale ends on April 5 (PDT), so be quick! >> Buy here!
Paint Spiritual Energy – Step by Step!
When there is a big crisis in the outer world, it’s important to protect and strengthen the inner world. In this project, we paint spiritual energy with loose strokes, continue it to form a face, and then add a protecting frame around the painting. I find this project soothing and healing. I hope it makes you pick the brushes again too!
A) Where to Paint?
I have made these paintings on my newest art journal which is a black Dylusions Creative Journal. It is my third Dylusions Creative Journal, and I really like this product. It’s durable, the paper is thick, and it can be closed with an elastic band.
My first two Dylusions Creative Journals were large ones, but the newest one is a bit smaller, the page size being 8 by 8 inches.
The links above are Amazon.com affiliate links to product pages.
Watch the flip-through videos of the first two art journals! See these journals in practice and to get more inspiration:
Journal 1 Flip-Through
Journal 2 Flip-Through
B) Collage or Painting?
This project can be made as a painting or as a collage where you paint the figure separately from the rest of the image.
When I did this project the first time, I made a collage. I painted the profile on a paper, cut it out, and glued on the art journal page, and then continued painting the background and adjusting the facial features. In the photo below, the white line shows how I cut the face.
If you choose the collage technique, it’s good if the paper is not too thick. I used Bristol paper, which is fairly sturdy but thinner and easier to attach than thick watercolor papers.
C) Pick the Colors that Bring Energy!
I painted the second version directly on an art journal page.
Both versions have a limited color palette. By picking only a few colors, they come alive and express energy more effectively than if you work with all the possible colors. So, choose the colors that energize you – that you feel drawn to at the moment.
I recommend choosing three different tubes of acrylic paint and adding white to the mix as well. If none of your colors is dark, pick black or another dark color so that you get a strong image with good contrasts.
For the first version, my colors were these (+ Titanium White):
For the second version, my colors were these (+ some Mars Black for finishing)
My acrylic paints are Golden Headybody Acrylics.
D) Paint Spiritual Energy!
Let’s create some abstract art! Use selected colors and paint with horizontal strokes. Mix white to get lighter strokes and make muddy mixes to get tones that make the pastels shine. Enjoy the colors and making most of the narrow selection.
If you paint directly on a page, mentally divide the page in half, and paint on the other side only. This way, you will have enough room for the face.
E) Sketch the Face!
Pick a pencil and sketch a profile. You can adjust it later by painting, so focus on the location of the face more than the actual look. I used a white pen in the photo below so that you can see my sketch clearly.
F) Draw a Frame!
Take a round object, for example, a plate, and draw a protective frame around the person.
G) Paint the Face!
Paint the skin and facial features. Instead of outlines, paint shapes. Allow yourself to be more unconventional. Don’t paint bright white scleras or red lips but shapes that connect the person with the abstract part of the painting. In this project, the energy that the strokes represent is more important than the person herself.
H) Paint the Background!
Surround the person with everything that soothes and heals. At this point, it can be just subtle strokes that will be more defined later, when you finish the painting.
Paint the frame too. Use muted colors so that the frame doesn’t take the energy away from the person.
I) Finishing: Give Her All the Beauty She Needs
Paint details with a thin brush so that she will get all the softness and beauty she needs. Again, prevent using intense colors for the details on the background.
Connect her forehead with the beauty so that she is in the middle of the energetic strokes and more delicate and soft fillings.
I also added some decorations on the frame.
Less Control – More Energy and Expression
Art is freedom! In this project, we started with wild strokes and then built a portrait around them. These kinds of less-controlled uses of supplies are an important part of self-expression.
On Thursday, March 26, 2020, I will be talking about doodling and how to expand it to various supplies and styles in my art community Bloom and Fly. The session will be recorded too. If you have bought my class this year, you are invited! I have sent an email to the members yesterday.
How to join Bloom and Fly for 2020?
>> Buy any of my classes!
How Are You, My Friend in Art?
I hope you are coping, and as safe as anyone can now be. It’s fortunate that we can have this electronic connection, and that closed borders don’t prevent us from communicating as we have always done.
Over 5 Years Ago and Now
Over five years ago, when I left my day job to become an online art instructor, I saw the Internet as a space ship where I wanted to jump to. But I was wrong. The Internet isn’t a space ship, it’s a whole new world. We, humans, have built a space to go and survive through crises. With the Internet, we have the teleportal that sci-fi movies and books so cleverly illustrate.
Yes, the Internet has its flaws, and yes, we also need fresh air and human touch. But now when our life gets limited, it brings consolation that you, my friend in art, are there. That I am not only someone living in the north, inside a house with a garden, but someone who has soulmates around the world.
Thank you for being my mate, always loving art, always making time to create, always seeking the beauty around you, inside you. Together, when the physical world quiets down, we can make this other world beautiful and positive, with the power of art. Because now or never, humans need art. Our love and passion for it are needed, also in this other world of our being.
Many of you have met each other in some of my classes. I want this artist community to stay together and grow, despite the times we are living.
Now all classes include the membership for Bloom and Fly in 2020!
I used to have dedicated classes for the membership, but now any class will do. All my classes include the membership for Bloom and Fly in 2020. This also applies to all who have bought my classes this year. If you have bought a class from me earlier this year, email me, and you will get instructions on how to join.
Let’s support each other and create together through these tough times!
Art Inspiration from Sanditon
This blog post is for us who love Jane Austen and Sanditon tv series. I watched the series last month, and it has inspired me a lot. I hope you enjoy this Sanditon inspiration overload!
Torchbearer – Esther and Lord Babington on the Beach
My newest watercolor painting called Torchbearer had a modest beginning and I had no clue how to finish it – until I saw episode 8 of Sanditon!
My favorite female character of Sanditon is Esther and the scene where she is in the carriage with Lord Babington was so romantic! The sudden change in her appearance, his gentle smile, black horses, empty shore – oh my! It hit me, that even if my painting has flowers, not people, I could express the emotion from the scene.
The tallest flower and the glow come from Esther’s powerful spirit.
The flower that bends down, expresses her sensitivity.
I tried to paint every flower so that they highlight the bubbling energy. Their stems are like the carriage where the couple sat.
The black background represents both the horses and the lord, supporting Esther’s joy.
In this painting, Esther is a torchbearer who leads us to better times.
Tin Box – A Souvenir from Sanditon
I like little boxes that can be used for storing hand-drawn pictures and papers. I wanted to decorate a small tin box so that it would have old-fashioned and luxurious feel. So that I could think of it as a souvenir from Sanditon!
I already had saved a hand-drawn piece that was quite perfect in size.
I also found some papers with a watercolor print. They were test runs of the surface pattern designed earlier this year. I mostly designed the pattern manually, so by painting a design on the center of the paper and then cutting the paper into four parts.
This way you get a continuous design.
Avoid painting edges, and re-arrange papers until they are all fully painted.
Then scan the papers, and clean the edges in an image processing software. Here’s a sample of my design.
I made several variations in Photoshop. These papers go really well with hand-drawings, so they were perfect for the box.
The center motif was first colored with watercolors.
Then I hand-stitched it on a background paper and added more hand-stitching around the center. In the photo below, I highlight the surroundings of the stitches with a pen so that they look more 3-dimensional.
I also added beads, more colors and decorative marks.
The centerpiece is a button with a shank removed. I love this little box!
Esther Denham – Sanditon Paper Doll
I also wanted to create something for my ever-growing collection of collage figures. “Just an unknown habitat of Sanditon”, I decided first. I didn’t use any reference and drew the doll just freely, but when she was colored, she looked just like Esther!
I played with her proportions so that she has overly long legs. That way I could make the dress more imaginative. The hem was cut from one of the watercolor papers. I couldn’t help playing with her right away, trying wings on her, filling the teacup with herbs from Sanditon. The wings and the teacup are from my fun class Magical Inkdom.
Her hat is also a collage piece cut from watercolor papers.
Souvenirs from Sanditon!
The Romance Continues
I am currently painting an oil painting that looks quite romantic already.
My vision is to make it the third in the series after Icebreaker and Torchbearer – and put it in the middle of them.
One Source of Inspiration – Many Interpretations
If you have been following my blog, you know that some of my projects are fine art, others more illustrational, and there can be a bit crafty things too. This blog post demonstrates well how the inspiration can be the same, but the interpretation is different. For me, the wide range of projects is a way to stay inspired and creative, and I hope that you have tolerance for all of them. I don’t believe in getting too serious or not getting serious at all. The humorous side of art allows us to get playful, and the playfulness feeds our ability to express the deeper side of our inspiration.
Esther can be the person who handed me a crafty gift box, or an innocent paper doll, or a mysterious flower in a painting that took tens of hours to create. The key to your artistic style is less in the looks and more in the inspiration. For me, it’s often old-fashioned romances, like Sanditon.
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