Painting and Drawing Fruits
This week, I share my love for fruits and give inspiration for fruit-themed paintings and drawings.
Here’s one of my newest paintings called Jupiter’s Bowl. This oil painting is a part of my series Linnunrata – Milky Way, where I explore planets and outer space. (See previous work: Uranus here, the Moon here, Mercury here, Neptune here, Pluto here, the Earth here, Venus here, and the Sun here!)
Fruit Storm in a Magical Bowl
The idea for this painting started from the orange storm that the planet Jupiter has. But then I thought about the Finnish saying “myrsky vesilasissa” which is “storm in the water glass” in English and similar to the saying “storm in a teacup.” It felt playful and funny to compare the planet to a small bowl and make a still life that doesn’t look still at all.
The first layers were very different from each other, and it felt like there was still more to come. The final version has brighter colors and juicy fruits that burst everywhere. Here’s a closeup of some:
I love lemons and oranges. I think they are one of the most attractive things in the world. Their smell, taste, and look captivate me. And they are not difficult to paint or draw either!
Decorative Slices in Black and White Drawing
Here’s a line drawing from 2018 when I participated in Inktober for the first time. The slices were fun to draw, especially because I treated them like Faberge eggs: filled with jewelry and other decorative elements.
Back then, I was finding out things that I really like and bringing them together in my drawings.
Intuitive Fruit Painting in Gouache
In 2019, I made a gouache painting (see the video!) that reminds me of Jupiter’s Bowl. It has fruity and fresh colors and some stormy vibe too.
I was a bit clumsier painter back then, but the idea of refreshing fruity burst is evident.
Fantasy Fruits in Colored Pencils
This year started by making a new class called Fun Botanicum. The second lesson of the class is about fruits and berries. Here’s my example from the class, made with colored pencils.
I wanted the spread to look juicy with my own fantasy fruits. Practically, you can draw a circle, add shadows and decorations, and it will look like a fruit!
Juiciness vs. Fruits
When I took pictures of Jupiter’s Bowl, it was late May and grass and tulips were in full bloom. There’s a lot of juiciness in summer colors.
My suggestion is to focus on the juiciness when drawing or painting fruits. If you think about how the fruits look in reality, the result gets stiff more easily. If you let go and focus on the juicy part, creating is much more fun and the result more expressive. Anything can have the spirit of the fruit, and art can be juicy without presenting the actual lemons and oranges.
Tell me, which are your favorite fruits? Do they appear in your art too?
Out in the Open – Feelings from the First Solo Show
This week I talk about my first solo show called Linnunrata (The Milky Way)
and share thoughts and feelings that being out in the open has evoked in me.
Here’s one of the last paintings that got finished for the solo show.
Click the image to see it bigger!
I started it in April when there were too many water puddles in Finland.
Water World
Water blocked roads and filled fields. It was frustrating and ugly and at the same time, magical and beautiful! I realized that I could watch the mud or look further and see the sky and the trees. Their reflections created a miraculous underwater world.
Just like the planet Uranus, this imaginary world had no solid matter – only gas and water!
Pressure Rises
Because I wanted to present my best work at the show, the pressure for bringing out the best of my skills was high. When I started the painting, its identity and colors were weak and the composition weird. I was worried if I get it finished in time.
It took many layers before the painting was finished. Because I like to keep the layers thin and fairly separate, lots of time was spent on drying between the sessions. My studio got too small, and there were paintings drying everywhere!
I find it quite nerve-wracking to handle wet paintings!
Unexpected Turn
I usually never change the orientation of the painting in the middle of the process, but this time I did. I felt that I could open the space more by doing that. However, I think this piece works in both ways, what do you think?
Hanging Plan for the First Solo Show
One of the most challenging things when painting for the show is to keep the overall selection coherent. I had a hanging plan right from the beginning, and I updated the plan after each painting. Here’s how the plan looked before the actual hanging.
The problem with the last paintings was not only to create unique artworks but ones that would also complement the overall collection. I formed small groups from the paintings to give visual rhythm to the exhibition.
We mostly stuck with the plan.
I wanted it to be noticed as a main piece of the right side wall. But Court of Uranus was such a strong piece that I wanted to move it to a more central place.
I left some space around it so that it stands out. This painting causes bittersweet feelings in me, being both beautiful and spooky at the same time. It has been interesting to hear how people see it.
Gallery Space
My show had four walls on the lower level. The building is from 1957 and the walls and the floors are protected. The wooden walls did not bother me, I think my art goes well with them. Here’s a better picture of the gallery space.
The two big paintings on the white back wall At Home in Pluto and Jubilee in Neptune were painted when I was middle of the series. I think it’s best to paint some smaller pieces first before making the largest ones. I used Neptune for the poster of the show.
When the main pieces are done, there’s more room for something unexpected. That’s how Court of Uranus was born.
Court of Uranus feels like the painting defines me rather than I would define the painting. It seems to display my future and show what more I could do.
The big yellow flower is perhaps the most beautiful thing I have ever painted, and still, it makes me uncomfortable, like I have gone too far, revealed too much.
I like how light-weighted the flower is. Like she has no worries at all!
At the Opening of the First Solo Show
Riika Anundi‘s show was also her first, and we had an opening together. I gave a speech, we had nice sparkling wine and delicacies, tens of guests, and a very enjoyable atmosphere.
I had invited both relatives and old friends from the past decades. It was wonderful to relax and enjoy after the hard work that the show required.
Every series has a painting that looks forward. In the picture above, I am talking about Vanitas, the painting that I made last year.
This painting, especially the top left corner, led my thoughts to outer space and thus, it was essential to display it at the Milky Way show. I don’t know where the court of Uranus is leading me, but it definitely sets a new direction.
Even if the colors are dreamy and pastel, there are also technology-inspired details in the painting.
Life After the Solo Show – Open Question
Lastly, I want to show you an old crayon drawing, made as a teenager at school. The subject was the underwater world. Even if I have always hated swimming, never been diving, and never liked water, the drawing came out naturally. Like I had known what I was made to paint already back then.
This post is perhaps more like an open question than an answer that closes everything. Time will tell where my journey goes next! Thank you for walking (or swimming) with me!
Linnunrata – The Milky Way is open from June 3 to June 19, 2022.
Last week! Thursday-Friday 11-17, Saturday-Sunday 12-16
Galleria K, Asematie 7, 01300 Vantaa, Finland
Highs and Lows
Dear artist friend,
last week I have had my life’s high moments with my first solo show and its opening. Truly unforgettable.
Then I got sick. So depressing! I had to cancel a row of scheduled meetings and skip the weekly blog post and email. If you are a long-time subscriber, you know that I don’t do that often, but I had no choice this time.
I have plenty of pics and stories that I want to share with you but will get back to that next week.
Sorry about this unexpected break and thank you for understanding.
Päivi
P.S. If you are in Finland, do visit my solo show Linnunrata – The Milky Way in Tikkurila, Vantaa!
Expressing Moonlight Magic
This week is about the moon and expressing the magic!
Here’s one of my newest paintings called Kuutamon Taika – Moonlight Magic. This oil painting is a part of my series Linnunrata – Milky Way, where I explore planets and outer space. (See previous work: Mercury here, Neptune here, Pluto here, the Earth here, Venus here, and the Sun here!)
Experiencing Moonlight Magic
One night in April, after a long workday, my spirit was low, and I felt tired. But after stepping outside to take the dogs out one more time, I saw a beautiful moonlight. I even took a picture but just with my phone camera, and the photo doesn’t do justice to the sight.
Everything looked black and white at first, but after a while, my eye saw a subtle variety of tones. It was like a message from the moon: “Paint me next! Let me be a part of your galaxy!”
Fantasy Art Connects Imagination and Past
This was not the first time expressing the moonlight magic. A few years ago, I started to feel that my art needed more fantasy. I had begun to follow many fantasy artists, for example, Jasmine Beckett-Griffith and Annie Stegg. Imaginative realism – as the genre is called – felt inviting. In 2018, I participated first time in the Inktober challenge, and in 2019 I made a class called Magical Inkdom.
The world of Magical Inkdom is playful and colorful, but so that some elements look historical, just like in imaginative realism, where the story often happens in the past.
I wanted fantasy art to be present in my upcoming show too. So I wanted to make a painting with a similar historical yet fantasy-oriented look. My goal was to create a traditional floral but still include something that would tickle the imagination and feel magical.
A slightly extraordinary composition and a combination of both decorative and more abstract elements make this painting stand out.
I am also surprisingly fond of the color scheme and it was much more fun to paint than I expected.
Expressing Magic and the Ability to Disappear
A part of the magic is that something almost disappears and then appears again, just like the moon in a cloudy sky. There are lots of blurry elements in this painting, even if you might not notice them right away. A sharp line and some dots on a blurry spot make the flower.
Old master painters of the 16th to 18th centuries used this technique a lot.
For example, look at the hair and the pearls in this portrait. Just blurry spots that have been sharpened with lighter and sharper strokes and dots. Don’t they look magical!
Preparing for the Show
This painting is small, 30 x 50 cm. Here’s a quick snapshot where you can see the size better.
I am currently varnishing paintings for my upcoming solo show in June. All the tabletops are full and the not-so-pleasant odor is in the air. I hope to have photos of the show next week.
P.S. Magical Inkdom is for sale until June 16th! >> Buy here!