Wild Botanical Art – Create with Colored Pencils and Watercolors
This week, I created wild botanical art. I drew plants with delicate details like in botanical illustrations, but with a few differences. My plants are not any real species, and the jungle where they grow is more like my inner world at its best, not a real location on the planet.
Watercolors First!
Before putting colored pencils into work, I made some backgrounds with watercolors. I had very smooth watercolor paper – hot press quality. My friend Eeva Nikunen recommended Arches Hot Press paper that she has used for detailed graphite drawings. It’s a bit pricey but so smooth and lovely for colored pencils too. However, any smooth watercolor paper would work with this technique.
I used a lot of water for the first layer and made random splotches with a spraying bottle. This kind of wild watercolor painting is fun, but when I tried to pick one of the four experiments for colored pencils, I found the results uninspiring. So I asked myself what kinds of nature’s shapes or colors would I want to see more, and answered: “All kinds of hays inspire me a lot!”
Love for Sharp-Shaped Botanicals
We have lots of house plants that have sharp leaves.
And when I walk in nature, I always look for hays and how light hits them.
So, then after some drying time, I made thin lines that went wildly here and there.
After the lines, I found the green one on the bottom left very inviting, so I chose that for coloring.
Coloring Freely and Wildly
Colored pencils work well on the watercolor background and smooth paper. It was enjoyable to color freely. I didn’t follow the shapes or lines painted in watercolor but created new layers.
I have started to store my colored pencils in shallow plastic boxes grouped in color families. This way, every pencil gets seen, and the differences between tones are easy to identify.
Should Plant People Draw Plants?
My husband and I are plant people. Our home is filled with house plants and we have all kinds of plants in our garden. It has been quite a job to save the plants from our new puppy Saima!
Plants have also always been present in my paintings. But recently, I have thought that maybe I could focus more on them with colored pencils too. It often feels that I come home when I am inspired by plants and travel abroad when I am creating something else. I want to challenge myself out of my comfort zone, but if there’s a strong resonation, like a secret companionship, should I listen to it?
More Wild Botanical Art – Playing Mode On!
It was so much fun to work on this project that I wanted to do more. So, I colored these small scraps – a fruit and a leaf!
And then it was playing time. How wild can this go?
Create Wild Botanical Art – Five Tips!
- Start by creating a wilderness that calls you.
- Color layers of random shapes and lines. When you see something that could be a plant, turn it into one!
- Don’t worry about identifying the plants – treat them as rarities that only you can find!
- Make detailed a little more detailed – botanical art goes crazy with details!
- Revamp – Add some plants from your box of joy!
- Bonus tip: Nature is full of curves, so make sure you also have some.
Botanical Art by Ernst Haeckel
Many years ago, a blog reader mentioned Ernst Haeckel’s botanical art. Since then, I have admired his work. Here’s a part of his illustration from 1904. Lots of greens spiced with warm colors and so many details!
Mine is not nearly as sharp and detailed as Haeckel’s, but I approve it anyway. Plants have different personalities, and so do their interpretations!
Tell me, do you like drawing plants? What kinds of plants especially?
Creative Take on Damask Motifs
This week, we look at damask motifs from a new perspective. I challenge you to make this traditional motif your own and use it in your art!
It all started from a dream I saw a few days ago. “You should wear more decorative clothes, Paivi,” I was telling myself. “Like the old historical dress that you had at a ball as a teenager.”
I still have the dress. It has damask motifs – woven ornamental patterns that seem to never go out of date (more about their history). The idea of perfecting not only the actual swirls but also the shapes between is a good drawing practice that doesn’t have to be boring at all!
This week, I played with colored pencils mostly, but in 2015, I made a mixed media piece called Rococo. So check out this post too!
Damask Lady
The reason for my dream was an unfinished page in my colored pencil journal. I had started it at the end of last year but found it terribly uninspiring. I didn’t feel any connection with the figure, and she looked like someone had forced her to be there. In a way, that had happened. After a series of big paintings, I was knackered, as readers from the UK and Australia would describe. I had no motivation to take a brush and only a little to do something with colored pencils.
First, I added a bit of watercolor to cover white and then colored intuitively without any predefined ideas or models.
Sometimes it’s just that when you are tired, it’s best to leave the piece and come back later, even if it would be a tiny spread in a small journal. After the dream, I knew what to do: play with damask motifs!
I feel drawn to this damask lady. She looks both curious and self-confident – everything I would like to be in this new year!
Looser Damask Motifs – Nature
I got so inspired by coloring the swirly lady that the next spread was born quickly. Again, first some watercolor splashes, and then details with colored pencils.
If you compare the flowery spread above with the portrait below, you see the change in looseness. The flower is much freer than the lady, but I like both. I like how damask motifs can be seen as a part of nature – snow on trees, water drops, butterfly wings and their spots. But I also like how they can be more architecture- and design-related and a part of human fantasies and mysteries.
Which take do YOU like more?
Sketching a Damask Motif
Next, I wanted to go even further in stiffening the expression. I would design a damask-inspired motif so that there would be no looseness at all.
I started by sketching the motif in the middle of the spread, using the fold as a guide to achieving the required symmetry. In damask motifs, the negative – the shape of the background – is as important as the positive is. So after the careless sketch, I then went through the surrounding area and adjusted its swirls.
This motif felt like a forbidden fruit. I was surprised to hear myself saying: “You have crossed the line now, Paivi. Even if you always paint the inside, now it will be reverse – illustrating the outside world.” I didn’t get this first at all – I thought I was just drawing was a simple flowery ornament inspired by damask motifs!
But when I was making the finishing touches, I realized that my drawing did illustrate the outside world – our living room: a wooden ceiling, windows on the left, a wall rug on the right, a vanda orchid hanging without a pot, and the snake plants growing lower.
Here’s a picture of my vanda when it was blooming in 2020!
This spread is not loosely made at all, and yet I find that the looseness is how I unconsciously picked and interpreted the subject.
Which of the pieces of this post inspire you the most?
Are you inspired by the stiffness or looseness?
How do you want your damasks to look?
Please leave a comment! It would be so interesting to know!
Intuitive Coloring Explained + Extended Black Friday Sale!
This week, I have a new free video for you, inspiration from my drawing classes, and there’s also an extended Black Friday Sale going on! Exciting!
Extended Black Friday Sale – Shop Here!
All classes are 25% OFF!
Now is the time to get the classes you have been thinking about!
>> Shop Here!
The sale ends on Nov 29, midnight PST.
Intuitive Coloring Explained – Watch the Video!
This video is an excerpt of the live speech that I gave for my art community Bloom and Fly this month. It introduces a fresh way to think about drawing and coloring. Lots of art-making inspiration is packed into this 6-minute video!
The classes mentioned in the video – Intuitive Coloring, Inspirational Drawing, Animal Inkdom, and Magical Inkdom, as well as all my painting classes – are 25% OFF during the extended Black Friday Sale. >> Shop Here!
More Inspiration from My Drawing Classes
The longer I draw, the more things come together. Not only so that I find more inspiration from the individual previous pieces, but also so that they describe a world that’s lively and ever-expanding. I also feel that my classes are like doorways to building a world of your own.
In Intuitive Coloring, we travel from one meadow to another lesson by lesson and play on the way.
In Animal Inkdom, we start with little creatures and the animals get bigger lesson by lesson.
Insects and butterflies are simple to draw, but decoration makes them look fantastic!
Animal Inkdom is one of my most popular classes, maybe because it’s so playful! I had to edit out some of the laughs and smiles because I had so much fun drawing these that it would be a bit disturbing! And after Animal Inkdom, I couldn’t stop, but made an independent sequel – Magical Inkdom!
Art is a journey, so combining previous work with the new one, has often made me see new possibilities.
Inspirational Drawing is based on doodling and creating meshes from lines, but also on picking inspiration from images. I still collect inspirational images and use them indirectly in this way.
All Classes Are 25% OFF!
Now is the time to get the classes you have been thinking about!
>> Shop Here!
The sale ends on Nov 29, midnight PST.
Messy Art Journal Style with Colored Pencils
This week, we go deep into the messy art journal style. See how to mimic messy mixed media pages in colored pencils!
I wanted to add some happy freedom to my colored pencil diary. So here are the most recent spreads!
These spreads have an impression of a messy mixed media look – collage, paints, and all – but they have been made with colored pencils only.
Confessions from a Former Art Journal Book Junkie
Let’s first turn back time over ten years when my best hobby was art journaling. My day job took a lot of time, so buying became a part of self-expression. I bought almost every possible book about art journaling and dreamed about becoming a mixed media artist.
Now when I look at these books, their examples look clumsy, sometimes even ugly. But I still get attracted by the easiness that made me buy the books: “Messy is ok, you can do it!” And so did I: mixed paints, pens, collage, and all the possible media into one spread. “Mixed media techniques” was the word that I was looking for when browsing a book store or Youtube.
Art Journals Started a Journey
These journals were all the art that I created for a long time. Like the books stated, I assumed that the messy pages would be enough to define me as an artist. In some ways, I was right. A messy art journal style was a ticket to the world of art-making, blogging, even teaching. For example, in Collageland, I use paints, pens, and scissors to create fun and messy pages.
But in 2013, when I was in a local art supply store and proudly presented one of the journals to the owner, his fake smile told me that I hadn’t even started yet. In the traditional side of art-making, that is!
Nowadays, I think of myself being a traditional artist rather than a mixed media crafter. I prefer to stick with one medium at a time and my main artworks are more on the traditional side. And I wince every time when someone calls me a mixed media artist!
But art journaling has led me to so many happy places that I don’t ever want to get too far from it. Often, I have just replaced images from magazines with my own hand drawings.
So, instead of collecting products, I can be the product. My most popular classes like Animal Inkdom and Magical Inkdom have started on that idea.
Choosing the Shortest Pencils
The best thing that I have learned from art journaling is to not over-think and just start creating. It often feels like my hand knows more than my brain. So, when I want to think further and forward, I say to my shortest pencils: “Let’s create something messy, like in the old times!”. And these little pensioners are always willing to get back to work and do what’s expected.
Using old and much-used pencils also takes off the pressure of pursuing brilliancy right from the beginning. For example, before I started building the class Intuitive Coloring, preliminary pieces were made with the shorties, and then for the actual recordings, I picked longer and more prestigious pencils.
So, when coloring a mess, do it with a small and diverse set of retired pencils that no longer care if you are a true artist or not!
Collage Imitation in Messy Art Journal Style
On the first spread, I mimicked what we used to include in our messy art journals: paper scraps, geometric stencils, scribbling, simple marks like x’s and o’s, flowers, and curves.
Just keep layering until the paper is covered, and don’t forget to mimic the glue too! Make the elements go on top of each other, or erase a part of them to make everything look integrated.
Look at my little pencils! Aren’t they endearing? I have started to carry them in a pencil case so that they are always with me, ready to be pampered.
Paint Imitation in Messy Art Journal Style
Then let’s change the mindset a bit and move from mimicking products to imitating paints. Start with stripes and small splotches and slowly grow them so that they cover more of the blank page.
When we make a mess with paints, the edges are jagged, so color freely and intentionally make errors on the shapes.
My orange rectangles represent a product, a stencil maybe, but most of the elements are more like watercolor, acrylics, or inks.
Watercolor spots have dark edges that softly fade away. By adding more colors, you can make the spots look translucent.
Acrylic paint has wider shadows, reflections of light (stripes and spots), and less transparency.
Add tiny spots too and make sure that their patterning is irregular.
Drawing all kinds of splashes and drops was so much fun that I am now thinking: could I imitate watercolor in oils. Doesn’t this prove that mess-making and traditional fine art are not so far away from each other after all?
I hope this inspired you to pick your pencils and start faux mixed media with them!