Drawing Inspiration – What I learned from Inspirational Drawing
This week, I have some drawing inspiration for you. Let’s celebrate our living line!
Recently, I heard the term “transition” and it resonated strongly. After receiving the grant from the Finnish Cultural Foundation, I have thought about my artistic career forward and at the same time also backward. I’ve noticed that it’s hard to think about the future without thinking about the past. I thought I’d write a few blog posts this spring about how I’ve grown my artistic skills by building courses.
First, I want to talk about a course that formed the basis not only for everything I teach but also for how I paint today.
From Dots and Circles to a Living Line
Wassily Kandinsky (1866-1944) said “Everything starts from a dot.” On the same topic, Paul Klee (1879-1940) stated: “A line is a dot that went for a walk.” I think that when a person feels the call of fine art, he is at a point where he wants to get to know himself, to walk inward. I first went on a small tour only: I drew circles.
When I finally understood that I could open the circle and boldly move forward, a new world opened up. I saw my living line pulsating strongly. I felt I could draw anything and didn’t have to “know how to draw” to draw.
Fall in Love with Your Line
It became my calling to help people who are stuck and going around in circles move forward. In 2015, I first made a trial course for Finns called “Inspiroidu piirtämisestä” (Get inspired by drawing) and learned how to make an online course and clarify my points. Then, based on the Finnish course, I made an English version called Inspirational Drawing. When time passed and I got more experience, I made the same course a third time. In 2017, the most comprehensive version Inspirational Drawing 2.0 was born, which is also in my current course selection.
Inspirational Drawing is based on getting to know your own line. You don’t immediately remove your hand from the paper, but let the line travel a longer distance. This technique is commonly called “contour drawing”, but in my version, you don’t copy what is presented, but walk with your line and let the landscapes open up to the unpredictable.
Your line is as unique as your signature. The most motivating thing in art-making is to fall in love with your line. When you want to repeatedly see your line and cherish it, it will also reveal its hidden potential. With your line, you can go much deeper in drawing inspiration and feel much freer than if you cut and compose collages from magazines or use stencils or stamps.
Drawing Inspiration
Inspiring pictures are also at the core of Inspirational Drawing. It’s natural for a creative person to collect pictures in one way or another, and drawing is a wonderful way to spend time with them. In the course, you will be guided to use the pictures you have chosen in drawing so that the pictures are not copied in the traditional style. To fuel free drawing, ideas are extracted from them. I still use this kind of inspiring effect of images in my painting process.
When moving from a point and closed shapes to an open, free-roaming line, inspiration has been a keyword anyway. With inspiration comes courage. It’s wonderful to draw when inspired. And it’s wonderful to inspire others with your own creative outcome.
Start Drawing!
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3D Paper Collage of Hand-Drawn Art
This week, let’s play with hand-drawn paper pieces and create 3D collage art.
My example is eight by eight inches (about 20 x 20 cm), so fairly small, but it has quite a lot of details. I used foam tape to add dimension to it, and the result is lovely. It brings embroidery or applique to my mind.
The idea of using foam tape between the layers is familiar to many from card-making, but I think the result is much more original when you use your own hand-drawn art.
Boxes of Joy – Shops Made by You for You
For years, I have been inspired by the idea of creating my own little paper shop. This shop is not about selling stuff for others but creative play where you are both a shop owner and its best customer. This picture is from 2016, when my shops were pretty simple and contained mostly paper sheets.
But the longer I have been in business, the more demanding my customer has got. I have got requests from myself to draw doodles, embroidery imitations, animals, magical stuff, flowers, dolls, and the little shops that I call boxes of joy have increased year by year and course by course.
Sometimes the things I have drawn feel too precious to put to use. For example, the roses that I made for Doll World.
But the older the pieces get, the more I try to use them. And if something doesn’t “sell,” I can recolor it or add something to it so that I – my best customer – feel tempted to “buy” it.
I like this process of adding more to something that’s pretty full already!
Thick Paper Love
One of my favorite papers is thick and smooth watercolor paper. It is suitable for both painting and drawing, but I sometimes avoid it because the collage gets so bulky. But for 3D effects, thick paper is perfect. It’s sturdy and goes very well with foam tape. Another paper that I like is Bristol paper. It’s not so thick but very smooth and sturdy enough for 3D.
The background of this 3D paper collage is hand-painted watercolor paper. The elements are hand-drawn on watercolor paper or Bristol paper mostly.
Colored Pencils for 3D Paper Collage
Back in 2016, I used acrylic paints a lot. But nowadays, they feel less tempting. Not only because they are messier than colored pencils or watercolors but also because they are too similar to oil paints that I use for canvas paintings. I want to separate play from the pieces that I sell.
With play, I also want to grow my drawing skills. Colored pencils are great for that. They also go well together with watercolors. I have had a break with watercolors, but I hope to use them more this year.
I like the many tones of green in this piece! I have colored many white parts with green to integrate the pieces better with the background.
Artist’s Life – Upcoming Projects
My playing time will get more limited soon because I will start a new series of oil paintings. I have been invited to a wonderful art history-related group exhibition that begins in August, and there is a smaller fantasy-related show in April. I will tell you more about these in the upcoming posts.
This spring is also full of art in other ways. I enjoy seeing all the lovely dolls from the participants of Doll World and other classes in my Bloom and Fly community. I hope to help you there as much as I can throughout the year. I am also participating in a Finnish artist coaching program to get to know the practices of the fine art world better. You have enabled my growth, and I hope that my growth will also benefit you. I hope that 2023 will be a good year of art for both of us.
Creating a Protector of Good
This week we get inspired by spiritual and ornamental art and create a protector of good.
Protector of Butterflies in Colored Pencils
Halloween is not an official holiday in Finland, but we have All Saints’ day soon. I started gathering images for this blog post in the spirit of All Saints’ day, but soon realized that this kind of art has a special role in my life in general. There are times when I want to create art to protect all the good things in life.
In the small colored pencil drawing, I was thinking about the beauty of butterflies and created a protector for them.
At the same time, I created a protector for my sensitivity, and it feels good to have one in my box of joy as I call the collection of hand-drawn paper reliefs.
Protector of Everything Sacred in Collage
Back in 2011, when I wasn’t a full-time artist yet, I made this paper collage from hand-decorated papers.
I wanted to express the atmosphere of a sacred space. My hand-drawn lines were clumsy, but I cut the papers so that they look decorative. I painted icons as a child, so I made the woman’s face in that style. I still like this!
Protector of Flowers and Plants in Oil
In 2018, I was practicing oil painting and explored all kinds of organic shapes. I first painted all kinds of plants and then changed the orientation, and added the madonna. (More about the process in this blog post.)
The frame of the painting has a real silver coating, and I think it fits the image beautifully.
Painting and Drawing Precious Artifacts
We can paint and draw precious things that make us feel protected, like candles and crosses. I found these two gouache paintings from my archives today.
Ornaments can also be more imaginative, like these hand-drawn collage pieces.
You can compose paper pieces together so that they look like a talisman.
Protector of Light in Watercolor
Now when we are entering dark days in Finland, I feel the need to have a protector of light.
This watercolor angel was painted for the class Magical Forest. I developed a method for it so that you first paint the angel figure freely by splashing colors and then add more definition by painting the dark background.
Protector of the Child in Us
I think one of the most important protectors is the one who protects the child in us. I painted this icon in the early 1980s when I was about 10 years old. It was my second, and as you can see, I wasn’t very good at varnishing back then – too much linseed oil!
The teacher of the icon painting group, Irke Petterberg, helped me with the details of the faces. I wasn’t eastern-orthodox; I just happened to live very near the church and love art-making. It was wonderful to be accepted as a part of the group which consisted of adult painters. For me, religion felt like a gate to the world of imagination.
No matter the religion, let’s cherish the child in us and protect the good through art-making.
The Electrical Life of Any Artist
This week I have a consolation post for any artist!
We start from a movie and then let thoughts fly from top to bottom and come back up.
The Movie – The Electrical Life of Louis Wain
Just a couple of days ago, I watched an inspiring movie called The Electrical Life of Louis Wain. It’s a story about the illustrator Louis Wain (1860-1939) who got famous for his cat drawings. Louis Wain’s life was full of misery, he was poor, responsible for five unmarried sisters, lost her wife to breast cancer soon after the marriage, made bad business decisions, and suffered grief and mental illness.
And yet, Louis’s cat drawings were fun illustrations full of liveliness and details.
The Two Undertones of Any Day
The movie felt strangely therapeutic. Maybe partly because it expressed so well what I had been thinking lately: how life has both melancholic and uplifting undertones and how important it is to recognize and make room for both of them.
For Louis, life had two separate sides – the harsh reality and the wonderous world of imagination. I think that many of us can relate to that even if in our lives, the melancholic and uplifting undertones would spread more evenly. If I think about my artist life, there have been so many rejections that where I am now is a small miracle. And if I think about the future, more small miracles are needed to move forward.
Here’s a short video about my journey so far.
This video was published on my Instagram account first, so the proportions were optimized for that.
Those Who Believe in You
In the end, you only need to have one person who believes in you as an artist. Many times you can be that person for yourself. Like Louis, the world of imagination has the power to keep the uplifting undertone going.
But for me, there have been times when a small miracle has been needed – that someone else brings me up. When Louis found supporters in the movie, I thought of mine. They are a part of my electrical life story. Who could be yours?
It wasn’t easy to contact any of them – ask, apply, and reach out just after losing the belief and energy, but doing that has pushed me forward. Sometimes they have been friends, but many times strangers who have given me a chance to connect with their audience. In the art world, and especially in the fine art world, people are hesitant to accept outsiders. But once you get one door open, some others will open up too. The number of your supporters will grow step by step.
Opening Up for Small Miracles
In the beginning, art was something I did in secret. If I didn’t believe in my art, I simply stopped creating for a while. But the more I created, the more I wanted to find connections with other people. First with others who create, and then more publicly. After going public, stopping is much harder because you start to see wider: There must be someone who says yes.
I see that the melancholic and uplifting undertones are wrapped around each other like two plies in a yarn. By expressing both of them, not only a person but also her art becomes stronger – more touching and captivating. It’s then easier to make small miracles happen – have positive electricity as Louis Wain would put it.
What do you think? Have you seen the movie?
P.S. If you want to turn back the clock and learn from 6-years-younger Paivi, here’s your chance! Planet Color, is retiring on Sept 30, at midnight PDT.
If you are a beginner in painting and want to use acrylic paints more, for example, in your art journals, check this class! Planet Color is now more than 50% OFF before it goes away! >> Buy here!