Gold Caches of Your Artistic Journey
This week, I talk about the balance between following others and doing your own thing.
– Do what everyone else does.
That’s what my mother often told me when I was a child. Her point was to encourage me to learn and be part of a crowd – important skills, but I hated that phrase. As if you shouldn’t deviate from the path, stop, or run faster!
As an adult, I learned that life is not just about moving on your own. Everyone needs public transport.
Helsinki Bus Station Theory for Artists
Have you heard about Helsinki Bus Station Theory? It is particularly familiar to us southern Finns. Most of the buses in Helsinki go a long way on the same road until they take a different direction. “Stay on the bus, don’t hop off too soon,” we advise. This also applies to many things in life.
As artists, we don’t want to be like everyone else, but to hop off and find our own thing. And yet, to get to our own remote area with our treasures, we have to sit on the bus for quite a while. If we leave too early, we won’t find the caches, because they are much further away than we initially thought.
Traveling with Companions
We all have artistic talents that are strengthened by the journey together. This is why I teach classes.
If we get off too early, our talents won’t emerge. Ingenuity turns into chaos in the eyes of the viewer. Intuitiveness makes us do ordinary things because we can’t express its nuances. Sensitivity appears as unnecessary cautiousness. Analyticity produces a rigid impression and our personality is covered in an internal struggle about what the image should look like.
Through art history, I have understood that traveling with a companion can be enormously inspiring. As artists, we are always part of the past generations. When we look at old paintings, we can have a dialogue not only with ourselves and with our current teachers, but through our imagination, also with the masters themselves.
Gold Caches
Before I started this painting, I was looking at a portrait of Louis Pasteur by Albert Edefelt. Did Edelfelt guess how important a person Pasteur would become? I told Albert that we still benefit from Louis’s inventions. So, his glass bottles and notebooks were like gold caches.
My gold caches are found in nature. When I walk on the wide path of a nearby park, I often turn my gaze to the shadows. When the sun hits there, a humble plant suddenly finds itself at the center of the scene.
When that happens, I don’t only stare at the star of the show, but look around and notice all kinds of other wonderful things.
As a child, I already knew that it is not always good to march on and act like everyone else. It just has taken all my life to express that by painting.
Did you know about Helsinki Bust Station Theory before? Where your gold caches could be? What do you think about all this?
Abstract Birds
There is a saying that if you don’t know what else to add “Put a bird on it!” But this week I want to talk about birds as the main object of the picture, not just as a decoration. This blog post is also about abstract birds and their connection with realistic bird art.
Here’s my new painting, also bird-themed!
The Love for Real Birds
As a child, I saw a lot of birds and at some point, I started to learn to identify them. Ornithologist sounded like a great word and I have always been fascinated by people who are extremely enthusiastic about something. I learned about birds from a bird book I got from my parents, which was illustrated with drawings. I also drew birds myself, and it’s quite easy to recognize them once you’ve once drawn every detail.
Since those times my knowledge has unfortunately deteriorated, and I never became an ornithologist! But even though I’m no longer good at identification, I know birds as animals well. After all, I have had pet birds for decades. At the moment I have two budgies, Leonardo and Primavera. Over time, my interest in wild birds has started to return and a dream has surfaced, which the newest painting “Kingfishers” also tells about.
Here’s how it started! Wild strokes here and there.
I think most of us have some relation to birds – what’s your story? Could you bring more of that to your art?
Dreaming of Birds
Ever since I was a child, I’ve wanted to see the kingfisher. In recent years, I’ve started imagining how one would sit on top of our mailbox on a summer’s day when I come down the hill towards home. And this spring I’ve started imagining kingfishers flying around the ditch along my walking path. I know that these are unlikely to come true, but they are still wonderful thoughts. Kingfishers are very rare here in Finland.
So when I started a painting inspired by the ditch, I wanted those kingfishers there. After all, I had already written “kingfisher” in my notebook earlier this year when I started planning the new series of paintings.
And when I researched the subject more, I found out that there are about 120 species of kingfishers. So I could paint many different ones in the same picture!
Birds by Von Wright Brothers
This month, I want to blog about art history too. And as a Finn, I have to introduce the brothers Magnus von Wright (1805–1868), Wilhelm von Wright (1810–1887), and Ferdinand von Wright (1822–1906). One of the most famous paintings here in Finland is “Taistelevat metsot”.
Von Wright brothers drew and painted huge numbers of birds and are remembered as bird artists. I saw this pigeon painting in the Ateneum Art Museum in 2018 when they had a big exhibition of von Wrights’s art.
For the Von Wrights, the recognisability of bird species was essential, and they also depicted birds from the perspective of their authentic living conditions and behavior.
The paintings were very stylish and very aesthetic, but because of their accurate details, they also worked as scientific illustrations.
Unlike the von Wrights, I am not interested in the exact description of bird species, but rather in describing the vitality of life through birds.
Flying Birds and Their Abstract Shapes
I am especially fascinated by the ability to fly and I always try to look as closely as possible when I see a bird flying in the sky. When the bird flies high, its image breaks up and becomes an abstract composition. The flying bird serves us modern art in the middle of the mundane reality. A museum experience without visiting one!
I often see finches and magpies here where I live. I think magpies are really beautiful birds and this painting of Ferdinand von Wright is fabulous even if its theme is a bit brutal.
Many blackbirds live in our garden and I have also painted them in 2021.
I find it fun to adjust abstract shapes so that they express the essence of the bird. Here’s the Kingfishers painting again, photographed by my husband in the front garden.
And here are some pictures of details so that you can examine brush strokes and abstract birds more closely.
If you think about kingfishers, painting them can’t be just about flying near a stream, it has to be about catching fish too. To bring that up, the bird on the left below looks a bit like a fish.
Not So Abstract Birds to Get to Know Them
Of course, a flying bird can also be created so that it’s not abstract but has many decorative details. This project is from the course Animal Inkdom and is drawn in several sessions piece by piece so that it’s more manageable and fun.
In the center is a bird that flies into the animal world. When re-examining this, I hope that over time I would paint all kinds of animals in my abstract style. It is often necessary to study the animal for a long time before an abstract can be derived from it.
The Connection Between Letting Go and Not Letting Go
So if you wish that your expression would be freer, one way is to go deep into the subject. Not just to look at what a kingfisher looks like, for example, but to live its life, experience a deep identification with it and look for forms that express that emotional connection.
Often both the forms and the connection are first found through creating art that is less abstract and more accurate. I think that it would have been quite easy for the Von Wright brothers to become abstract bird artists, but the time wasn’t right for them. They left a legacy though, and I am one of their followers.
Fantastic Watercolor Sceneries
This week, we explore watercolor sceneries. Landscapes have always been an uncomfortable theme for me, but despite that, I consider myself to be some kind of landscape painter. Even this digital watercolor painting is a landscape.
Here I mixed the memories of the sunny days of the last fall with the eager wait for the upcoming blooming season.
What Do Landscapes Mean to You?
I think that landscapes are relevant to any growing artist. It is important to look at your relationship with basic themes such as:
- human or animal – portrait
- inanimate object – still-life
- nature – landscape
Of these, I have the closest relationship with the landscape, and through that, I also have a special relationship with places.
Even if I take photos of interesting sceneries, I am not at all enthusiastic about copying the landscape as it is. I’m a romantic who sees even the ugliest grass field as an exciting jungle. I often crouch down to explore the world from the perspective of a modest plant, where everything looks big and grand.
The landscape can also be a stage for an event. When I looked out the window of my room as a child, I was saddened by the fact that nothing was happening in the small area of detached houses. However, I paid attention to the house visible on the hill and how its roof seemed to change color in different lighting and in different seasons.
This kind of slow dynamics characteristic of the landscape is fascinating because when we paint we are not prisoners of time. We can fill the view with all kinds of activity. Various colors and states of one object can be gathered and everything can be lifted into flight and movement.
By thinking about what a landscape means to me, I have built a bridge to my childhood and enabled creative play.
From Traditional Landscapes to Expanded Sceneries
Even if I now see playfulness in landscapes, it took me a long time to realize that traditional landscape painting can be expanded. You can choose to express a real place, but make a completely own interpretation of it.
For me, watercolors have played a key role in this realization. In 2018, I started making small panorama paintings, in which I painted holiday travel memories, picking up details here and there from the photos as if reconstructing the place.
See this post to read more about these watercolor panoramas!
I also had a small sketchbook where I made watercolor sceneries, some realistic, some fantasy. See this post to watch a video about keeping a watercolor diary!
And of course, I also made the course Watercolor Journey from my insights.
In this course, you travel between imagination, memories, and reality. >> Buy here!
The Journey Continues
At the moment I am painting a small ditch, from which I have grown a beautiful landscape on a large canvas.
In the painting, a lot is happening and nothing is static or insignificant.
In art, the only limit is our imagination. It doesn’t matter where we live, in our paintings we can make it the place we want to travel to next!
Dreamy Watercolor Flowers
I’ve been down with bad flu and haven’t been able to blog for the past week. But now I have recovered and continue the spring blog post series, where I go through techniques and themes that have been important in my artistic development. This week the topic is watercolors, flowers, and expressing dreaminess.
Flower is a popular subject in art and I also like painting flowers very much. I don’t use models, I paint abstract shapes that look like flowers.
What Makes a Flower Dreamy?
In 2019, I painted a lot of flower-themed watercolors and then I thought about what flowers are all about for me.
The species of flower is not important to me. I often paint flowers that have no real equivalent. For me, the interesting thing about flowers is their relationship with light.
Without light, there are no flowers. The light continues the flower and makes it bigger and more beautiful.
When you paint light, dreamy watercolor flowers grow into the picture as if by themselves.
In ProCreate, it’s easy to zoom in and out, pick colors, and change brushes. Apple Pencil is also surprisingly pleasant to work with.
In real watercolors, splashing water more fun, but maintaining lightness is more challenging, especially when you only use the whiteness of the paper.
Then you start with light layers and gradually add color. It’s surprising how much you can fix and fine-tune the details when working this way.
Dreamy Flowers by the Water
Another important element is water. That’s why flowers and watercolors go well together. Light, water, and flowers are a refreshing combination. I try to bring the element of water into the picture in one way or another.
I used to paint a lot of vases, but nowadays flowers grow more freely near water.
I think that when a plant blooms, it dreams – just like we do when we make art!
Floral Fantasies – Paint Dreamy Watercolor Flowers!
For all flower lovers, I have a flower painting course Floral Fantasies, from which the watercolor part can also be purchased separately.
Floral Fantasies – Intuitive and loose approach to flowers – Buy here!