Peony and Parakeet

Fly to Your Inner World and Color the Emotion

Sceneries

Expressing Winter Memories

This week, I have a new winter-themed painting, and we talk about the many approaches for expressing winter and memories of any season.

Winter Night's Poem - Talviyön runoelma, 60 x 80 cm, oil on canvas, by Päivi Eerola, Finland.
Winter Night’s Poem – Talviyön runoelma, 60 x 80 cm, oil on canvas

Here’s my newest painting called Winter Night’s Poem. This time, the Finnish name is much more beautiful: Talviyön runoelma. I wanted to give the painting a poetic name – like Shakespeare’s play “A Midsummer Night’s Dream – Kesäyön unelma” but something more wintery. So I come up with the Finnish name, which sounds so romantic (if you know Finnish that is!), and then translated it to English as accurately as possible.

I painted this piece for the local artist association’s winter-themed art exhibition. Winter sceneries aren’t really my thing, but I wanted to take the challenge. I started by exploring Japanese woodblock prints and made a small colored pencil study that is more like a fall scenery, but that has similar abstract elements than in the final painting.

Colored pencil art. An abstract scenery.

I talked more about this colored pencil piece in October’s video blog post.

Winter Memories

I found it challenging to get emotionally connected with the theme. As Finn, I do know winters. They are cold and dark, and there’s not much that I enjoy about them. As a child, I lived further north, and winters were even colder and darker. Here’s a picture of me in 1974 when I was 5 years old.

Winter memories from 1974.

However, I have one special winter memory. Earlier this year, in one of the weekly emails, I wrote about Avicii‘s music and how it brings the memory to my mind:

When I hear A Sky Full of Stars, I am a little girl on a cold Tuesday evening in Eastern Finland. After participating in an icon painting group, I walked down the snowy hill looking up. The starry sky was blue-black, I realized. Not black like for those who glance carelessly or blue like for those whose skies were always blue. Working with colors had made the world look more beautiful.

I also remember getting an idea for a poem that I later wrote down. It was something about the starry sky. And there was a melody too. The sight, the words, and the sounds all formed this beautiful winter memory. And isn’t it so that memories are full of sensations of all kinds? Why should we then paint only what we see?

But then I heard myself saying: “Paivi, remember that it’s a winter-themed exhibition. It has to look like winter!”

How Does Winter Look Like?

In 2013, I made this hand-drawn collage for Christmas cards. It has a decorative approach to winter. Snow, hearts, berries, pastel colors – they all form a light-hearted and entertaining take on winter.

Hand-drawn paper collage, 2013.
A hand-drawn paper collage from 2013

An even more obvious choice would be to paint a realistic winter scenery with snow, trees, and such. Here’s a watercolor painting from 2018:

Fall and winter, two seasons in watercolor, Paivi Eerola's painting from 2018.
Two Seasons, watercolor, 2018 – From the class Watercolor Journey

My idea was to paint both fall and winter into the same piece. This is a class project from Watercolor Journey where we paint all kinds of sceneries in watercolor.

Winter in a Poem

But the more I thought about winter, the more connection I felt with the abstract side of it. I didn’t want to just paint an empty-looking scenery in black and white. I wanted the lights and darks to have a rhythm.

Starting an intuitive painting about winter.

My favorite poet Eeva-Liisa Manner has a winter poem that I have read hundreds of times because it was in a little poem book my family had. For a small child, the content felt strange, but the more I read it and the more I grew, I fell in love with its rhythm. The poem doesn’t rhyme, it’s free verse, very modern. But still, when I read it, I feel the rhythm, and when it ends, it feels like you have listened to a song, not read a poem. The words have been thrown into the air, carelessly, and yet, it feels like everything has a purpose. It’s like every word would have fought to get into to poem, and after accepted, they are ready to fly beautifully, each on their turn, and then to get mixed up even more elegantly in the reader’s mind.

Maybe you too, love poetry and have experienced the same. The words glow like jewels and have a long effect even if the time spend on the reading, is just a minute or two. Isn’t that what we aim for in visual art too?

Abstract painting in progress.

Wonders of a Winter Night

More than thinking about realistic scenery, I approached the painting with a poetic mindset. I imagined the sounds and rhythm of a winter night and visualized those. I trusted that the result will look wintery even if the painting is abstract.

Abstract painting in progress

I also thought about how things move, and one of my favorite details is the curvy black wind that blows snow.

A detail of Winter Night's Poem - Talviyön runoelma, oil on canvas, by Päivi Eerola, Finland.

Carelessly painted ice-like objects are on the top, and the sound of ice is visualized below them.

A detail of Winter Night's Poem - Talviyön runoelma, oil on canvas, by Päivi Eerola, Finland.

Probably the childhood memory of the winter night has stayed with me because it’s a little bit scary to walk alone in the cold and in the dark, under a few street lights only.

A detail of Winter Night's Poem - Talviyön runoelma, oil on canvas, by Päivi Eerola, Finland.

The color scheme was one of the challenges. I didn’t want the painting to look off-puttingly cold. Instead of only using blue and white, I brought a wide variety of tones but so that most of them are quite dark or pale.

A detail of Winter Night's Poem - Talviyön runoelma, oil on canvas, by Päivi Eerola, Finland.

Fortunately, winter is not here yet, but usually, we have the first snow in November. So the garden scenery will change soon!

Paivi Eerola and her painting Winter Night's Poem - Talviyön runoelma

I hope this blog post inspired you to express winter or any season that you have fond memories of!

Fall or Fairytale? – Creating Your Forest

This week, I talk about the colorful bridge that art can build between real and unreal.

Toivomusten metsä - Forest of Wishes, 40 x 50 cm, oil on canvas, 2022. By artist Paivi Eerola, Finland.
Toivomusten metsä – Forest of Wishes, 40 x 50 cm, oil on canvas, 2022.

This is my latest oil painting called Forest of Wishes. My fall is filled with those – wishes! Wishes that can’t be fulfilled.

I wish winter would only last a day or so. I wish there would be regular life for regular people – not war, not suffering, not lack of anything. And while I am thinking about these melancholic thoughts, it feels like my creativity ignores them and lives in a fairytale. I want to draw you in this fairytale too. I hope these pictures inspire you to create and make life more magical!

Hello Fall – Hello Colors!

In art, colors can make a fairytale. My oil painting brought this older watercolor piece to mind. Like “Forest of Wishes,” this one uses blue in a similar way: to create a connection with the viewer. It’s a reminder that blue can be strong and soulful and approach the viewer, not just stay still in the background.

Hello Fall, a watercolor painting by Paivi Eerola. A forest scenery.
Tervehdys, syksy! – Hello Fall, 38 x 28 cm, watercolor, 2019.

There’s also a video of painting this!

This painting started with the reference photo, but once the painting process got further, the expression replaced it. And splattering with a brush is a lot of fun!

The Magic of Growth

When I look at our garden, the wonders of summer become visible when trees prepare for fall. They have grown a lot, for example, this monkaburi – a pine tree that we planted a few years ago. Back then, it felt like it would take forever for it to form a gate over our heads, but now it already has a branch that grows over the path.

Monkaburi in the fall

The magic of growth also happens when filling a blank paper or a canvas. First, there’s very little life, but by adding more colors, shapes, and layers, we can grow a forest.

Fairytale painting in progress.

Sometimes the forest comes in one piece, and other times in many little pieces.

The same applies to artistic growth: sometimes it happens quickly, other times more gradually. I like to break the rules of being a serious artist only and allow play to show me the magic.

A beagle and a ball in the fall.

I want to learn from Saima, our youngest beagle. She is obsessed with the ball, but when we mention that to her, she seems to laugh: “It’s only a hobby!” At the same time, fetching the ball seems to be both her passionate work, but also a tool for imagining and playing.

Fall Fairytale

In the forest of wishes, we want to use a different mirror for ourselves – not to see the limitations but imagine the potential. It’s an exciting place that has many dangers as well.

A detail of Toivomusten metsä - Forest of Wishes, 40 x 50 cm, oil on canvas, 2022. By artist Paivi Eerola, Finland.

Going deep can take us deep down, but when combined with play, the humor steps in. Here’s my wish for a winter that would only last one day!

Playing with handdrawn and handpainted scrap reliefs. By Paivi Eerola.

Ask: “Is it the fall or is it a fairytale – real or unreal?” And then answer: “Today it’s a fairytale, a colorful escape!”

A detail of Toivomusten metsä - Forest of Wishes, 40 x 50 cm, oil on canvas, 2022. By artist Paivi Eerola, Finland.

Art can truly add magic to our lives. I feel that life isn’t real without the unreal.

Paivi Eerola and her painting in the fall garden.

What do you think?

Painting Moss and Coloring Green

This week is dedicated to moss and all the shades of green!

The Echo of Moss - Sammaleen kaiku. An oil painting by Paivi Eerola, Finland.
The Echo of Moss – Sammaleen kaiku, 60 x 80 cm, oil on canvas

Inspired by Moss

For some gardens, moss is a bad thing, but my husband and I always get delighted when we see moss appearing. It’s like velvet, an ancient treasure, woven hundreds of years ago and still vivid and strong.

Last month, I read Elizabeth Gilbert’s book called The Signature of All Things. The protagonist Alma was a moss researcher and the space where she worked and stored her samples felt inspiring because it seemed to be a world of its own. The Finnish title for the book is Tämä kokonainen maailmani – “this whole world of mine,” and I think it describes both the book and moss brilliantly.

Making of The Echo of Moss

In this painting “The Echo of Moss,” I have wanted to express the two sides of moss – how it enables life but also gently connects us with death. Watch the video to see how it progressed step by step!

I painted this piece in oils in two separate sessions. There was a week of drying time between them. I am not always that quick, but this time I was in the flow state before making the first stroke. Probably because the subject felt both inspiring and familiar, and I love the color green.

Painting and Coloring Moss

Moss is not difficult to paint or draw. You only need softly colored variegated green in the background and then randomly placed dots or short lines on the top. Here’s an example in watercolor.

Painting moss in watercolor.

This piece is a sample from my watercolor class Magical Forest which has a lesson on painting moss.

When working with colored pencils, color a variety of greens in different directions so that single strokes are not visible. You can use browns, blacks, yellows, and blues in layers to get a wide range of warm green shades. No outlines are needed.

Drawing moss in colored pencils.

To get natural-looking spotting, close your eyes and tap your pencil randomly on the paper.

Green Green Green!

Green is my favorite color nowadays. “Every painting can’t be green, Paivi, we want variety,” I said to myself before I started painting this one. I was just like my mother who used to give permission and then remind me that it can’t be expected to happen regularly. “Yes, mother, but I want to be a goddess of green!”

Paivi Eerola and her oil painting "The Echo of Moss"

“Everything is green,” said my husband when I asked him to take this photo.

Paivi Eerola and her painting The Echo of Moss in the garden.

“It’s intentional!” I said to him.
I hope that this post inspires you to explore moss and different shades of green!

P.S. Speaking of color, one of my classes, Planet Color, is retiring on Sept 30.

Planet Color, a painting class for beginners.

If you are a beginner in painting and want to use acrylic paints more, for example, in your art journals, check this class! Planet Color is now more than 50% OFF before it goes away! >> Buy here!

Turning Memories into Paintings

This week, I talk about memories and art-making and how the connection between them can be loose but still important.

Tiikerinsilmä - Tiger's Eye, oil on canvas, 80 x 100 cm. By Paivi Eerola, Finland.
Tiikerinsilmä – Tiger’s Eye, oil on canvas, 100 x 80 cm

With this new painting, I want to talk about …

Books and Memories

My parents never visited another country, and as a child, I never traveled abroad. My first foreign trip was to England when I was 21 years old.

So when I think about my childhood, the first feeling that comes to mind is boredom. “Äiti, mitä mie tekisin – Mother, what could I do next?” I often asked. But my mother’s suggestions were never inspiring, and if my friends weren’t around, I usually chose to walk to the local library so that I could see the world.

My body was local, but my mind was international. Maybe it’s because our family had the book Tuhannen ja yhden yön satujaOne Thousand and One Nights, and I found it fascinatingly exotic at a very early age.

Childhood memories, with flowers
Admiring flowers in the 1970s

So the local library became my globe. As soon as I opened the door, I glanced at England, to the bookshelf where Jane Austen‘s novels were in a row. Then I went to Africa and Asia by browsing big encyclopedias of animals, searching for big cats. I traveled to Egypt when admiring the treasures of the pyramids. I spent hours in France and Italy, contemplating whether I liked impressionism or expressionism more. Pictures of folk dresses took me to the east, across the border. I traveled west over the sea to meet my friends Uudenkuun EmiliaEmily of the New Moon, Laura Ingalls, or Vihervaaran AnnaAnne of Green Gables. And I also spent quite a lot of time in a fictional American town through Spoonriver Anthology by Edgar Lee Masters.

When my fingers danced on the spines of the books, my mind contemplated where to go next. And always, I was able to find a place more pleasant than the small town in Eastern Finland.

Painting Freely, Inspired by Memories

This freedom of mind still inspires me. In fact, this blog is one channel to reach you who lives far away. Despite the distance, you may have read the same books, yet our memories are unique. The common stories and pictures get mixed with personal experiences and views.

Starting a painting, a studio view

No matter how current we want to be, memories always play some role in our art too. When painting freely, it’s not as literal as illustrating a story but more about the atmosphere and associations that a traveling brush can evoke.

Painting in progress. Painting freely and letting memories flow through associations. Creating intuitive art.

Like a child, we can get enthusiastic about very little – about a spot or a simple idea and then expand our thoughts, shapes, and colors.

Painting in a small studio, inspired by memories.

I believe that the more we paint, the more we remember who we naturally are.

My Artist’s Journey

My artist’s journey has been full of practice. A lot of it has been that I have developed a class of my recent revelations and then moved forward to find more. So, it’s been a very straightforward route that way, and I am oddly relieved that it has brought me where I am now, being able to use a brush as my pen and paint stories that go beyond words.

Right now, it doesn’t feel right to develop a new class about painting, especially when I already have the master class Floral Freedom.

Painting the edges of a big painting. The painting is sideways on an easel.
Painting the edges. This piece

However, with the current series of paintings, I have got new ideas for drawing. A big part of my painting skills and imagination have come from drawing practices, and I love the quickness and playfulness that pens and pencils enable. So stay tuned!

Tiger’s Eye – Memories into Painting

I painted this piece, Tiikerinsilmä – Tiger’s Eye, like it would be a good book, taking me to unexpected places. Just like a child sees the world in a library, as an artist, I try to stretch my memories and imagination so that I don’t get stuck in the mundane.

Paivi Eerola and one of her paintings in a garden.

What kind of memories and hopes came to your mind when reading this post? Did you, too, read One Thousand and One Nights, for example?

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