Let’s Draw a Winter Angel
This week, we draw a winter angel step by step!

The angel begins with a simple outline sketch. The hands and feet are hidden behind the dress, so it’s easy! The skirt is big so that you can treat it as a blank canvas for winter scenery.
Step 1 – Make an Outline Sketch
Pick an A4-size or US letter-size paper and a regular pencil.
Draw a horizontal center line and then another line that divides the upper part in half.
Place a head right above the upper line and draw a simple body and a long hem.

Add a circle for the halo behind the head, some marks for facial features, wings, and curves to divide the upper body into two parts.

Erase the sketched lines so that you can see them only vaguely. Compare the wings in the picture above with the next picture. After erasing, the pencil sketch is visible only barely.
Step 2 – Add Foundational Ideas
Change to colored pencils. Start with the face and color lightly. Get connected with the character that you are drawing. Add some skin tone and hair. You can also draw facial features, but do it with a light hand, aiming for a connection rather than perfection at this stage.

With neutral colors, add ideas for a winter feel. I draw fur on the top part of the dress and then sky and trees on the skirt.
Step 3 – Color Beyond the Outlines
Get more creative by breaking the outlines. Think about the air that rises from the cold and circulates around the dress. Imagine winds, polar lights, and layers of snow, but also immaterial things: thoughts and feelings and their liveliness.

You can now use more colors but keep the coloring light and progress gradually layer by layer.
Step 4 – Add Details by Coloring
Go through the angel many times and add more details and shadows at every go.

The more details you add, the more your imagination grows. For example, the wings can have decorative motifs.

Make the angel more interesting by adding more asymmetry.

Draw elements like ice so that it’s placed differently on the two sides of the angel.
Step 5 – Cut Out and Finish
Cut the angel out of the paper and make final adjustments, especially near the cut-out edges. Now it’s also the time to make final adjustments to the facial features.

I added more decoration and cut a notch to the halo so that it’s like a glamorous hat.

Step 6 – Play with the Winter Angel!
Combine other items with the doll, and enjoy making the settings! I like to pull out stuff from my boxes of hand-drawn elements – boxes of joy, as I call them!

I drew this little Christmas Girl one evening when I was too tired to do anything else. I think it looks lovely with the winter angel!

Doll World – Sign Up Now!
Come to draw more dolls and other beautiful items for your box of joy!

Doll World begins on January 1st, 2023. Watch the video and sign up here!
New Class Coming Up – Sign Up Now!
This week, I open the registration for the new class Doll World.

This fun class is about drawing human figures in adorable fantasy dresses. It will run from January to May 2023. You will get a new lesson every month.
Expressing Winter Memories
This week, I have a new winter-themed painting, and we talk about the many approaches for expressing winter and memories of any season.

Here’s my newest painting called Winter Night’s Poem. This time, the Finnish name is much more beautiful: Talviyön runoelma. I wanted to give the painting a poetic name – like Shakespeare’s play “A Midsummer Night’s Dream – Kesäyön unelma” but something more wintery. So I come up with the Finnish name, which sounds so romantic (if you know Finnish that is!), and then translated it to English as accurately as possible.
I painted this piece for the local artist association’s winter-themed art exhibition. Winter sceneries aren’t really my thing, but I wanted to take the challenge. I started by exploring Japanese woodblock prints and made a small colored pencil study that is more like a fall scenery, but that has similar abstract elements than in the final painting.

I talked more about this colored pencil piece in October’s video blog post.
Winter Memories
I found it challenging to get emotionally connected with the theme. As Finn, I do know winters. They are cold and dark, and there’s not much that I enjoy about them. As a child, I lived further north, and winters were even colder and darker. Here’s a picture of me in 1974 when I was 5 years old.

However, I have one special winter memory. Earlier this year, in one of the weekly emails, I wrote about Avicii‘s music and how it brings the memory to my mind:
When I hear A Sky Full of Stars, I am a little girl on a cold Tuesday evening in Eastern Finland. After participating in an icon painting group, I walked down the snowy hill looking up. The starry sky was blue-black, I realized. Not black like for those who glance carelessly or blue like for those whose skies were always blue. Working with colors had made the world look more beautiful.
I also remember getting an idea for a poem that I later wrote down. It was something about the starry sky. And there was a melody too. The sight, the words, and the sounds all formed this beautiful winter memory. And isn’t it so that memories are full of sensations of all kinds? Why should we then paint only what we see?
But then I heard myself saying: “Paivi, remember that it’s a winter-themed exhibition. It has to look like winter!”
How Does Winter Look Like?
In 2013, I made this hand-drawn collage for Christmas cards. It has a decorative approach to winter. Snow, hearts, berries, pastel colors – they all form a light-hearted and entertaining take on winter.

An even more obvious choice would be to paint a realistic winter scenery with snow, trees, and such. Here’s a watercolor painting from 2018:

My idea was to paint both fall and winter into the same piece. This is a class project from Watercolor Journey where we paint all kinds of sceneries in watercolor.
Winter in a Poem
But the more I thought about winter, the more connection I felt with the abstract side of it. I didn’t want to just paint an empty-looking scenery in black and white. I wanted the lights and darks to have a rhythm.

My favorite poet Eeva-Liisa Manner has a winter poem that I have read hundreds of times because it was in a little poem book my family had. For a small child, the content felt strange, but the more I read it and the more I grew, I fell in love with its rhythm. The poem doesn’t rhyme, it’s free verse, very modern. But still, when I read it, I feel the rhythm, and when it ends, it feels like you have listened to a song, not read a poem. The words have been thrown into the air, carelessly, and yet, it feels like everything has a purpose. It’s like every word would have fought to get into to poem, and after accepted, they are ready to fly beautifully, each on their turn, and then to get mixed up even more elegantly in the reader’s mind.
Maybe you too, love poetry and have experienced the same. The words glow like jewels and have a long effect even if the time spend on the reading, is just a minute or two. Isn’t that what we aim for in visual art too?

Wonders of a Winter Night
More than thinking about realistic scenery, I approached the painting with a poetic mindset. I imagined the sounds and rhythm of a winter night and visualized those. I trusted that the result will look wintery even if the painting is abstract.

I also thought about how things move, and one of my favorite details is the curvy black wind that blows snow.

Carelessly painted ice-like objects are on the top, and the sound of ice is visualized below them.

Probably the childhood memory of the winter night has stayed with me because it’s a little bit scary to walk alone in the cold and in the dark, under a few street lights only.

The color scheme was one of the challenges. I didn’t want the painting to look off-puttingly cold. Instead of only using blue and white, I brought a wide variety of tones but so that most of them are quite dark or pale.

Fortunately, winter is not here yet, but usually, we have the first snow in November. So the garden scenery will change soon!

I hope this blog post inspired you to express winter or any season that you have fond memories of!
Creating a Protector of Good
This week we get inspired by spiritual and ornamental art and create a protector of good.
Protector of Butterflies in Colored Pencils

Halloween is not an official holiday in Finland, but we have All Saints’ day soon. I started gathering images for this blog post in the spirit of All Saints’ day, but soon realized that this kind of art has a special role in my life in general. There are times when I want to create art to protect all the good things in life.

In the small colored pencil drawing, I was thinking about the beauty of butterflies and created a protector for them.

At the same time, I created a protector for my sensitivity, and it feels good to have one in my box of joy as I call the collection of hand-drawn paper reliefs.
Protector of Everything Sacred in Collage
Back in 2011, when I wasn’t a full-time artist yet, I made this paper collage from hand-decorated papers.

I wanted to express the atmosphere of a sacred space. My hand-drawn lines were clumsy, but I cut the papers so that they look decorative. I painted icons as a child, so I made the woman’s face in that style. I still like this!
Protector of Flowers and Plants in Oil
In 2018, I was practicing oil painting and explored all kinds of organic shapes. I first painted all kinds of plants and then changed the orientation, and added the madonna. (More about the process in this blog post.)

The frame of the painting has a real silver coating, and I think it fits the image beautifully.
Painting and Drawing Precious Artifacts
We can paint and draw precious things that make us feel protected, like candles and crosses. I found these two gouache paintings from my archives today.

Ornaments can also be more imaginative, like these hand-drawn collage pieces.

You can compose paper pieces together so that they look like a talisman.
Protector of Light in Watercolor
Now when we are entering dark days in Finland, I feel the need to have a protector of light.

This watercolor angel was painted for the class Magical Forest. I developed a method for it so that you first paint the angel figure freely by splashing colors and then add more definition by painting the dark background.
Protector of the Child in Us
I think one of the most important protectors is the one who protects the child in us. I painted this icon in the early 1980s when I was about 10 years old. It was my second, and as you can see, I wasn’t very good at varnishing back then – too much linseed oil!

The teacher of the icon painting group, Irke Petterberg, helped me with the details of the faces. I wasn’t eastern-orthodox; I just happened to live very near the church and love art-making. It was wonderful to be accepted as a part of the group which consisted of adult painters. For me, religion felt like a gate to the world of imagination.

No matter the religion, let’s cherish the child in us and protect the good through art-making.