Response from the Universe
This week, I have exciting news and talk about life’s big decisions.
In the spring, I will only paint canvas, but later this year, in addition to that, I will also paint the virtual world! Namely, I have received a part-time 1-year grant from the Finnish Cultural Foundation to produce a digital, three-dimensional artwork called Unknown Land.
This is an excerpt of the application that I sent last fall to the foundation.
In my works, I search for a solution to the problems of the external world through the root causes, so strengthening the inner power of a person. By inner power, I refer to imagination and intuition – the human ability to imagine and sense the future. The future is an unknown land.
We can think of this unknown land as a new untouched continent. When we arrive there, everything seems like a newly born fantasy at first, but soon, we will see that this is not the case – only the emphasis has changed. Things emerge from the past, the meaning of which we have previously underestimated. In an unknown land, we are in a state where we no longer want to return to the past, but on the other hand, we cannot escape it. Then it is possible to see the old shadows in a new light and make an effort from that to the new one. Like my paintings, we, therefore, travel between the future and the past – the abstract and representational.
In the project, I will create an interactive virtual reality artwork based on my oil paintings. The project has many kinds of computer work – digital painting, 3D modeling, programming, testing, etc. So, things that feel more like my past self than the current one.
Past’s Big Decisions
Let’s rewind to the 1980s when I was making big decisions in my life. My father had just died. I was engaged but not in love. I sent applications to universities and got accepted by them all. Although I tried not to think about it in the picture below, I knew this would happen: I would move far away to the south to study technology, I would not marry the guy I was engaged to, and I would leave art – at least for a while.
I had wanted to be an artist but didn’t think the art schools would be as accepting as the universities. I had self-evaluated my skills and talent, which weren’t where they should have been. When I said no to art, I got yes to many good things: intelligent ideas, challenging jobs, better income, etc. I was fascinated by computers, and I believed that the universe wanted me to study software engineering.
But later, it dawned on me that the universe is not quite that simple.
Worlds Are Fighting Over You
Even if I am not a big believer in destiny, I believe that there are worlds that fight over you. No matter how depressed on unpopular you feel at times, remember that some worlds would always do anything to win your heart. And even if you shout to the universe and it remains silent, the worlds are still there for you, waiting for the right moment.
Art didn’t give up on me even if Technology won the battle in the 1980s. There have been big fights since. Last fall, just when Art thought that Technology had been beaten for good, I got excited about VR – virtual reality. Art and Technology have their own ways of capturing my attention. Art is like the beast of my inner world, demanding attention and energy. Technology always attacks outside – sends a few inspiring lines to read about innovations, an abbreviation to figure out, or an invitation to a special event for nerds.
“I will let the universe decide,” I told myself when I wrote the application. But so it happened that the two worlds that had been fighting over me for all my life finally agreed to come together. My life’s big decisions make sense now.
Changes Will Come
I will start the exciting new project in the fall. It will take a lot of my time, and changes will come, but I don’t want to think about them yet. I am painting for the next exhibitions and leading the class Doll World this spring. Then it’s time for Art and Technology to collide.
What are the worlds that are fighting over you? Tell us – leave a comment!
Colored Pencil Doodling
This week, we are doodling wildly with colored pencils.
Free doodling is the most natural way for me to create. I can just start. No browsing the internet for ideas, no trying to think what to express. It only requires trust that something will appear – that a problem I wasn’t aware of gets solved, a key to a door that I didn’t notice is found, and a place that didn’t exist is born for everyone to explore.
Mindless Doodling
When doodling with colored pencils, I like to pick a pencil and start coloring mindlessly.
I often pick a neutral color and use a light touch so that I can later add layers on the top.
The mindless curves can go on top of each other, already creating a new layer.
When I get bored, I pick another color and do the same.
I try not to worry about how it looks because it’s just a warmup.
Enjoying Colors
When my thoughts begin to flow effortlessly, I add more colors. Now I color areas or spots over the doodles.
I also highlight some parts of the doodles with color.
I cover most of the blank areas so that the image becomes less busy.
Drawing Something Intentional
If I get stuck and feel discouraged, I draw something to cheer me up.
A heart is a message for myself: “Keep going; everything will be ok.”
Discovering by Shadowing
“What should I draw?” we often ask ourselves. I often push through by picking a fairly dark tone and shadowing around a random area.
I also like to color stripes, so I color and shadow them. It usually doesn’t take long when I feel the sense of new, exciting scenery.
Doodling All The Crazy Stuff
Recently, I have become more open to allowing all the things that don’t seem to make sense. I also have got more courage to put expression over prettiness.
The success of this kind of wild doodling is connected with the more traditional art skills. I have noticed that after doing the projects for the class Doll World, I have been able to include human shapes and characters more effortlessly for drawings and paintings.
Colored Pencil Doodling – The Result
I think that the finished work expresses that I am at a crossroads. I have a new exciting project on the horizon that you will find out more about soon. I am considering what old things to continue and what to abandon.
But I think that everything will be ok anyway because when I turn the spread upside down, the world still looks exciting and inviting.
More Intuitive Art Projects
My classes – Inspirational Drawing and Intuitive Coloring, go into this kind of free-flowing process in more detail. If you prefer watercolors to doodles, check Magical Forest for a similarly intuitive approach.
This small colored pencil journal is currently my favorite art journal. Check the class Fun Botanicum for a jump start for beginning colored pencil journal pages!
Birth of the Attic Paintings
What stories define you as an artist, and how could they inspire you to move forward?
“Satumaa” is a Finnish word that’s something like “fairytale land.” This painting is only 15 x 15 cm!
I call these miniature pieces attic paintings. Here’s the story behind them.
Päivi’s Attic
When I was a child, I dreamed about running a shop. My main interest there was in product development. I wanted to design things and offer an attractive selection. We lived in a wooden house with a big attic, and I established my shop there. It was called “Päivin puikko” – Päivi’s Needle and had a modest selection of hand-crocheted things.
I remember the joyful sound of footsteps on the staircase when my two sisters came to visit. They were a lot older than me and had coins with them too. When they admired the little handmade items on the table, the feeling of acceptance ran through me. One sister grabbed a long chain and asked how much it was. “Twenty pennies,” I said. “But this is so long,” said the sister, ” you worked hard for it, I give you fifty.” Sold!
Stories That Define Us
The stories where we experience big feelings define us. I realized that when I tried to figure out how much I have to raise the prices of my paintings. It was necessary as I have grown as an artist, and the general prices have come up too. But a little child in me said: “Don’t!”
“Why,” I asked.
“Because your paintings are already too expensive for my shop in the attic,” she whispered.
And yes, I couldn’t imagine selling my big paintings in that little corner. Yet, I wanted to have something for her too.
“Here’s what we do,” I said to the child. “I will raise the prices, but I will paint some small studies for you, only 150 EUR each.”
And that’s how these miniature paintings were born.
I call these attic paintings. The size is only 15 x 15 cm, and they are born from left-over paints. They are the same high-quality oil paints that I use for bigger pieces, but I often have leftovers on the palette after a painting session.
I am now much more comfortable with the higher prices when I have something for the attic – and for gift shops too!
Valkovuokko
The English word for “Valkovuokko” is “wood anemone.”
Mansikkapaikka
“Mansikkapaikka” is “a strawberry place” in English. I was thinking about wild strawberries here.
These small canvases work well for studies. It’s good now when I am practicing Albert Edelfelt‘s painting style for my upcoming exhibition in Villa Albert.
Mansikkapaikka is inspired by Edelfelt’s painting Ahomansikoita.
Satumaa
I like to paint sceneries that are overly romantic and full of fantasy.
Satumaa was inspired by an older painting called “Luvattu maa – Promised Land.”
Promised Land was so much fun to paint that I wanted to repeat the idea of using a limited selection of shapes and expressing plants traveling toward the light.
Attic Paintings – Expansion of Style and Love for Plants
I placed “Mercury Temperatures” with the attic paintings to see how the small ones go with the bigger ones.
My love for plants and yearning for nostalgia and fantasy are well presented in both, I think!
My husband and I are enthusiastic about plants, especially decorative ones. Our home is like a flower shop now when I have got some bouquets for my birthday and when orchids are blooming.
When I think about the shop in the attic, I wonder how I could not see its influence earlier. The stories that define us can prevent us from growing. But the stories can also be the key to solutions that enable growth and change.
What do you think?
Art and Familiar Things – Inspiration from Sounds and Surroundings
This week is about getting inspiration from familiar things like songs and the sounds of the surroundings.
I live in an area built in the 1960s. I love the mid-century modern tile houses and their old-fashioned gardens with apple trees and bush hydrangeas. One year, at the end of May, apple trees were blooming like crazy, and when I took the dogs for a walk on a sunny afternoon, I heard a family having a graduation celebration, singing beautifully in a choir. I felt I could touch the air and see the melody traveling on it, flying like a swallow, carelessly yet skillfully.
Visualizing Familiar Sounds and Songs
A similar kind of inspiring sight happens when I hear Aretha Franklin singing “Say a Little Prayer.” In the chorus, the choir sings the melody, and Aretha just throws in some sounds. It’s like she is the background singer there, except she’s not. The timing of the single notes is perfect, and their sound is powerful. I see her singing as lines that are effortless without being worthless, ornamental without being traditional.
See this post from 2014 for tips for using music as inspiration: 5 Ways Music Can Improve Your Art
When an old house is demolished, and that happens too much nowadays, they destroy the garden too. I see this constantly happening in our area, and it’s heartbreaking. I don’t look at the surroundings like a property developer but as an artist who seeks visual music. I want to see the old-fashioned songs: lines that are born when birds fly over the scenery, curves that butterflies make on the flowery fields, shadows that scream, and sunspots that quietly fade away. All that sound and movement creates music that inspires me to paint!
Northern Splendor – Seeing Familiar Things as a Fantasy
Usually, I have gone on an adventure to faraway unknown regions when painting, but in this series that I am working on, I’m in Finland, where gardens and nature alternate. I paint the light of northern summers and connect that with architectural ornaments.
In this painting, I imagined how a French couple from the 19th century visited Finland.
They then saw how the palaces and churches of Central Europe do exist in Finland too, but all this splendor is in nature instead of buildings.
My dream is to paint like Aretha sang – like it would all be careless strokes, yet so intentional and so creatively put that they break the surface of what’s ordinary and familiar.
Read That, Watched That, But Can It be Renewed?
I am currently working on a painting for a group exhibition. My theme is Alice in Wonderland!
It’s a tale that has been heard so many times. How to break through it? Exciting!
What familiar things inspire you?