Remembering Collageland
With this spread, I say farewell to a course called Collageland.
Yesterday, when I was making backgrounds and decorating handmade papers for this spread, I looked back on my artistic journey.
Three Stages
Stylistically, my artistic journey can be divided into three main stages. The first stage began around 2010 when I created decorative collages. My thing with collage art has always been to create every piece of paper myself and not cut anything from magazines or such. This approach requires more work, but it also grows your drawing skills. And most importantly, you can proudly say that you did it all yourself.
From 2016 to 2017, I gradually shifted toward a more illustrative style, drawing and painting representational fantasy art that often featured human or animal figures. I was highly influenced by art history and fantasy artists.
In 2020, I found my current painting style and focused on freely painted abstract landscapes and floral still lifes.
Considering I started my career as a full-time artist in 2014, you could say I moved forward in three-year leaps.
After the first stage, in 2018, I wanted to create one last course on decorative collages. It got the name Collageland. I felt that moving on is like leaving one place and founding another.
Remembering Collageland
Yesterday, I watched Collageland again. The course videos and the written materials evoked two strong emotions.
First, I felt tremendous inspiration. I just had to do those exercises one more time! I painted papers with watercolors, made prints on paper using a Gelli Plate, and decorated the papers with pens. One of my art journals now has a farewell to Collageland, where flags fly, sending prayers and good wishes to all artistic souls.
I used torn papers over the Gelli Plate and I think the backgrounds are really cool. It looks like the “flags” are glued, but they are just layers of paint!
Originals and Prints
Viewing the first stage of my artistic journey from a distance was exciting. I didn’t remember how much inspiration is packed into the course, and I had forgotten surprisingly many techniques too. In Collageland, I share not just collage art made over the years, but also prints and fabrics created from them.
Changing the Needle to Pens
In Collageland, I also show inspiring needlework projects, as my drawing originally grew out of them.
Embroidering with a needle, or even with a machine, eventually felt too slow, so I switched to a pen.
So, the subtitle of Collageland is “Artistic Embroidery with Pens and Paper.”
Collageland Is Retiring – Buy Now!
Yesterday, when the final video ended and my art journal spread was finished, I was moved to tears. “Hey Päivi,” I wanted to say, “hey younger Päivi, I want to become you again!” But at the same time, I felt that I was already living in a third, even more wonderful land, and that there is no turning back.
So, it is time to retire Collageland. If you haven’t taken it yet, I warmly recommend it! There are still a few days left to purchase, and the price is 50 % OFF! >> Buy Now!
The course videos are available to you for at least six months after purchase. And if you download all the course material, the course is for your personal use as long as you keep it on your device. >> Buy Now!
Collageland is no longer on sale after Sept 27, 2026, at midnight PDT.
Artist Vlog – Day in the Life of an Artist
This week, you get to see my day from morning to evening! I’m walking the dogs, painting in oil and watercolor, taking care of my orchids, editing course videos, etc. I hope you enjoy this kind of documentary-style artist vlog!
The black journal that I used in the video is the Dylusions Creative Journal.
Remember to sign up!
Drawing Soulfully – Sign Up Now!
Awaken your line and find a way to your style!
Drawing Soulfully begins on August 25, 2026. >> Sign Up Now!
Starting a New Sketchbook with Botanical Art
This week, I share how I am starting a new sketchbook!
Eged’s silverweed (meriketohanhikki in Finnish)
Starting the Dingbats Pro Green Beetle Notebook
For a long time, I’ve been looking for a sketchbook that works well with both pens and watercolors. I’ve used Fabriano’s thick (200 gsm) Accademia drawing paper for individual drawings for years. But now that I’m gathering material for a new painting series, I really wanted to create my work in a book instead of keeping loose sheets in a folder. Flipping through a book’s pages just feels so much nicer than turning plastic sleeves in a binder.
I noticed that a Finnish stationery shop, Vihkokauppa, had added the Dingbats Pro Green Beetle Notebook to their range. The product description said that the maker spent a long time developing the paper to make it suitable for watercolors. I don’t live near the shop, so I took a chance and ordered it online.
I was lucky. Based on the experience so far, the paper is truly great! It’s thin enough (160 gsm) so the notebook doesn’t feel bulky, but thick enough to hold water. The pages are wonderfully smooth and work great with fineliners and colored pencils. Because of its size (B5), it’s also a good fit for my new course, Drawing Soulfully, if you prefer to do your course drawings in a book.
Moving Away from Procrastination
I have a few topics I want to explore before starting my next series of big paintings. I have a short list, and I’ll share my ideas in future blog posts. These are mostly things I have wanted to explore more deeply for quite some time, but have procrastinated on for some reason. It’s time to stop that procrastination! Building the new course, Drawing Soulfully, has given me a lot of energy for that, and I hope that the course will inspire you too!
One of the topics on my list is plants. The exact species doesn’t matter, though of course I prefer to see the plant with my own eyes first. Plants have such interesting shapes and details that I want to add to my artistic repertoire. So now, when I was starting a new sketchbook, my first project was to pick a plant and draw it.
I took a few photos of a cute yellow-flowered plant during a little getaway in June, and later identified it at home. The silverweed made it as the very first entry in my new sketchbook!
I started the drawing without any pencil sketching, going straight in with watercolors. For the main flower, I followed one of my photos quite closely, but after that, I let go and worked more freely.
I think the soft feel of watercolors and the precision of fineliners go together so well. I just love drawing with thin pens.
Using only a little water with thin brushes makes me feel like I am a decorative painter in the 18th or 19th century! I also made some notes about the plant on the opposite page.
Having the black-and-white parts on the page didn’t bother me at all, so I actually thought about leaving the page like that—half black-and-white.
The next day, however, I decided to color in the black-and-white parts with colored pencils to bring more life and atmosphere into the drawing. It didn’t even take long, since the drawing itself and part of the coloring were already done.
Starting a New Notebook – Watch the Video!
I recorded a few short videos while working. In the video below, you can see the notebook and how the first page came together. You’ll also see the watercolor swatch grid I made at the front of the book.
Even if the starting point is botanical, the finished drawing can be expressive rather than stiff. I hope all of this inspires you to draw more, and maybe you are starting a new sketchbook/art journal too!
For the Love of Drawing
Don’t forget to sign up for the new course Drawing Soulfully! In the short video below, I talk a bit more about the love for drawing and what the course is all about.
Drawing Soulfully – Sign Up Now!
In Drawing Soulfully, we work with and without photos but always with a creative approach.
Drawing Soulfully begins on August 25, 2026. >> Sign Up Now!
From Drawing to Style
I know there are plenty of art courses out there advertised with slogans like “find your style” or “discover your inner artist.” To be honest, those sound like pretty big words to me. Maybe it’s because we Finns tend to be quite modest—and sometimes so brutally honest it makes you want to shake us a little!
But as I started creating my new course, Drawing Soulfully, I wanted to raise the bar. After so many years of teaching, making art, and deeply exploring artistic thinking, I wanted to gather my insights for developing your own style. And not just share theoretical ideas, but show you in practice how drawing forms the core of visual expression.
Even though my main works are paintings, I developed my style through drawing. I kind of threw myself into a free fall guided only by the hand-drawn line—and survived it so that my inner world came out onto the paper. For that, I’m forever grateful to my line. I deeply believe that by awakening your line and giving it a soul, you can unlock your unique artistic style. And once you find that style, you can use it in any visual art, not just drawing.
Style Isn’t a Fixed Destination
Style is a journey. In the beginning, we all walk the same path together, and slowly, we start to branch off. The fundamentals are the same for everyone, but how we apply them comes down to subtle choices, tones, and personal emphasis. That’s why I like to teach the principles first, and then show examples of how you can adapt and play with them. In Drawing Soulfully, techniques are just tools, not the final goal.
One of the hardest things in teaching art is artistic expression. I think that’s why so many art courses focus purely on technique. But to me, that feels like hopping on one leg. Can you even have true style without expression? In Drawing Soulfully, both are included.
Some projects are black and white, some colored. You will need black fineliner pens and your favorite coloring supplies. The examples are in watercolor, and some also use colored pencils.
The early-bird sale of Drawing Soulfully ends on July 26, 2026, at midnight PDT. Sign up now!
Let’s crown this year with a passion for drawing!