Abstract Composition in Watercolor
This week, we create geometric and modern art. Pick your supplies, and make an abstract composition!
>> See this painting bigger at the Taiko online art store
Lately, I’ve been exploring the extremes of my own style, especially when it comes to visual language. I’ve been searching for something angular and adventurous for inspiration, as my style has recently drifted perhaps a bit too much toward the organic direction. Quite by chance, I noticed the summer issue of Watercolor Artist magazine in a local shop, which introduced me to an interesting artist named John Salminen.
John Salminen uses photos of urban landscapes as the foundation for his work. He converts the photo into a high-contrast image and sketches an abstract composition from it. He calls this approach “abstracted realism.” I like his paintings a lot. To me, they feel sophisticated yet masculine and go close to one extreme of my own style.
Starting an Abstract Composition
I now wanted to create an abstract watercolor using mainly geometric shapes. Unlike John, I started my work freely without any reference photos. First, I used plenty of water.
In the next layers, I applied less water to make sharper shapes.
Geometrical Abstract Composition
The basic idea is to create both small and large shapes, arranged in an asymmetrical composition on the paper.
You don’t need a ruler for geometric shapes. Thin brushes make lines easy to achieve, and a flat brush is perfect for angular forms.
What Do You See?
When painting abstract art, it’s best to first focus on the shapes themselves and forget about looking for realistic objects in the painting.
In my project, everything was going well until I realized that I was creating yet another flower painting. I’ve painted flower arrangements so many times that their structure is deeply rooted in my subconscious.
I turned my work upside down, hoping it would look different, but the flowers in the vase were staring right back at me! Give me any unfinished or finished painting, and I’ll turn it into a floral arrangement in a moment!
Shifting Direction – Making a Plan
This time, I didn’t want to paint flowers. I wanted a sense of space and adventure. So, I moved from my small painting studio to the computer and opened Photoshop. I planned out the perspective and started looking for shapes to support it.
Then, I designed the composition. I could have worked this out through painting as well, but then the final piece wouldn’t look quite as effortless. You can wipe watercolor away with water, but it’s hard to get the paper completely clean again.
Here are my digital additions created on top of the unfinished painting.
Purity, Clarity, Effortlessness
Lately, I’ve been inspired specifically by purity, clarity, and effortlessness. I’ve been watching a Finnish TV show called “Tähdet, tähdet” (Stars, Stars). It’s a singing competition looking for the country’s best performer. Each season features about ten professional performers, most of whom are musicians. The performers are pushed out of their comfort zones, as each episode focuses on a different musical genre.
In the latest season, one of the performers was the reggae musician Jukka Poika. I had never really paid attention to his vocals before. However, the other musical styles truly brought out the singer in him. His voice emerged pure, direct, and yet full of rich tones (listen to an example on YouTube).
Isn’t that exactly what we all want in visual arts: for our own voice and thoughts to come through pure and clear? “It’s so inspiring to think about the purity, clarity, and effortlessness we can achieve when we know exactly what to do in its simplest form, and have the skills to do it
The plan allowed me to bring beautiful tones and nuances into my watercolor without having to stress about perspective and composition.
Finished Piece – The Portal of Hope
I named this piece “Toivon portaali” (The Portal of Hope). There are situations in life that require going through the darkest of times – through a grey stone, as we say in Finnish. It is risky and requires a fighting spirit, but at the same time, the situation is also exciting as it’s a way to move forward.
Here are some photos of the details.
This was much faster to paint than flower paintings of a similar size. There were fewer layers, and geometric shapes are quick to execute.
I hope this inspires you to try an abstract composition with watercolors or colored pencils—or use a combination of both. My painting was done entirely with watercolors.
P.S. Check also this blog post, with more detailed instructions and for watercolor pencils: Modernistic Style – Create Abstract Art Step by Step!
Artistic Line Drawing – What Do You Think About This Course Idea?
To me, all visual art begins with drawing. When you want to get to know yourself, draw! When you want to develop as an artist—say, as a painter—draw! To draw is to think. Make your lines come alive, and gradually, a whole new world will emerge, even on a small piece of paper. That’s what artistic line drawing is about.
Black drawing pen and colored pencils.
Past and Present Drawing Courses
In most of my courses, drawing plays some role. Free and artistic line drawing is especially close to my heart. In the past, I have taught two courses on the subject: Inspirational Drawing and Inspirational Drawing 2.0. These are already retired. Of my current courses, Mystical Minis comes closest to these.
Passion For Teaching Artistic Line Drawing
For some time, I have wanted to offer more help with line drawing. Not just how to draw, but also how to alter the process to take it in a more artistic direction. By “artistic,” I mean moving beyond the conventional and creating something that is both personal and at least partly abstract. I want to speak especially to those of you who want to create freely and push your boundaries—both in how you think and how you create.
Watercolors and colored pencils.
At first, I thought the material I had gathered over the past few months would be just for these blog posts. But as I have started to unpack the topics, I find myself wanting to share more than what fits into a single post—to show things in both theory and practice. So, I’ve started developing a new course, under the working title Artistic Drawing.
Artistic Line Drawing – Course Themes
Here are the themes I have selected for the upcoming course:
- Ways to Start a Drawing: I want to help you explore how you begin. You can approach your drawing like an architect, building a clear structure first—or like a gardener, letting everything grow from a single seed.
- Letting Go: If drawing does not make sense and feels directionless, letting go can be difficult. I want to give tips on how to feel free and draw anything without too much inner resistance.
- Interaction: I want to help you notice the possibilities of interaction in the creative process. This is about both how you speak to yourself and how you work with drawing. For example, a line you draw can invite another line to join the conversation.
- The Scale of Shapes: An impressionist draws in a pixel-like manner, placing tiny dots one after another. An expressionist creates larger, vector-like shapes. I want to help you use both approaches and find the combination you enjoy most.
- Presence: At its best, your drawing radiates presence. I want to help you become like a singer who doesn’t just go through the notes, but pours their whole soul out to the audience.
- Clarity: You can begin a drawing with plenty of elements, but towards the end, it is worth striving for clarity. I want to help you discover a minimalism that is not based on scarcity, but on the ability to pick the essential.
- Sense of Style: I want to help you find the things you want to add to your drawings, and the ones you want to get rid of. It is not just about developing a style, but also about developing your sense of style.
Which of these themes interests you the most? What else do you hope to be included in the course?
You Can Draw Patterned Papers!
This week, I answer the question: “I want to draw, but don’t know how or what! How to start?” My suggestion is to start with patterns. So, draw repeated shapes and make a collection of patterned papers that you can use for collage art, for example.
The No-Pencil Approach
I usually start my line drawings with a black thin-tipped drawing pen or a blue ball-point pen.
If you say you can’t draw, say goodbye to the pencil era. Don’t be one of those who sketch many parallel lines and erase all the time! A pencil is a crutch that might feel helpful, but trust that you can walk and pick up a pen. The first steps may be scary, but when you risk more, you draw better. Your line is not just a vague and neutral curve, but one that expresses your existence.
Let’s draw four patterned papers!
Paper #1 – Small Flowery Shapes
Pick a tiny piece of paper and a pen, not a pencil. When you can’t erase, you focus more and draw better. Small paper doesn’t need anything grand, so clusters of tiny flowery circles are enough, and if not, you can add some leaves.
I colored my pattern with colored pencils. The fun thing with colored pencils is that you can use an eraser to add more patterning. I have a precision eraser pen that is handy for small dots. If you use a bigger eraser, color the dots smaller after erasing.
I love colored pencils because it’s easy to layer the colors to get a variety of tones.
People may say: “It’s just a pattern, not a picture.” Or: “Tiny scraps mean nothing.” But I think it’s a packet of seeds, ready to grow and expand. The first paper may be a secret thing, something you glue on your notebook or planner, to freshen up all the mundane words like “To do” or “Meeting at 9 AM.”
Paper #2 – Big Nested Shapes
Let’s get bolder and pick a bigger paper! The shapes should now be so big that most of them are only partly visible.
Draw nested shapes. The first lines define the inner shapes, and the second lines are the outer shapes that group them. These are fun to color! I used felt-tipped pens and strong contrasts.
Then I added circles, stripes, and some color variation with colored pencils.
When the motifs are big and the colors bold, the shapes can be quite simple. The Finnish design company Marimekko has produced great patterns over the years. See inspiring examples here at Marimekko’s site!
Paper #3 – Dynamic Strokes
Pick a pen with a brush tip. You can also use ink or watercolors with a paintbrush. Draw clusters of three intersecting strokes. Then draw curvy lines that travel around the strokes. The result is dynamic and looks like flying trees or the sight when looking up at the trees. You can add small, flowery shapes and circles too.
I also played with the background and added a free-form low-contrast grid that is like a city map or a tiled wall. The more you draw patterns, the more you will cluster and layer. This way, you will gradually move towards making expressive art rather than staying in the area of surface design.
Paper #4 Traveling Line
Now let your line travel more freely. Repeat what you have learned in the previous exercises, but do it in a more relaxing way, without too much care about what comes on paper. Think about the line being just a foundation for coloring.
When the first lines are just a foundation, you can add decorations like swirls and small dots, which are often seen in surface patterns. Some motifs might be more decorative than others, and the result becomes more like scenery than a design.
I used a regular ball-point pen for the first lines, then colored the paper with watercolors, and finally added decorative details with colored pencils.
To Draw Freely? – What It Is
Drawing means letting your pen take the lead. It means guiding it forward, meandering, and turning. It means traveling your own paths, daring to go back, and driving over and past them. When drawing freely, you don’t really care about the destination, but you want to enjoy the ride.
Your pencil should be firmly on the road, but not so heavily that it’s hard to move. A person who travels with their pencil and focuses on the line knows how to draw, unlike those whose line merely flits across the paper before fleeing. Drawing isn’t about the line representing something, but about the line having someone who treasures it.
Extra – From Hand-drawn Paper to Digital Kaleidoscope Pattern
If you can use image processing software like Adobe Photoshop, scan or photograph your design and duplicate it several times. Flip some copies vertically and some horizontally to build a continuous kaleidoscope pattern.
Draw and Use Patterned Papers -More Inspiration
Use your papers! See this project: Painterly Collage in Rut Bryk’s style
Create more paper and make collages: See the class Collageland
Draw freely: See the classes Intuitive Coloring, Joyful Coloring, and Mystical Minis
Crazy about Ornaments!
I believe that in every artist’s journey, there are moments when you feel you’ve hit the core—or at least, you’re getting very close. For me, many of those moments have been about ornaments. I simply love drawing and painting decorative lines.
>> See more pics and a video at Taiko Online Art Store
This week, I share a recent watercolor painting that is full of ornaments and how I fell in love with ornaments in the first place.
Ornaments in Watercolor
This is how the watercolor painting started.
Ornamental shapes are much easier to draw than paint. In 2020, I made this watercolor painting.
I can now paint much more elegant shapes.
I have been after this skill for so long.
Ornaments – Are They Scary or Harmless?
An ornament is an animal. At first, it’s like a fox that is a bit too tame. You meet it on an evening walk and feel like shouting: “Don’t follow me, I’m not giving you a home!”
Then someone says, “It’s just an ornament, a harmless little decoration. It’s not a fox, it’s a bird.” And that’s when I realize I am dreaming about a magpie, picking only the oldest and most beautiful spoons from the pile.
But when I go to my imaginary pile of spoons, I see snakes. I can only catch the slowest and clumsiest one. My line was quite ugly for a long time, yet it has been my mascot for years. For just as long, I have been searching for the core of my expression.
In 2018 and 2019, my drawing skills took a jump, and I was able to incorporate more and more ornamental expression into my drawings. I participated in Inktober and built two drawing courses: Animal Inkdom and Magical Inkdom.
Looking Through The Lens
Lately, I’ve read many descriptions of artists—both by the artists themselves and by critics. It felt as if I were forcing myself to read tiny text through a small lens, all while swallowing an ornament-shaped lump in my throat.
I believe the most accurate descriptions of how art is born are linked to childhood. My love for ornaments comes from my own.
Our family wasn’t wealthy, but we were dreamers. We followed the lives of European royalty with admiration. The large yard of our old wooden house, with its meadows and little woods, turned into a queen’s castle in my mind. I imagined grand halls, furniture, and a magnificent atmosphere. Nature became my palace once I understood that a plant should be looked at as a structure, not just a decoration.
From a Clumsy Snake to Expression
In the process of making art, however, the ornament is not a child, but an old soul. When a line is still young, it has no idea of the wisdom and beauty it can eventually store within its curves.
I believe that anyone who has the patience to feed their “clumsy snake” will eventually be rewarded. This madness—this love for ornaments—begins to transform from simple decoration into pure expressive power.
Almost all of my drawing courses are about developing a living line that can then transform into an ornamental one. A great courses to start are the colored pencil courses, especially Mystical Minis.
Painting Ornaments
It has taken me a long time to paint more ornamentally. I have had to learn to imagine an ornament as a 3-dimensional structure rather than just a decoration.
Now that I can paint like I used to draw, I can add many things that I have missed from that era, for example, tassels.
I can now also include what I learned from decorative painting when creating the course Decodashery.
There is a sense of the medieval and the Baroque here, blended with the historical fantasy and folklore.
I have also worked in this ornamental style not only in watercolor, but also in oil, but I will share those projects later.
In the world of ornaments, every line has its own age. Is your line still a curious child, or is it beginning to store the wisdom of an ‘old soul’? Tell me about your process in the comments!