Peony and Parakeet

Fly to Your Inner World and Color the Emotion

oil paints

Following the Inner Color

Here is my latest completed oil painting “Elixir.” I start my abstract paintings with the idea that I follow an inner color.

Elixir, oil on canvas, Päivi Eerola, 2025
Elixir, oil on canvas, 80 x 65 cm.

Color Chooses Color

The inner color is the color I feel drawn to, so I tend to pick and mix the first colors intuitively. And then, they wish for other colors to accompany them.

Starting an oil painting so that you follow the inner color.

Colors also evoke shapes, and the shapes bring in more colors. A raw and bright color selection changes slowly to a more sophisticated one. In this color-driven technique, the inner color changes as the painting matures.

Oil painting in progress. The inner world opens up layer by layer.

I try to give my painting enough time to find its own soul and paint several sessions, letting the paint dry between them.

First a Child, Then a Teenager

When the painting is only a child, I don’t care about the composition or what it will represent. I don’t want to force a short childhood or early adolescence. When puberty begins, it’s tempting to call the painting finished. But only then does she begin to find her own, unique mission and get prepared for a long life.

Teenagers often tell how they want to be called. When this painting was still unfinished, she was Ophelia because she saw herself as John Everett Millais’s painting from the 19th century.

Ophelia by John Everett Millais, oil on canvas (1851-1852)
Ophelia by John Everett Millais, oil on canvas (1851-1852)

I usually give the final name only when the painting is almost finished. Then I know what I want to emphasize with the name. Maybe we humans should get our final name a little later too?

Early Goodbye

I take pictures of my canvas paintings outside if possible, because that’s where the light is most natural. My husband often acts as my assistant and holds the painting against the wind. Most of the time, I end the photoshoot by saying to him, “Hey, come take a picture of us together!”

Finnish artist Päivi Eerola and her oil painting Elixir in the garden view.

Since I sell all my paintings, this is the moment when I’m saying a mental goodbye to them. I assure them: “You’ll be fine. Everything’s going to be fine.” Even though I often miss my paintings, I don’t tell them. I feel like their mission is bigger than mine, and my job is to deliver all this for others, not for myself.

A detail of the oil painting Elixir by Päivi Eerola
A detail of the oil painting Elixir by Päivi Eerola. Color-driven abstract painting technique: follow the inner color!
A detail of the oil painting Elixir by Päivi Eerola
A detail of the oil painting Elixir by Päivi Eerola

I have practiced most of my oil painting techniques in a quicker medium, so in watercolor!

Wild Garden – You Can Still Hop in!

In Wild Garden, we will paint freely, intuitively, and expressively in watercolor from Sept 22 to Nov 14. We will begin with floral greeting cards and gradually move forward in expression.

Wild Garden Online Course

The course has just started but you can still hop in!
>> Sign up now!

Half-Empty Art Journals I Should Fill Up

Last month, I went through my art supplies and wrote a post about the supplies I shouldn’t use anymore. After the post, I gave most of those useless-to-me supplies away. Now I have reviewed my art journals and have come to the conclusion that I have too many half-empty ones. I should fill these up and at the same time, end one era in my artistic journey.

A pile of art journals of many kinds. Art journal inspiration for artists.


I don’t mean I shouldn’t have any art journals or sketchbooks anymore, but I think I could do well with only one or two. I have grown my skills by drawing a lot, but now I feel I am more of a painter. Most of my creative energy nowadays goes into painting, and I mostly make either watercolor or canvas paintings. So, the books don’t serve me as much as they have in the early years.

Pile of art journals and sketchbooks., all half-empty. Reviewing art journals.

Ten of my art journals are half-empty. I don’t think it’s realistic to fill them in a short time. On the other hand, I have small pieces and hand-drawn motifs that I could attach to the pages and make collage art. Anyway, I wanted to share my inventory. Time will tell how quickly these will be filled!

Art Journal #1 – Smash Book

Who remembers the Smash Books by K&Company? I have several, but only one of them is unfinished. This one has the best cover as I have attached my fabric drawing to it.

Fabric cover for a Smash book. Drawing on fabric.

This journal has all kinds of pages, but I want to show you the spread that has slow stitching. I have just glued the hand-embroidered fabrics on the pages.

Slow stitching on an art journal

Maybe I could continue this journal with the fabric theme and search for other hand-embroidered pieces from my needlework stash?

Art Journal #2 – Accordion Book

This art journal is really fancy. It’s an accordion book with a separate casing. The paper holds watercolor well but it’s smooth enough for drawing and coloring too. I have got this as a gift from a student of my courses.

Half-empty accordion book waits to get filled.
Most of the filled pages are on the other side, but I think this spread could show the way for the rest of the journal.

This journal has quite a many filled pages, but as it’s an accordion book, I could fill the rest of the pages with a watercolor painting that would continue from one page to another.

Art Journal #3 – Spiral Bound Sketchbook

I shared the process of making the collage cover in this blog post from 2020.

Hand-painted collage cover on an art journal.

When I start making a new course, I often buy a new sketchbook, and that’s what happened here too. This book has mostly portrait drawings. They were drawn when practicing and gathering ideas for the course Innovative Portraits. Some portraits are very abstract like the one below.

Abstract portraits notebook.

This book has still many empty pages. Here, I could gather other face drawings that I have made over the years. I think that at some point, every artist wants to draw faces.

Art Journal #4 – Small Sketchbook

Most of my art journals are filled with colorful art and contain fairly little writing or black-and-white sketches. This little sketchbook has some interesting ideas and it’s more like a notebook about art-making.

Drawing ideas on a small sketchbook.

This sketchbook is almost full, and could be filled very quickly with the ideas for the upcoming paintings and courses.

Art Journal #5 – Colored Pencil Diary

This journal is an Archer & Olive Notebook that I call my colored pencil diary. I have filled many pages already. For example, see the blog post about coloring without limits!

Archer & Olive notebook for colored pencil art. Abstract pages, still half empty!

My favorite part of the book is the chapter that has fun plant-themed pages. I made them for the course Fun Botanicum.

Archer & Olive notebook as an art journal

Even if this journal has many filled pages, it still has a lot of blank pages. However, I feel the journal is ready to be called finished. Should I remove the blank pages? What do you suggest?

Art Journal #6 – Bullet Journal

I love bullet journals but don’t usually draw in them. However, in 2018-2019 I bought a dot-grid journal just for small drawings. These became inspiration pieces for the course Animal Inkdom.

Bullet journaling and hand-drawing.

The drawings leave room for writing, and there are many empty pages left. I think I should remove this journal from my art journal shelf and use it for bullet journaling once my current bullet journal gets full.

Art Journal # 7 – Tiny Sketchbook

My smallest art journal is still quite empty. It has some lovely drawings, though!

Tiny notebook as an art journal.

Should I continue this, or just take out the pages and glue them on another art journal? When I carry a journal with me, I prefer a bigger one.

Art Journal #8 – Dylusions Creative Journal Square with Black Pages

Dylusions Creative Journals are sturdy and their paper is quite thick. I like to practice painting by filling their page. Black is a nice background, especially when I use leftover paints from the palette.

Black art journal filled with leftover paints

This is the kind of journal I still want and need. It will get filled over the years and there’s no pressure to do it right away.

Art Journal #9 – Moleskine Watercolor Notebook

Moleskine watercolor notebook is a small journal, but it has lovely panorama spreads and nice paper. See this blog post for more inspiration!

Moleskine watercolor notebook, half-empty watercolor art journal needs more pages

I am going to continue this one, for sure!

Art Journal #10 – Dylusions Creative Journal Square with Cream Pages

Dylusions Creative Journal with cream-colored pages is my favorite art journal. This journal works well with colored pencils, for example, see this drawing tutorial of Vermeer Girl!

The inside cover is colored freely with felt-tipped pens. I used thin marker paper for the drawing and then glued the paper on the cover.

Dylusions Creative Journal Square inside cover decoration

I started this journal about five years ago, and have almost filled it. But I like to keep working on the older pages, making them more beautiful. Like with the black journal, leftover paints find their way here.

Dylusions Creative Journal Square filled with flower paintings

The paper holds water fairly well, and I use watercolors, acrylics, and oils there. I only wish that the paper would be bright white, not cream-colored. When the journal is full, I will record a flip-through video of it.

Half-Empty Art Journals – Question!

I have a shelf that has many full art journals. I have now put the half-empty ones on the right, so that they don’t get mixed with the full ones.

How many half-empty art journals do you have? Leave a comment!

Wild Garden – Paint with Me!

In the upcoming course Wild Garden we will paint flowers freely, intuitively, and expressively in watercolor. Watch the video and sign up now!

Wild Garden will begin on September 22, 2025. Sign up here!

Painting Seascapes – Making The Scenery Look Bigger

This week, we dive deeper into painting seascapes and other big sceneries. In spring, I thought my painting Atlantis was already finished, but after seeing the ship paintings in the Rijksmuseum in Amsterdam in May, I realized that I had made my seascape painting too simple and small-scale, and went back to working on it. Now it’s finished!

Painting a Bigger Sea

Atlantis, oil on canvas, a seascape painting by Päivi Eerola, Finland. Painting imaginary sceneries.
Atlantis, 80 x 120 cm, oil on canvas. Finished version.

Despite the size of the canvas, you can make the seascape or any scenery look larger by adjusting the composition and the size of the brushstrokes. Compare the finished version with the one below!

Seascape painting in progress. By Päivi Eerola.
Atlantis before the makeover.

When you want to make a seascape look bigger, add tiny strokes, especially near the horizon, and adjust both left and right edges so that it looks like the seascape continues outside the painting.

The changes may look small when you look at the small photos, but in reality, they make a big difference. Here’s a close-up photo of before and after.

A detail of a seascape painting in progress. By Päivi Eerola.
A detail of Atlantis – Before
A detail of a seascape painting called Atlantis by Päivi Eerola.
A detail of Atlantis – After

There are so many details that it was easier to make a short video instead of sharing more pics.

Seascapes don’t have to be boring and all blue. They can include all kinds of events and creatures, even buildings like in my painting.

A Series of Big Sceneries in Progress

It’s been a hot July in Finland, and my little studio is really warm in the afternoon. But I have big canvases in a queue, and the next one is already in progress.

Artist in a studio on a hot summer.

New Course Is Coming Up!

Painting seascapes and other sceneries is exciting, but as you know, I also love flowers. I will be running a new watercolor course called Wild Garden from 22nd September to 14th November. Here’s a small teaser pic …

Wild garden, an online watercolor course by Päivi Eerola

The early-bird sale of Wild Garden will start next week, so stay tuned!

How to Discover Yourself as an Artist

This week I share deep thoughts about how to discover yourself as an artist and how to get discovered. I have a video for you and also, some photos of making a recent large oil painting called “Atlantis”.

Atlantis, oil painting by Päivi Eerola, Finland.
Atlantis, 80 x 120 cm, oil on canvas

When I paint, I am an introvert, but after the session, I want to connect with the world.

A visual artist is painting a big abstract painting.

When the painting is not finished, I may look at it with a very critical eye.

Tired artist after a painting session.

Then I think: Only if you knew what I think, how I feel, and how I have made myself to always reach higher.

Finishing a big oil painting.

This week, I want to tell you. I want to share some things I have found helpful in my artistic career. How I have discovered my artistry and more: how I have got discovered as an artist.

How to Discover Yourself as an Artist and How to Get Discovered – Watch the Video!

I hope this was helpful. Tell us what you think!

Artist Päivi Eerola and her paintings.

I am always waiting for your comments!

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