Color the Emotion

Pick a few colors and create without stiffness.

Designing Cross Stitch Patterns

This week, I have something very different than before: cross stitch!
Buy my first commercial design Primavera from my Etsy shop called Needle and Peony!

Primavera fancy lady portrait cross stitch pattern by Paivi Eerola.

There are two main reasons for designing this pattern. The first is the need for creative play and the second that I couldn’t find anything like this from other designers: a fantasy woman’s facial portrait that wouldn’t be a huge project.

Playing and Drawing in the Stitchly App

My need for creative play comes from being very serious with art this year. I have spent a lot of time in programming computer art and I have been painting a bit too. It’s all great but I started to miss drawing, and especially, making something that is purely illustrative and not so abstract and artistically challenging.

So because I have had cross stitching as a hobby almost all my life, I bought an app called Stitchly and started drawing there – on lunch breaks and such, a few stitches at time. First I just doodled freely with the Apple pen to get to know the app.

Designing cross stitch patterns in the Stitchly app.

Stitchly is easy to use and with the pen, drawing is fun and the squares get filled nicely. Of course, you can also import a photo and let the app create the chart automatically. But to make the image look realistic enough, the stitch count needs to be high and the design … well I don’t think it would be a design anymore, just a pixelated photo. So, when I design, I like to draw with the pen and if I use references, I only use them as inspiration and draw every square myself.

I also like that you can have a custom palette in Stitchly. I have made a palette that has all the DMC colors from my stash, so I can also check the real color when designing.

Drawing and Stitching Faces

When people begin drawing in adulthood, they often start with faces. Eyes, mouth, nose too. Facial features create a connection to the person born on paper. It’s also fun to draw hair and add decorations there.

So, one day it hit me that even when doing cross stitches, I can get company from the character I am stitching. However, couldn’t find a cross-stitch pattern that was a reasonable size and where the character was naturally asymmetrical, but still sparked the imagination.

My stitching time is lonely time in the evening. I clean the studio if I have been painting, and then pick extra glasses and while stitching, watch other cross stitchers’ videos on Youtube, so Flosstube as we cross stitchers call the channels.

Cross stitching in the evening

So when I wanted to stitch a facial portrait of an imaginary person, I decided to draw it in Stitchly. After making the chart, the fun started – I was stitching my own pattern!

Cross stitch project Primavera in progress

Primavera can be stitched in the colors I suggest in the pattern, but since there are only 11 colors, it’s easy to change them as you like.

DMC floss and aida cross stitch fabric

Although Primavera means spring, by changing the colors you can associate a different season or different theme with the character. The decorations are designed to be so general that they don’t limit the character you create.

Primavera fancy lady portrait cross stitch pattern by Paivi Eerola.

The hair has three colors of different darkness, the skin has four. The hair band has two colors close to each other. It is easy to change the accent colors of the mouth and eyes, and also the colors of the decorations.

You can buy the pattern for Primavera in my Etsy shop!

Needle and Peony

It feels nostalgic to have something on sale at Etsy again! Long before I became a full-time artist, I opened the Etsy shop called Kukkilintu, then later changed the name to Peony and Parakeet. That little shop had a major impact on my career and life. Most of my customers lived outside Finland and I started communicating more and more in English.

Folk bags by Paivi Eerola, Finland
Me and some of my folk bags in 2008.

Maybe some of the current readers of this blog were my customers over ten years ago when I sold folk bags (currently available as a knitting pattern), handknitted doll clothes, hand-decorated papers and cards!

Now I changed the shop name to Needle and Peony and intend to add some charts over time. Maybe some slow stitching ideas also, as I have some of them too. Last week, I set up an Instagram account called @needleandpeony to show my cross stitch projects – also what I have stitched from other designers.

Which Design Should I Do Next?

While designing Primavera, it hit me that I have a pile of drawings that I have made for classes and that could be turned into cross stitch patterns. When I browsed them, I couldn’t decide what to choose next, so I now ask you – what would you like me to design next? I have picked 5 drawings to choose from, leave a comment and let me know which one is your favorite! Which one of these would make a great cross stitch design?

A) Angel

Angel drawing by Paivi Eerola

See how I drew the angel in 2022: Angel Drawing for the Inner Child

B) Girl

Flower girl drawing by Paivi Eerola

This flowel girl was drawn for the course Doll World.

C) Cat

Funny cat drawing by Paivi Eerola

This cat was drawn for the course Magical Inkdom.

D) Leaf

Folk leaf drawing by Paivi Eerola.

This folk leaf is an older design, from 2015. See more: Art Quilts in a Modern Way

E) Horse

Fantasy horse drawing by Paivi Eerola

This fantasy horse was drawn for the course Magical Inkdom.

Tell me your favorite of the five – A) Angel, B) Girl, C) Cat, D) Leaf, or E) Horse?

Support me in the cross stitch design journey, here’s the link to purchase Primavera!

Artist’s Life – Starting New Media Art

This week, I share my latest new media art and thoughts about my career as an artist. This is a sequel to the blog post called Beginner’s Video Art that was published last month.

Unstill Still Life – Video Art

The video above is my latest artwork “Unstill Still Life.” I have done this largely by programming. I have developed generative algorithms that create and alter shapes. I have designed the individual shapes with a 3D modeling program called Blender. The models and the code are put together with the Unity Engine which is a software environment for developing games.

Inspiration from an Old Painting

With the artwork, I participated in the Finnish National Gallery’s Web3 community Alusta challenge called “Nature and Nourishment.” The Finnish National Gallery has many copyright-free images and the organization encourages artists to use them for creating new media art.

I have taken inspiration for the colors and surfaces, as well as the concept itself, from Fanny Churberg’s 1876 painting “Still Life with Vegetables and Fish.”

Fanny Churberg, still life, 1876.

I love old paintings, so this challenge was made for me. It’s so interesting to examine the brush strokes and think about the 3-dimensional shapes that they are related to. And I have so much to learn in making generative art, that I need small challenges to keep heading forward.

I Will Continue Painting, But …

I am still going to continue painting traditionally but I also want to start a career in new media art. I want to bring back my skills in programming from the years when I was a software engineer and use those for creating art. I also have a degree in Industrial Design that helps a lot with 3D modeling. The grant that I received from The Finnish Cultural Foundation has enabled me to develop my style in new media.

But all this is not only exciting but hard too. Do you know that feeling that comes when you have to start life over again? There is enthusiasm in the air, but also some “oh no”.

Building a CV

For a full-time artist, most opportunities are based on a CV.

That was not a problem when I graduated in software design in 1996. I thought: “I have plenty of time to grow my CV.” Then, when I graduated as an industrial designer in 2009, life seemed to be halfway over, but I was able to get quite a decent CV by combining some old and new projects.

When I started working as a full-time visual artist in 2014, I didn’t think about CVs at all at first.

Paivi Eerola from 2015 with her art journal.

The picture above is from 2015 when most of my art was in art journal pages.

But when I moved forward in painting, the reality hit me – it was very hard to get accepted to exhibitions and organizations without a CV. Mine was practically blank at first, and it has taken a lot of time and effort to add rows to it.

Paivi Eerola and her oil paintings. Art exhibition.

The picture above is from last summer at the exhibition organized by The Albert Edelefelt Foundation. See more pics in this blog post!

New Media Art – New Career?

And just when I thought that life was almost over at the age of 55, this new media digital art came into my life and it hit me – I’m a beginner again with an empty CV. So, I need and want to participate in challenges, competitions, and exhibitions, to get accepted again. And I want to believe that I still have time to create this new kind of art, not only paintings.

Back side view of Paivi Eerola's video artwork "Unstill Still Life." New media art.
Screen capture of my video artwork. View from the back of the scene.
Some leaves of the big plant are connected to an invisible virtual camera that moves around and sends a mirror image to them.

I learn new things about generative art every day and I am amazed that I have been given this long life to experience it. Gratitude is the overriding emotion that emerges from this new beginning. I am lucky in what I have seen in the development of information technology and what I have been able to develop and be involved in developing in the past. I want my future CV to tell the story of a girl who wanted to become an artist as a child, who fell in love with computers as a teenager, and who finally has the artistic vision and the technical tools to combine the two.

Looking Back Enables Seeing Forward

If you have been following my blog for a while, you must have noticed that my blog posts are often self-reflective like this one. Visual art-making needs self-reflection too. It’s useful to go back and see how things have changed to make future changes and take steps forward.

With the newest course Liberated Artist Revisited, I invite you to paint with me – to follow directions from Paivi many years ago, and then create more with the current Paivi. At the same time, you can ponder, how your art-making has changed and will change.

Liberated Artist Revisited - online art course by Paivi Eerola.

Liberated Artist Revisited is a limited edition – only available for purchase until the end of March 2024! >> Buy Now!

Now and Then – Development of Style

I started a grant project in October. The project lasts a year and covers half of my working time. I am making a digital artwork that can be experienced with virtual glasses. This will definitely give a boost for my artistic development, including the style as well.

3D art. Stories about artistic development.
A snapshot of one of the new experiments in 3D.
I used a fun sculpting app called Nomad and a 3D modeling software called Blender.
This image is based on replicating one shape only.

One of the recent practical changes is that I have given up using a Mac computer and bought a new Windows gaming laptop, which I call Turandot. I am now writing this blog post with her. She must have imagined that she would be owned by a young man, but no – she has a woman in her fifties. Turandot must have sounded like a great name to her, but after googling it, she might have been upset: Puccini’s opera! Well, she just has to adjust and learn my style.

Style Development – Looking Back

The new big project has made me think back and explain it all to Turandot. Ten years ago, I wanted to learn to paint so well that I would be satisfied with my paintings: “I could then die happy!” I thought that as an artist I had to abandon what I have been until then and build a new vision and a new world of my own.

A sketchbook page inspired by fantasy art. Two people share a connection. By Paivi Eerola. Pondering about artistic development.
A sketchbook page from 2017.

When my paintings started to reach the level I had hoped for, I felt first grateful and then empty. I couldn’t see forward anymore.

Jubilee in Neptune, an oil painting by Paivi Eerola.
Jubilee in Neptune, an oil painting from 2022.
See the gallery of my oil paintings!

Now, however, I’m on the brink of something new again and the crises of the past seem strange: how was I so hopeless? Why didn’t I realize that everything meaningful that I’ve done in my life will tie into my art over time?

Always a Beginner

My artist friend said that I have developed quickly as an artist. However, it doesn’t always feel that way. I always have self-criticism and always notice things to improve. That’s why it feels frustrating now when I’m starting over again and building a three-dimensional digital expression. At the same time, I remind myself that the beginning of today is much further than the beginning 10 years ago – there is a lot that I already know and what I can already see, not only style-wise but in a more general level as well.

Oil paintings in a studio marking an artistic development.
A studio view from 2021. Oil paintings.

The balance between encouraging yourself and criticizing yourself is essential when making art. You have to be able to observe your pictures as if they were created by someone else and at the same time, you have to see forward – what all this could be and where it could lead when I will learn more skill and imagination.

A hand-drawn collage. Doodles, scribbles, and animals.
A hand-drawn collage from 2014.

Fortunately, I haven’t listened to those who say that everything you do must be in the same style and form a unified experience. When you’re a beginner, forcing a certain style only leads to getting stuck at a level where you really don’t want to stay. When you’ve done enough, your own style pushes out naturally.

Acrylics on paper. One of the examples in the stream of artistic development.
Acrylic painting on paper from 2020.

Yarn, Thread, Line, and a Telescope!

10 years ago, my line was clumsy and closed, while now it’s elegant and curious, like a telescope that lets me see beyond what I’m currently aware of.

An abstract oil painting by Paivi Eerola.
Winter Night’s Poem from 2022

I’ve always liked knitting and embroidery. Thread and line have a lot in common. That’s where my style started.

An art journal page about crochet.
From 2013, inspired by crochet
Collageland teaches this style!

Now my task is to continue developing my style and step into the world of digital art. However, I will still be drawing and painting next year, so there is no need to worry that this blog will change too much!

Kaunosielu – Painting and Drawing Sensitivity

Kaunosielu is a Finnish word for which I don’t know an English equivalent. It means a dreamer who loves beauty, but the word has an ironic undertone. This romantic soul, alienated from everyday life, cares little about taking care of practical matters and frequently stops to admire the beauty around her.

Kaunosielu, oil on canvas, 70 x 60 cm

I’ve been thinking about people’s yards in my neighborhood a lot lately. The new houses have a small lawn area, a wooden patio, and a row of white cedars. These homes are advertised as “easy-to-maintain yards” in real estate ads. And yet, it often happens that when time passes, a few violets or a peony bush appear. It makes me believe that we all are “kaunosielu people” who have a sensitive heart and eye for beauty.

Analyzing a painting.

So my Kaunosielu painting is dedicated to that part of you who stops after seeing something beautiful. This topic was challenging for me because I usually express movement. Here, however, it’s all about staying rather than leaving and looking rather than running away.

Inspiration from Pastel Drawings

I am making a series of paintings for an exhibition called “In the Mood of Albert Edelfelt” and I have browsed a lot of Albert Edelfelt’s (1854-1905) works. Surprisingly, his pastel drawings fascinate me the most. Look at this woman, for example – or rather – her dress!

Albert Edelfelt, Dalinin kevätlaulu. Pastels on paper.
Dalinin kevätlaulu – Dalin’s Spring Song by Albert Edelfelt

I see a similarity with flowers in old portraits. The outfits are pleated like the petals of ​​flowers and the lines form interesting patterns.

I also started using chalk brushes in the ProCreate app. Here is a digital pastel drawing: peonies and strawberries.

A digital pastel drawing created in ProCreate. By Paivi Eerola, Finland.

I have done oil pastel work for the course Innovative Portraits, but now I dug out the soft pastels.

Drawing with soft pastels.

Soft pastels are more chalky than oil pastels and maybe a bit more difficult too because, unlike oil pastels, soft pastels also need fixative.

A pastel drawing in a sketchbook. Floral abstract by Paivi Eerola.

This is just a small notebook and a small piece but I like to practice between bigger paintings.

Kaunosielu on Canvas

My painting Kaunosielu is painted in oil, but it is close to pastel artworks in terms of color scheme and the use of lines.

Päivi Eerola and her painting Kaunosielu

The painting is inspired by a lovely pastel drawing by Albert Edelfelt called “At the Window.” I was lucky enough to see this work authentically in the Albert Edelt exhibition of the Ateneum Art Museum. This piece is 68 x 62 cm, so it’s quite large for a work drawn on paper. And look at that frame!

Albert Edelfelt, At the Window, pastel on paper.

I was especially fascinated by the composition, and as soon as I started my painting, I felt that now it was coming: Kaunosielu! I had been planning to do a piece called that for a long time.

Abstract oil painting in progress.

I wanted to incorporate haziness and vagueness into this painting, but at the same time use strong variations in darkness. With the big differences in color value, I wanted to create a sense of presence similar to Albert Edelfelt’s paintings.

Abstract floral oil painting called Kaunosielu in progress.

When I took this photo in the morning sun, it felt like the moment stopped and two Kaunosielus came into the picture.

Paivi Eerola and her painting Kaunosielu.

This photo shows so well how darkness and light go hand in hand.

This Week’s Challenges for Your Art-Making

  • Empathize with the kaunosielu personality: Examine what it means to be an impractical but sensitive sielu – soul!
  • Examine old portrait paintings. Dind the similarities between flowers and luxurious dresses.
  • Be bolder with contrasts. Enhance your expression by combining pastel colors with really dark blues and browns.
  • Experiment with soft pastels or oil pastels or mimic their effects with other art supplies.

I hope all these tips inspire you to start creating!

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