Color the Emotion

Pick a few colors and create without stiffness.

Response from the Universe

This week, I have exciting news and talk about life’s big decisions.

In the spring, I will only paint canvas, but later this year, in addition to that, I will also paint the virtual world! Namely, I have received a part-time 1-year grant from the Finnish Cultural Foundation to produce a digital, three-dimensional artwork called Unknown Land.

A grant from the Finnish Cultural Foundation

This is an excerpt of the application that I sent last fall to the foundation.

In my works, I search for a solution to the problems of the external world through the root causes, so strengthening the inner power of a person. By inner power, I refer to imagination and intuition – the human ability to imagine and sense the future. The future is an unknown land.

We can think of this unknown land as a new untouched continent. When we arrive there, everything seems like a newly born fantasy at first, but soon, we will see that this is not the case – only the emphasis has changed. Things emerge from the past, the meaning of which we have previously underestimated. In an unknown land, we are in a state where we no longer want to return to the past, but on the other hand, we cannot escape it. Then it is possible to see the old shadows in a new light and make an effort from that to the new one. Like my paintings, we, therefore, travel between the future and the past – the abstract and representational.

In the project, I will create an interactive virtual reality artwork based on my oil paintings. The project has many kinds of computer work – digital painting, 3D modeling, programming, testing, etc. So, things that feel more like my past self than the current one.

Past’s Big Decisions

Let’s rewind to the 1980s when I was making big decisions in my life. My father had just died. I was engaged but not in love. I sent applications to universities and got accepted by them all. Although I tried not to think about it in the picture below, I knew this would happen: I would move far away to the south to study technology, I would not marry the guy I was engaged to, and I would leave art – at least for a while.

Making big decisions in the 1980s

I had wanted to be an artist but didn’t think the art schools would be as accepting as the universities. I had self-evaluated my skills and talent, which weren’t where they should have been. When I said no to art, I got yes to many good things: intelligent ideas, challenging jobs, better income, etc. I was fascinated by computers, and I believed that the universe wanted me to study software engineering.

But later, it dawned on me that the universe is not quite that simple.

Worlds Are Fighting Over You

Even if I am not a big believer in destiny, I believe that there are worlds that fight over you. No matter how depressed on unpopular you feel at times, remember that some worlds would always do anything to win your heart. And even if you shout to the universe and it remains silent, the worlds are still there for you, waiting for the right moment.

Talviyön runoelma - Winter Night's Poem, oil on canvas, 60 x 80 cm, 2022. By Paivi Eerola, Finland.
Talviyön runoelma – Winter Night’s Poem, oil on canvas, 60 x 80 cm, 2022.

Art didn’t give up on me even if Technology won the battle in the 1980s. There have been big fights since. Last fall, just when Art thought that Technology had been beaten for good, I got excited about VR – virtual reality. Art and Technology have their own ways of capturing my attention. Art is like the beast of my inner world, demanding attention and energy. Technology always attacks outside – sends a few inspiring lines to read about innovations, an abbreviation to figure out, or an invitation to a special event for nerds.

“I will let the universe decide,” I told myself when I wrote the application. But so it happened that the two worlds that had been fighting over me for all my life finally agreed to come together. My life’s big decisions make sense now.

Changes Will Come

I will start the exciting new project in the fall. It will take a lot of my time, and changes will come, but I don’t want to think about them yet. I am painting for the next exhibitions and leading the class Doll World this spring. Then it’s time for Art and Technology to collide.

Butterfly fairies illustration by Paivi Eerola.
The fairies and butterflies from Doll World and the frame from Magical Inkdom

What are the worlds that are fighting over you? Tell us – leave a comment!

The Joy of Drawing Paper Dolls

This week is about drawing paper dolls. At the same time, we celebrate the social nature of hand-drawn paper dolls.

For an artist, the difference between a doll and a human is that the doll opens the door to a fantasy. Thus, drawing paper dolls is very different from painting portraits. But if I have to pick from the two, I would say that paper dolls make you more of an artist.

Paper doll as a nature's spirit. A digital collage of hand-drawn art. By Päivi Eerola, Finland.
A digital collage of hand-drawn art.

Compared to a human, only a doll can be a creature of the imagination – for example, a plant and a spirit at the same time.

Dream Wardrobe

Only a doll can have a wardrobe where every piece is organized.

Drawing paper dolls. By Paivi Eerola of Peony and Parakeet.

Only a doll can get out of the box and go where ever the imagination takes her.

Drawing paper dolls and their clothing.

Only a doll can wear a butterfly as a wig and rose leaves as a bodice.

Flower fairies and beyond. Drawing paper dolls with colored pencils.

To be a fashion designer for a doll is the play we can’t resist.

Unspoken Secrets

Only a doll can hold the secrets that every artist has.

A hand-drawn paper doll.

Because isn’t it so that no matter how close we are, there are dreams that we can’t tell anybody? Dreams that would perhaps sound silly, too grand, or too selfish. Dreams that make you an artist.

True Friends

Only for a doll a true friend is easy to find.

Drawing paper dolls and their world.

With paper dolls, I examine the social aspect of an artist’s life – how we can feel less lonely when creating and how the result can be a bridge between all the art that we have created. And when we give or share a picture of a doll, it also invites other people to play and connect with themselves and others.

Doll World – Drawing Paper Dolls

Come to draw adorable dolls and their dresses with me!

Doll World - an online art class for drawing paper dolls and their clothing.

Doll World lasts from January to May. When you sign up, you will get the published lesson right away. >> Sign up Now!

Discovering a Character by Drawing

This week is about illustrating characters and discovering those that feel personal.

Country Girl illustration by Päivi Eerola.

Have you ever wanted to draw a face or a figure that would really touch your heart? I don’t only mean something that looks pretty on paper but someone that begins to speak to you when your eyes meet.

Starting from an Animal Figure

In the class Magical Inkdom, I mention the word “kissanukke” when we are drawing cats. Kissanukke is “cat doll” in English, but somehow I think it’s much funnier in Finnish. Say: kissanukke! The word is just hilarious.

Last week, I wondered why I think about that word so often. Maybe it’s a hint I should draw cats again. So, I picked a big smooth watercolor paper and a pencil to sketch a huge cat. I wanted to go big because I wanted the cat’s face to be large enough for working on facial features. I adjusted them for a long time with a pencil, and then with colored pencils. I wanted this kissanukke to be more than a doll – a living thing that speaks to me.

Drawing an animal character with colored pencils.

I love to use thick and smooth watercolor paper with colored pencils even when I don’t use water for the drawing.

Coloring details with crayons.

When the paper is big, it’s easy to dive deep into details and let them make the drawing more whimsical than the original sketch.

What’s Behind the Animal?

Story Hunter - a fairytale character by Paivi Eerola. Read more about discovering a character by drawing!

When Kissanukke was born, I asked her: “Who are you?” She said: “I am a hunter, and I can bring you anything you want!” I smiled at her: “What a magical cat you are, with the golden egg and all!” “I had two,” she said, “but the other one got missing when I tried to catch the geese. And I am no cat but a lion!”

Of course, she is a lion – how did I not see that before! I used to be a big fan of Joy Adamson and her lion Elsa as a child. No wonder my inner child has kept asking for cats!

Discovering Through a Different Pose

So, I thought, let’s draw another leijonanukke – lion doll – for the child. This time, I changed the pose so that the character would only need to glance sideways and wished that a shyer creature would appear.

Drawing with colored pencils. Whimsical colored pencil art in progress.

“Are you a hunter too?” I asked when discovering the new character. “No, I am an orchid whisperer! Shhh!”

Orchid Whisperer - an illustration by Paivi Eerola. Read more about discovering characters by drawing!

One of my orchids just stopped blooming, and I am eagerly waiting another to bloom. So, there’s a need for her too!

Illustrating characters with colored pencils. By Paivi Eerola of Peony and Parakeet.

Whisperer is smaller than Hunter. The small size also makes her look less finished in the pics. If you need to provide a hand drawing in a digital form, always draw larger than the asked size. The result looks neater that way.

Discovering a Human Character

This week, I went to the studio and gathered all the courage I got. “Hunter,” I said, “could you bring me a human that really touches my heart.”

And that’s how this little country girl came out – a true nature child!

A detail of the illustration Country Girl. By Paivi Eerola.

I didn’t use any references when drawing the girl and the cats. A reference can help us draw what’s expected but not what comes out naturally. References are great practice, and during the years, I have been practicing with them too. For example, in the class Innovative Portraits, we draw faces and use references creatively. But when discovering a character that feels like a soul mate, references become disturbing. Then it’s all about the connection with your inner self, traveling back in time for inspiration and forward in imagination.

Digital Pencil Work

I drew the girl on my iPad with Apple Pencil and the program called Procreate. I got these fancy tools as a birthday gift from my husband in February but have been waiting for the right moment to get to know them.

Drawing characters freely in Procreate using the Peppermint brush.

So far, I have mostly been using a simple digital brush called “Peppermint” that imitates a graphite pencil.

I will blog more about Procreate later, so it would be interesting to hear if you have used it. Also, if you have any questions, please let me know! However, if you are not into digital tools, don’t worry, I will keep on drawing with real pencils too!

Building and Breaking – Revealing Artistic Potential

This week, I talk about the hidden potential behind artworks and how we can reveal that by not only building but also breaking.

Modern Maximalist

Modern Maximalist, a surface pattern collection by Paivi Eerola.

I have just designed a collection of surface patterns called Modern Maximalist. It’s drawn digitally in Adobe Illustrator and more modern than my work usually is. However, I love modern, especially the 1960s and 1970s styles. I was born at the end of the 1960s, live in a house built in the same era, and my love for retro has been too hidden in my art. But still, I didn’t want to design the collection based only on the images of others, but to build a bridge from my art to design. So, most of the motifs were based on this watercolor painting that I made a couple of weeks ago!

Maximalist, a watercolor painting by Paivi Eerola
Maximalist, watercolor, 37 x 55 cm.

More Artistic Potential by Building and Breaking

Often when we create art, we build. We communicate the big picture and compose bits and pieces so that they work together. We get happy accidents (and sometimes some not-so-happy ones) and aim to make an image where the overall atmosphere takes over the details.

But to reveal more, we also need to break. Then the romantic flower that was painted to represent a dreamer, becomes a more stylish and symbolic figure.

Avant Garden, a surface pattern by Paivi Eerola. From the collection Modern Maximalist.

Yellow flowers and all the yellow washes can be more geometric when they are away from the big picture.

Floral Harlequin, a surface pattern by Paivi Eerola. From the collection Modern Maximalist.
Pansy Power, a surface pattern by Paivi Eerola. From the collection Modern Maximalist.

The juicyness of the fruits and other decorative details can be reorganized.

Fruity Living, a surface pattern by Paivi Eerola. From the collection Modern Maximalist.
Juicy Breakfast, a surface pattern by Paivi Eerola. From the collection Modern Maximalist.
Spiritual Refresh, a surface pattern by Paivi Eerola. From the collection Modern Maximalist.

Picking Ideas from Other Images

We can also add more fuel, and break and pick from other images. This design called “List Maxima” uses motifs from the painting, but also the idea of a list that came from playing with the name of the collection, and fashion pictures that showed puffy and full dresses of the maximalist style.

List Maxima, a surface pattern by Paivi Eerola. From the collection Modern Maximalist.

By breaking and picking, we also develop our ability to curate – to see which inspiration suits what we have already done. It’s an essential part of a style-development and and growing artistic vision.

I saw a pleated skirt on Prince Charles’s wife Camilla Parker-Bowles, not a maximalist style at all, but wonderfully modern so I broke and picked the image and got creative from that.

Camilla Moe, a surface pattern by Paivi Eerola. From the collection Modern Maximalist.

Artists often say to me: “I need to focus!” But by focusing on narrowing, we non-creatively force ourselves to do one thing. By breaking and picking, we can curate all kinds of inspiration and be creative so that it grows our artistic vision.

Sweet Sensations, a surface pattern by Paivi Eerola. From the collection Modern Maximalist.

Revealing the Artistic Potential

No matter where you are in your artistic journey, your art benefits from the idea of building and breaking. Build to go deeper into the experience and break to reveal more ideas and potential! In practice, building often means painting, and breaking is often connected to drawing – even if, of course, you can use any techniques that suit you.

What was first a watercolor painting, could now be a quilt!

A quilt mockup from the fabrics designed by Päivi Eerola. From the collection Modern Maximalist. Read her blog post about revealing artistic potential.

Building and breaking can alternate endlessly when we combine new ideas and results with old ones.

Printed surface patterns. By Paivi Eerola of Peony and Parakeet.

Here I am breaking and picking to create something new into my art journal.

A paper collage in progress. By Paivi Eerola of Peony and Parakeet.

Here’s what I built by cutting and glueing new prints and old hand-decorated papers.

A paper collage by Paivi Eerola of Peony and Parakeet.

And I couldn’t resist checking if this could work as a repeat too!

A surface pattern from collage art. By Paivi Eerola of Peony and Parakeet.

I hope you found this post about building and breaking inspiring!


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