Half-Empty Art Journals I Should Fill Up
Last month, I went through my art supplies and wrote a post about the supplies I shouldn’t use anymore. After the post, I gave most of those useless-to-me supplies away. Now I have reviewed my art journals and have come to the conclusion that I have too many half-empty ones. I should fill these up and at the same time, end one era in my artistic journey.
I don’t mean I shouldn’t have any art journals or sketchbooks anymore, but I think I could do well with only one or two. I have grown my skills by drawing a lot, but now I feel I am more of a painter. Most of my creative energy nowadays goes into painting, and I mostly make either watercolor or canvas paintings. So, the books don’t serve me as much as they have in the early years.
Ten of my art journals are half-empty. I don’t think it’s realistic to fill them in a short time. On the other hand, I have small pieces and hand-drawn motifs that I could attach to the pages and make collage art. Anyway, I wanted to share my inventory. Time will tell how quickly these will be filled!
Art Journal #1 – Smash Book
Who remembers the Smash Books by K&Company? I have several, but only one of them is unfinished. This one has the best cover as I have attached my fabric drawing to it.
This journal has all kinds of pages, but I want to show you the spread that has slow stitching. I have just glued the hand-embroidered fabrics on the pages.
Maybe I could continue this journal with the fabric theme and search for other hand-embroidered pieces from my needlework stash?
Art Journal #2 – Accordion Book
This art journal is really fancy. It’s an accordion book with a separate casing. The paper holds watercolor well but it’s smooth enough for drawing and coloring too. I have got this as a gift from a student of my courses.
This journal has quite a many filled pages, but as it’s an accordion book, I could fill the rest of the pages with a watercolor painting that would continue from one page to another.
Art Journal #3 – Spiral Bound Sketchbook
I shared the process of making the collage cover in this blog post from 2020.
When I start making a new course, I often buy a new sketchbook, and that’s what happened here too. This book has mostly portrait drawings. They were drawn when practicing and gathering ideas for the course Innovative Portraits. Some portraits are very abstract like the one below.
This book has still many empty pages. Here, I could gather other face drawings that I have made over the years. I think that at some point, every artist wants to draw faces.
Art Journal #4 – Small Sketchbook
Most of my art journals are filled with colorful art and contain fairly little writing or black-and-white sketches. This little sketchbook has some interesting ideas and it’s more like a notebook about art-making.
This sketchbook is almost full, and could be filled very quickly with the ideas for the upcoming paintings and courses.
Art Journal #5 – Colored Pencil Diary
This journal is an Archer & Olive Notebook that I call my colored pencil diary. I have filled many pages already. For example, see the blog post about coloring without limits!
My favorite part of the book is the chapter that has fun plant-themed pages. I made them for the course Fun Botanicum.
Even if this journal has many filled pages, it still has a lot of blank pages. However, I feel the journal is ready to be called finished. Should I remove the blank pages? What do you suggest?
Art Journal #6 – Bullet Journal
I love bullet journals but don’t usually draw in them. However, in 2018-2019 I bought a dot-grid journal just for small drawings. These became inspiration pieces for the course Animal Inkdom.
The drawings leave room for writing, and there are many empty pages left. I think I should remove this journal from my art journal shelf and use it for bullet journaling once my current bullet journal gets full.
Art Journal # 7 – Tiny Sketchbook
My smallest art journal is still quite empty. It has some lovely drawings, though!
Should I continue this, or just take out the pages and glue them on another art journal? When I carry a journal with me, I prefer a bigger one.
Art Journal #8 – Dylusions Creative Journal Square with Black Pages
Dylusions Creative Journals are sturdy and their paper is quite thick. I like to practice painting by filling their page. Black is a nice background, especially when I use leftover paints from the palette.
This is the kind of journal I still want and need. It will get filled over the years and there’s no pressure to do it right away.
Art Journal #9 – Moleskine Watercolor Notebook
Moleskine watercolor notebook is a small journal, but it has lovely panorama spreads and nice paper. See this blog post for more inspiration!
I am going to continue this one, for sure!
Art Journal #10 – Dylusions Creative Journal Square with Cream Pages
Dylusions Creative Journal with cream-colored pages is my favorite art journal. This journal works well with colored pencils, for example, see this drawing tutorial of Vermeer Girl!
The inside cover is colored freely with felt-tipped pens. I used thin marker paper for the drawing and then glued the paper on the cover.
I started this journal about five years ago, and have almost filled it. But I like to keep working on the older pages, making them more beautiful. Like with the black journal, leftover paints find their way here.
The paper holds water fairly well, and I use watercolors, acrylics, and oils there. I only wish that the paper would be bright white, not cream-colored. When the journal is full, I will record a flip-through video of it.
Half-Empty Art Journals – Question!
I have a shelf that has many full art journals. I have now put the half-empty ones on the right, so that they don’t get mixed with the full ones.
How many half-empty art journals do you have? Leave a comment!
Wild Garden – Paint with Me!
In the upcoming course Wild Garden we will paint flowers freely, intuitively, and expressively in watercolor. Watch the video and sign up now!
Wild Garden will begin on September 22, 2025. Sign up here!
Creating Menagerie
This week, I share a recent acrylic painting called Menagerie and talk about the process. This is an example of making the most of the rich visual vocabulary – the topic that I talked about in last week’s video, but now we focus more on the idea of the piece rather than the style.
Recently, I have been thinking about the news feeds and their many truths. Although things are presented in beautiful phrases and pictures, the truth is much more complicated, and there are layers behind them. The same applies to people. Even though we try to be human, we are still animals, too.
When I paint, I struggle with the same thing: should I paint a flower or a soul?
I want to create beautiful paintings, but on the other hand, a painting is like a person. If you treat the painting superficially, you don’t get to see its true beauty.
I seem to paint better if I can partly focus on something else!
My goal is to give my paintings the freedom to be themselves and this painting really revealed its heart to me.
However, my task is not only to reveal the wild nature of the painting, but also to gently train it.
Menagerie is sold already. I hope it will bring joy to its new owner.
Details of Menagerie
Here are detail pics of the finished piece. I like how the style of this painting is partly illustrative. It looks like it’s partly drawn with a brush.
I wanted to create an impression that the animals are captive but still wild and strong enough to break free.
This painting has many layers and details.
I tried to bring up the similarity between flowers and animals.
Here you can see the big flower up close. The brush strokes are loose, but still, I painted them with a lot of thought and care.
I hope this inspires you to create too!
Filling an Art Journal
One of my projects this summer is to fill one of my art journals – Dylusions Creative Journal Square. I hope that these pics from my current in-progress journal, inspire you to start filling your art journal!
Reaching Saturation Point in Filling Art Journal
I think art journals have a saturation point. When most of the pages are full, you have to give the book a little more attention than usual. This journal was started in 2020, and I have filled it here and there over the years.
One spread can have things done in many different years. So the book is full of temporal layers, and I think they make the best art journal.
and finally added a zebra made in the style of Animal Inkdom.
Magical Inkdom also has fun projects for these kind of small drawings.
Practicing in an Art Journal
My courses appear a lot in my art journal, because I often practice on the pages or later glue pictures I made for the courses into it. I hope my course participants do the same!
and then added some more painted petals in acrylic.
Journaled “Sweet” with watercolors.
Part of being an artist is to be happy with your own development, and also to be interested in what you have done before.
This and That Will Magically Come Together
When my art journal is full, I will make a video of it, where I go through it and talk about each spread. I also know that when the journal is finished, the flow of the spreads feels much more coherent than when I was filling them.
In the style of Freely Grown.
One thing that applies to all art journals, sketchbooks, and notebooks is that they are most beautiful when full. When you purchase one, it looks too beautiful to fill, but once you hold a full one, it feels much more valuable. I am looking forward to that!
Painting a Mystery
This week is about painting a mystery and entering another world through art-making. My paintings are in an art journal and made with a loose touch.
It All Started from a Withering Bouquet
“The Midsummer bouquet has withered. I have to throw it in the trash,” I said. “But the setting is just like those old masters’ paintings,” my husband replied unexpectedly. And so I remembered this once again.
Once Upon a Time
Once upon a time, there was
and there still is a world that you can get to from anywhere.
At first, it’s dark, but you can hear a woman reading a letter to someone.
You hear a clock ticking backwards, generating more time.
Then you know that it’s time to take a brush in your hand.
Squeeze the handle firmly and hear the trees moaning as their trunks slowly sink to the ground.
First, it feels silly to paint because there’s nothing to see.
But the darkness gradually disappears, and you realize that you are not alone.
Those strange creatures are all familiar to each other and, in a strange way, to you too.
In this world, everything has been mixed up.
You are the wind that shook the flower, and in blowing the petals back, you lost your soul to it.
You are the chair for which the imagination built a room to rest.
In this world, everything is unfinished. But if you are willing to hear and feel instead of only seeing what’s expected, everything is ready enough.
Painting a Mystery – Background Story
The idea of this blog post came from that short conversation with my husband. Then I had to take a photo of the bouquet and make it in the style of old masters.
After that, I remembered taking a photo of a painting called “Woman Reading and a Man Seated at a Table” at the exhibition of the H’Art Museum in Amsterdam. The painting is by Frans van Mieris from 1676.
While browsing my image archive, I was drawn by another photo, taken in the same trip to Amsterdam. It was a decorative mantel clock from 1782 in the Rijksmuseum.
The clock took my thoughts to a more recent visit in Porvoo, Finland, where my husband and I went to see Johan Ludvig Runeberg‘s home. The lovely interior was from the 1860s, and there was a big painting that I really liked. I took a photo, but haven’t succeeded in finding out who painted it.
After gathering the photos, I picked up my art journal (Dylusions Creative Journal Square) and started painting. I didn’t copy the photos, but let them soak in freely. I was just inspired by the atmosphere they evoked in me.
Hopefully this blog post inspires you to paint freely without strict plans and definitions. Painting a mystery is both fun and addicting – I am already eager to create more!