Torn Paper Collage for Artistic Exploration
Torn paper collage – do you remember making them as a child?
This project is not so much about the resulting image, but about the process.
You will need watercolors, thick drawing paper, and paper glue.
I have used Fabriano Accademia Drawing Paper (200 gsm/94 lbs). It’s not as thick as most watercolor papers but holds water well and is nice for collages. I bought this paper for the course Joyful Coloring, and it has become one of my favorites because it’s so versatile.
Step 1 – Paint the Papers
One of the best ways to grow your artistic skills is to move away from ready-made images and make the material for collages yourself.
While creating, think about this!
There’s a hidden miracle in every brush stroke, even in the ugliest ones. The potential of them is huge. Your artistry grows when you keep creating.
When you make the papers yourself, you can choose colors and add variation that will make every torn paper piece unique.
With watercolors, you easily achieve translucent effects and get great pastel tones. But also make a paper with darker and more vivid colors!
Check that you have all these variations: light, bright, and dark!
For a small collage, not so many papers are needed. My papers are 1,5 times the size of the final artwork.
Before continueing, think about this!
The papers are precious treasures. Handle them carefully like they would be glass!
Step 2 – Tore the Papers into Small Pieces
Next, let’s “break glass”! With fingers, tore the papers into pieces.
While creating, think about this!
Art is born, when you question what you see, experience, and own. While tearing the paper, let go of pre-assumptions of what you are going to create.
Step 3 – Paint the Torn Edges
The edges are the best part of torn paper collages, but especially when you paint them too. This way you don’t get too much distracting white to your collage, but the result will more colorful and atmospheric.
While creating, think about this!
Some people like to think a lot, some are more hands on. In artistic exploration, finding the balance is the key. This exercise is especially for thinkers. Look at the torn pieces – so many new beginnings, seeds for new ideas!
You can also spread the paint partly over the piece so that the color transition is less dramatic and the piece gets more depth. Some of my pieces have more colorful and some more blended edges. Variation is always good!
Step 4 – Glue the Pieces
Pick a blank background paper and glue the pieces on it. My background is fairly small, about 6 x 8 inches. I use Towbow Aqua Liquid Glue. It’s not perfect because it’s a bit brittle when it dries, but I like it because it doesn’t make my fingers sticky.
Start from one edge and work towards the center. Save most of the brights for the center and keep the edges less colorful. Create clusters and look for happy accidents.
While creating, think about this!
Papers that have been destroyed now get a new beginning. It’s like a window has been shattered and a new stained glass one gives a new view. Always when you create is some kind of distortion. But that’s not a bad thing at alll. We need these new views to make a shift in our lives, to see beyond the obvious.
Notice, that you can leave the background partly visible here and there.
Step 5 – Finish with Watercolor
You can still adjust the collage by painting over the pieces.
You can add details, but more than that I would recommend adding a thin color layer on most of the pieces so that you get a more unified look. I added yellow over most of the pale greens, and also to the areas where I left the blank paper visible. I like to have white as a highlight color only, and not everywhere.
While creating, do this!
Take a break! Don’t try to do everything in one sitting. Rest and give your mind some time to process what you have been doing!
The collage is now finished, but the process is not. So, proceed to the next step!
Step 6 – Explore Your Torn Paper Collage
Take photos of your torn paper collage. Don’t just take the realistic photo to your archive but get creative! Think about the light and the air and how they create a new layer to everything we see. Take the collage to a place where you get strong sunlight and dark shadows to get a new puzzle over it.
Or if you have a DSLR camera, do what I did: take the collage to a dark room, legthen the exposure so that taking the photo lasts many seconds. Then move the flashlight around the picture and its surroundings.
With the long exposure, you can also move the collage around to get an artistic photo.
You can start with a blank paper, but end up with painting with light.
Creating art is not only about mastering techniques or imagining things. Artistic exploration is where freely practice both.
Torn Paper Collage – Where Did This Idea Come From?
The oil painting that I am currently working on, is influenced by my artistic explorations. And, it’s also vice versa. When I looked at the painting that is still in progress, I felt the need to tear some paper, and so the torn paper collage was born.
I like to explore movement, so moving the collage under the camera produced an image that is related to this painting. That photo will inspire me when I am adding finishing touches to the painting.
I believe we have to explore to move forward in the path.
What do you think?
Black Art Journal Pages as Banners
I want my Black Friday campaigns to be inspiring for art-making, and this year my theme is “Black Berry Friday.” It means juicy art journal pages on black paper. I am pretty sure you have one like my black and square Dylusions Creative Journal (affiliate link).
I use my black art journal for using up old supplies that don’t inspire me anymore. And if I have leftover paint on a palette, I make a few brush strokes on a page rather than toss the paint away. This floral page was born from those kinds of careless strokes and now, much later, I finished it with paint markers.
Edges and Banners
Usually, the center of the page is the most important area, but for banners, the edges need to draw attention. Here, the circular floral design, enhances the center text area beautifully.
I made the banner in Photoshop, and boosted the colors a bit.
I also drew a long rectangle of cherries that not only makes a great banner but also looks great on the journal. I think we treat art journal pages too often as one unit when a page could be divided in sections and thus bring more variation to the journal.
My banner wasn’t long enough for all the purposes, so I made it longer by duplicating the design in Photoshop.
Colored Pencils on Black Art Journal Pages
I like to use colored pencils with paint markers. Marker pens produce thick and opaque shapes but colored pencils are softer and more translucent. Colored pencils are great for backgrounds. Look at these stripes!
I also used gel pens to add thin lines.
Again, I became more interested in the background than the center. The center is not very elegant, but here, in the banner you mostly see the edges.
Doodling on Black Art Journal Pages
My Black Friday offer is simple: All classes are 20% OFF. So I wanted the banners have some simplicity too. Doodling circles is easy and doesn’t require much thinking.
I got a bit carried away though!
I was talking on the phone and watching a movie while doodling, and once I stopped, I thought that I doodled too much. But the banner looks great and of course, there can’t be too much of anything in art!
Designs for Fabric
I got so inspired making these pages, that I had to play with Photoshop a bit more than necessary. I combined many pages into one design and I think something like this would make a great fabric.
Black Over Painted Background
I have been contemplating whether I should use both sides of the pages on my black art journal. Using only one side would give a blank page to protect the art on the opposite page. But the journal looks much more inspiring when both pages are covered!
Here’s one more idea for an art journal page, and this works on any journal. When you have painted backgrounds, use dark marker or paint on top to make shapes from the background.
I wanted to make one banner that has fall and thanksgiving themes with berries. The page became a bit busy, but again, the banner is ok, I think!
And now: it’s time to shop the sale!
The Black Berry Friday sale ends on Dec 2, 2024, at midnight PST.
Coloring Without Limits
This week, I want to talk about colored pencils and coloring without limits. You can color without a preconceived idea, without outlines, and without sketching.
You only need to feel drawn to one color first. Recently, purple-blue has called me.
What to Draw?
Have you ever been thinking about what to draw when everything in the world seems to be drawn already? Maybe you too have wondered whether you draw a face, a bird, or a flower, and if so why. But there is always a secret path in art – the possibility to deviate from the traditional path at the very beginning and see what appears on paper freely.
I have a small colored pencil journal where it’s easy to make a spread now and then.
This was a quick and fun little project.
Choosing Paper with Colors
The smoothness of the paper affects the coloring experience. Single strokes are better visible on smooth paper.
My colored pencil journal has very smooth paper, and I find it less effortless to color than a rougher one.
But when I want the colors to shine more and achieve a little blurrier and thus a softer result, the paper is better when it has some tooth.
I currently have a pad of Fabriano Accademia drawing paper and it’s very nice with colored pencils.
I keep my pencils organized by color. All brands are mixed in one box. Some are watercolor pencils, some are regular, and all of them are in the same mix.
Just Start! – Two Tips
Bring the pencils to a place where you can see them often. And then …”Just start!”
Sometimes it’s easier said than done. When getting started feels like a chore, I have two tips for you.
First, let the color do the talking. Pick a pencil and examine it’s tone. Color lightly first, and then bring in more layers. Every color has a spirit. Connect with it like it’s your pet or an angel. You don’t need to rationalize why you feel drawn to this or that color. Find the pencil that resonates the best with your current self.
Second, give the color at least two other colors as friends. Often one color is very little, but when it’s side by side with two other colors, art will appear. A shape that has only one color is flat but with two other colors, it becomes much more lively.
Colored Pencils Say This All The Time
I know many colored pencils complain that they always have to create something figurative and realistic. They envy paints who can roam freely on paper and how people only smile at their tricks. Colored pencils are too often squeezed tightly and pressed hard against paper at the very beginning. They have to follow strict discipline and are under pressure to produce something that looks real. And when they try to do exactly as they are told, the result is stiff. “Nothing like what can be achieved with paints,” their owners say which makes the pencils sad. If they could choose they would be coloring without limits.
I believe in free education when it comes to colored pencils: “Make what you want and enjoy!” I often say to them. “Imagine that you are something more than just pencils!”
My pencils jump out of their boxes and do all kinds of silly marks. They are like paints.
Without Limits – Imagine You Are More!
In art, it is terribly important that we imagine to be more than what we are. Be more skillful, more innovative, more unique, and more important. Then, at that very moment, the pencils, life, and fantasy cannot be separated. The colors speak inside us and the art steps in.
Love of Coloring Without Limits
When I was a child, colored pencils often kept me company. They still bring me joy and I want to keep staying their advocate.
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The sale ends on Sunday, May 5, 2024, at midnight PDT.
Using White as a Color in Painting and Drawing
In this post, we explore the color white and find ideas on how we could change the way we use it in art-making.
I posted this painting about a month ago, but I still had to fix it! You might not notice the difference, but it matters to me. I have changed the center of the painting so that it is more abstract.
A long time ago I thought that it doesn’t matter if I don’t like some detail of my work or if I don’t like some of my work in general. I thought there would always be someone who would like it.
But the longer I’ve been painting, the more important it has become that I have to be a fan of my own work. When you are a beginner, quantity is more important than quality. But I’ve been working for a long time and the equation has thus turned the other way.
I know some would prefer the more realistic flowers, but I don’t! I have too much reality around me, especially now when the weather has been too cold to be spring.
Living in a White Country
This painting is also special because it has so much color that is difficult for me – white! There is far too much white here in Finland. Even if now is the end of April, we got a lot of snow a couple of days ago!
I think white is a terrible color because it is full of emptiness.
Finnish people usually have white walls and white furniture, but our home is full of colors. I love to display my paintings on this yellow wall.
Not One White But Many Whites
In the recent painting, I wanted to play with pastels and show the side of white that is often not talked about.
For an artist, there is not just one white. There is a warm white that holds the promise of the sun. There is a purple-toned white that falls in love when it sees a deep cold red. There is a white that allures you with a hint of sweet mint. So, many whites, not just one Finnish white!
It’s exciting to mix various whites and then see how the pastel colors slowly begin to appear. You need a lot of white and just a little bit of color to get the toned whites and pale pastels.
Titanium or Zinc White?
The most common white in paint tubes are Titanium White and Zinc White. In oils, you have to be careful with zinc white because it can cause crackles. I mostly use only Titanium White. I would love to use Zinc White because it’s more transparent. In this painting, I have tried my best to bring the soft transparent effects mostly with Titanium White, but it’s not easy!
In acrylics and gouache paints, you can use Zinc White more freely.
When White is Not Needed
Beginners think that adding white on top can fix everything. Ten years ago, I was madly doodling with a white gel pen. What went wrong, got covered with white circles. But white also can make the piece busy and destroy depth. Here’s a quick example of the small collage piece that I made in 2014 (here’s the old blog post with the video too). The first is the old piece and the second is a photoshopped version showing how I would fix it now.
When I tone down the white, the image gets clearer and the depth grows. The highlights in the central parts get more attention and it’s easier to know where to look. I wish someone would have pointed this out to me back then. It took a lot of time to realize this!
If White Were a Person …
I am pretty sure that if White were a person she would say: “I have much more potential than you think. Stop seeing me as a blank background or a quick fix to a piece that lacks contrasts!”
What’s your relationship with White?